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Color name
HEX #DABC98

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABC98 it is the complementary color #254367. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABC98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABC98 shade: #DFBC93, #F0CEA6, #FFE0B9, #FFF2CC and #FFFFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABC98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABC98 shade: #DABC98, #C9AA85, #B89872, #A7865F and #96744C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABC98 shade: #DBBD9A, #DBAC9A and #DB9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABC98 shade: #DBBD9A, #DBCF9A, #D5DB9A, #C4DB9A and #B2DB9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABC98 shade matches the following richer shades: #DBBD9A, #E6BE8F, #F1BF84 and #FCC078

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABC98 shade: #DBBD9A, #CFBCA5, #C4BBB0, #B9BABB and #AEB9C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABC98 shade: #DB9A9A, #DBAB9A, #DBBC9A, #DBCE9A and #D6DB9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABC98 shade: #C5965D, #D0A97B, #DBBD9A, #E5D1B8 and #F0E5D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABC98 shade: #DABC98, #ABDB9A and #A29ADB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABC98 shade: #DABC98, #9ADBBC and #BC9ADB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABC98 shade: #DABC98, #ABDB9A, #9AB8DB and #C99ADB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABC98 shade: #DABC98, #9ADB9C, #9AB8DB and #DB9AD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 30 / 15

HEX #DABC98

RGB 218 188 152

HSL 32.73, 0.47%, 0.73%

LAB 77.96, 5.43, 22.19

 

Complementary color

CMYK 64 / 35 / 0 / 60

HEX #254367

RGB 37 67 103

HSL 212.73, 0.47%, 0.27%

LAB 27.81, 1.2, -24.43

 

CMYK 0 / 16 / 34 / 13

HEX #DFBC93

RGB 223 188 147

HSL 32.37, 0.54%, 0.73%

LAB 78.32, 6.74, 25.42

 

CMYK 0 / 14 / 31 / 6

HEX #F0CEA6

RGB 240 206 166

HSL 32.43, 0.71%, 0.8%

LAB 84.7, 6.21, 24.33

 

CMYK 0 / 12 / 27 / 0

HEX #FFE0B9

RGB 255 224 185

HSL 33.43, 1%, 0.86%

LAB 90.81, 5, 23.04

 

CMYK 0 / 5 / 20 / 0

HEX #FFF2CC

RGB 255 242 204

HSL 44.71, 1%, 0.9%

LAB 95.63, -1.55, 19.93

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 14 / 30 / 15

HEX #DABC98

RGB 218 188 152

HSL 32.73, 0.47%, 0.73%

LAB 77.96, 5.43, 22.19

 

CMYK 0 / 15 / 34 / 21

HEX #C9AA85

RGB 201 170 133

HSL 32.65, 0.39%, 0.65%

LAB 71.46, 5.95, 23.29

 

CMYK 0 / 17 / 38 / 28

HEX #B89872

RGB 184 152 114

HSL 32.57, 0.33%, 0.58%

LAB 64.85, 6.55, 24.47

 

CMYK 0 / 20 / 43 / 35

HEX #A7865F

RGB 167 134 95

HSL 32.5, 0.29%, 0.51%

LAB 58.12, 7.25, 25.75

 

CMYK 0 / 23 / 49 / 41

HEX #96744C

RGB 150 116 76

HSL 32.43, 0.33%, 0.44%

LAB 51.26, 8.1, 27.14

 

CMYK 0 / 14 / 30 / 14

HEX #DBBD9A

RGB 219 189 154

HSL 32.31, 0.47%, 0.73%

LAB 78.34, 5.54, 21.66

 

CMYK 0 / 21 / 30 / 14

HEX #DBAC9A

RGB 219 172 154

HSL 16.62, 0.47%, 0.73%

LAB 74.12, 14.62, 15.82

 

