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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABA1A it is the complementary color #2545E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABA1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABA1A shade: #DFBA15, #F0CC28, #FFDE3B, #FFF04E and #FFFF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABA1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABA1A shade: #DABA1A, #C9A807, #B89600, #A78400 and #967200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABA1A shade: #DBBA19, #DB8619, #DB5219, #DB1E19 and #DB1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABA1A shade: #DBBA19, #C7DB19, #93DB19, #5EDB19 and #2ADB19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABA1A shade matches the following richer shades: #DBBA19 and #EEC805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABA1A shade: #DBBA19, #C7AD2D, #B3A041, #9F9355 and #8B8668

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABA1A shade: #DB5319, #DB8719, #DBBA19, #C7DB19 and #94DB19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABA1A shade: #917B11, #B69B15, #DBBA19, #E7CA36 and #EBD35B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABA1A shade: #DABA1A, #19DB20 and #6D19DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABA1A shade: #DABA1A, #19DBBA and #BA19DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABA1A shade: #DABA1A, #19DB20, #1939DB and #DB19D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABA1A shade: #DABA1A, #19DB5A, #1939DB and #DB199A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 88 / 15

HEX #DABA1A

RGB 218 186 26

HSL 50, 0.79%, 0.48%

LAB 76.13, -2.68, 74.43

 

Complementary color

CMYK 84 / 70 / 0 / 10

HEX #2545E5

RGB 37 69 229

HSL 230, 0.79%, 0.52%

LAB 38.39, 47.47, -83.03

 

CMYK 0 / 17 / 91 / 13

HEX #DFBA15

RGB 223 186 21

HSL 49.01, 0.83%, 0.48%

LAB 76.59, -0.59, 75.91

 

CMYK 0 / 15 / 83 / 6

HEX #F0CC28

RGB 240 204 40

HSL 49.2, 0.87%, 0.55%

LAB 82.84, -2.16, 77.56

 

CMYK 0 / 13 / 77 / 0

HEX #FFDE3B

RGB 255 222 59

HSL 49.9, 1%, 0.62%

LAB 88.84, -4.36, 77.93

 

CMYK 0 / 6 / 69 / 0

HEX #FFF04E

RGB 255 240 78

HSL 54.92, 1%, 0.65%

LAB 93.51, -12.5, 75.96

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 15 / 88 / 15

HEX #DABA1A

RGB 218 186 26

HSL 50, 0.79%, 0.48%

LAB 76.13, -2.68, 74.43

 

CMYK 0 / 16 / 97 / 21

HEX #C9A807

RGB 201 168 7

HSL 49.79, 0.93%, 0.41%

LAB 69.78, -0.99, 71.8

 

CMYK 0 / 18 / 100 / 28

HEX #B89600

RGB 184 150 0

HSL 48.91, 1%, 0.36%

LAB 63.35, 0.96, 67.35

 

CMYK 0 / 21 / 100 / 35

HEX #A78400

RGB 167 132 0

HSL 47.43, 1%, 0.33%

LAB 56.8, 3.06, 61.95

 

CMYK 0 / 24 / 100 / 41

HEX #967200

RGB 150 114 0

HSL 45.6, 1%, 0.29%

LAB 50.12, 5.26, 56.45

 

CMYK 0 / 15 / 89 / 14

HEX #DBBA19

RGB 219 186 25

HSL 49.79, 0.8%, 0.48%

LAB 76.22, -2.26, 74.74

 

CMYK 0 / 39 / 89 / 14

HEX #DB8619

RGB 219 134 25

HSL 33.71, 0.8%, 0.48%

LAB 63.49, 25.43, 64.81

 

CMYK 0 / 63 / 89 / 14

HEX #DB5219

RGB 219 82 25

HSL 17.63, 0.8%, 0.48%

LAB 53.13, 51.33, 56.85

 

CMYK 0 / 86 / 89 / 14

HEX #DB1E19

RGB 219 30 25

HSL 1.55, 0.8%, 0.48%

LAB 47.05, 68.1, 52.28

 

CMYK 0 / 89 / 89 / 14

HEX #DB1919

RGB 219 25 25

HSL 0, 0.8%, 0.48%

LAB 46.74, 68.98, 52.05

 

CMYK 0 / 15 / 89 / 14

HEX #DBBA19

RGB 219 186 25

HSL 49.79, 0.8%, 0.48%

LAB 76.22, -2.26, 74.74

 

CMYK 9 / 0 / 89 / 14

HEX #C7DB19

RGB 199 219 25

HSL 66.19, 0.8%, 0.48%

LAB 83.38, -27.27, 79.71

 

CMYK 33 / 0 / 89 / 14

HEX #93DB19

RGB 147 219 25

HSL 82.27, 0.8%, 0.48%

LAB 80.14, -47.56, 75.74

 

CMYK 57 / 0 / 89 / 14

HEX #5EDB19

RGB 94 219 25

HSL 98.66, 0.8%, 0.48%

LAB 77.94, -64.02, 73

 

CMYK 81 / 0 / 89 / 14

HEX #2ADB19

RGB 42 219 25

HSL 114.74, 0.8%, 0.48%

LAB 76.82, -73.58, 71.59

 

CMYK 0 / 15 / 89 / 14

HEX #DBBA19

RGB 219 186 25

HSL 49.79, 0.8%, 0.48%

LAB 76.22, -2.26, 74.74

 

CMYK 0 / 16 / 98 / 7

HEX #EEC805

RGB 238 200 5

HSL 50.21, 0.96%, 0.48%

LAB 81.56, -1.51, 82.14

 

CMYK 0 / 15 / 89 / 14

HEX #DBBA19

RGB 219 186 25

HSL 49.79, 0.8%, 0.48%

LAB 76.22, -2.26, 74.74

 

