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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB913 it is the complementary color #2546EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB913. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB913 shade: #DFB90E, #F0CB21, #FFDD34, #FFEF47 and #FFFF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB913. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB913 shade: #DAB913, #C9A700, #B89500, #A78300 and #967100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB913 shade: #D8B713, #D88213, #D84D13, #D81813 and #D81313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB913 shade: #D8B713, #C3D813, #8ED813, #59D813 and #24D813

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB913 shade matches the following richer shades: #D8B713

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB913 shade: #D8B713, #C5AA26, #B29E39, #9F914C and #8C845F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB913 shade: #D84E13, #D88213, #D8B713, #C4D813 and #90D813

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB913 shade: #8C770C, #B2970F, #D8B713, #ECCC28 and #F0D54E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB913 shade: #DAB913, #13D819 and #6813D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB913 shade: #DAB913, #13D8B7 and #B713D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB913 shade: #DAB913, #13D819, #1334D8 and #D813D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB913 shade: #DAB913, #13D854, #1334D8 and #D81396

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 91 / 15

HEX #DAB913

RGB 218 185 19

HSL 50.05, 0.84%, 0.46%

LAB 75.85, -2.28, 75.47

 

Complementary color

CMYK 84 / 70 / 0 / 7

HEX #2546EC

RGB 37 70 236

HSL 230.05, 0.84%, 0.54%

LAB 39.29, 49.3, -85.51

 

CMYK 0 / 17 / 94 / 13

HEX #DFB90E

RGB 223 185 14

HSL 49.09, 0.88%, 0.46%

LAB 76.32, -0.17, 76.75

 

CMYK 0 / 15 / 86 / 6

HEX #F0CB21

RGB 240 203 33

HSL 49.28, 0.87%, 0.54%

LAB 82.56, -1.81, 78.97

 

CMYK 0 / 13 / 80 / 0

HEX #FFDD34

RGB 255 221 52

HSL 49.95, 1%, 0.6%

LAB 88.55, -4.09, 79.77

 

CMYK 0 / 6 / 72 / 0

HEX #FFEF47

RGB 255 239 71

HSL 54.78, 1%, 0.64%

LAB 93.21, -12.33, 78.11

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF5A

RGB 255 255 90

HSL 60, 1%, 0.68%

LAB 97.44, -19.15, 75.5

 

CMYK 0 / 15 / 91 / 15

HEX #DAB913

RGB 218 185 19

HSL 50.05, 0.84%, 0.46%

LAB 75.85, -2.28, 75.47

 

CMYK 0 / 17 / 100 / 21

HEX #C9A700

RGB 201 167 0

HSL 49.85, 1%, 0.39%

LAB 69.51, -0.53, 72.47

 

CMYK 0 / 19 / 100 / 28

HEX #B89500

RGB 184 149 0

HSL 48.59, 1%, 0.36%

LAB 63.08, 1.5, 67.16

 

CMYK 0 / 22 / 100 / 35

HEX #A78300

RGB 167 131 0

HSL 47.07, 1%, 0.33%

LAB 56.53, 3.62, 61.76

 

CMYK 0 / 25 / 100 / 41

HEX #967100

RGB 150 113 0

HSL 45.2, 1%, 0.29%

LAB 49.85, 5.84, 56.26

 

CMYK 0 / 15 / 91 / 15

HEX #D8B713

RGB 216 183 19

HSL 49.95, 0.84%, 0.46%

LAB 75.15, -2.11, 74.84

 

CMYK 0 / 40 / 91 / 15

HEX #D88213

RGB 216 130 19

HSL 33.81, 0.84%, 0.46%

LAB 62.18, 26.19, 65.11

 

CMYK 0 / 64 / 91 / 15

HEX #D84D13

RGB 216 77 19

HSL 17.66, 0.84%, 0.46%

LAB 51.78, 52.33, 57.63

 

CMYK 0 / 89 / 91 / 15

HEX #D81813

RGB 216 24 19

HSL 1.52, 0.84%, 0.46%

LAB 46.04, 68.27, 53.73

 

CMYK 0 / 91 / 91 / 15

HEX #D81313

RGB 216 19 19

HSL 0, 0.84%, 0.46%

LAB 45.79, 69, 53.57

 

CMYK 0 / 15 / 91 / 15

HEX #D8B713

RGB 216 183 19

HSL 49.95, 0.84%, 0.46%

LAB 75.15, -2.11, 74.84

 

CMYK 10 / 0 / 91 / 15

HEX #C3D813

RGB 195 216 19

HSL 66.4, 0.84%, 0.46%

LAB 82.25, -27.6, 79.59

 

CMYK 34 / 0 / 91 / 15

HEX #8ED813

RGB 142 216 19

HSL 82.54, 0.84%, 0.46%

LAB 78.99, -48.25, 75.61

 

CMYK 59 / 0 / 91 / 15

HEX #59D813

RGB 89 216 19

HSL 98.68, 0.84%, 0.46%

LAB 76.85, -64.41, 72.97

 

CMYK 83 / 0 / 91 / 15

HEX #24D813

RGB 36 216 19

HSL 114.82, 0.84%, 0.46%

LAB 75.78, -73.55, 71.65

 

CMYK 0 / 15 / 91 / 15

HEX #D8B713

RGB 216 183 19

HSL 49.95, 0.84%, 0.46%

LAB 75.15, -2.11, 74.84

 

CMYK 0 / 15 / 91 / 15

HEX #D8B713

RGB 216 183 19

HSL 49.95, 0.84%, 0.46%

LAB 75.15, -2.11, 74.84

 

