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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABF1E it is the complementary color #2540E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABF1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABF1E shade: #DFBF19, #F0D12C, #FFE33F, #FFF552 and #FFFF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABF1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABF1E shade: #DABF1E, #C9AD0B, #B89B00, #A78900 and #967700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABF1E shade: #DBC01D, #DB8D1D, #DB5A1D, #DB261D and #DB1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABF1E shade: #DBC01D, #C3DB1D, #90DB1D, #5DDB1D and #2ADB1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABF1E shade matches the following richer shades: #DBC01D and #F0CF09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABF1E shade: #DBC01D, #C7B232, #B3A346, #9F955A and #8B866E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABF1E shade: #DB5A1D, #DB8C1D, #DBBF1D, #C5DB1D and #93DB1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABF1E shade: #938114, #B7A019, #DBC01D, #E4CC3E and #E9D662

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABF1E shade: #DABF1E, #1DDB27 and #731DDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABF1E shade: #DABF1E, #1DDBBF and #BF1DDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABF1E shade: #DABF1E, #1DDB27, #1D3ADB and #DB1DD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABF1E shade: #DABF1E, #1DDB60, #1D3ADB and #DB1D99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 86 / 15

HEX #DABF1E

RGB 218 191 30

HSL 51.38, 0.76%, 0.49%

LAB 77.44, -5.18, 74.63

 

Complementary color

CMYK 84 / 72 / 0 / 12

HEX #2540E1

RGB 37 64 225

HSL 231.38, 0.76%, 0.51%

LAB 36.92, 49.03, -83.17

 

CMYK 0 / 14 / 89 / 13

HEX #DFBF19

RGB 223 191 25

HSL 50.3, 0.8%, 0.49%

LAB 77.89, -3.12, 76.2

 

CMYK 0 / 13 / 82 / 6

HEX #F0D12C

RGB 240 209 44

HSL 50.51, 0.87%, 0.56%

LAB 84.13, -4.6, 77.61

 

CMYK 0 / 11 / 75 / 0

HEX #FFE33F

RGB 255 227 63

HSL 51.25, 1%, 0.62%

LAB 90.12, -6.72, 77.84

 

CMYK 0 / 4 / 68 / 0

HEX #FFF552

RGB 255 245 82

HSL 56.53, 1%, 0.66%

LAB 94.81, -14.75, 75.81

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 12 / 86 / 15

HEX #DABF1E

RGB 218 191 30

HSL 51.38, 0.76%, 0.49%

LAB 77.44, -5.18, 74.63

 

CMYK 0 / 14 / 95 / 21

HEX #C9AD0B

RGB 201 173 11

HSL 51.16, 0.9%, 0.42%

LAB 71.1, -3.58, 72.3

 

CMYK 0 / 16 / 100 / 28

HEX #B89B00

RGB 184 155 0

HSL 50.54, 1%, 0.36%

LAB 64.67, -1.74, 68.28

 

CMYK 0 / 18 / 100 / 35

HEX #A78900

RGB 167 137 0

HSL 49.22, 1%, 0.33%

LAB 58.14, 0.29, 62.88

 

CMYK 0 / 21 / 100 / 41

HEX #967700

RGB 150 119 0

HSL 47.6, 1%, 0.29%

LAB 51.47, 2.42, 57.38

 

CMYK 0 / 12 / 87 / 14

HEX #DBC01D

RGB 219 192 29

HSL 51.47, 0.77%, 0.49%

LAB 77.79, -5.29, 75.17

 

CMYK 0 / 36 / 87 / 14

HEX #DB8D1D

RGB 219 141 29

HSL 35.37, 0.77%, 0.49%

LAB 65.12, 21.76, 65

 

CMYK 0 / 59 / 87 / 14

HEX #DB5A1D

RGB 219 90 29

HSL 19.26, 0.77%, 0.49%

LAB 54.51, 47.81, 56.48

 

CMYK 0 / 83 / 87 / 14

HEX #DB261D

RGB 219 38 29

HSL 2.84, 0.77%, 0.49%

LAB 47.67, 66.48, 50.98

 

CMYK 0 / 87 / 87 / 14

HEX #DB1D1D

RGB 219 29 29

HSL 0, 0.77%, 0.49%

LAB 47.01, 68.36, 50.45

 

CMYK 0 / 12 / 87 / 14

HEX #DBC01D

RGB 219 192 29

HSL 51.47, 0.77%, 0.49%

LAB 77.79, -5.29, 75.17

 

CMYK 11 / 0 / 87 / 14

HEX #C3DB1D

RGB 195 219 29

HSL 67.58, 0.77%, 0.49%

LAB 83.1, -28.83, 78.67

 

CMYK 34 / 0 / 87 / 14

HEX #90DB1D

RGB 144 219 29

HSL 83.68, 0.77%, 0.49%

LAB 80, -48.53, 74.83

 

CMYK 58 / 0 / 87 / 14

HEX #5DDB1D

RGB 93 219 29

HSL 99.79, 0.77%, 0.49%

LAB 77.92, -64.15, 72.23

 

CMYK 81 / 0 / 87 / 14

HEX #2ADB1D

RGB 42 219 29

HSL 115.89, 0.77%, 0.49%

LAB 76.83, -73.44, 70.86

 

CMYK 0 / 12 / 87 / 14

HEX #DBC01D

RGB 219 192 29

HSL 51.47, 0.77%, 0.49%

LAB 77.79, -5.29, 75.17

 

CMYK 0 / 14 / 96 / 6

HEX #F0CF09

RGB 240 207 9

HSL 51.43, 0.93%, 0.49%

LAB 83.53, -4.2, 83.28

 

