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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABA0C it is the complementary color #2545F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABA0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABA0C shade: #DFBA07, #F0CC1A, #FFDE2D, #FFF040 and #FFFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABA0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABA0C shade: #DABA0C, #C9A800, #B89600, #A78400 and #967200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABA0C shade: #DABA0B, #DA820B, #DA4B0B, #DA130B and #DA0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABA0C shade: #DABA0B, #C2DA0B, #8BDA0B, #53DA0B and #1BDA0B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABA0C shade matches the following richer shades: #DABA0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABA0C shade: #DABA0B, #C7AD1E, #B5A031, #A29443 and #908756

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABA0C shade: #DA490B, #DA810B, #DAB80B, #C5DA0B and #8EDA0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABA0C shade: #8C7707, #B39909, #DABA0B, #F3D21C and #F5D943

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABA0C shade: #DABA0C, #0BDA12 and #650BDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABA0C shade: #DABA0C, #0BDAB8 and #B80BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABA0C shade: #DABA0C, #0BDA12, #0B2EDA and #DA0BD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABA0C shade: #DABA0C, #0BDA50, #0B2EDA and #DA0B95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 94 / 15

HEX #DABA0C

RGB 218 186 12

HSL 50.68, 0.9%, 0.45%

LAB 76.1, -2.89, 76.61

 

Complementary color

CMYK 85 / 72 / 0 / 5

HEX #2545F3

RGB 37 69 243

HSL 230.68, 0.9%, 0.55%

LAB 39.78, 52.26, -88.65

 

CMYK 0 / 17 / 97 / 13

HEX #DFBA07

RGB 223 186 7

HSL 49.72, 0.94%, 0.45%

LAB 76.57, -0.76, 77.7

 

CMYK 0 / 15 / 89 / 6

HEX #F0CC1A

RGB 240 204 26

HSL 49.91, 0.88%, 0.52%

LAB 82.8, -2.46, 80.53

 

CMYK 0 / 13 / 82 / 0

HEX #FFDE2D

RGB 255 222 45

HSL 50.57, 1%, 0.59%

LAB 88.78, -4.79, 81.84

 

CMYK 0 / 6 / 75 / 0

HEX #FFF040

RGB 255 240 64

HSL 55.29, 1%, 0.63%

LAB 93.43, -13.1, 80.58

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF53

RGB 255 255 83

HSL 60, 1%, 0.66%

LAB 97.39, -19.52, 78.02

 

CMYK 0 / 15 / 94 / 15

HEX #DABA0C

RGB 218 186 12

HSL 50.68, 0.9%, 0.45%

LAB 76.1, -2.89, 76.61

 

CMYK 0 / 16 / 100 / 21

HEX #C9A800

RGB 201 168 0

HSL 50.15, 1%, 0.39%

LAB 69.77, -1.06, 72.65

 

CMYK 0 / 18 / 100 / 28

HEX #B89600

RGB 184 150 0

HSL 48.91, 1%, 0.36%

LAB 63.35, 0.96, 67.35

 

CMYK 0 / 21 / 100 / 35

HEX #A78400

RGB 167 132 0

HSL 47.43, 1%, 0.33%

LAB 56.8, 3.06, 61.95

 

CMYK 0 / 24 / 100 / 41

HEX #967200

RGB 150 114 0

HSL 45.6, 1%, 0.29%

LAB 50.12, 5.26, 56.45

 

CMYK 0 / 15 / 95 / 15

HEX #DABA0B

RGB 218 186 11

HSL 50.72, 0.9%, 0.45%

LAB 76.1, -2.9, 76.72

 

CMYK 0 / 40 / 95 / 15

HEX #DA820B

RGB 218 130 11

HSL 34.49, 0.9%, 0.45%

LAB 62.42, 26.93, 66.93

 

CMYK 0 / 66 / 95 / 15

HEX #DA4B0B

RGB 218 75 11

HSL 18.55, 0.9%, 0.45%

LAB 51.79, 53.76, 59.97

 

CMYK 0 / 91 / 95 / 15

HEX #DA130B

RGB 218 19 11

HSL 2.32, 0.9%, 0.45%

LAB 46.17, 69.43, 56.73

 

CMYK 0 / 95 / 95 / 15

HEX #DA0B0B

RGB 218 11 11

HSL 0, 0.9%, 0.45%

LAB 45.86, 70.31, 56.57

 

CMYK 0 / 15 / 95 / 15

HEX #DABA0B

RGB 218 186 11

HSL 50.72, 0.9%, 0.45%

LAB 76.1, -2.9, 76.72

 

CMYK 11 / 0 / 95 / 15

HEX #C2DA0B

RGB 194 218 11

HSL 66.96, 0.9%, 0.45%

LAB 82.72, -29.07, 80.83

 

CMYK 36 / 0 / 95 / 15

HEX #8BDA0B

RGB 139 218 11

HSL 82.9, 0.9%, 0.45%

LAB 79.42, -50.26, 76.84

 

CMYK 62 / 0 / 95 / 15

HEX #53DA0B

RGB 83 218 11

HSL 99.13, 0.9%, 0.45%

LAB 77.28, -66.65, 74.23

 

CMYK 88 / 0 / 95 / 15

HEX #1BDA0B

RGB 27 218 11

HSL 115.36, 0.9%, 0.45%

LAB 76.31, -75.07, 73.03

 

CMYK 0 / 15 / 95 / 15

HEX #DABA0B

RGB 218 186 11

HSL 50.72, 0.9%, 0.45%

LAB 76.1, -2.9, 76.72

 

CMYK 0 / 15 / 95 / 15

HEX #DABA0B

RGB 218 186 11

HSL 50.72, 0.9%, 0.45%

LAB 76.1, -2.9, 76.72

 

