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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB76E it is the complementary color #254891. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB76E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB76E shade: #DFB769, #F0C97C, #FFDB8F, #FFEDA2 and #FFFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB76E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB76E shade: #DAB76E, #C9A55B, #B89348, #A78135 and #966F22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB76E shade: #D9B66D, #D9996D, #D97C6D and #D96D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB76E shade: #D9B66D, #D9D36D, #C2D96D, #A5D96D and #88D96D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB76E shade matches the following richer shades: #D9B66D, #E8BB5E and #F7C14F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB76E shade: #D9B66D, #CBB17C, #BCAC8B, #ADA79A and #9EA1A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB76E shade: #D97B6D, #D9986D, #D9B56D, #D9D26D and #C4D96D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB76E shade: #C29332, #D1A64C, #D9B66D, #E2C78E and #EAD7AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB76E shade: #DAB76E, #7BD96D and #8A6DD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB76E shade: #DAB76E, #6DD9B5 and #B56DD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB76E shade: #DAB76E, #7BD96D, #6D91D9 and #CB6DD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB76E shade: #DAB76E, #6DD97F, #6D91D9 and #D96DC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 50 / 15

HEX #DAB76E

RGB 218 183 110

HSL 40.56, 0.59%, 0.64%

LAB 76.01, 3.41, 41.6

 

Complementary color

CMYK 74 / 50 / 0 / 43

HEX #254891

RGB 37 72 145

HSL 220.56, 0.59%, 0.36%

LAB 31.97, 14.08, -44.05

 

CMYK 0 / 18 / 53 / 13

HEX #DFB769

RGB 223 183 105

HSL 39.66, 0.65%, 0.64%

LAB 76.42, 5.03, 44.73

 

CMYK 0 / 16 / 48 / 6

HEX #F0C97C

RGB 240 201 124

HSL 39.83, 0.79%, 0.71%

LAB 82.78, 4.23, 43.43

 

CMYK 0 / 14 / 44 / 0

HEX #FFDB8F

RGB 255 219 143

HSL 40.71, 1%, 0.78%

LAB 88.88, 2.74, 41.91

 

CMYK 0 / 7 / 36 / 0

HEX #FFEDA2

RGB 255 237 162

HSL 48.39, 1%, 0.82%

LAB 93.64, -4.38, 38.57

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 16 / 50 / 15

HEX #DAB76E

RGB 218 183 110

HSL 40.56, 0.59%, 0.64%

LAB 76.01, 3.41, 41.6

 

CMYK 0 / 18 / 55 / 21

HEX #C9A55B

RGB 201 165 91

HSL 40.36, 0.5%, 0.57%

LAB 69.53, 4.25, 42.91

 

CMYK 0 / 20 / 61 / 28

HEX #B89348

RGB 184 147 72

HSL 40.18, 0.44%, 0.5%

LAB 62.95, 5.24, 44.22

 

CMYK 0 / 23 / 68 / 35

HEX #A78135

RGB 167 129 53

HSL 40, 0.52%, 0.43%

LAB 56.26, 6.43, 45.45

 

CMYK 0 / 26 / 77 / 41

HEX #966F22

RGB 150 111 34

HSL 39.83, 0.63%, 0.36%

LAB 49.46, 7.89, 46.35

 

CMYK 0 / 16 / 50 / 15

HEX #D9B66D

RGB 217 182 109

HSL 40.56, 0.59%, 0.64%

LAB 75.64, 3.44, 41.63

 

CMYK 0 / 29 / 50 / 15

HEX #D9996D

RGB 217 153 109

HSL 24.44, 0.59%, 0.64%

LAB 68.49, 18.97, 32.61

 

CMYK 0 / 43 / 50 / 15

HEX #D97C6D

RGB 217 124 109

HSL 8.33, 0.59%, 0.64%

LAB 61.89, 34.5, 23.96

 

CMYK 0 / 50 / 50 / 15

HEX #D96D6D

RGB 217 109 109

HSL 0, 0.59%, 0.64%

LAB 58.78, 42.23, 19.79

 

CMYK 0 / 16 / 50 / 15

HEX #D9B66D

RGB 217 182 109

HSL 40.56, 0.59%, 0.64%

LAB 75.64, 3.44, 41.63

 

CMYK 0 / 3 / 50 / 15

HEX #D9D36D

RGB 217 211 109

HSL 56.67, 0.59%, 0.64%

LAB 83.15, -11.55, 50.74

 

CMYK 11 / 0 / 50 / 15

HEX #C2D96D

RGB 194 217 109

HSL 72.78, 0.59%, 0.64%

LAB 83.02, -23.66, 50.17

 

CMYK 24 / 0 / 50 / 15

HEX #A5D96D

RGB 165 217 109

HSL 88.89, 0.59%, 0.64%

LAB 81.14, -34.61, 47.46

 

CMYK 37 / 0 / 50 / 15

HEX #88D96D

RGB 136 217 109

HSL 105, 0.59%, 0.64%

LAB 79.59, -44.58, 45.22

 

CMYK 0 / 16 / 50 / 15

HEX #D9B66D

RGB 217 182 109

HSL 40.56, 0.59%, 0.64%

LAB 75.64, 3.44, 41.63

 

CMYK 0 / 19 / 59 / 9

HEX #E8BB5E

RGB 232 187 94

HSL 40.43, 0.75%, 0.64%

LAB 78.17, 5.81, 52.36

 

CMYK 0 / 22 / 68 / 3

HEX #F7C14F

RGB 247 193 79

HSL 40.71, 0.91%, 0.64%

LAB 81, 8.01, 62.63

 

CMYK 0 / 16 / 50 / 15

HEX #D9B66D

RGB 217 182 109

HSL 40.56, 0.59%, 0.64%

LAB 75.64, 3.44, 41.63

 

