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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABA4D it is the complementary color #2545B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABA4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABA4D shade: #DFBA48, #F0CC5B, #FFDE6E, #FFF081 and #FFFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABA4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABA4D shade: #DABA4D, #C9A83A, #B89627, #A78414 and #967201

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABA4D shade: #DABA4D, #DA944D, #DA6E4D and #DA4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABA4D shade: #DABA4D, #D4DA4D, #AEDA4D, #88DA4D and #62DA4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABA4D shade matches the following richer shades: #DABA4D, #EBC33B and #FDCD2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABA4D shade: #DABA4D, #C9B15E, #B7A76F, #A69E81 and #959492

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABA4D shade: #DA6E4D, #DA934D, #DAB94D, #D5DA4D and #B0DA4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABA4D shade: #B19124, #D3AD2B, #DABA4D, #E1C76F and #E8D491

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABA4D shade: #DABA4D, #51DA4D and #814DDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABA4D shade: #DABA4D, #4DDAB9 and #B94DDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABA4D shade: #DABA4D, #51DA4D, #4D6EDA and #D54DDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABA4D shade: #DABA4D, #4DDA72, #4D6EDA and #DA4DB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 65 / 15

HEX #DABA4D

RGB 218 186 77

HSL 46.38, 0.66%, 0.58%

LAB 76.41, -0.67, 57.76

 

Complementary color

CMYK 79 / 61 / 0 / 30

HEX #2545B2

RGB 37 69 178

HSL 226.38, 0.66%, 0.42%

LAB 33.7, 28.91, -61.12

 

CMYK 0 / 17 / 68 / 13

HEX #DFBA48

RGB 223 186 72

HSL 45.3, 0.7%, 0.58%

LAB 76.84, 1.16, 60.5

 

CMYK 0 / 15 / 62 / 6

HEX #F0CC5B

RGB 240 204 91

HSL 45.5, 0.83%, 0.65%

LAB 83.16, 0.11, 59.55

 

CMYK 0 / 13 / 57 / 0

HEX #FFDE6E

RGB 255 222 110

HSL 46.34, 1%, 0.72%

LAB 89.22, -1.62, 58.2

 

CMYK 0 / 6 / 49 / 0

HEX #FFF081

RGB 255 240 129

HSL 52.86, 1%, 0.75%

LAB 93.95, -9.12, 54.99

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 0 / 15 / 65 / 15

HEX #DABA4D

RGB 218 186 77

HSL 46.38, 0.66%, 0.58%

LAB 76.41, -0.67, 57.76

 

CMYK 0 / 16 / 71 / 21

HEX #C9A83A

RGB 201 168 58

HSL 46.15, 0.57%, 0.51%

LAB 69.99, 0.46, 58.57

 

CMYK 0 / 18 / 79 / 28

HEX #B89627

RGB 184 150 39

HSL 45.93, 0.65%, 0.44%

LAB 63.47, 1.79, 58.89

 

CMYK 0 / 21 / 88 / 35

HEX #A78414

RGB 167 132 20

HSL 45.71, 0.79%, 0.37%

LAB 56.85, 3.4, 58.23

 

CMYK 0 / 24 / 99 / 41

HEX #967201

RGB 150 114 1

HSL 45.5, 0.99%, 0.3%

LAB 50.12, 5.28, 56.24

 

CMYK 0 / 15 / 65 / 15

HEX #DABA4D

RGB 218 186 77

HSL 46.38, 0.66%, 0.58%

LAB 76.41, -0.67, 57.76

 

CMYK 0 / 32 / 65 / 15

HEX #DA944D

RGB 218 148 77

HSL 30.21, 0.66%, 0.58%

LAB 66.99, 19.58, 47.37

 

CMYK 0 / 50 / 65 / 15

HEX #DA6E4D

RGB 218 110 77

HSL 14.04, 0.66%, 0.58%

LAB 58.6, 39.66, 37.59

 

CMYK 0 / 65 / 65 / 15

HEX #DA4D4D

RGB 218 77 77

HSL 0, 0.66%, 0.58%

LAB 52.67, 55.08, 30.35

 

CMYK 0 / 15 / 65 / 15

HEX #DABA4D

RGB 218 186 77

HSL 46.38, 0.66%, 0.58%

LAB 76.41, -0.67, 57.76

 

CMYK 3 / 0 / 65 / 15

HEX #D4DA4D

RGB 212 218 77

HSL 62.55, 0.66%, 0.58%

LAB 84.32, -19.4, 65.94

 

CMYK 20 / 0 / 65 / 15

HEX #AEDA4D

RGB 174 218 77

HSL 78.72, 0.66%, 0.58%

LAB 81.66, -34.56, 62.34

 

CMYK 38 / 0 / 65 / 15

HEX #88DA4D

RGB 136 218 77

HSL 94.89, 0.66%, 0.58%

LAB 79.56, -48.27, 59.48

 

CMYK 55 / 0 / 65 / 15

HEX #62DA4D

RGB 98 218 77

HSL 111.06, 0.66%, 0.58%

LAB 78.04, -59.51, 57.38

 

CMYK 0 / 15 / 65 / 15

HEX #DABA4D

RGB 218 186 77

HSL 46.38, 0.66%, 0.58%

LAB 76.41, -0.67, 57.76

 

CMYK 0 / 17 / 75 / 8

HEX #EBC33B

RGB 235 195 59

HSL 46.36, 0.81%, 0.58%

LAB 80.18, 0.97, 69.24

 

CMYK 0 / 19 / 83 / 1

HEX #FDCD2A

RGB 253 205 42

HSL 46.35, 0.98%, 0.58%

LAB 84.34, 2.91, 78.8

 