CMYK 0 / 30 / 30 / 14

HEX #DB9A9A

RGB 219 154 154

HSL 0, 0.47%, 0.73%

LAB 69.83, 24.32, 9.77

 

CMYK 0 / 14 / 30 / 14

HEX #DBBD9A

RGB 219 189 154

HSL 32.31, 0.47%, 0.73%

LAB 78.34, 5.54, 21.66

 

CMYK 0 / 5 / 30 / 14

HEX #DBCF9A

RGB 219 207 154

HSL 48.92, 0.47%, 0.73%

LAB 82.92, -3.86, 27.89

 

CMYK 3 / 0 / 30 / 14

HEX #D5DB9A

RGB 213 219 154

HSL 65.54, 0.47%, 0.73%

LAB 85.58, -12.26, 31.36

 

CMYK 11 / 0 / 30 / 14

HEX #C4DB9A

RGB 196 219 154

HSL 81.23, 0.47%, 0.73%

LAB 84.35, -18.59, 29.5

 

CMYK 19 / 0 / 30 / 14

HEX #B2DB9A

RGB 178 219 154

HSL 97.85, 0.47%, 0.73%

LAB 83.16, -25.06, 27.7

 

CMYK 0 / 14 / 30 / 14

HEX #DBBD9A

RGB 219 189 154

HSL 32.31, 0.47%, 0.73%

LAB 78.34, 5.54, 21.66

 

CMYK 0 / 17 / 38 / 10

HEX #E6BE8F

RGB 230 190 143

HSL 32.41, 0.64%, 0.73%

LAB 79.4, 7.95, 29.11

 

CMYK 0 / 21 / 45 / 5

HEX #F1BF84

RGB 241 191 132

HSL 32.48, 0.8%, 0.73%

LAB 80.53, 10.61, 36.52

 

CMYK 0 / 24 / 52 / 1

HEX #FCC078

RGB 252 192 120

HSL 32.73, 0.96%, 0.73%

LAB 81.7, 13.4, 44.35

 

CMYK 0 / 14 / 30 / 14

HEX #DBBD9A

RGB 219 189 154

HSL 32.31, 0.47%, 0.73%

LAB 78.34, 5.54, 21.66

 

CMYK 0 / 9 / 20 / 19

HEX #CFBCA5

RGB 207 188 165

HSL 32.86, 0.3%, 0.73%

LAB 77.25, 3.05, 14.08

 

CMYK 0 / 5 / 10 / 23

HEX #C4BBB0

RGB 196 187 176

HSL 33, 0.14%, 0.73%

LAB 76.32, 1.26, 6.69

 

CMYK 1 / 1 / 0 / 27

HEX #B9BABB

RGB 185 186 187

HSL 210, 0.01%, 0.73%

LAB 75.46, -0.16, -0.64

 

CMYK 12 / 7 / 0 / 22

HEX #AEB9C6

RGB 174 185 198

HSL 212.5, 0.17%, 0.73%

LAB 74.68, -1.18, -7.87

 

CMYK 0 / 30 / 30 / 14

HEX #DB9A9A

RGB 219 154 154

HSL 0, 0.47%, 0.73%

LAB 69.83, 24.32, 9.77

 

CMYK 0 / 22 / 30 / 14

HEX #DBAB9A

RGB 219 171 154

HSL 15.69, 0.47%, 0.73%

LAB 73.88, 15.15, 15.48

 

CMYK 0 / 14 / 30 / 14

HEX #DBBC9A

RGB 219 188 154

HSL 31.38, 0.47%, 0.73%

LAB 78.09, 6.07, 21.31

 

CMYK 0 / 6 / 30 / 14

HEX #DBCE9A

RGB 219 206 154

HSL 48, 0.47%, 0.73%

LAB 82.67, -3.35, 27.55

 

CMYK 2 / 0 / 30 / 14

HEX #D6DB9A

RGB 214 219 154

HSL 64.62, 0.47%, 0.73%

LAB 85.65, -11.88, 31.48

 

