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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABF7B it is the complementary color #254084. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABF7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABF7B shade: #DFBF76, #F0D189, #FFE39C, #FFF5AF and #FFFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABF7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABF7B shade: #DABF7B, #C9AD68, #B89B55, #A78942 and #96772F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABF7B shade: #D9BF7B, #D9A57B, #D98C7B and #D97B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABF7B shade: #D9BF7B, #D9D87B, #C1D97B, #A8D97B and #8FD97B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABF7B shade matches the following richer shades: #D9BF7B, #E7C56E and #F5CA60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABF7B shade: #D9BF7B, #CCB989, #BEB396, #B1ADA4 and #A3A7B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABF7B shade: #D98B7B, #D9A47B, #D9BD7B, #D9D67B and #C3D97B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABF7B shade: #C79F3B, #D0AF5B, #D9BF7B, #E3CE9B and #ECDEBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABF7B shade: #DABF7B, #85D97B and #987BD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABF7B shade: #DABF7B, #7BD9BD and #BD7BD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABF7B shade: #DABF7B, #85D97B, #7B98D9 and #D07BD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABF7B shade: #DABF7B, #7BD98E, #7B98D9 and #D97BC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 44 / 15

HEX #DABF7B

RGB 218 191 123

HSL 42.95, 0.56%, 0.67%

LAB 78.23, 0.47, 37.76

 

Complementary color

CMYK 72 / 52 / 0 / 48

HEX #254084

RGB 37 64 132

HSL 222.95, 0.56%, 0.33%

LAB 28.71, 14.45, -41.29

 

CMYK 0 / 14 / 47 / 13

HEX #DFBF76

RGB 223 191 118

HSL 41.71, 0.62%, 0.67%

LAB 78.61, 2, 40.89

 

CMYK 0 / 13 / 43 / 6

HEX #F0D189

RGB 240 209 137

HSL 41.94, 0.77%, 0.74%

LAB 84.96, 1.35, 39.65

 

CMYK 0 / 11 / 39 / 0

HEX #FFE39C

RGB 255 227 156

HSL 43.03, 1%, 0.81%

LAB 91.05, 0.01, 38.2

 

CMYK 0 / 4 / 31 / 0

HEX #FFF5AF

RGB 255 245 175

HSL 52.5, 1%, 0.84%

LAB 95.86, -6.87, 34.97

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 12 / 44 / 15

HEX #DABF7B

RGB 218 191 123

HSL 42.95, 0.56%, 0.67%

LAB 78.23, 0.47, 37.76

 

CMYK 0 / 14 / 48 / 21

HEX #C9AD68

RGB 201 173 104

HSL 42.68, 0.47%, 0.6%

LAB 71.76, 1.13, 39.03

 

CMYK 0 / 16 / 54 / 28

HEX #B89B55

RGB 184 155 85

HSL 42.42, 0.41%, 0.53%

LAB 65.19, 1.91, 40.34

 

CMYK 0 / 18 / 60 / 35

HEX #A78942

RGB 167 137 66

HSL 42.18, 0.43%, 0.46%

LAB 58.51, 2.86, 41.65

 

CMYK 0 / 21 / 69 / 41

HEX #96772F

RGB 150 119 47

HSL 41.94, 0.52%, 0.39%

LAB 51.7, 4.01, 42.85

 

CMYK 0 / 12 / 43 / 15

HEX #D9BF7B

RGB 217 191 123

HSL 43.4, 0.55%, 0.67%

LAB 78.14, 0.07, 37.63

 

CMYK 0 / 24 / 43 / 15

HEX #D9A57B

RGB 217 165 123

HSL 26.81, 0.55%, 0.67%

LAB 71.62, 13.89, 29.17

 

CMYK 0 / 35 / 43 / 15

HEX #D98C7B

RGB 217 140 123

HSL 10.85, 0.55%, 0.67%

LAB 65.7, 27.37, 21.25

 

