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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABF7B it is the complementary color #254084. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABF7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABF7B shade: #DFBF76, #F0D189, #FFE39C, #FFF5AF and #FFFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABF7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABF7B shade: #DABF7B, #C9AD68, #B89B55, #A78942 and #96772F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABF7B shade: #DABF7C, #DAA67C, #DA8C7C and #DA7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABF7B shade: #DABF7C, #DAD97C, #C2DA7C, #A9DA7C and #8FDA7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABF7B shade matches the following richer shades: #DABF7C, #E8C56E and #F5CB60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABF7B shade: #DABF7C, #CCB989, #BFB397, #B1AEA5 and #A4A8B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABF7B shade: #DA8B7C, #DAA57C, #DABE7C, #DAD77C and #C4DA7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABF7B shade: #C8A03B, #D1B05C, #DABF7C, #E3CF9C and #ECDEBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABF7B shade: #DABF7B, #85DA7C and #987CDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABF7B shade: #DABF7B, #7CDABE and #BE7CDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABF7B shade: #DABF7B, #85DA7C, #7C98DA and #D17CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABF7B shade: #DABF7B, #7CDA8F, #7C98DA and #DA7CC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 44 / 15

HEX #DABF7B

RGB 218 191 123

HSL 42.95, 0.56%, 0.67%

LAB 78.23, 0.47, 37.76

 

Complementary color

CMYK 72 / 52 / 0 / 48

HEX #254084

RGB 37 64 132

HSL 222.95, 0.56%, 0.33%

LAB 28.71, 14.45, -41.29

 

CMYK 0 / 14 / 47 / 13

HEX #DFBF76

RGB 223 191 118

HSL 41.71, 0.62%, 0.67%

LAB 78.61, 2, 40.89

 

CMYK 0 / 13 / 43 / 6

HEX #F0D189

RGB 240 209 137

HSL 41.94, 0.77%, 0.74%

LAB 84.96, 1.35, 39.65

 

CMYK 0 / 11 / 39 / 0

HEX #FFE39C

RGB 255 227 156

HSL 43.03, 1%, 0.81%

LAB 91.05, 0.01, 38.2

 

CMYK 0 / 4 / 31 / 0

HEX #FFF5AF

RGB 255 245 175

HSL 52.5, 1%, 0.84%

LAB 95.86, -6.87, 34.97

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 12 / 44 / 15

HEX #DABF7B

RGB 218 191 123

HSL 42.95, 0.56%, 0.67%

LAB 78.23, 0.47, 37.76

 

CMYK 0 / 14 / 48 / 21

HEX #C9AD68

RGB 201 173 104

HSL 42.68, 0.47%, 0.6%

LAB 71.76, 1.13, 39.03

 

CMYK 0 / 16 / 54 / 28

HEX #B89B55

RGB 184 155 85

HSL 42.42, 0.41%, 0.53%

LAB 65.19, 1.91, 40.34

 

CMYK 0 / 18 / 60 / 35

HEX #A78942

RGB 167 137 66

HSL 42.18, 0.43%, 0.46%

LAB 58.51, 2.86, 41.65

 

CMYK 0 / 21 / 69 / 41

HEX #96772F

RGB 150 119 47

HSL 41.94, 0.52%, 0.39%

LAB 51.7, 4.01, 42.85

 

CMYK 0 / 12 / 43 / 15

HEX #DABF7C

RGB 218 191 124

HSL 42.77, 0.56%, 0.67%

LAB 78.24, 0.57, 37.27

 

CMYK 0 / 24 / 43 / 15

HEX #DAA67C

RGB 218 166 124

HSL 26.81, 0.56%, 0.67%

LAB 71.98, 13.86, 29.13

 

CMYK 0 / 36 / 43 / 15

HEX #DA8C7C

RGB 218 140 124

HSL 10.21, 0.56%, 0.67%

LAB 65.84, 27.87, 20.9

 

