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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABED2 it is the complementary color #25412D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABED2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABED2 shade: #DFBECD, #F0D0E0, #FFE2F3, #FFF4FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABED2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABED2 shade: #DABED2, #C9ACBF, #B89AAC, #A78899 and #967686

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABED2 shade: #DABED2, #DABECA, #DABEC3 and #DABEBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABED2 shade: #DABED2, #DABED9, #D3BEDA, #CBBEDA and #C4BEDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABED2 shade matches the following richer shades: #DABED2, #E2B6D5, #EAAED9, #F3A5DD and #FB9DE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABED2 shade: #DABED2, #D2C6CE, #C9CFCB, #C1D7C7 and #B9DFC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABED2 shade: #D3BEDA, #DABED9, #DABED2, #DABECB and #DABEC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABED2 shade: #BC8AAD, #CBA4C0, #DABED2, #E9D8E4 and #F8F3F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABED2 shade: #DABED2, #DACCBE and #BEDAD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABED2 shade: #DABED2, #D2DABE and #BED2DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABED2 shade: #DABED2, #DACCBE, #BEDAC6 and #BECCDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABED2 shade: #DABED2, #DAD4BE, #BEDAC6 and #BEC4DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 4 / 15

HEX #DABED2

RGB 218 190 210

HSL 317.14, 0.27%, 0.8%

LAB 79.83, 13.35, -6.35

 

Complementary color

CMYK 43 / 0 / 31 / 75

HEX #25412D

RGB 37 65 45

HSL 137.14, 0.27%, 0.2%

LAB 24.84, -15.81, 8.95

 

CMYK 0 / 15 / 8 / 13

HEX #DFBECD

RGB 223 190 205

HSL 332.73, 0.34%, 0.81%

LAB 80.14, 14.21, -3.16

 

CMYK 0 / 13 / 7 / 6

HEX #F0D0E0

RGB 240 208 224

HSL 330, 0.52%, 0.88%

LAB 86.51, 13.81, -3.76

 

CMYK 0 / 11 / 5 / 0

HEX #FFE2F3

RGB 255 226 243

HSL 324.83, 1%, 0.94%

LAB 92.63, 12.76, -4.61

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 0 / 13 / 4 / 15

HEX #DABED2

RGB 218 190 210

HSL 317.14, 0.27%, 0.8%

LAB 79.83, 13.35, -6.35

 

CMYK 0 / 14 / 5 / 21

HEX #C9ACBF

RGB 201 172 191

HSL 320.69, 0.21%, 0.73%

LAB 73.34, 13.76, -5.79

 

CMYK 0 / 16 / 7 / 28

HEX #B89AAC

RGB 184 154 172

HSL 324, 0.17%, 0.66%

LAB 66.73, 14.2, -5.21

 

CMYK 0 / 19 / 8 / 35

HEX #A78899

RGB 167 136 153

HSL 327.1, 0.15%, 0.59%

LAB 60, 14.69, -4.6

 

CMYK 0 / 21 / 11 / 41

HEX #967686

RGB 150 118 134

HSL 330, 0.13%, 0.53%

LAB 53.13, 15.23, -3.95

 

CMYK 0 / 13 / 4 / 15

HEX #DABED2

RGB 218 190 210

HSL 317.14, 0.27%, 0.8%

LAB 79.83, 13.35, -6.35

 

CMYK 0 / 13 / 7 / 15

HEX #DABECA

RGB 218 190 202

HSL 334.29, 0.27%, 0.8%

LAB 79.61, 11.95, -2.36

 

CMYK 0 / 13 / 11 / 15

HEX #DABEC3

RGB 218 190 195

HSL 349.29, 0.27%, 0.8%

LAB 79.43, 10.76, 1.14

 

CMYK 0 / 13 / 13 / 15

HEX #DABEBE

RGB 218 190 190

HSL 0, 0.27%, 0.8%

LAB 79.3, 9.94, 3.66

 