CMYK 0 / 12 / 87 / 14

HEX #DBC01D

RGB 219 192 29

HSL 51.47, 0.77%, 0.49%

LAB 77.79, -5.29, 75.17

 

CMYK 0 / 11 / 75 / 22

HEX #C7B232

RGB 199 178 50

HSL 51.54, 0.6%, 0.49%

LAB 72.37, -6.06, 63.84

 

CMYK 0 / 9 / 61 / 30

HEX #B3A346

RGB 179 163 70

HSL 51.19, 0.44%, 0.49%

LAB 66.69, -5.73, 49.26

 

CMYK 0 / 6 / 43 / 38

HEX #9F955A

RGB 159 149 90

HSL 51.3, 0.28%, 0.49%

LAB 61.31, -5, 32.42

 

CMYK 0 / 4 / 21 / 45

HEX #8B866E

RGB 139 134 110

HSL 49.66, 0.12%, 0.49%

LAB 55.75, -2.34, 13.62

 

CMYK 0 / 59 / 87 / 14

HEX #DB5A1D

RGB 219 90 29

HSL 19.26, 0.77%, 0.49%

LAB 54.51, 47.81, 56.48

 

CMYK 0 / 36 / 87 / 14

HEX #DB8C1D

RGB 219 140 29

HSL 35.05, 0.77%, 0.49%

LAB 64.89, 22.3, 64.81

 

CMYK 0 / 13 / 87 / 14

HEX #DBBF1D

RGB 219 191 29

HSL 51.16, 0.77%, 0.49%

LAB 77.53, -4.77, 74.96

 

CMYK 10 / 0 / 87 / 14

HEX #C5DB1D

RGB 197 219 29

HSL 66.95, 0.77%, 0.49%

LAB 83.24, -28, 78.85

 

CMYK 33 / 0 / 87 / 14

HEX #93DB1D

RGB 147 219 29

HSL 82.74, 0.77%, 0.49%

LAB 80.15, -47.46, 75.02

 

CMYK 0 / 12 / 86 / 42

HEX #938114

RGB 147 129 20

HSL 51.5, 0.76%, 0.33%

LAB 53.98, -4.19, 55.04

 

CMYK 0 / 13 / 86 / 28

HEX #B7A019

RGB 183 160 25

HSL 51.27, 0.76%, 0.41%

LAB 65.97, -4.47, 65.09

 

CMYK 0 / 12 / 87 / 14

HEX #DBC01D

RGB 219 192 29

HSL 51.47, 0.77%, 0.49%

LAB 77.79, -5.29, 75.17

 

CMYK 0 / 11 / 73 / 11

HEX #E4CC3E

RGB 228 204 62

HSL 51.33, 0.75%, 0.57%

LAB 81.85, -6.5, 69.54

 

CMYK 0 / 8 / 58 / 9

HEX #E9D662

RGB 233 214 98

HSL 51.56, 0.75%, 0.65%

LAB 85.15, -7.41, 58.48

 

CMYK 0 / 12 / 86 / 15

HEX #DABF1E

RGB 218 191 30

HSL 51.38, 0.76%, 0.49%

LAB 77.44, -5.18, 74.63

 

CMYK 87 / 0 / 82 / 14

HEX #1DDB27

RGB 29 219 39

HSL 123.16, 0.77%, 0.49%

LAB 76.72, -74.24, 68.45

 

CMYK 47 / 87 / 0 / 14

HEX #731DDB

RGB 115 29 219

HSL 267.16, 0.77%, 0.49%

LAB 37.18, 69.61, -79.1

 

CMYK 0 / 12 / 86 / 15

HEX #DABF1E

RGB 218 191 30

HSL 51.38, 0.76%, 0.49%

LAB 77.44, -5.18, 74.63

 

CMYK 87 / 0 / 13 / 14

HEX #1DDBBF

RGB 29 219 191

HSL 171.16, 0.77%, 0.49%

LAB 78.86, -49.67, 1.44

 

CMYK 13 / 87 / 0 / 14

HEX #BF1DDB

RGB 191 29 219

HSL 291.16, 0.77%, 0.49%

LAB 48.35, 80.03, -60.41

 

CMYK 0 / 12 / 86 / 15

HEX #DABF1E

RGB 218 191 30

HSL 51.38, 0.76%, 0.49%

LAB 77.44, -5.18, 74.63

 

CMYK 87 / 0 / 82 / 14

HEX #1DDB27

RGB 29 219 39

HSL 123.16, 0.77%, 0.49%

LAB 76.72, -74.24, 68.45

 

CMYK 87 / 74 / 0 / 14

HEX #1D3ADB

RGB 29 58 219

HSL 230.84, 0.77%, 0.49%

LAB 34.81, 50.04, -83.24

 

CMYK 0 / 87 / 4 / 14

HEX #DB1DD2

RGB 219 29 210

HSL 302.84, 0.77%, 0.49%

LAB 52.5, 83.41, -48.35

 

CMYK 0 / 12 / 86 / 15

HEX #DABF1E

RGB 218 191 30

HSL 51.38, 0.76%, 0.49%

LAB 77.44, -5.18, 74.63

 

CMYK 87 / 0 / 56 / 14

HEX #1DDB60

RGB 29 219 96

HSL 141.16, 0.77%, 0.49%

LAB 77.14, -68.98, 47.69

 

CMYK 87 / 74 / 0 / 14

HEX #1D3ADB

RGB 29 58 219

HSL 230.84, 0.77%, 0.49%

LAB 34.81, 50.04, -83.24

 

CMYK 0 / 87 / 30 / 14

HEX #DB1D99

RGB 219 29 153

HSL 320.84, 0.77%, 0.49%

LAB 49.78, 76.2, -19.26

 

Description

Color code: HEX #DABF1E | qconv.com Color code: HEX #DABF1E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 191 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 191 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 86 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 86% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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