CMYK 0 / 43 / 43 / 15

HEX #DA7C7C

RGB 218 124 124

HSL 0, 0.56%, 0.67%

LAB 62.32, 36.36, 16.07

 

CMYK 0 / 12 / 43 / 15

HEX #DABF7C

RGB 218 191 124

HSL 42.77, 0.56%, 0.67%

LAB 78.24, 0.57, 37.27

 

CMYK 0 / 0 / 43 / 15

HEX #DAD97C

RGB 218 217 124

HSL 59.36, 0.56%, 0.67%

LAB 84.99, -12.76, 45.76

 

CMYK 11 / 0 / 43 / 15

HEX #C2DA7C

RGB 194 218 124

HSL 75.32, 0.56%, 0.67%

LAB 83.48, -22.6, 43.49

 

CMYK 22 / 0 / 43 / 15

HEX #A9DA7C

RGB 169 218 124

HSL 91.28, 0.56%, 0.67%

LAB 81.86, -31.89, 41.11

 

CMYK 34 / 0 / 43 / 15

HEX #8FDA7C

RGB 143 218 124

HSL 107.87, 0.56%, 0.67%

LAB 80.43, -40.82, 39

 

CMYK 0 / 12 / 43 / 15

HEX #DABF7C

RGB 218 191 124

HSL 42.77, 0.56%, 0.67%

LAB 78.24, 0.57, 37.27

 

CMYK 0 / 15 / 53 / 9

HEX #E8C56E

RGB 232 197 110

HSL 42.79, 0.73%, 0.67%

LAB 80.86, 1.82, 47.83

 

CMYK 0 / 17 / 61 / 4

HEX #F5CB60

RGB 245 203 96

HSL 43.09, 0.88%, 0.67%

LAB 83.43, 3.02, 57.74

 

CMYK 0 / 12 / 43 / 15

HEX #DABF7C

RGB 218 191 124

HSL 42.77, 0.56%, 0.67%

LAB 78.24, 0.57, 37.27

 

CMYK 0 / 9 / 33 / 20

HEX #CCB989

RGB 204 185 137

HSL 42.99, 0.4%, 0.67%

LAB 75.66, -0.37, 26.86

 

CMYK 0 / 6 / 21 / 25

HEX #BFB397

RGB 191 179 151

HSL 42, 0.24%, 0.67%

LAB 73.25, -0.31, 15.85

HEX #BFB397

CMYK 0 / 2 / 7 / 31

HEX #B1AEA5

RGB 177 174 165

HSL 45, 0.07%, 0.67%

LAB 71.1, -0.56, 4.98

HEX #B1AEA5

CMYK 8 / 6 / 0 / 30

HEX #A4A8B2

RGB 164 168 178

HSL 222.86, 0.08%, 0.67%

LAB 68.83, 0.57, -5.63

HEX #A4A8B2

CMYK 0 / 36 / 43 / 15

HEX #DA8B7C

RGB 218 139 124

HSL 9.57, 0.56%, 0.67%

LAB 65.61, 28.4, 20.59

 

CMYK 0 / 24 / 43 / 15

HEX #DAA57C

RGB 218 165 124

HSL 26.17, 0.56%, 0.67%

LAB 71.74, 14.4, 28.81

 

CMYK 0 / 13 / 43 / 15

HEX #DABE7C

RGB 218 190 124

HSL 42.13, 0.56%, 0.67%

LAB 77.99, 1.1, 36.94

 

CMYK 0 / 1 / 43 / 15

HEX #DAD77C

RGB 218 215 124

HSL 58.09, 0.56%, 0.67%

LAB 84.46, -11.75, 45.11

 

CMYK 10 / 0 / 43 / 15

HEX #C4DA7C

RGB 196 218 124

HSL 74.04, 0.56%, 0.67%

LAB 83.62, -21.83, 43.7

 

