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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB8CA it is the complementary color #254735. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB8CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB8CA shade: #DFB8C5, #F0CAD8, #FFDCEB and #FFEEFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB8CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB8CA shade: #DAB8CA, #C9A6B7, #B894A4, #A78291 and #96707E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB8CA shade: #DAB8CA, #DAB8C1 and #DAB8B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB8CA shade: #DAB8CA, #DAB8D3, #D7B8DA, #CEB8DA and #C5B8DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB8CA shade matches the following richer shades: #DAB8CA, #E2B0CA, #EBA7CB, #F49ECB and #FC96CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB8CA shade: #DAB8CA, #D1C1C9, #C8CAC9, #C0D2C8 and #B7DBC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB8CA shade: #D7B8DA, #DAB8D3, #DAB8CA, #DAB8C1 and #DAB8B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB8CA shade: #BD82A1, #CB9DB6, #DAB8CA, #E8D3DE and #F6EEF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB8CA shade: #DAB8CA, #DACEB8 and #B8D7DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB8CA shade: #DAB8CA, #CADAB8 and #B8CADA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB8CA shade: #DAB8CA, #DACEB8, #B8DAC8 and #B8C3DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB8CA shade: #DAB8CA, #DAD8B8, #B8DAC8 and #B8B9DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 7 / 15

HEX #DAB8CA

RGB 218 184 202

HSL 328.24, 0.31%, 0.79%

LAB 78.14, 15.16, -4.53

 

Complementary color

CMYK 48 / 0 / 25 / 72

HEX #254735

RGB 37 71 53

HSL 148.24, 0.31%, 0.21%

LAB 27.18, -17.28, 7.02

 

CMYK 0 / 17 / 12 / 13

HEX #DFB8C5

RGB 223 184 197

HSL 340, 0.38%, 0.8%

LAB 78.46, 16.08, -1.29

 

CMYK 0 / 16 / 10 / 6

HEX #F0CAD8

RGB 240 202 216

HSL 337.89, 0.56%, 0.87%

LAB 84.86, 15.63, -1.95

 

CMYK 0 / 14 / 8 / 0

HEX #FFDCEB

RGB 255 220 235

HSL 334.29, 1%, 0.93%

LAB 90.98, 14.52, -2.84

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFE

RGB 255 238 254

HSL 303.53, 1%, 0.97%

LAB 95.82, 8.48, -5.64

 

CMYK 0 / 16 / 7 / 15

HEX #DAB8CA

RGB 218 184 202

HSL 328.24, 0.31%, 0.79%

LAB 78.14, 15.16, -4.53

 

CMYK 0 / 17 / 9 / 21

HEX #C9A6B7

RGB 201 166 183

HSL 330.86, 0.24%, 0.72%

LAB 71.63, 15.62, -3.91

 

CMYK 0 / 20 / 11 / 28

HEX #B894A4

RGB 184 148 164

HSL 333.33, 0.2%, 0.65%

LAB 65, 16.12, -3.27

 

CMYK 0 / 22 / 13 / 35

HEX #A78291

RGB 167 130 145

HSL 335.68, 0.17%, 0.58%

LAB 58.25, 16.68, -2.59

 

CMYK 0 / 25 / 16 / 41

HEX #96707E

RGB 150 112 126

HSL 337.89, 0.15%, 0.51%

LAB 51.36, 17.3, -1.85

 

CMYK 0 / 16 / 7 / 15

HEX #DAB8CA

RGB 218 184 202

HSL 328.24, 0.31%, 0.79%

LAB 78.14, 15.16, -4.53

 

CMYK 0 / 16 / 11 / 15

HEX #DAB8C1

RGB 218 184 193

HSL 344.12, 0.31%, 0.79%

LAB 77.9, 13.64, -0.01

 

CMYK 0 / 16 / 16 / 15

HEX #DAB8B8

RGB 218 184 184

HSL 0, 0.31%, 0.79%

LAB 77.67, 12.18, 4.54

 

