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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABC81 it is the complementary color #25437E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABC81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABC81 shade: #DFBC7C, #F0CE8F, #FFE0A2, #FFF2B5 and #FFFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABC81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABC81 shade: #DABC81, #C9AA6E, #B8985B, #A78648 and #967435

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABC81 shade: #DABC80, #DAA380, #DA8B80 and #DA8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABC81 shade: #DABC80, #DAD480, #C8DA80, #AFDA80 and #97DA80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABC81 shade matches the following richer shades: #DABC80, #E7C073 and #F4C466

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABC81 shade: #DABC80, #CDB78D, #BFB39A, #B2AFA8 and #A5AAB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABC81 shade: #DA8A80, #DAA280, #DABA80, #DAD280 and #C9DA80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABC81 shade: #C79A40, #D0AB60, #DABC80, #E3CCA0 and #ECDDC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABC81 shade: #DABC81, #8DDA80 and #9680DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABC81 shade: #DABC81, #80DABA and #BA80DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABC81 shade: #DABC81, #8DDA80, #809FDA and #CC80DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABC81 shade: #DABC81, #80DA8D, #809FDA and #DA80CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 41 / 15

HEX #DABC81

RGB 218 188 129

HSL 39.78, 0.55%, 0.68%

LAB 77.55, 2.68, 33.79

 

Complementary color

CMYK 71 / 47 / 0 / 51

HEX #25437E

RGB 37 67 126

HSL 219.78, 0.55%, 0.32%

LAB 29.19, 10.04, -36.77

 

CMYK 0 / 16 / 44 / 13

HEX #DFBC7C

RGB 223 188 124

HSL 38.79, 0.61%, 0.68%

LAB 77.94, 4.16, 36.97

 

CMYK 0 / 14 / 40 / 6

HEX #F0CE8F

RGB 240 206 143

HSL 38.97, 0.76%, 0.75%

LAB 84.3, 3.53, 35.74

 

CMYK 0 / 12 / 36 / 0

HEX #FFE0A2

RGB 255 224 162

HSL 40, 1%, 0.82%

LAB 90.4, 2.2, 34.31

 

CMYK 0 / 5 / 29 / 0

HEX #FFF2B5

RGB 255 242 181

HSL 49.46, 1%, 0.85%

LAB 95.2, -4.63, 31.08

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 14 / 41 / 15

HEX #DABC81

RGB 218 188 129

HSL 39.78, 0.55%, 0.68%

LAB 77.55, 2.68, 33.79

 

CMYK 0 / 15 / 45 / 21

HEX #C9AA6E

RGB 201 170 110

HSL 39.56, 0.46%, 0.61%

LAB 71.07, 3.33, 35.05

 

CMYK 0 / 17 / 51 / 28

HEX #B8985B

RGB 184 152 91

HSL 39.35, 0.4%, 0.54%

LAB 64.49, 4.09, 36.37

 

CMYK 0 / 20 / 57 / 35

HEX #A78648

RGB 167 134 72

HSL 39.16, 0.4%, 0.47%

LAB 57.78, 5, 37.74

 

CMYK 0 / 23 / 65 / 41

HEX #967435

RGB 150 116 53

HSL 38.97, 0.48%, 0.4%

LAB 50.96, 6.11, 39.11

 

CMYK 0 / 14 / 41 / 15

HEX #DABC80

RGB 218 188 128

HSL 40, 0.55%, 0.68%

LAB 77.54, 2.57, 34.29

 

CMYK 0 / 25 / 41 / 15

HEX #DAA380

RGB 218 163 128

HSL 23.33, 0.55%, 0.68%

LAB 71.32, 15.91, 26.1

 

CMYK 0 / 36 / 41 / 15

HEX #DA8B80

RGB 218 139 128

HSL 7.33, 0.55%, 0.68%

LAB 65.69, 28.84, 18.47

 

CMYK 0 / 41 / 41 / 15

HEX #DA8080

RGB 218 128 128

HSL 0, 0.55%, 0.68%

LAB 63.26, 34.69, 15.11

 

CMYK 0 / 14 / 41 / 15

HEX #DABC80

RGB 218 188 128

HSL 40, 0.55%, 0.68%

LAB 77.54, 2.57, 34.29

 

CMYK 0 / 3 / 41 / 15

HEX #DAD480

RGB 218 212 128

HSL 56, 0.55%, 0.68%

LAB 83.73, -9.83, 42.22

 

CMYK 8 / 0 / 41 / 15

HEX #C8DA80

RGB 200 218 128

HSL 72, 0.55%, 0.68%

LAB 83.96, -19.85, 42.21

 

CMYK 20 / 0 / 41 / 15

HEX #AFDA80

RGB 175 218 128

HSL 88.67, 0.55%, 0.68%

LAB 82.28, -29.22, 39.74

 

CMYK 31 / 0 / 41 / 15

HEX #97DA80

RGB 151 218 128

HSL 104.67, 0.55%, 0.68%

LAB 80.89, -37.63, 37.69

 

CMYK 0 / 14 / 41 / 15

HEX #DABC80

RGB 218 188 128

HSL 40, 0.55%, 0.68%

LAB 77.54, 2.57, 34.29

 

CMYK 0 / 17 / 50 / 9

HEX #E7C073

RGB 231 192 115

HSL 39.83, 0.71%, 0.68%

LAB 79.57, 4.45, 43.76

 

CMYK 0 / 20 / 58 / 4

HEX #F4C466

RGB 244 196 102

HSL 39.72, 0.87%, 0.68%

LAB 81.66, 6.65, 52.91

 

CMYK 0 / 14 / 41 / 15

HEX #DABC80

RGB 218 188 128

HSL 40, 0.55%, 0.68%

LAB 77.54, 2.57, 34.29

 