CMYK 0 / 13 / 4 / 15

HEX #DABED2

RGB 218 190 210

HSL 317.14, 0.27%, 0.8%

LAB 79.83, 13.35, -6.35

 

CMYK 0 / 13 / 0 / 15

HEX #DABED9

RGB 218 190 217

HSL 302.14, 0.27%, 0.8%

LAB 80.03, 14.62, -9.82

 

CMYK 3 / 13 / 0 / 15

HEX #D3BEDA

RGB 211 190 218

HSL 285, 0.27%, 0.8%

LAB 79.46, 12.45, -11.28

 

CMYK 7 / 13 / 0 / 15

HEX #CBBEDA

RGB 203 190 218

HSL 267.86, 0.27%, 0.8%

LAB 78.8, 9.78, -12.33

 

CMYK 10 / 13 / 0 / 15

HEX #C4BEDA

RGB 196 190 218

HSL 252.86, 0.27%, 0.8%

LAB 78.24, 7.47, -13.23

 

CMYK 0 / 13 / 4 / 15

HEX #DABED2

RGB 218 190 210

HSL 317.14, 0.27%, 0.8%

LAB 79.83, 13.35, -6.35

 

CMYK 0 / 19 / 6 / 11

HEX #E2B6D5

RGB 226 182 213

HSL 317.73, 0.43%, 0.8%

LAB 78.71, 20.92, -9.56

 

CMYK 0 / 26 / 7 / 8

HEX #EAAED9

RGB 234 174 217

HSL 317, 0.59%, 0.8%

LAB 77.74, 28.62, -13.09

 

CMYK 0 / 32 / 9 / 5

HEX #F3A5DD

RGB 243 165 221

HSL 316.92, 0.76%, 0.8%

LAB 76.79, 37.07, -16.6

 

CMYK 0 / 37 / 11 / 2

HEX #FB9DE0

RGB 251 157 224

HSL 317.23, 0.92%, 0.8%

LAB 76.07, 44.32, -19.23

 

CMYK 0 / 13 / 4 / 15

HEX #DABED2

RGB 218 190 210

HSL 317.14, 0.27%, 0.8%

LAB 79.83, 13.35, -6.35

 

CMYK 0 / 6 / 2 / 18

HEX #D2C6CE

RGB 210 198 206

HSL 320, 0.12%, 0.8%

LAB 81.04, 5.6, -2.49

 

CMYK 3 / 0 / 2 / 19

HEX #C9CFCB

RGB 201 207 203

HSL 140, 0.06%, 0.8%

LAB 82.57, -2.78, 1.26

 

CMYK 10 / 0 / 7 / 16

HEX #C1D7C7

RGB 193 215 199

HSL 136.36, 0.22%, 0.8%

LAB 84, -10.36, 5.39

 

CMYK 17 / 0 / 12 / 13

HEX #B9DFC4

RGB 185 223 196

HSL 137.37, 0.37%, 0.8%

LAB 85.54, -17.62, 9.12

 

CMYK 3 / 13 / 0 / 15

HEX #D3BEDA

RGB 211 190 218

HSL 285, 0.27%, 0.8%

LAB 79.46, 12.45, -11.28

 

CMYK 0 / 13 / 0 / 15

HEX #DABED9

RGB 218 190 217

HSL 302.14, 0.27%, 0.8%

LAB 80.03, 14.62, -9.82

 

CMYK 0 / 13 / 4 / 15

HEX #DABED2

RGB 218 190 210

HSL 317.14, 0.27%, 0.8%

LAB 79.83, 13.35, -6.35

 

CMYK 0 / 13 / 7 / 15

HEX #DABECB

RGB 218 190 203

HSL 332.14, 0.27%, 0.8%

LAB 79.64, 12.12, -2.86

 

CMYK 0 / 13 / 11 / 15

HEX #DABEC3

RGB 218 190 195

HSL 349.29, 0.27%, 0.8%

LAB 79.43, 10.76, 1.14

 