CMYK 0 / 43 / 43 / 15

HEX #D97B7B

RGB 217 123 123

HSL 0, 0.55%, 0.67%

LAB 61.95, 36.41, 16.11

 

CMYK 0 / 12 / 43 / 15

HEX #D9BF7B

RGB 217 191 123

HSL 43.4, 0.55%, 0.67%

LAB 78.14, 0.07, 37.63

 

CMYK 0 / 0 / 43 / 15

HEX #D9D87B

RGB 217 216 123

HSL 59.36, 0.55%, 0.67%

LAB 84.63, -12.75, 45.8

 

CMYK 11 / 0 / 43 / 15

HEX #C1D97B

RGB 193 217 123

HSL 75.32, 0.55%, 0.67%

LAB 83.12, -22.6, 43.53

 

CMYK 23 / 0 / 43 / 15

HEX #A8D97B

RGB 168 217 123

HSL 91.28, 0.55%, 0.67%

LAB 81.5, -31.9, 41.14

 

CMYK 34 / 0 / 43 / 15

HEX #8FD97B

RGB 143 217 123

HSL 107.23, 0.55%, 0.67%

LAB 80.12, -40.51, 39.11

 

CMYK 0 / 12 / 43 / 15

HEX #D9BF7B

RGB 217 191 123

HSL 43.4, 0.55%, 0.67%

LAB 78.14, 0.07, 37.63

 

CMYK 0 / 15 / 52 / 9

HEX #E7C56E

RGB 231 197 110

HSL 43.14, 0.72%, 0.67%

LAB 80.77, 1.42, 47.69

 

CMYK 0 / 18 / 61 / 4

HEX #F5CA60

RGB 245 202 96

HSL 42.68, 0.88%, 0.67%

LAB 83.18, 3.53, 57.46

 

CMYK 0 / 12 / 43 / 15

HEX #D9BF7B

RGB 217 191 123

HSL 43.4, 0.55%, 0.67%

LAB 78.14, 0.07, 37.63

 

CMYK 0 / 9 / 33 / 20

HEX #CCB989

RGB 204 185 137

HSL 42.99, 0.4%, 0.67%

LAB 75.66, -0.37, 26.86

 

CMYK 0 / 6 / 21 / 25

HEX #BEB396

RGB 190 179 150

HSL 43.5, 0.24%, 0.67%

LAB 73.15, -0.84, 16.24

 

CMYK 0 / 2 / 7 / 31

HEX #B1ADA4

RGB 177 173 164

HSL 41.54, 0.08%, 0.67%

LAB 70.81, -0.2, 5.12

 

CMYK 8 / 6 / 0 / 30

HEX #A3A7B2

RGB 163 167 178

HSL 224, 0.09%, 0.67%

LAB 68.49, 0.77, -6.15

 

CMYK 0 / 36 / 43 / 15

HEX #D98B7B

RGB 217 139 123

HSL 10.21, 0.55%, 0.67%

LAB 65.47, 27.91, 20.94

 

CMYK 0 / 24 / 43 / 15

HEX #D9A47B

RGB 217 164 123

HSL 26.17, 0.55%, 0.67%

LAB 71.37, 14.43, 28.85

 

CMYK 0 / 13 / 43 / 15

HEX #D9BD7B

RGB 217 189 123

HSL 42.13, 0.55%, 0.67%

LAB 77.62, 1.11, 36.97

 

CMYK 0 / 1 / 43 / 15

HEX #D9D67B

RGB 217 214 123

HSL 58.09, 0.55%, 0.67%

LAB 84.11, -11.75, 45.14

 

CMYK 10 / 0 / 43 / 15

HEX #C3D97B

RGB 195 217 123

HSL 74.04, 0.55%, 0.67%

LAB 83.26, -21.84, 43.73

 