CMYK 0 / 11 / 31 / 20

HEX #CDB78D

RGB 205 183 141

HSL 39.38, 0.39%, 0.68%

LAB 75.31, 1.59, 24.26

 

CMYK 0 / 6 / 19 / 25

HEX #BFB39A

RGB 191 179 154

HSL 40.54, 0.22%, 0.68%

LAB 73.32, 0.15, 14.31

 

CMYK 0 / 2 / 6 / 30

HEX #B2AFA8

RGB 178 175 168

HSL 42, 0.06%, 0.68%

LAB 71.52, -0.21, 3.95

 

CMYK 9 / 6 / 0 / 29

HEX #A5AAB5

RGB 165 170 181

HSL 221.25, 0.1%, 0.68%

LAB 69.53, 0.43, -6.25

 

CMYK 0 / 37 / 41 / 15

HEX #DA8A80

RGB 218 138 128

HSL 6.67, 0.55%, 0.68%

LAB 65.47, 29.37, 18.16

 

CMYK 0 / 26 / 41 / 15

HEX #DAA280

RGB 218 162 128

HSL 22.67, 0.55%, 0.68%

LAB 71.08, 16.45, 25.78

 

CMYK 0 / 15 / 41 / 15

HEX #DABA80

RGB 218 186 128

HSL 38.67, 0.55%, 0.68%

LAB 77.03, 3.63, 33.63

 

CMYK 0 / 4 / 41 / 15

HEX #DAD280

RGB 218 210 128

HSL 54.67, 0.55%, 0.68%

LAB 83.21, -8.82, 41.56

 

CMYK 8 / 0 / 41 / 15

HEX #C9DA80

RGB 201 218 128

HSL 71.33, 0.55%, 0.68%

LAB 84.03, -19.47, 42.32

 

CMYK 0 / 23 / 68 / 22

HEX #C79A40

RGB 199 154 64

HSL 40, 0.55%, 0.52%

LAB 66.23, 7.43, 52.07

 

CMYK 0 / 18 / 54 / 18

HEX #D0AB60

RGB 208 171 96

HSL 40.18, 0.54%, 0.6%

LAB 71.81, 4.4, 43.31

 

CMYK 0 / 14 / 41 / 15

HEX #DABC80

RGB 218 188 128

HSL 40, 0.55%, 0.68%

LAB 77.54, 2.57, 34.29

 

CMYK 0 / 10 / 30 / 11

HEX #E3CCA0

RGB 227 204 160

HSL 39.4, 0.54%, 0.76%

LAB 82.94, 1.53, 24.89

 

CMYK 0 / 6 / 19 / 7

HEX #ECDDC0

RGB 236 221 192

HSL 39.55, 0.54%, 0.84%

LAB 88.62, 0.53, 16.09

 

CMYK 0 / 14 / 41 / 15

HEX #DABC81

RGB 218 188 129

HSL 39.78, 0.55%, 0.68%

LAB 77.55, 2.68, 33.79

 

CMYK 35 / 0 / 41 / 15

HEX #8DDA80

RGB 141 218 128

HSL 111.33, 0.55%, 0.68%

LAB 80.38, -40.9, 36.93

 

CMYK 31 / 41 / 0 / 15

HEX #9680DA

RGB 150 128 218

HSL 254.67, 0.55%, 0.68%

LAB 58.96, 28.15, -43.21

 

CMYK 0 / 14 / 41 / 15

HEX #DABC81

RGB 218 188 129

HSL 39.78, 0.55%, 0.68%

LAB 77.55, 2.68, 33.79

 

CMYK 41 / 0 / 15 / 15

HEX #80DABA

RGB 128 218 186

HSL 158.67, 0.55%, 0.68%

LAB 80.89, -34.29, 7.35

 

CMYK 15 / 41 / 0 / 15

HEX #BA80DA

RGB 186 128 218

HSL 278.67, 0.55%, 0.68%

LAB 62.46, 38.46, -37.48

 

CMYK 0 / 14 / 41 / 15

HEX #DABC81

RGB 218 188 129

HSL 39.78, 0.55%, 0.68%

LAB 77.55, 2.68, 33.79

 

CMYK 35 / 0 / 41 / 15

HEX #8DDA80

RGB 141 218 128

HSL 111.33, 0.55%, 0.68%

LAB 80.38, -40.9, 36.93

 

CMYK 41 / 27 / 0 / 15

HEX #809FDA

RGB 128 159 218

HSL 219.33, 0.55%, 0.68%

LAB 65.32, 4.28, -33.39

 

CMYK 6 / 41 / 0 / 15

HEX #CC80DA

RGB 204 128 218

HSL 290.67, 0.55%, 0.68%

LAB 64.43, 43.8, -34.25

 

CMYK 0 / 14 / 41 / 15

HEX #DABC81

RGB 218 188 129

HSL 39.78, 0.55%, 0.68%

LAB 77.55, 2.68, 33.79

 

CMYK 41 / 0 / 35 / 15

HEX #80DA8D

RGB 128 218 141

HSL 128.67, 0.55%, 0.68%

LAB 79.99, -42.88, 29.68

 

CMYK 41 / 27 / 0 / 15

HEX #809FDA

RGB 128 159 218

HSL 219.33, 0.55%, 0.68%

LAB 65.32, 4.28, -33.39

 

CMYK 0 / 41 / 6 / 15

HEX #DA80CC

RGB 218 128 204

HSL 309.33, 0.55%, 0.68%

LAB 65.52, 45.51, -24.62

 

Description

Color code: HEX #DABC81 | qconv.com Color code: HEX #DABC81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 188 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 188 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 41 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 41% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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