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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABAB6 it is the complementary color #254549. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABAB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABAB6 shade: #DFBAB1, #F0CCC4, #FFDED7, #FFF0EA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABAB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABAB6 shade: #DABAB6, #C9A8A3, #B89690, #A7847D and #96726A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABAB6 shade: #D9B9B4 and #D9B4B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABAB6 shade: #D9B9B4, #D9C2B4, #D9CCB4, #D9D6B4 and #D2D9B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABAB6 shade matches the following richer shades: #D9B9B4, #E2B1AB, #ECAAA2, #F5A399 and #FE9C90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABAB6 shade: #D9B9B4, #D0C0BD, #C7C7C7, #BECED0 and #B5D5D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABAB6 shade: #D9B4C4, #D9B4BB, #D9B8B4, #D9C2B4 and #D9CCB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABAB6 shade: #BE857E, #CC9F99, #D9B9B4, #E7D2D0 and #F5ECEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABAB6 shade: #DABAB6, #CED9B4 and #B4BFD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABAB6 shade: #DABAB6, #B4D9B8 and #B8B4D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABAB6 shade: #DABAB6, #CED9B4, #B4D6D9 and #BFB4D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABAB6 shade: #DABAB6, #C3D9B4, #B4D6D9 and #CBB4D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 17 / 15

HEX #DABAB6

RGB 218 186 182

HSL 6.67, 0.33%, 0.78%

LAB 78.11, 10.79, 6.26

 

Complementary color

CMYK 49 / 5 / 0 / 71

HEX #254549

RGB 37 69 73

HSL 186.67, 0.33%, 0.22%

LAB 27.1, -10.53, -6.1

 

CMYK 0 / 17 / 21 / 13

HEX #DFBAB1

RGB 223 186 177

HSL 11.74, 0.42%, 0.78%

LAB 78.45, 11.87, 9.51

 

CMYK 0 / 15 / 18 / 6

HEX #F0CCC4

RGB 240 204 196

HSL 10.91, 0.59%, 0.85%

LAB 84.84, 11.41, 8.68

 

CMYK 0 / 13 / 16 / 0

HEX #FFDED7

RGB 255 222 215

HSL 10.5, 1%, 0.92%

LAB 90.97, 10.29, 7.62

 

CMYK 0 / 6 / 8 / 0

HEX #FFF0EA

RGB 255 240 234

HSL 17.14, 1%, 0.96%

LAB 95.8, 4.05, 4.69

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 15 / 17 / 15

HEX #DABAB6

RGB 218 186 182

HSL 6.67, 0.33%, 0.78%

LAB 78.11, 10.79, 6.26

 

CMYK 0 / 16 / 19 / 21

HEX #C9A8A3

RGB 201 168 163

HSL 7.89, 0.26%, 0.71%

LAB 71.6, 11.24, 7.07

 

CMYK 0 / 18 / 22 / 28

HEX #B89690

RGB 184 150 144

HSL 9, 0.22%, 0.64%

LAB 64.98, 11.75, 7.94

 

CMYK 0 / 21 / 25 / 35

HEX #A7847D

RGB 167 132 125

HSL 10, 0.19%, 0.57%

LAB 58.23, 12.32, 8.88

 

CMYK 0 / 24 / 29 / 41

HEX #96726A

RGB 150 114 106

HSL 10.91, 0.17%, 0.5%

LAB 51.34, 12.97, 9.91

 

CMYK 0 / 15 / 17 / 15

HEX #D9B9B4

RGB 217 185 180

HSL 8.11, 0.33%, 0.78%

LAB 77.72, 10.65, 6.78

 

CMYK 0 / 17 / 17 / 15

HEX #D9B4B4

RGB 217 180 180

HSL 0, 0.33%, 0.78%

LAB 76.49, 13.33, 5

 