CMYK 0 / 20 / 71 / 22

HEX #C8A03B

RGB 200 160 59

HSL 42.98, 0.56%, 0.51%

LAB 67.83, 4.35, 55.94

 

CMYK 0 / 16 / 56 / 18

HEX #D1B05C

RGB 209 176 92

HSL 43.08, 0.56%, 0.59%

LAB 73.14, 1.83, 46.89

 

CMYK 0 / 12 / 43 / 15

HEX #DABF7C

RGB 218 191 124

HSL 42.77, 0.56%, 0.67%

LAB 78.24, 0.57, 37.27

 

CMYK 0 / 9 / 31 / 11

HEX #E3CF9C

RGB 227 207 156

HSL 43.1, 0.56%, 0.75%

LAB 83.63, -0.54, 27.92

 

CMYK 0 / 6 / 20 / 7

HEX #ECDEBC

RGB 236 222 188

HSL 42.5, 0.56%, 0.83%

LAB 88.78, -0.57, 18.42

 

CMYK 0 / 12 / 44 / 15

HEX #DABF7B

RGB 218 191 123

HSL 42.95, 0.56%, 0.67%

LAB 78.23, 0.47, 37.76

 

CMYK 39 / 0 / 43 / 15

HEX #85DA7C

RGB 133 218 124

HSL 114.26, 0.56%, 0.67%

LAB 79.95, -43.98, 38.29

 

CMYK 30 / 43 / 0 / 15

HEX #987CDA

RGB 152 124 218

HSL 257.87, 0.56%, 0.67%

LAB 58.18, 31, -44.42

 

CMYK 0 / 12 / 44 / 15

HEX #DABF7B

RGB 218 191 123

HSL 42.95, 0.56%, 0.67%

LAB 78.23, 0.47, 37.76

 

CMYK 43 / 0 / 13 / 15

HEX #7CDABE

RGB 124 218 190

HSL 162.13, 0.56%, 0.67%

LAB 80.82, -34.45, 5.09

 

CMYK 13 / 43 / 0 / 15

HEX #BE7CDA

RGB 190 124 218

HSL 282.13, 0.56%, 0.67%

LAB 62.02, 41.8, -38.13

 

CMYK 0 / 12 / 44 / 15

HEX #DABF7B

RGB 218 191 123

HSL 42.95, 0.56%, 0.67%

LAB 78.23, 0.47, 37.76

 

CMYK 39 / 0 / 43 / 15

HEX #85DA7C

RGB 133 218 124

HSL 114.26, 0.56%, 0.67%

LAB 79.95, -43.98, 38.29

 

CMYK 43 / 30 / 0 / 15

HEX #7C98DA

RGB 124 152 218

HSL 222.13, 0.56%, 0.67%

LAB 63.18, 7.25, -36.73

 

CMYK 4 / 43 / 0 / 15

HEX #D17CDA

RGB 209 124 218

HSL 294.26, 0.56%, 0.67%

LAB 64.19, 47.37, -34.58

 

CMYK 0 / 12 / 44 / 15

HEX #DABF7B

RGB 218 191 123

HSL 42.95, 0.56%, 0.67%

LAB 78.23, 0.47, 37.76

 

CMYK 43 / 0 / 34 / 15

HEX #7CDA8F

RGB 124 218 143

HSL 132.13, 0.56%, 0.67%

LAB 79.85, -43.69, 28.44

 

CMYK 43 / 30 / 0 / 15

HEX #7C98DA

RGB 124 152 218

HSL 222.13, 0.56%, 0.67%

LAB 63.18, 7.25, -36.73

 

CMYK 0 / 43 / 9 / 15

HEX #DA7CC7

RGB 218 124 199

HSL 312.13, 0.56%, 0.67%

LAB 64.52, 46.72, -23.34

 

Description

Color code: HEX #DABF7B | qconv.com Color code: HEX #DABF7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 191 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 191 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 44 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 44% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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