CMYK 0 / 15 / 65 / 15

HEX #DABA4D

RGB 218 186 77

HSL 46.38, 0.66%, 0.58%

LAB 76.41, -0.67, 57.76

 

CMYK 0 / 12 / 53 / 21

HEX #C9B15E

RGB 201 177 94

HSL 46.54, 0.5%, 0.58%

LAB 72.67, -1.89, 45.18

 

CMYK 0 / 9 / 39 / 28

HEX #B7A76F

RGB 183 167 111

HSL 46.67, 0.33%, 0.58%

LAB 68.64, -2.36, 31.07

 

CMYK 0 / 5 / 22 / 35

HEX #A69E81

RGB 166 158 129

HSL 47.03, 0.17%, 0.58%

LAB 65.08, -1.95, 16.23

 

CMYK 0 / 1 / 2 / 42

HEX #959492

RGB 149 148 146

HSL 40, 0.01%, 0.58%

LAB 61.35, -0.01, 1.18

 

CMYK 0 / 50 / 65 / 15

HEX #DA6E4D

RGB 218 110 77

HSL 14.04, 0.66%, 0.58%

LAB 58.6, 39.66, 37.59

 

CMYK 0 / 33 / 65 / 15

HEX #DA934D

RGB 218 147 77

HSL 29.79, 0.66%, 0.58%

LAB 66.76, 20.12, 47.1

 

CMYK 0 / 15 / 65 / 15

HEX #DAB94D

RGB 218 185 77

HSL 45.96, 0.66%, 0.58%

LAB 76.15, -0.15, 57.49

 

CMYK 2 / 0 / 65 / 15

HEX #D5DA4D

RGB 213 218 77

HSL 62.13, 0.66%, 0.58%

LAB 84.39, -18.99, 66.04

 

CMYK 19 / 0 / 65 / 15

HEX #B0DA4D

RGB 176 218 77

HSL 77.87, 0.66%, 0.58%

LAB 81.79, -33.79, 62.52

 

CMYK 0 / 18 / 80 / 31

HEX #B19124

RGB 177 145 36

HSL 46.38, 0.66%, 0.42%

LAB 61.42, 1.26, 57.79

 

CMYK 0 / 18 / 80 / 17

HEX #D3AD2B

RGB 211 173 43

HSL 46.43, 0.66%, 0.5%

LAB 72.17, 1.54, 66.42

 

CMYK 0 / 15 / 65 / 15

HEX #DABA4D

RGB 218 186 77

HSL 46.38, 0.66%, 0.58%

LAB 76.41, -0.67, 57.76

 

CMYK 0 / 12 / 51 / 12

HEX #E1C76F

RGB 225 199 111

HSL 46.32, 0.66%, 0.66%

LAB 80.74, -1.99, 47.05

 

CMYK 0 / 9 / 38 / 9

HEX #E8D491

RGB 232 212 145

HSL 46.21, 0.65%, 0.74%

LAB 85.14, -2.48, 35.68

 

CMYK 0 / 15 / 65 / 15

HEX #DABA4D

RGB 218 186 77

HSL 46.38, 0.66%, 0.58%

LAB 76.41, -0.67, 57.76

 

CMYK 63 / 0 / 65 / 15

HEX #51DA4D

RGB 81 218 77

HSL 118.3, 0.66%, 0.58%

LAB 77.54, -63.48, 56.68

 

CMYK 41 / 65 / 0 / 15

HEX #814DDA

RGB 129 77 218

HSL 262.13, 0.66%, 0.58%

LAB 45.68, 51.73, -64.56

 

CMYK 0 / 15 / 65 / 15

HEX #DABA4D

RGB 218 186 77

HSL 46.38, 0.66%, 0.58%

LAB 76.41, -0.67, 57.76

 

CMYK 65 / 0 / 15 / 15

HEX #4DDAB9

RGB 77 218 185

HSL 165.96, 0.66%, 0.58%

LAB 79.17, -45.5, 5.18

 

CMYK 15 / 65 / 0 / 15

HEX #B94DDA

RGB 185 77 218

HSL 285.96, 0.66%, 0.58%

LAB 52.6, 63.76, -53.06

 

CMYK 0 / 15 / 65 / 15

HEX #DABA4D

RGB 218 186 77

HSL 46.38, 0.66%, 0.58%

LAB 76.41, -0.67, 57.76

 

CMYK 63 / 0 / 65 / 15

HEX #51DA4D

RGB 81 218 77

HSL 118.3, 0.66%, 0.58%

LAB 77.54, -63.48, 56.68

 

CMYK 65 / 50 / 0 / 15

HEX #4D6EDA

RGB 77 110 218

HSL 225.96, 0.66%, 0.58%

LAB 49.24, 22.45, -59

 

CMYK 2 / 65 / 0 / 15

HEX #D54DDA

RGB 213 77 218

HSL 297.87, 0.66%, 0.58%

LAB 56.6, 70.16, -46.46

 

CMYK 0 / 15 / 65 / 15

HEX #DABA4D

RGB 218 186 77

HSL 46.38, 0.66%, 0.58%

LAB 76.41, -0.67, 57.76

 

CMYK 65 / 0 / 48 / 15

HEX #4DDA72

RGB 77 218 114

HSL 135.74, 0.66%, 0.58%

LAB 77.84, -59.67, 40.15

 

CMYK 65 / 50 / 0 / 15

HEX #4D6EDA

RGB 77 110 218

HSL 225.96, 0.66%, 0.58%

LAB 49.24, 22.45, -59

 

CMYK 0 / 65 / 17 / 15

HEX #DA4DB4

RGB 218 77 180

HSL 316.17, 0.66%, 0.58%

LAB 55.59, 65.5, -26.22

 

Description

Color code: HEX #DABA4D | qconv.com Color code: HEX #DABA4D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 186 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 186 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 65 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 65% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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