CMYK 0 / 27 / 8 / 26

HEX #BC8AAD

RGB 188 138 173

HSL 318, 0.27%, 0.64%

LAB 63.25, 24.71, -10.91

 

CMYK 0 / 19 / 5 / 20

HEX #CBA4C0

RGB 203 164 192

HSL 316.92, 0.27%, 0.72%

LAB 71.59, 19.01, -8.92

 

CMYK 0 / 13 / 4 / 15

HEX #DABED2

RGB 218 190 210

HSL 317.14, 0.27%, 0.8%

LAB 79.83, 13.35, -6.35

 

CMYK 0 / 7 / 2 / 9

HEX #E9D8E4

RGB 233 216 228

HSL 317.65, 0.28%, 0.88%

LAB 87.99, 7.92, -3.78

 

CMYK 0 / 2 / 1 / 3

HEX #F8F3F6

RGB 248 243 246

HSL 324, 0.26%, 0.96%

LAB 96.29, 2.19, -0.86

 

CMYK 0 / 13 / 4 / 15

HEX #DABED2

RGB 218 190 210

HSL 317.14, 0.27%, 0.8%

LAB 79.83, 13.35, -6.35

 

CMYK 0 / 6 / 13 / 15

HEX #DACCBE

RGB 218 204 190

HSL 30, 0.27%, 0.8%

LAB 82.81, 2.53, 8.71

 

CMYK 13 / 0 / 1 / 15

HEX #BEDAD7

RGB 190 218 215

HSL 173.57, 0.27%, 0.8%

LAB 84.99, -9.83, -1.67

 

CMYK 0 / 13 / 4 / 15

HEX #DABED2

RGB 218 190 210

HSL 317.14, 0.27%, 0.8%

LAB 79.83, 13.35, -6.35

 

CMYK 4 / 0 / 13 / 15

HEX #D2DABE

RGB 210 218 190

HSL 77.14, 0.27%, 0.8%

LAB 85.79, -7.58, 12.86

 

CMYK 13 / 4 / 0 / 15

HEX #BED2DA

RGB 190 210 218

HSL 197.14, 0.27%, 0.8%

LAB 82.97, -5.09, -6.24

 

CMYK 0 / 13 / 4 / 15

HEX #DABED2

RGB 218 190 210

HSL 317.14, 0.27%, 0.8%

LAB 79.83, 13.35, -6.35

 

CMYK 0 / 6 / 13 / 15

HEX #DACCBE

RGB 218 204 190

HSL 30, 0.27%, 0.8%

LAB 82.81, 2.53, 8.71

 

CMYK 13 / 0 / 9 / 15

HEX #BEDAC6

RGB 190 218 198

HSL 137.14, 0.27%, 0.8%

LAB 84.57, -13.08, 6.72

 

CMYK 13 / 6 / 0 / 15

HEX #BECCDA

RGB 190 204 218

HSL 210, 0.27%, 0.8%

LAB 81.4, -1.95, -8.57

 

CMYK 0 / 13 / 4 / 15

HEX #DABED2

RGB 218 190 210

HSL 317.14, 0.27%, 0.8%

LAB 79.83, 13.35, -6.35

 

CMYK 0 / 3 / 13 / 15

HEX #DAD4BE

RGB 218 212 190

HSL 47.14, 0.27%, 0.8%

LAB 84.85, -1.64, 11.62

 

CMYK 13 / 0 / 9 / 15

HEX #BEDAC6

RGB 190 218 198

HSL 137.14, 0.27%, 0.8%

LAB 84.57, -13.08, 6.72

 

CMYK 13 / 10 / 0 / 15

HEX #BEC4DA

RGB 190 196 218

HSL 227.14, 0.27%, 0.8%

LAB 79.32, 2.3, -11.66

 

Description

Color code: HEX #DABED2 | qconv.com Color code: HEX #DABED2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 190 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 190 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 4 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 4% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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