CMYK 0 / 24 / 53 / 23

HEX #C5965D

RGB 197 150 93

HSL 32.88, 0.47%, 0.57%

LAB 65.34, 10.87, 36.67

 

CMYK 0 / 19 / 41 / 18

HEX #D0A97B

RGB 208 169 123

HSL 32.47, 0.47%, 0.65%

LAB 71.7, 8.11, 29.11

 

CMYK 0 / 14 / 30 / 14

HEX #DBBD9A

RGB 219 189 154

HSL 32.31, 0.47%, 0.73%

LAB 78.34, 5.54, 21.66

 

CMYK 0 / 9 / 20 / 10

HEX #E5D1B8

RGB 229 209 184

HSL 33.33, 0.46%, 0.81%

LAB 84.85, 3, 14.92

 

CMYK 0 / 5 / 11 / 6

HEX #F0E5D6

RGB 240 229 214

HSL 34.62, 0.46%, 0.89%

LAB 91.42, 1.24, 8.63

 

CMYK 0 / 14 / 30 / 15

HEX #DABC98

RGB 218 188 152

HSL 32.73, 0.47%, 0.73%

LAB 77.96, 5.43, 22.19

 

CMYK 22 / 0 / 30 / 14

HEX #ABDB9A

RGB 171 219 154

HSL 104.31, 0.47%, 0.73%

LAB 82.73, -27.5, 27.05

 

CMYK 26 / 30 / 0 / 14

HEX #A29ADB

RGB 162 154 219

HSL 247.38, 0.47%, 0.73%

LAB 66.45, 16.93, -31.99

 

CMYK 0 / 14 / 30 / 15

HEX #DABC98

RGB 218 188 152

HSL 32.73, 0.47%, 0.73%

LAB 77.96, 5.43, 22.19

 

CMYK 30 / 0 / 14 / 14

HEX #9ADBBC

RGB 154 219 188

HSL 151.38, 0.47%, 0.73%

LAB 82.47, -26.99, 8.71

 

CMYK 14 / 30 / 0 / 14

HEX #BC9ADB

RGB 188 154 219

HSL 271.38, 0.47%, 0.73%

LAB 68.69, 24.88, -28.35

 

CMYK 0 / 14 / 30 / 15

HEX #DABC98

RGB 218 188 152

HSL 32.73, 0.47%, 0.73%

LAB 77.96, 5.43, 22.19

 

CMYK 22 / 0 / 30 / 14

HEX #ABDB9A

RGB 171 219 154

HSL 104.31, 0.47%, 0.73%

LAB 82.73, -27.5, 27.05

 

CMYK 30 / 16 / 0 / 14

HEX #9AB8DB

RGB 154 184 219

HSL 212.31, 0.47%, 0.73%

LAB 73.72, -2.12, -20.89

 

CMYK 8 / 30 / 0 / 14

HEX #C99ADB

RGB 201 154 219

HSL 283.38, 0.47%, 0.73%

LAB 69.93, 28.99, -26.35

 

CMYK 0 / 14 / 30 / 15

HEX #DABC98

RGB 218 188 152

HSL 32.73, 0.47%, 0.73%

LAB 77.96, 5.43, 22.19

 

CMYK 30 / 0 / 29 / 14

HEX #9ADB9C

RGB 154 219 156

HSL 121.85, 0.47%, 0.73%

LAB 81.8, -32.85, 24.59

 

CMYK 30 / 16 / 0 / 14

HEX #9AB8DB

RGB 154 184 219

HSL 212.31, 0.47%, 0.73%

LAB 73.72, -2.12, -20.89

 

CMYK 0 / 30 / 1 / 14

HEX #DB9AD8

RGB 219 154 216

HSL 302.77, 0.47%, 0.73%

LAB 71.64, 34.2, -21.91

 

Description

Color code: HEX #DABC98 | qconv.com Color code: HEX #DABC98 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 188 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 188 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 30 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 30% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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