CMYK 0 / 20 / 70 / 22

HEX #C79F3B

RGB 199 159 59

HSL 42.86, 0.56%, 0.51%

LAB 67.47, 4.46, 55.54

 

CMYK 0 / 16 / 56 / 18

HEX #D0AF5B

RGB 208 175 91

HSL 43.08, 0.55%, 0.59%

LAB 72.78, 1.86, 46.93

 

CMYK 0 / 12 / 43 / 15

HEX #D9BF7B

RGB 217 191 123

HSL 43.4, 0.55%, 0.67%

LAB 78.14, 0.07, 37.63

 

CMYK 0 / 9 / 32 / 11

HEX #E3CE9B

RGB 227 206 155

HSL 42.5, 0.56%, 0.75%

LAB 83.36, -0.15, 28.07

 

CMYK 0 / 6 / 20 / 7

HEX #ECDEBC

RGB 236 222 188

HSL 42.5, 0.56%, 0.83%

LAB 88.78, -0.57, 18.42

 

CMYK 0 / 12 / 44 / 15

HEX #DABF7B

RGB 218 191 123

HSL 42.95, 0.56%, 0.67%

LAB 78.23, 0.47, 37.76

 

CMYK 39 / 0 / 43 / 15

HEX #85D97B

RGB 133 217 123

HSL 113.62, 0.55%, 0.67%

LAB 79.64, -43.69, 38.39

 

CMYK 30 / 43 / 0 / 15

HEX #987BD9

RGB 152 123 217

HSL 258.51, 0.55%, 0.67%

LAB 57.9, 31.32, -44.32

 

CMYK 0 / 12 / 44 / 15

HEX #DABF7B

RGB 218 191 123

HSL 42.95, 0.56%, 0.67%

LAB 78.23, 0.47, 37.76

 

CMYK 43 / 0 / 13 / 15

HEX #7BD9BD

RGB 123 217 189

HSL 162.13, 0.55%, 0.67%

LAB 80.47, -34.46, 5.11

 

CMYK 13 / 43 / 0 / 15

HEX #BD7BD9

RGB 189 123 217

HSL 282.13, 0.55%, 0.67%

LAB 61.65, 41.84, -38.15

 

CMYK 0 / 12 / 44 / 15

HEX #DABF7B

RGB 218 191 123

HSL 42.95, 0.56%, 0.67%

LAB 78.23, 0.47, 37.76

 

CMYK 39 / 0 / 43 / 15

HEX #85D97B

RGB 133 217 123

HSL 113.62, 0.55%, 0.67%

LAB 79.64, -43.69, 38.39

 

CMYK 43 / 30 / 0 / 15

HEX #7B98D9

RGB 123 152 217

HSL 221.49, 0.55%, 0.67%

LAB 63.08, 6.71, -36.34

 

CMYK 4 / 43 / 0 / 15

HEX #D07BD9

RGB 208 123 217

HSL 294.26, 0.55%, 0.67%

LAB 63.82, 47.41, -34.6

 

CMYK 0 / 12 / 44 / 15

HEX #DABF7B

RGB 218 191 123

HSL 42.95, 0.56%, 0.67%

LAB 78.23, 0.47, 37.76

 

CMYK 43 / 0 / 35 / 15

HEX #7BD98E

RGB 123 217 142

HSL 132.13, 0.55%, 0.67%

LAB 79.49, -43.71, 28.48

 

CMYK 43 / 30 / 0 / 15

HEX #7B98D9

RGB 123 152 217

HSL 221.49, 0.55%, 0.67%

LAB 63.08, 6.71, -36.34

 

CMYK 0 / 43 / 8 / 15

HEX #D97BC7

RGB 217 123 199

HSL 311.49, 0.55%, 0.67%

LAB 64.19, 46.92, -23.85

 

Description

Color code: HEX #DABF7B | qconv.com Color code: HEX #DABF7B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 191 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 191 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 44 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 44% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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