CMYK 0 / 13 / 39 / 20

HEX #CBB17C

RGB 203 177 124

HSL 40.25, 0.43%, 0.64%

LAB 73.28, 1.92, 30.57

 

CMYK 0 / 9 / 26 / 26

HEX #BCAC8B

RGB 188 172 139

HSL 40.41, 0.27%, 0.64%

LAB 70.91, 0.54, 19.09

 

CMYK 0 / 3 / 11 / 32

HEX #ADA79A

RGB 173 167 154

HSL 41.05, 0.1%, 0.64%

LAB 68.65, -0.15, 7.48

 

CMYK 6 / 4 / 0 / 34

HEX #9EA1A8

RGB 158 161 168

HSL 222, 0.05%, 0.64%

LAB 66.2, 0.31, -4.01

 

CMYK 0 / 43 / 50 / 15

HEX #D97B6D

RGB 217 123 109

HSL 7.78, 0.59%, 0.64%

LAB 61.67, 35.02, 23.68

 

CMYK 0 / 30 / 50 / 15

HEX #D9986D

RGB 217 152 109

HSL 23.89, 0.59%, 0.64%

LAB 68.25, 19.51, 32.3

 

CMYK 0 / 17 / 50 / 15

HEX #D9B56D

RGB 217 181 109

HSL 40, 0.59%, 0.64%

LAB 75.39, 3.97, 41.32

 

CMYK 0 / 3 / 50 / 15

HEX #D9D26D

RGB 217 210 109

HSL 56.11, 0.59%, 0.64%

LAB 82.89, -11.04, 50.43

 

CMYK 10 / 0 / 50 / 15

HEX #C4D96D

RGB 196 217 109

HSL 71.67, 0.59%, 0.64%

LAB 83.16, -22.88, 50.37

 

CMYK 0 / 24 / 74 / 24

HEX #C29332

RGB 194 147 50

HSL 40.42, 0.59%, 0.48%

LAB 63.81, 8.33, 55.43

 

CMYK 0 / 21 / 64 / 18

HEX #D1A64C

RGB 209 166 76

HSL 40.6, 0.59%, 0.56%

LAB 70.42, 6.01, 51.42

 

CMYK 0 / 16 / 50 / 15

HEX #D9B66D

RGB 217 182 109

HSL 40.56, 0.59%, 0.64%

LAB 75.64, 3.44, 41.63

 

CMYK 0 / 12 / 37 / 11

HEX #E2C78E

RGB 226 199 142

HSL 40.71, 0.59%, 0.72%

LAB 81.27, 1.55, 32.05

 

CMYK 0 / 8 / 25 / 8

HEX #EAD7AF

RGB 234 215 175

HSL 40.68, 0.58%, 0.8%

LAB 86.6, 0.47, 22.15

 

CMYK 0 / 16 / 50 / 15

HEX #DAB76E

RGB 218 183 110

HSL 40.56, 0.59%, 0.64%

LAB 76.01, 3.41, 41.6

 

CMYK 43 / 0 / 50 / 15

HEX #7BD96D

RGB 123 217 109

HSL 112.22, 0.59%, 0.64%

LAB 79.01, -48.62, 44.37

 

CMYK 36 / 50 / 0 / 15

HEX #8A6DD9

RGB 138 109 217

HSL 256.11, 0.59%, 0.64%

LAB 53.33, 35.72, -51.64

 

CMYK 0 / 16 / 50 / 15

HEX #DAB76E

RGB 218 183 110

HSL 40.56, 0.59%, 0.64%

LAB 76.01, 3.41, 41.6

 

CMYK 50 / 0 / 17 / 15

HEX #6DD9B5

RGB 109 217 181

HSL 160, 0.59%, 0.64%

LAB 79.73, -39.65, 8.24

 

CMYK 17 / 50 / 0 / 15

HEX #B56DD9

RGB 181 109 217

HSL 280, 0.59%, 0.64%

LAB 57.82, 47.06, -44.24

 

CMYK 0 / 16 / 50 / 15

HEX #DAB76E

RGB 218 183 110

HSL 40.56, 0.59%, 0.64%

LAB 76.01, 3.41, 41.6

 

CMYK 43 / 0 / 50 / 15

HEX #7BD96D

RGB 123 217 109

HSL 112.22, 0.59%, 0.64%

LAB 79.01, -48.62, 44.37

 

CMYK 50 / 33 / 0 / 15

HEX #6D91D9

RGB 109 145 217

HSL 220, 0.59%, 0.64%

LAB 60.35, 7.35, -40.67

 

CMYK 6 / 50 / 0 / 15

HEX #CB6DD9

RGB 203 109 217

HSL 292.22, 0.59%, 0.64%

LAB 60.47, 53.11, -39.89

 

CMYK 0 / 16 / 50 / 15

HEX #DAB76E

RGB 218 183 110

HSL 40.56, 0.59%, 0.64%

LAB 76.01, 3.41, 41.6

 

CMYK 50 / 0 / 41 / 15

HEX #6DD97F

RGB 109 217 127

HSL 130, 0.59%, 0.64%

LAB 78.7, -49.98, 34.98

 

CMYK 50 / 33 / 0 / 15

HEX #6D91D9

RGB 109 145 217

HSL 220, 0.59%, 0.64%

LAB 60.35, 7.35, -40.67

 

CMYK 0 / 50 / 8 / 15

HEX #D96DC7

RGB 217 109 199

HSL 310, 0.59%, 0.64%

LAB 61.49, 53.92, -28

 

Description

Color code: HEX #DAB76E | qconv.com Color code: HEX #DAB76E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 183 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 183 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 50 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 50% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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