CMYK 0 / 15 / 17 / 15

HEX #D9B9B4

RGB 217 185 180

HSL 8.11, 0.33%, 0.78%

LAB 77.72, 10.65, 6.78

 

CMYK 0 / 11 / 17 / 15

HEX #D9C2B4

RGB 217 194 180

HSL 22.7, 0.33%, 0.78%

LAB 79.97, 5.86, 9.99

 

CMYK 0 / 6 / 17 / 15

HEX #D9CCB4

RGB 217 204 180

HSL 38.92, 0.33%, 0.78%

LAB 82.5, 0.6, 13.58

 

CMYK 0 / 1 / 17 / 15

HEX #D9D6B4

RGB 217 214 180

HSL 55.14, 0.33%, 0.78%

LAB 85.07, -4.59, 17.19

 

CMYK 3 / 0 / 17 / 15

HEX #D2D9B4

RGB 210 217 180

HSL 71.35, 0.33%, 0.78%

LAB 85.31, -8.66, 17.45

 

CMYK 0 / 15 / 17 / 15

HEX #D9B9B4

RGB 217 185 180

HSL 8.11, 0.33%, 0.78%

LAB 77.72, 10.65, 6.78

 

CMYK 0 / 22 / 24 / 11

HEX #E2B1AB

RGB 226 177 171

HSL 6.55, 0.49%, 0.78%

LAB 76.41, 16.92, 9.89

 

CMYK 0 / 28 / 31 / 7

HEX #ECAAA2

RGB 236 170 162

HSL 6.49, 0.66%, 0.78%

LAB 75.57, 23.19, 13.75

 

CMYK 0 / 33 / 38 / 4

HEX #F5A399

RGB 245 163 153

HSL 6.52, 0.82%, 0.78%

LAB 74.77, 29.18, 17.68

 

CMYK 0 / 39 / 43 / 0

HEX #FE9C90

RGB 254 156 144

HSL 6.55, 0.98%, 0.78%

LAB 74.1, 35.23, 21.84

 

CMYK 0 / 15 / 17 / 15

HEX #D9B9B4

RGB 217 185 180

HSL 8.11, 0.33%, 0.78%

LAB 77.72, 10.65, 6.78

 

CMYK 0 / 8 / 9 / 18

HEX #D0C0BD

RGB 208 192 189

HSL 9.47, 0.17%, 0.78%

LAB 78.92, 5.11, 3.53

 

CMYK 0 / 0 / 0 / 22

HEX #C7C7C7

RGB 199 199 199

HSL 0, 0%, 0.78%

LAB 80.24, 0, -0.01

 

CMYK 9 / 1 / 0 / 18

HEX #BECED0

RGB 190 206 208

HSL 186.67, 0.16%, 0.78%

LAB 81.64, -5, -2.86

 

CMYK 17 / 2 / 0 / 15

HEX #B5D5D9

RGB 181 213 217

HSL 186.67, 0.32%, 0.78%

LAB 83.14, -9.72, -5.53

 

CMYK 0 / 17 / 10 / 15

HEX #D9B4C4

RGB 217 180 196

HSL 334.05, 0.33%, 0.78%

LAB 76.91, 15.94, -3.09

 

CMYK 0 / 17 / 14 / 15

HEX #D9B4BB

RGB 217 180 187

HSL 348.65, 0.33%, 0.78%

LAB 76.67, 14.44, 1.45

 

CMYK 0 / 15 / 17 / 15

HEX #D9B8B4

RGB 217 184 180

HSL 6.49, 0.33%, 0.78%

LAB 77.48, 11.18, 6.42

 

CMYK 0 / 11 / 17 / 15

HEX #D9C2B4

RGB 217 194 180

HSL 22.7, 0.33%, 0.78%

LAB 79.97, 5.86, 9.99

 

CMYK 0 / 6 / 17 / 15

HEX #D9CCB4

RGB 217 204 180

HSL 38.92, 0.33%, 0.78%

LAB 82.5, 0.6, 13.58

 