CMYK 0 / 16 / 7 / 15

HEX #DAB8CA

RGB 218 184 202

HSL 328.24, 0.31%, 0.79%

LAB 78.14, 15.16, -4.53

 

CMYK 0 / 16 / 3 / 15

HEX #DAB8D3

RGB 218 184 211

HSL 312.35, 0.31%, 0.79%

LAB 78.4, 16.75, -9.02

 

CMYK 1 / 16 / 0 / 15

HEX #D7B8DA

RGB 215 184 218

HSL 294.71, 0.31%, 0.79%

LAB 78.34, 17.02, -12.92

 

CMYK 6 / 16 / 0 / 15

HEX #CEB8DA

RGB 206 184 218

HSL 278.82, 0.31%, 0.79%

LAB 77.56, 14.02, -14.17

 

CMYK 10 / 16 / 0 / 15

HEX #C5B8DA

RGB 197 184 218

HSL 262.94, 0.31%, 0.79%

LAB 76.81, 11.05, -15.38

 

CMYK 0 / 16 / 7 / 15

HEX #DAB8CA

RGB 218 184 202

HSL 328.24, 0.31%, 0.79%

LAB 78.14, 15.16, -4.53

 

CMYK 0 / 22 / 11 / 11

HEX #E2B0CA

RGB 226 176 202

HSL 328.8, 0.46%, 0.79%

LAB 76.97, 22.26, -6.17

 

CMYK 0 / 29 / 14 / 8

HEX #EBA7CB

RGB 235 167 203

HSL 328.24, 0.63%, 0.79%

LAB 75.83, 30.36, -8.31

 

CMYK 0 / 35 / 17 / 4

HEX #F49ECB

RGB 244 158 203

HSL 328.6, 0.8%, 0.79%

LAB 74.82, 38.18, -9.7

 

CMYK 0 / 40 / 19 / 1

HEX #FC96CC

RGB 252 150 204

HSL 328.24, 0.94%, 0.79%

LAB 74.11, 45.13, -11.22

 

CMYK 0 / 16 / 7 / 15

HEX #DAB8CA

RGB 218 184 202

HSL 328.24, 0.31%, 0.79%

LAB 78.14, 15.16, -4.53

 

CMYK 0 / 8 / 4 / 18

HEX #D1C1C9

RGB 209 193 201

HSL 330, 0.15%, 0.79%

LAB 79.56, 7.02, -1.98

 

CMYK 1 / 0 / 0 / 21

HEX #C8CAC9

RGB 200 202 201

HSL 150, 0.02%, 0.79%

LAB 81.15, -0.87, 0.25

 

CMYK 9 / 0 / 5 / 18

HEX #C0D2C8

RGB 192 210 200

HSL 146.67, 0.17%, 0.79%

LAB 82.63, -7.95, 2.87

 

CMYK 16 / 0 / 9 / 14

HEX #B7DBC8

RGB 183 219 200

HSL 148.33, 0.33%, 0.79%

LAB 84.43, -15.52, 5.4

 

CMYK 1 / 16 / 0 / 15

HEX #D7B8DA

RGB 215 184 218

HSL 294.71, 0.31%, 0.79%

LAB 78.34, 17.02, -12.92

 

CMYK 0 / 16 / 3 / 15

HEX #DAB8D3

RGB 218 184 211

HSL 312.35, 0.31%, 0.79%

LAB 78.4, 16.75, -9.02

 

CMYK 0 / 16 / 7 / 15

HEX #DAB8CA

RGB 218 184 202

HSL 328.24, 0.31%, 0.79%

LAB 78.14, 15.16, -4.53

 

CMYK 0 / 16 / 11 / 15

HEX #DAB8C1

RGB 218 184 193

HSL 344.12, 0.31%, 0.79%

LAB 77.9, 13.64, -0.01

 

CMYK 0 / 16 / 16 / 15

HEX #DAB8B8

RGB 218 184 184

HSL 0, 0.31%, 0.79%

LAB 77.67, 12.18, 4.54

 