CMYK 0 / 13 / 85 / 22

HEX #C7AD1E

RGB 199 173 30

HSL 50.77, 0.74%, 0.45%

LAB 70.96, -4.12, 68.61

 

CMYK 0 / 12 / 73 / 29

HEX #B5A031

RGB 181 160 49

HSL 50.45, 0.57%, 0.45%

LAB 65.89, -4.5, 57.42

 

CMYK 0 / 9 / 59 / 36

HEX #A29443

RGB 162 148 67

HSL 51.16, 0.41%, 0.45%

LAB 61.02, -5.31, 43.89

 

CMYK 0 / 6 / 40 / 44

HEX #908756

RGB 144 135 86

HSL 50.69, 0.25%, 0.45%

LAB 56.02, -4.14, 27.56

 

CMYK 0 / 67 / 95 / 15

HEX #DA490B

RGB 218 73 11

HSL 17.97, 0.9%, 0.45%

LAB 51.49, 54.58, 59.78

 

CMYK 0 / 41 / 95 / 15

HEX #DA810B

RGB 218 129 11

HSL 34.2, 0.9%, 0.45%

LAB 62.19, 27.46, 66.77

 

CMYK 0 / 16 / 95 / 15

HEX #DAB80B

RGB 218 184 11

HSL 50.14, 0.9%, 0.45%

LAB 75.58, -1.86, 76.34

 

CMYK 10 / 0 / 95 / 15

HEX #C5DA0B

RGB 197 218 11

HSL 66.09, 0.9%, 0.45%

LAB 82.93, -27.83, 81.09

 

CMYK 35 / 0 / 95 / 15

HEX #8EDA0B

RGB 142 218 11

HSL 82.03, 0.9%, 0.45%

LAB 79.57, -49.2, 77.02

 

CMYK 0 / 15 / 95 / 45

HEX #8C7707

RGB 140 119 7

HSL 50.53, 0.9%, 0.29%

LAB 50.43, -2.17, 54.77

 

CMYK 0 / 15 / 95 / 30

HEX #B39909

RGB 179 153 9

HSL 50.82, 0.9%, 0.37%

LAB 63.66, -2.81, 66.08

 

CMYK 0 / 15 / 95 / 15

HEX #DABA0B

RGB 218 186 11

HSL 50.72, 0.9%, 0.45%

LAB 76.1, -2.9, 76.72

 

CMYK 0 / 14 / 88 / 5

HEX #F3D21C

RGB 243 210 28

HSL 50.79, 0.9%, 0.53%

LAB 84.6, -4.2, 81.69

 

CMYK 0 / 11 / 73 / 4

HEX #F5D943

RGB 245 217 67

HSL 50.56, 0.9%, 0.61%

LAB 86.72, -5.71, 72.98

 

CMYK 0 / 15 / 94 / 15

HEX #DABA0C

RGB 218 186 12

HSL 50.68, 0.9%, 0.45%

LAB 76.1, -2.89, 76.61

 

CMYK 95 / 0 / 92 / 15

HEX #0BDA12

RGB 11 218 18

HSL 122.03, 0.9%, 0.45%

LAB 76.23, -75.82, 72.09

 

CMYK 54 / 95 / 0 / 15

HEX #650BDA

RGB 101 11 218

HSL 266.09, 0.9%, 0.45%

LAB 34.12, 71.83, -83.63

 

CMYK 0 / 15 / 94 / 15

HEX #DABA0C

RGB 218 186 12

HSL 50.68, 0.9%, 0.45%

LAB 76.1, -2.89, 76.61

 

CMYK 95 / 0 / 16 / 15

HEX #0BDAB8

RGB 11 218 184

HSL 170.14, 0.9%, 0.45%

LAB 78.27, -51.89, 4.3

 

CMYK 16 / 95 / 0 / 15

HEX #B80BDA

RGB 184 11 218

HSL 290.14, 0.9%, 0.45%

LAB 46.3, 81.25, -63.21

 

CMYK 0 / 15 / 94 / 15

HEX #DABA0C

RGB 218 186 12

HSL 50.68, 0.9%, 0.45%

LAB 76.1, -2.89, 76.61

 

CMYK 95 / 0 / 92 / 15

HEX #0BDA12

RGB 11 218 18

HSL 122.03, 0.9%, 0.45%

LAB 76.23, -75.82, 72.09

 

CMYK 95 / 79 / 0 / 15

HEX #0B2EDA

RGB 11 46 218

HSL 229.86, 0.9%, 0.45%

LAB 32, 55.69, -87.32

 

CMYK 0 / 95 / 3 / 15

HEX #DA0BD3

RGB 218 11 211

HSL 302.03, 0.9%, 0.45%

LAB 51.66, 85.49, -50.27

 

CMYK 0 / 15 / 94 / 15

HEX #DABA0C

RGB 218 186 12

HSL 50.68, 0.9%, 0.45%

LAB 76.1, -2.89, 76.61

 

CMYK 95 / 0 / 63 / 15

HEX #0BDA50

RGB 11 218 80

HSL 140, 0.9%, 0.45%

LAB 76.55, -71.65, 54.06

 

CMYK 95 / 79 / 0 / 15

HEX #0B2EDA

RGB 11 46 218

HSL 229.86, 0.9%, 0.45%

LAB 32, 55.69, -87.32

 

CMYK 0 / 95 / 32 / 15

HEX #DA0B95

RGB 218 11 149

HSL 320, 0.9%, 0.45%

LAB 48.65, 77.84, -18.61

 

Description

Color code: HEX #DABA0C | qconv.com Color code: HEX #DABA0C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 186 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 186 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 94 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 94% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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