CMYK 0 / 30 / 34 / 25

HEX #BE857E

RGB 190 133 126

HSL 6.56, 0.33%, 0.62%

LAB 60.98, 20.97, 12.56

 

CMYK 0 / 22 / 25 / 20

HEX #CC9F99

RGB 204 159 153

HSL 7.06, 0.33%, 0.7%

LAB 69.42, 15.79, 9.53

 

CMYK 0 / 15 / 17 / 15

HEX #D9B9B4

RGB 217 185 180

HSL 8.11, 0.33%, 0.78%

LAB 77.72, 10.65, 6.78

 

CMYK 0 / 9 / 10 / 9

HEX #E7D2D0

RGB 231 210 208

HSL 5.22, 0.32%, 0.86%

LAB 85.82, 6.95, 3.62

 

CMYK 0 / 4 / 4 / 4

HEX #F5ECEB

RGB 245 236 235

HSL 6, 0.33%, 0.94%

LAB 94.06, 2.86, 1.55

 

CMYK 0 / 15 / 17 / 15

HEX #DABAB6

RGB 218 186 182

HSL 6.67, 0.33%, 0.78%

LAB 78.11, 10.79, 6.26

 

CMYK 5 / 0 / 17 / 15

HEX #CED9B4

RGB 206 217 180

HSL 77.84, 0.33%, 0.78%

LAB 85.02, -10.1, 17

 

CMYK 17 / 12 / 0 / 15

HEX #B4BFD9

RGB 180 191 217

HSL 222.16, 0.33%, 0.78%

LAB 77.27, 1.56, -14.28

 

CMYK 0 / 15 / 17 / 15

HEX #DABAB6

RGB 218 186 182

HSL 6.67, 0.33%, 0.78%

LAB 78.11, 10.79, 6.26

 

CMYK 17 / 0 / 15 / 15

HEX #B4D9B8

RGB 180 217 184

HSL 126.49, 0.33%, 0.78%

LAB 83.33, -18.46, 12.26

 

CMYK 15 / 17 / 0 / 15

HEX #B8B4D9

RGB 184 180 217

HSL 246.49, 0.33%, 0.78%

LAB 74.73, 8.8, -18.08

 

CMYK 0 / 15 / 17 / 15

HEX #DABAB6

RGB 218 186 182

HSL 6.67, 0.33%, 0.78%

LAB 78.11, 10.79, 6.26

 

CMYK 5 / 0 / 17 / 15

HEX #CED9B4

RGB 206 217 180

HSL 77.84, 0.33%, 0.78%

LAB 85.02, -10.1, 17

 

CMYK 17 / 1 / 0 / 15

HEX #B4D6D9

RGB 180 214 217

HSL 184.86, 0.33%, 0.78%

LAB 83.34, -10.54, -5.23

 

CMYK 12 / 17 / 0 / 15

HEX #BFB4D9

RGB 191 180 217

HSL 257.84, 0.33%, 0.78%

LAB 75.28, 11.06, -17.18

 

CMYK 0 / 15 / 17 / 15

HEX #DABAB6

RGB 218 186 182

HSL 6.67, 0.33%, 0.78%

LAB 78.11, 10.79, 6.26

 

CMYK 10 / 0 / 17 / 15

HEX #C3D9B4

RGB 195 217 180

HSL 95.68, 0.33%, 0.78%

LAB 84.24, -14, 15.79

 

CMYK 17 / 1 / 0 / 15

HEX #B4D6D9

RGB 180 214 217

HSL 184.86, 0.33%, 0.78%

LAB 83.34, -10.54, -5.23

 

CMYK 6 / 17 / 0 / 15

HEX #CBB4D9

RGB 203 180 217

HSL 277.3, 0.33%, 0.78%

LAB 76.28, 15, -15.57

 

Description

Color code: HEX #DABAB6 | qconv.com Color code: HEX #DABAB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 186 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 186 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 17 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 17% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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