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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABDC8 it is the complementary color #254237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABDC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABDC8 shade: #DFBDC3, #F0CFD6, #FFE1E9 and #FFF3FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABDC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABDC8 shade: #DABDC8, #C9ABB5, #B899A2, #A7878F and #96757C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABDC8 shade: #DABDC8, #DABDC0 and #DABDBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABDC8 shade: #DABDC8, #DABDD0, #DABDD7, #D4BDDA and #CDBDDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABDC8 shade matches the following richer shades: #DABDC8, #E2B5C6, #EAADC4, #F3A4C2 and #FB9CC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABDC8 shade: #DABDC8, #D2C5CA, #C9CECC, #C1D6CE and #B9DED0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABDC8 shade: #DABDD7, #DABDD0, #DABDC8, #DABDC1 and #DAC2BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABDC8 shade: #BC889C, #CBA3B2, #DABDC8, #E9D8DE and #F7F2F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABDC8 shade: #DABDC8, #DAD5BD and #BDD4DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABDC8 shade: #DABDC8, #C8DABD and #BDC8DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABDC8 shade: #DABDC8, #DAD5BD, #BDDACF and #BDC2DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABDC8 shade: #DABDC8, #D6DABD, #BDDACF and #C1BDDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 8 / 15

HEX #DABDC8

RGB 218 189 200

HSL 337.24, 0.28%, 0.8%

LAB 79.31, 12.14, -1.72

 

Complementary color

CMYK 44 / 0 / 17 / 74

HEX #254237

RGB 37 66 55

HSL 157.24, 0.28%, 0.2%

LAB 25.46, -13.95, 3.29

 

CMYK 0 / 15 / 13 / 13

HEX #DFBDC3

RGB 223 189 195

HSL 349.41, 0.35%, 0.81%

LAB 79.63, 13.08, 1.49

 

CMYK 0 / 14 / 11 / 6

HEX #F0CFD6

RGB 240 207 214

HSL 347.27, 0.52%, 0.88%

LAB 86.01, 12.67, 0.8

 

CMYK 0 / 12 / 9 / 0

HEX #FFE1E9

RGB 255 225 233

HSL 344, 1%, 0.94%

LAB 92.13, 11.6, -0.12

 

CMYK 0 / 5 / 1 / 0

HEX #FFF3FC

RGB 255 243 252

HSL 315, 1%, 0.98%

LAB 96.98, 5.57, -2.89

 

CMYK 0 / 13 / 8 / 15

HEX #DABDC8

RGB 218 189 200

HSL 337.24, 0.28%, 0.8%

LAB 79.31, 12.14, -1.72

 

CMYK 0 / 15 / 10 / 21

HEX #C9ABB5

RGB 201 171 181

HSL 340, 0.22%, 0.73%

LAB 72.81, 12.55, -1.07

 

CMYK 0 / 17 / 12 / 28

HEX #B899A2

RGB 184 153 162

HSL 342.58, 0.18%, 0.66%

LAB 66.2, 13, -0.39

 

CMYK 0 / 19 / 14 / 35

HEX #A7878F

RGB 167 135 143

HSL 345, 0.15%, 0.59%

LAB 59.46, 13.5, 0.33

 

CMYK 0 / 22 / 17 / 41

HEX #96757C

RGB 150 117 124

HSL 347.27, 0.14%, 0.52%

LAB 52.58, 14.06, 1.11

 

CMYK 0 / 13 / 8 / 15

HEX #DABDC8

RGB 218 189 200

HSL 337.24, 0.28%, 0.8%

LAB 79.31, 12.14, -1.72

 

CMYK 0 / 13 / 12 / 15

HEX #DABDC0

RGB 218 189 192

HSL 353.79, 0.28%, 0.8%

LAB 79.1, 10.8, 2.29

 

CMYK 0 / 13 / 13 / 15

HEX #DABDBD

RGB 218 189 189

HSL 0, 0.28%, 0.8%

LAB 79.03, 10.31, 3.8

 

