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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABA54 it is the complementary color #2545AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABA54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABA54 shade: #DFBA4F, #F0CC62, #FFDE75, #FFF088 and #FFFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABA54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABA54 shade: #DABA54, #C9A841, #B8962E, #A7841B and #967208

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABA54 shade: #D9B954, #D99554, #D97154 and #D95454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABA54 shade: #D9B954, #D5D954, #B1D954, #8DD954 and #69D954

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABA54 shade matches the following richer shades: #D9B954, #EAC243 and #FBCB32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABA54 shade: #D9B954, #C8B164, #B8A875, #A79F86 and #969697

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABA54 shade: #D97154, #D99454, #D9B854, #D7D954 and #B3D954

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABA54 shade: #B39227, #D2AC32, #D9B954, #E1C775 and #E8D597

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABA54 shade: #DABA54, #5AD954 and #8254D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABA54 shade: #DABA54, #54D9B8 and #B854D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABA54 shade: #DABA54, #5AD954, #5475D9 and #D354D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABA54 shade: #DABA54, #54D975, #5475D9 and #D954B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 61 / 15

HEX #DABA54

RGB 218 186 84

HSL 45.67, 0.64%, 0.59%

LAB 76.47, -0.22, 54.71

 

Complementary color

CMYK 78 / 60 / 0 / 33

HEX #2545AB

RGB 37 69 171

HSL 225.67, 0.64%, 0.41%

LAB 33.11, 26.23, -57.91

 

CMYK 0 / 17 / 65 / 13

HEX #DFBA4F

RGB 223 186 79

HSL 44.58, 0.69%, 0.59%

LAB 76.9, 1.57, 57.56

 

CMYK 0 / 15 / 59 / 6

HEX #F0CC62

RGB 240 204 98

HSL 44.79, 0.83%, 0.66%

LAB 83.23, 0.57, 56.47

 

CMYK 0 / 13 / 54 / 0

HEX #FFDE75

RGB 255 222 117

HSL 45.65, 1%, 0.73%

LAB 89.29, -1.09, 55.05

 

CMYK 0 / 6 / 47 / 0

HEX #FFF088

RGB 255 240 136

HSL 52.44, 1%, 0.77%

LAB 94.04, -8.5, 51.78

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 0 / 15 / 61 / 15

HEX #DABA54

RGB 218 186 84

HSL 45.67, 0.64%, 0.59%

LAB 76.47, -0.22, 54.71

 

CMYK 0 / 16 / 68 / 21

HEX #C9A841

RGB 201 168 65

HSL 45.44, 0.56%, 0.52%

LAB 70.04, 0.83, 55.71

 

CMYK 0 / 18 / 75 / 28

HEX #B8962E

RGB 184 150 46

HSL 45.22, 0.6%, 0.45%

LAB 63.51, 2.08, 56.37

 

CMYK 0 / 21 / 84 / 35

HEX #A7841B

RGB 167 132 27

HSL 45, 0.72%, 0.38%

LAB 56.88, 3.59, 56.31

 

CMYK 0 / 24 / 95 / 41

HEX #967208

RGB 150 114 8

HSL 44.79, 0.9%, 0.31%

LAB 50.14, 5.4, 54.82

 

CMYK 0 / 15 / 61 / 15

HEX #D9B954

RGB 217 185 84

HSL 45.56, 0.64%, 0.59%

LAB 76.12, -0.12, 54.3

 

CMYK 0 / 31 / 61 / 15

HEX #D99554

RGB 217 149 84

HSL 29.32, 0.64%, 0.59%

LAB 67.19, 19.09, 44.08

 

CMYK 0 / 48 / 61 / 15

HEX #D97154

RGB 217 113 84

HSL 13.08, 0.64%, 0.59%

LAB 59.16, 38.2, 34.41

 

CMYK 0 / 61 / 61 / 15

HEX #D95454

RGB 217 84 84

HSL 0, 0.64%, 0.59%

LAB 53.74, 52.17, 27.6

 

CMYK 0 / 15 / 61 / 15

HEX #D9B954

RGB 217 185 84

HSL 45.56, 0.64%, 0.59%

LAB 76.12, -0.12, 54.3

 

CMYK 2 / 0 / 61 / 15

HEX #D5D954

RGB 213 217 84

HSL 61.8, 0.64%, 0.59%

LAB 84.18, -18.07, 62.99

 

CMYK 18 / 0 / 61 / 15

HEX #B1D954

RGB 177 217 84

HSL 78.05, 0.64%, 0.59%

LAB 81.63, -32.43, 59.49

 

CMYK 35 / 0 / 61 / 15

HEX #8DD954

RGB 141 217 84

HSL 94.29, 0.64%, 0.59%

LAB 79.57, -45.57, 56.64

 

CMYK 52 / 0 / 61 / 15

HEX #69D954

RGB 105 217 84

HSL 110.53, 0.64%, 0.59%

LAB 78.03, -56.62, 54.5

 

CMYK 0 / 15 / 61 / 15

HEX #D9B954

RGB 217 185 84

HSL 45.56, 0.64%, 0.59%

LAB 76.12, -0.12, 54.3

 

CMYK 0 / 17 / 71 / 8

HEX #EAC243

RGB 234 194 67

HSL 45.63, 0.8%, 0.59%

LAB 79.89, 1.41, 65.96

 

CMYK 0 / 19 / 80 / 2

HEX #FBCB32

RGB 251 203 50

HSL 45.67, 0.96%, 0.59%

LAB 83.68, 3.31, 75.94

 

CMYK 0 / 15 / 61 / 15

HEX #D9B954

RGB 217 185 84

HSL 45.56, 0.64%, 0.59%

LAB 76.12, -0.12, 54.3

 