CMYK 0 / 13 / 77 / 22

HEX #C7AD2D

RGB 199 173 45

HSL 49.87, 0.63%, 0.48%

LAB 71.02, -3.64, 64.3

 

CMYK 0 / 11 / 64 / 30

HEX #B3A041

RGB 179 160 65

HSL 50, 0.47%, 0.48%

LAB 65.83, -4.47, 50.6

 

CMYK 0 / 8 / 47 / 38

HEX #9F9355

RGB 159 147 85

HSL 50.27, 0.3%, 0.48%

LAB 60.69, -4.44, 34.29

 

CMYK 0 / 4 / 25 / 45

HEX #8B8668

RGB 139 134 104

HSL 51.43, 0.14%, 0.48%

LAB 55.62, -3.26, 16.86

 

CMYK 0 / 62 / 89 / 14

HEX #DB5319

RGB 219 83 25

HSL 17.94, 0.8%, 0.48%

LAB 53.29, 50.89, 56.98

 

CMYK 0 / 38 / 89 / 14

HEX #DB8719

RGB 219 135 25

HSL 34.02, 0.8%, 0.48%

LAB 63.72, 24.89, 64.98

 

CMYK 0 / 15 / 89 / 14

HEX #DBBA19

RGB 219 186 25

HSL 49.79, 0.8%, 0.48%

LAB 76.22, -2.26, 74.74

 

CMYK 9 / 0 / 89 / 14

HEX #C7DB19

RGB 199 219 25

HSL 66.19, 0.8%, 0.48%

LAB 83.38, -27.27, 79.71

 

CMYK 32 / 0 / 89 / 14

HEX #94DB19

RGB 148 219 25

HSL 81.96, 0.8%, 0.48%

LAB 80.2, -47.2, 75.8

 

CMYK 0 / 15 / 88 / 43

HEX #917B11

RGB 145 123 17

HSL 49.69, 0.79%, 0.32%

LAB 52.09, -1.86, 54.17

 

CMYK 0 / 15 / 88 / 29

HEX #B69B15

RGB 182 155 21

HSL 49.94, 0.79%, 0.4%

LAB 64.52, -2.34, 64.79

 

CMYK 0 / 15 / 89 / 14

HEX #DBBA19

RGB 219 186 25

HSL 49.79, 0.8%, 0.48%

LAB 76.22, -2.26, 74.74

 

CMYK 0 / 13 / 77 / 9

HEX #E7CA36

RGB 231 202 54

HSL 50.17, 0.79%, 0.56%

LAB 81.56, -4.53, 72.09

 

CMYK 0 / 10 / 61 / 8

HEX #EBD35B

RGB 235 211 91

HSL 50, 0.78%, 0.64%

LAB 84.49, -5.55, 60.88

 

CMYK 0 / 15 / 88 / 15

HEX #DABA1A

RGB 218 186 26

HSL 50, 0.79%, 0.48%

LAB 76.13, -2.68, 74.43

 

CMYK 89 / 0 / 85 / 14

HEX #19DB20

RGB 25 219 32

HSL 122.16, 0.8%, 0.48%

LAB 76.66, -74.86, 70.03

 

CMYK 50 / 89 / 0 / 14

HEX #6D19DB

RGB 109 25 219

HSL 265.98, 0.8%, 0.48%

LAB 36.1, 70.02, -80.91

 

CMYK 0 / 15 / 88 / 15

HEX #DABA1A

RGB 218 186 26

HSL 50, 0.79%, 0.48%

LAB 76.13, -2.68, 74.43

 

CMYK 89 / 0 / 15 / 14

HEX #19DBBA

RGB 25 219 186

HSL 169.79, 0.8%, 0.48%

LAB 78.7, -51.21, 3.87

 

CMYK 15 / 89 / 0 / 14

HEX #BA19DB

RGB 186 25 219

HSL 289.79, 0.8%, 0.48%

LAB 47.3, 79.94, -62.15

 

CMYK 0 / 15 / 88 / 15

HEX #DABA1A

RGB 218 186 26

HSL 50, 0.79%, 0.48%

LAB 76.13, -2.68, 74.43

 

CMYK 89 / 0 / 85 / 14

HEX #19DB20

RGB 25 219 32

HSL 122.16, 0.8%, 0.48%

LAB 76.66, -74.86, 70.03

 

CMYK 89 / 74 / 0 / 14

HEX #1939DB

RGB 25 57 219

HSL 230.1, 0.8%, 0.48%

LAB 34.49, 50.44, -83.76

 

CMYK 0 / 89 / 3 / 14

HEX #DB19D4

RGB 219 25 212

HSL 302.16, 0.8%, 0.48%

LAB 52.41, 84.29, -49.64

 

CMYK 0 / 15 / 88 / 15

HEX #DABA1A

RGB 218 186 26

HSL 50, 0.79%, 0.48%

LAB 76.13, -2.68, 74.43

 

CMYK 89 / 0 / 59 / 14

HEX #19DB5A

RGB 25 219 90

HSL 140.1, 0.8%, 0.48%

LAB 77.05, -70.05, 50.29

 

CMYK 89 / 74 / 0 / 14

HEX #1939DB

RGB 25 57 219

HSL 230.1, 0.8%, 0.48%

LAB 34.49, 50.44, -83.76

 

CMYK 0 / 89 / 30 / 14

HEX #DB199A

RGB 219 25 154

HSL 320.1, 0.8%, 0.48%

LAB 49.6, 76.95, -20.14

 

Description

Color code: HEX #DABA1A | qconv.com Color code: HEX #DABA1A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 186 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 186 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 88 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 88% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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