CMYK 0 / 31 / 15 / 26

HEX #BD82A1

RGB 189 130 161

HSL 328.47, 0.31%, 0.63%

LAB 61.1, 27.44, -7.29

 

CMYK 0 / 23 / 10 / 20

HEX #CB9DB6

RGB 203 157 182

HSL 327.39, 0.31%, 0.71%

LAB 69.6, 21.09, -6.33

 

CMYK 0 / 16 / 7 / 15

HEX #DAB8CA

RGB 218 184 202

HSL 328.24, 0.31%, 0.79%

LAB 78.14, 15.16, -4.53

 

CMYK 0 / 9 / 4 / 9

HEX #E8D3DE

RGB 232 211 222

HSL 328.57, 0.31%, 0.87%

LAB 86.51, 9.15, -2.78

 

CMYK 0 / 3 / 2 / 4

HEX #F6EEF2

RGB 246 238 242

HSL 330, 0.31%, 0.95%

LAB 94.8, 3.38, -0.98

 

CMYK 0 / 16 / 7 / 15

HEX #DAB8CA

RGB 218 184 202

HSL 328.24, 0.31%, 0.79%

LAB 78.14, 15.16, -4.53

 

CMYK 0 / 6 / 16 / 15

HEX #DACEB8

RGB 218 206 184

HSL 38.82, 0.31%, 0.79%

LAB 83.18, 0.54, 12.43

 

CMYK 16 / 1 / 0 / 15

HEX #B8D7DA

RGB 184 215 218

HSL 185.29, 0.31%, 0.79%

LAB 83.89, -9.6, -4.93

 

CMYK 0 / 16 / 7 / 15

HEX #DAB8CA

RGB 218 184 202

HSL 328.24, 0.31%, 0.79%

LAB 78.14, 15.16, -4.53

 

CMYK 7 / 0 / 16 / 15

HEX #CADAB8

RGB 202 218 184

HSL 88.24, 0.31%, 0.79%

LAB 85.08, -11.39, 14.94

 

CMYK 16 / 7 / 0 / 15

HEX #B8CADA

RGB 184 202 218

HSL 208.24, 0.31%, 0.79%

LAB 80.46, -2.82, -10.02

 

CMYK 0 / 16 / 7 / 15

HEX #DAB8CA

RGB 218 184 202

HSL 328.24, 0.31%, 0.79%

LAB 78.14, 15.16, -4.53

 

CMYK 0 / 6 / 16 / 15

HEX #DACEB8

RGB 218 206 184

HSL 38.82, 0.31%, 0.79%

LAB 83.18, 0.54, 12.43

 

CMYK 16 / 0 / 8 / 15

HEX #B8DAC8

RGB 184 218 200

HSL 148.24, 0.31%, 0.79%

LAB 84.23, -14.69, 5.11

 

CMYK 16 / 11 / 0 / 15

HEX #B8C3DA

RGB 184 195 218

HSL 220.59, 0.31%, 0.79%

LAB 78.63, 0.9, -12.75

 

CMYK 0 / 16 / 7 / 15

HEX #DAB8CA

RGB 218 184 202

HSL 328.24, 0.31%, 0.79%

LAB 78.14, 15.16, -4.53

 

CMYK 0 / 1 / 16 / 15

HEX #DAD8B8

RGB 218 216 184

HSL 56.47, 0.31%, 0.79%

LAB 85.74, -4.64, 16.05

 

CMYK 16 / 0 / 8 / 15

HEX #B8DAC8

RGB 184 218 200

HSL 148.24, 0.31%, 0.79%

LAB 84.23, -14.69, 5.11

 

CMYK 16 / 15 / 0 / 15

HEX #B8B9DA

RGB 184 185 218

HSL 238.24, 0.31%, 0.79%

LAB 76.04, 6.29, -16.64

 

Description

Color code: HEX #DAB8CA | qconv.com Color code: HEX #DAB8CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 184 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 184 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 7 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 7% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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