CMYK 0 / 13 / 8 / 15

HEX #DABDC8

RGB 218 189 200

HSL 337.24, 0.28%, 0.8%

LAB 79.31, 12.14, -1.72

 

CMYK 0 / 13 / 5 / 15

HEX #DABDD0

RGB 218 189 208

HSL 320.69, 0.28%, 0.8%

LAB 79.53, 13.53, -5.72

 

CMYK 0 / 13 / 1 / 15

HEX #DABDD7

RGB 218 189 215

HSL 306.21, 0.28%, 0.8%

LAB 79.73, 14.79, -9.2

 

CMYK 3 / 13 / 0 / 15

HEX #D4BDDA

RGB 212 189 218

HSL 287.59, 0.28%, 0.8%

LAB 79.3, 13.32, -11.51

 

CMYK 6 / 13 / 0 / 15

HEX #CDBDDA

RGB 205 189 218

HSL 273.1, 0.28%, 0.8%

LAB 78.72, 10.98, -12.45

 

CMYK 0 / 13 / 8 / 15

HEX #DABDC8

RGB 218 189 200

HSL 337.24, 0.28%, 0.8%

LAB 79.31, 12.14, -1.72

 

CMYK 0 / 20 / 12 / 11

HEX #E2B5C6

RGB 226 181 198

HSL 337.33, 0.44%, 0.8%

LAB 78.05, 18.92, -2.41

 

CMYK 0 / 26 / 16 / 8

HEX #EAADC4

RGB 234 173 196

HSL 337.38, 0.59%, 0.8%

LAB 76.9, 25.7, -2.92

 

CMYK 0 / 33 / 20 / 5

HEX #F3A4C2

RGB 243 164 194

HSL 337.22, 0.77%, 0.8%

LAB 75.76, 33.33, -3.39

 

CMYK 0 / 38 / 24 / 2

HEX #FB9CC0

RGB 251 156 192

HSL 337.26, 0.92%, 0.8%

LAB 74.88, 39.99, -3.48

 

CMYK 0 / 13 / 8 / 15

HEX #DABDC8

RGB 218 189 200

HSL 337.24, 0.28%, 0.8%

LAB 79.31, 12.14, -1.72

 

CMYK 0 / 6 / 4 / 18

HEX #D2C5CA

RGB 210 197 202

HSL 336.92, 0.13%, 0.8%

LAB 80.68, 5.42, -0.87

 

CMYK 2 / 0 / 1 / 19

HEX #C9CECC

RGB 201 206 204

HSL 156, 0.05%, 0.8%

LAB 82.34, -2.07, 0.39

 

CMYK 10 / 0 / 4 / 16

HEX #C1D6CE

RGB 193 214 206

HSL 157.14, 0.2%, 0.8%

LAB 83.91, -8.54, 1.54

 

CMYK 17 / 0 / 6 / 13

HEX #B9DED0

RGB 185 222 208

HSL 157.3, 0.36%, 0.8%

LAB 85.56, -14.85, 2.82

 

CMYK 0 / 13 / 1 / 15

HEX #DABDD7

RGB 218 189 215

HSL 306.21, 0.28%, 0.8%

LAB 79.73, 14.79, -9.2

 

CMYK 0 / 13 / 5 / 15

HEX #DABDD0

RGB 218 189 208

HSL 320.69, 0.28%, 0.8%

LAB 79.53, 13.53, -5.72

 

CMYK 0 / 13 / 8 / 15

HEX #DABDC8

RGB 218 189 200

HSL 337.24, 0.28%, 0.8%

LAB 79.31, 12.14, -1.72

 

CMYK 0 / 13 / 11 / 15

HEX #DABDC1

RGB 218 189 193

HSL 351.72, 0.28%, 0.8%

LAB 79.13, 10.96, 1.79

HEX #DABDC1

CMYK 0 / 11 / 13 / 15

HEX #DAC2BD

RGB 218 194 189

HSL 10.34, 0.28%, 0.8%

LAB 80.27, 7.65, 5.6

HEX #DAC2BD

CMYK 0 / 28 / 17 / 26

HEX #BC889C

RGB 188 136 156

HSL 336.92, 0.28%, 0.64%

LAB 62.25, 22.93, -2.74

 