CMYK 0 / 12 / 50 / 22

HEX #C8B164

RGB 200 177 100

HSL 46.2, 0.48%, 0.59%

LAB 72.66, -1.78, 42.15

 

CMYK 0 / 9 / 36 / 28

HEX #B8A875

RGB 184 168 117

HSL 45.67, 0.32%, 0.59%

LAB 69.1, -1.78, 28.48

 

CMYK 0 / 5 / 20 / 35

HEX #A79F86

RGB 167 159 134

HSL 45.45, 0.16%, 0.59%

LAB 65.54, -1.34, 14.11

 

CMYK 1 / 1 / 0 / 41

HEX #969697

RGB 150 150 151

HSL 240, 0%, 0.59%

LAB 62.11, 0.2, -0.53

 

CMYK 0 / 48 / 61 / 15

HEX #D97154

RGB 217 113 84

HSL 13.08, 0.64%, 0.59%

LAB 59.16, 38.2, 34.41

 

CMYK 0 / 32 / 61 / 15

HEX #D99454

RGB 217 148 84

HSL 28.87, 0.64%, 0.59%

LAB 66.95, 19.63, 43.8

 

CMYK 0 / 15 / 61 / 15

HEX #D9B854

RGB 217 184 84

HSL 45.11, 0.64%, 0.59%

LAB 75.87, 0.4, 54.01

 

CMYK 1 / 0 / 61 / 15

HEX #D7D954

RGB 215 217 84

HSL 60.9, 0.64%, 0.59%

LAB 84.34, -17.25, 63.21

 

CMYK 18 / 0 / 61 / 15

HEX #B3D954

RGB 179 217 84

HSL 77.14, 0.64%, 0.59%

LAB 81.76, -31.66, 59.67

 

CMYK 0 / 18 / 78 / 30

HEX #B39227

RGB 179 146 39

HSL 45.86, 0.64%, 0.43%

LAB 61.9, 1.73, 57.27

 

CMYK 0 / 18 / 76 / 18

HEX #D2AC32

RGB 210 172 50

HSL 45.75, 0.64%, 0.51%

LAB 71.85, 1.89, 63.73

 

CMYK 0 / 15 / 61 / 15

HEX #D9B954

RGB 217 185 84

HSL 45.56, 0.64%, 0.59%

LAB 76.12, -0.12, 54.3

 

CMYK 0 / 12 / 48 / 12

HEX #E1C775

RGB 225 199 117

HSL 45.56, 0.64%, 0.67%

LAB 80.82, -1.45, 44.18

 

CMYK 0 / 8 / 35 / 9

HEX #E8D597

RGB 232 213 151

HSL 45.93, 0.64%, 0.75%

LAB 85.49, -2.31, 33.07

 

CMYK 0 / 15 / 61 / 15

HEX #DABA54

RGB 218 186 84

HSL 45.67, 0.64%, 0.59%

LAB 76.47, -0.22, 54.71

 

CMYK 59 / 0 / 61 / 15

HEX #5AD954

RGB 90 217 84

HSL 117.29, 0.64%, 0.59%

LAB 77.54, -60.4, 53.81

 

CMYK 40 / 61 / 0 / 15

HEX #8254D9

RGB 130 84 217

HSL 260.75, 0.64%, 0.59%

LAB 47.1, 47.95, -61.69

 

CMYK 0 / 15 / 61 / 15

HEX #DABA54

RGB 218 186 84

HSL 45.67, 0.64%, 0.59%

LAB 76.47, -0.22, 54.71

 

CMYK 61 / 0 / 15 / 15

HEX #54D9B8

RGB 84 217 184

HSL 165.11, 0.64%, 0.59%

LAB 79.02, -44.11, 5.52

 

CMYK 15 / 61 / 0 / 15

HEX #B854D9

RGB 184 84 217

HSL 285.11, 0.64%, 0.59%

LAB 53.54, 60.23, -51.01

 

CMYK 0 / 15 / 61 / 15

HEX #DABA54

RGB 218 186 84

HSL 45.67, 0.64%, 0.59%

LAB 76.47, -0.22, 54.71

 

CMYK 59 / 0 / 61 / 15

HEX #5AD954

RGB 90 217 84

HSL 117.29, 0.64%, 0.59%

LAB 77.54, -60.4, 53.81

 

CMYK 61 / 46 / 0 / 15

HEX #5475D9

RGB 84 117 217

HSL 225.11, 0.64%, 0.59%

LAB 51.4, 18.97, -54.95

 

CMYK 3 / 61 / 0 / 15

HEX #D354D9

RGB 211 84 217

HSL 297.29, 0.64%, 0.59%

LAB 57.27, 66.7, -44.85

 

CMYK 0 / 15 / 61 / 15

HEX #DABA54

RGB 218 186 84

HSL 45.67, 0.64%, 0.59%

LAB 76.47, -0.22, 54.71

 

CMYK 61 / 0 / 46 / 15

HEX #54D975

RGB 84 217 117

HSL 134.89, 0.64%, 0.59%

LAB 77.75, -57.44, 38.61

 

CMYK 61 / 46 / 0 / 15

HEX #5475D9

RGB 84 117 217

HSL 225.11, 0.64%, 0.59%

LAB 51.4, 18.97, -54.95

 

CMYK 0 / 61 / 15 / 15

HEX #D954B8

RGB 217 84 184

HSL 314.89, 0.64%, 0.59%

LAB 56.64, 62.96, -26.93

 

Description

Color code: HEX #DABA54 | qconv.com Color code: HEX #DABA54 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 186 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 186 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 61 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 61% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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