CMYK 0 / 14 / 81 / 23

HEX #C5AA26

RGB 197 170 38

HSL 49.81, 0.68%, 0.46%

LAB 70.01, -3.19, 65.54

 

CMYK 0 / 11 / 68 / 30

HEX #B29E39

RGB 178 158 57

HSL 50.08, 0.51%, 0.46%

LAB 65.13, -4.33, 53.33

 

CMYK 0 / 9 / 52 / 38

HEX #9F914C

RGB 159 145 76

HSL 49.88, 0.35%, 0.46%

LAB 60.02, -4.23, 38.16

 

CMYK 0 / 6 / 32 / 45

HEX #8C845F

RGB 140 132 95

HSL 49.33, 0.19%, 0.46%

LAB 54.97, -3.02, 21.1

 

CMYK 0 / 64 / 91 / 15

HEX #D84E13

RGB 216 78 19

HSL 17.97, 0.84%, 0.46%

LAB 51.94, 51.91, 57.75

 

CMYK 0 / 40 / 91 / 15

HEX #D88213

RGB 216 130 19

HSL 33.81, 0.84%, 0.46%

LAB 62.18, 26.19, 65.11

 

CMYK 0 / 15 / 91 / 15

HEX #D8B713

RGB 216 183 19

HSL 49.95, 0.84%, 0.46%

LAB 75.15, -2.11, 74.84

 

CMYK 9 / 0 / 91 / 15

HEX #C4D813

RGB 196 216 19

HSL 66.09, 0.84%, 0.46%

LAB 82.32, -27.19, 79.68

 

CMYK 33 / 0 / 91 / 15

HEX #90D813

RGB 144 216 19

HSL 81.93, 0.84%, 0.46%

LAB 79.09, -47.53, 75.74

 

CMYK 0 / 15 / 91 / 45

HEX #8C770C

RGB 140 119 12

HSL 50.16, 0.84%, 0.3%

LAB 50.45, -2.08, 53.79

 

CMYK 0 / 15 / 92 / 30

HEX #B2970F

RGB 178 151 15

HSL 50.06, 0.84%, 0.38%

LAB 63.04, -2.1, 64.64

 

CMYK 0 / 15 / 91 / 15

HEX #D8B713

RGB 216 183 19

HSL 49.95, 0.84%, 0.46%

LAB 75.15, -2.11, 74.84

 

CMYK 0 / 14 / 83 / 7

HEX #ECCC28

RGB 236 204 40

HSL 50.2, 0.84%, 0.54%

LAB 82.47, -3.87, 77.1

 

CMYK 0 / 11 / 68 / 6

HEX #F0D54E

RGB 240 213 78

HSL 50, 0.84%, 0.62%

LAB 85.33, -5.25, 67.33

 

CMYK 0 / 15 / 91 / 15

HEX #DAB913

RGB 218 185 19

HSL 50.05, 0.84%, 0.46%

LAB 75.85, -2.28, 75.47

 

CMYK 91 / 0 / 88 / 15

HEX #13D819

RGB 19 216 25

HSL 121.83, 0.84%, 0.46%

LAB 75.65, -74.69, 70.5

 

CMYK 52 / 91 / 0 / 15

HEX #6813D8

RGB 104 19 216

HSL 265.89, 0.84%, 0.46%

LAB 34.74, 70.22, -81.46

 

CMYK 0 / 15 / 91 / 15

HEX #DAB913

RGB 218 185 19

HSL 50.05, 0.84%, 0.46%

LAB 75.85, -2.28, 75.47

 

CMYK 91 / 0 / 15 / 15

HEX #13D8B7

RGB 19 216 183

HSL 169.95, 0.84%, 0.46%

LAB 77.68, -51.05, 3.98

 

CMYK 15 / 91 / 0 / 15

HEX #B713D8

RGB 183 19 216

HSL 289.95, 0.84%, 0.46%

LAB 46.3, 79.87, -62.07

 

CMYK 0 / 15 / 91 / 15

HEX #DAB913

RGB 218 185 19

HSL 50.05, 0.84%, 0.46%

LAB 75.85, -2.28, 75.47

 

CMYK 91 / 0 / 88 / 15

HEX #13D819

RGB 19 216 25

HSL 121.83, 0.84%, 0.46%

LAB 75.65, -74.69, 70.5

 

CMYK 91 / 76 / 0 / 15

HEX #1334D8

RGB 19 52 216

HSL 229.95, 0.84%, 0.46%

LAB 33.03, 52.03, -84.46

 

CMYK 0 / 91 / 3 / 15

HEX #D813D1

RGB 216 19 209

HSL 302.13, 0.84%, 0.46%

LAB 51.46, 84.11, -49.47

 

CMYK 0 / 15 / 91 / 15

HEX #DAB913

RGB 218 185 19

HSL 50.05, 0.84%, 0.46%

LAB 75.85, -2.28, 75.47

 

CMYK 91 / 0 / 61 / 15

HEX #13D854

RGB 19 216 84

HSL 139.8, 0.84%, 0.46%

LAB 76, -70.23, 51.73

 

CMYK 91 / 76 / 0 / 15

HEX #1334D8

RGB 19 52 216

HSL 229.95, 0.84%, 0.46%

LAB 33.03, 52.03, -84.46

 

CMYK 0 / 91 / 31 / 15

HEX #D81396

RGB 216 19 150

HSL 320.1, 0.84%, 0.46%

LAB 48.59, 76.71, -19.34

 

Description

Color code: HEX #DAB913 | qconv.com Color code: HEX #DAB913 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 185 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 185 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 91 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 91% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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