CMYK 0 / 20 / 12 / 20

HEX #CBA3B2

RGB 203 163 178

HSL 337.5, 0.28%, 0.72%

LAB 70.94, 17.13, -2.14

 

CMYK 0 / 13 / 8 / 15

HEX #DABDC8

RGB 218 189 200

HSL 337.24, 0.28%, 0.8%

LAB 79.31, 12.14, -1.72

 

CMYK 0 / 7 / 5 / 9

HEX #E9D8DE

RGB 233 216 222

HSL 338.82, 0.28%, 0.88%

LAB 87.83, 6.87, -0.84

 

CMYK 0 / 2 / 1 / 3

HEX #F7F2F4

RGB 247 242 244

HSL 336, 0.24%, 0.96%

LAB 95.92, 2.02, -0.38

 

CMYK 0 / 13 / 8 / 15

HEX #DABDC8

RGB 218 189 200

HSL 337.24, 0.28%, 0.8%

LAB 79.31, 12.14, -1.72

 

CMYK 0 / 2 / 13 / 15

HEX #DAD5BD

RGB 218 213 189

HSL 49.66, 0.28%, 0.8%

LAB 85.08, -2.32, 12.48

 

CMYK 13 / 3 / 0 / 15

HEX #BDD4DA

RGB 189 212 218

HSL 192.41, 0.28%, 0.8%

LAB 83.43, -6.46, -5.57

 

CMYK 0 / 13 / 8 / 15

HEX #DABDC8

RGB 218 189 200

HSL 337.24, 0.28%, 0.8%

LAB 79.31, 12.14, -1.72

 

CMYK 8 / 0 / 13 / 15

HEX #C8DABD

RGB 200 218 189

HSL 97.24, 0.28%, 0.8%

LAB 85.05, -11.26, 12.24

 

CMYK 13 / 8 / 0 / 15

HEX #BDC8DA

RGB 189 200 218

HSL 217.24, 0.28%, 0.8%

LAB 80.29, -0.16, -10.23

 

CMYK 0 / 13 / 8 / 15

HEX #DABDC8

RGB 218 189 200

HSL 337.24, 0.28%, 0.8%

LAB 79.31, 12.14, -1.72

 

CMYK 0 / 2 / 13 / 15

HEX #DAD5BD

RGB 218 213 189

HSL 49.66, 0.28%, 0.8%

LAB 85.08, -2.32, 12.48

 

CMYK 13 / 0 / 5 / 15

HEX #BDDACF

RGB 189 218 207

HSL 157.24, 0.28%, 0.8%

LAB 84.72, -11.72, 2.17

 

CMYK 13 / 11 / 0 / 15

HEX #BDC2DA

RGB 189 194 218

HSL 229.66, 0.28%, 0.8%

LAB 78.73, 3.04, -12.55

 

CMYK 0 / 13 / 8 / 15

HEX #DABDC8

RGB 218 189 200

HSL 337.24, 0.28%, 0.8%

LAB 79.31, 12.14, -1.72

 

CMYK 2 / 0 / 13 / 15

HEX #D6DABD

RGB 214 218 189

HSL 68.28, 0.28%, 0.8%

LAB 86.06, -6.32, 13.82

 

CMYK 13 / 0 / 5 / 15

HEX #BDDACF

RGB 189 218 207

HSL 157.24, 0.28%, 0.8%

LAB 84.72, -11.72, 2.17

 

CMYK 11 / 13 / 0 / 15

HEX #C1BDDA

RGB 193 189 218

HSL 248.28, 0.28%, 0.8%

LAB 77.75, 7.03, -13.99

 

Description

Color code: HEX #DABDC8 | qconv.com Color code: HEX #DABDC8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 189 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 189 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 8 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 8% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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