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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB65C it is the complementary color #2549A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB65C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB65C shade: #DFB657, #F0C86A, #FFDA7D, #FFEC90 and #FFFEA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB65C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB65C shade: #DAB65C, #C9A449, #B89236, #A78023 and #966E10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB65C shade: #DAB65C, #DA945C, #DA725C and #DA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB65C shade: #DAB65C, #DAD85C, #BADA5C, #98DA5C and #76DA5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB65C shade matches the following richer shades: #DAB65C, #EABD4C and #FAC43C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB65C shade: #DAB65C, #CAAF6C, #BAA87D, #A9A18D and #999A9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB65C shade: #DA715C, #DA935C, #DAB45C, #DAD65C and #BCDA5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB65C shade: #BA912A, #D2A73B, #DAB65C, #E1C57E and #E9D4A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB65C shade: #DAB65C, #69DA5C and #825CDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB65C shade: #DAB65C, #5CDAB4 and #B45CDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB65C shade: #DAB65C, #69DA5C, #5C82DA and #CD5CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB65C shade: #DAB65C, #5CDA75, #5C82DA and #DA5CC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 58 / 15

HEX #DAB65C

RGB 218 182 92

HSL 42.86, 0.63%, 0.61%

LAB 75.53, 2.44, 49.91

 

Complementary color

CMYK 77 / 55 / 0 / 36

HEX #2549A3

RGB 37 73 163

HSL 222.86, 0.63%, 0.39%

LAB 33.57, 20.45, -52.37

 

CMYK 0 / 18 / 61 / 13

HEX #DFB657

RGB 223 182 87

HSL 41.91, 0.68%, 0.61%

LAB 75.97, 4.18, 52.89

 

CMYK 0 / 17 / 56 / 6

HEX #F0C86A

RGB 240 200 106

HSL 42.09, 0.82%, 0.68%

LAB 82.31, 3.23, 51.67

 

CMYK 0 / 15 / 51 / 0

HEX #FFDA7D

RGB 255 218 125

HSL 42.92, 1%, 0.75%

LAB 88.39, 1.6, 50.16

 

CMYK 0 / 7 / 44 / 0

HEX #FFEC90

RGB 255 236 144

HSL 49.73, 1%, 0.78%

LAB 93.13, -5.76, 46.81

 

CMYK 0 / 0 / 36 / 0

HEX #FFFEA3

RGB 255 254 163

HSL 59.35, 1%, 0.82%

LAB 97.95, -12.68, 43.66

 

CMYK 0 / 17 / 58 / 15

HEX #DAB65C

RGB 218 182 92

HSL 42.86, 0.63%, 0.61%

LAB 75.53, 2.44, 49.91

 

CMYK 0 / 18 / 64 / 21

HEX #C9A449

RGB 201 164 73

HSL 42.66, 0.54%, 0.54%

LAB 69.08, 3.46, 51.1

 

CMYK 0 / 21 / 71 / 28

HEX #B89236

RGB 184 146 54

HSL 42.46, 0.55%, 0.47%

LAB 62.52, 4.66, 52.11

 

CMYK 0 / 23 / 79 / 35

HEX #A78023

RGB 167 128 35

HSL 42.27, 0.65%, 0.4%

LAB 55.86, 6.1, 52.68

 

CMYK 0 / 27 / 89 / 41

HEX #966E10

RGB 150 110 16

HSL 42.09, 0.81%, 0.33%

LAB 49.1, 7.85, 52.24

 

CMYK 0 / 17 / 58 / 15

HEX #DAB65C

RGB 218 182 92

HSL 42.86, 0.63%, 0.61%

LAB 75.53, 2.44, 49.91

 

CMYK 0 / 32 / 58 / 15

HEX #DA945C

RGB 218 148 92

HSL 26.67, 0.63%, 0.61%

LAB 67.17, 20.63, 39.98

 

CMYK 0 / 48 / 58 / 15

HEX #DA725C

RGB 218 114 92

HSL 10.48, 0.63%, 0.61%

LAB 59.63, 38.65, 30.59

 

CMYK 0 / 58 / 58 / 15

HEX #DA5C5C

RGB 218 92 92

HSL 0, 0.63%, 0.61%

LAB 55.41, 49.45, 25.15

 

CMYK 0 / 17 / 58 / 15

HEX #DAB65C

RGB 218 182 92

HSL 42.86, 0.63%, 0.61%

LAB 75.53, 2.44, 49.91

 

CMYK 0 / 1 / 58 / 15

HEX #DAD85C

RGB 218 216 92

HSL 59.05, 0.63%, 0.61%

LAB 84.38, -14.99, 59.92

 

CMYK 15 / 0 / 58 / 15

HEX #BADA5C

RGB 186 218 92

HSL 75.24, 0.63%, 0.61%

LAB 82.57, -28.77, 57.26

 

CMYK 30 / 0 / 58 / 15

HEX #98DA5C

RGB 152 218 92

HSL 91.43, 0.63%, 0.61%

LAB 80.51, -41.45, 54.37

 

CMYK 46 / 0 / 58 / 15

HEX #76DA5C

RGB 118 218 92

HSL 107.62, 0.63%, 0.61%

LAB 78.91, -52.5, 52.11

 

CMYK 0 / 17 / 58 / 15

HEX #DAB65C

RGB 218 182 92

HSL 42.86, 0.63%, 0.61%

LAB 75.53, 2.44, 49.91

 

CMYK 0 / 19 / 68 / 8

HEX #EABD4C

RGB 234 189 76

HSL 42.91, 0.79%, 0.61%

LAB 78.7, 4.47, 61.09

 

CMYK 0 / 22 / 76 / 2

HEX #FAC43C

RGB 250 196 60

HSL 42.95, 0.95%, 0.61%

LAB 81.91, 6.85, 71.04

 

CMYK 0 / 17 / 58 / 15

HEX #DAB65C

RGB 218 182 92

HSL 42.86, 0.63%, 0.61%

LAB 75.53, 2.44, 49.91

 

CMYK 0 / 13 / 47 / 21

HEX #CAAF6C

RGB 202 175 108

HSL 42.77, 0.47%, 0.61%

LAB 72.43, 0.87, 37.83

 

CMYK 0 / 10 / 33 / 27

HEX #BAA87D

RGB 186 168 125

HSL 42.3, 0.31%, 0.61%

LAB 69.42, 0.02, 24.62

 

CMYK 0 / 5 / 17 / 34

HEX #A9A18D

RGB 169 161 141

HSL 42.86, 0.14%, 0.61%

LAB 66.4, -0.55, 11.46

 

CMYK 3 / 2 / 0 / 38

HEX #999A9D

RGB 153 154 157

HSL 225, 0.02%, 0.61%

LAB 63.6, 0.23, -1.7

 

CMYK 0 / 48 / 58 / 15

HEX #DA715C

RGB 218 113 92

HSL 10, 0.63%, 0.61%

LAB 59.42, 39.16, 30.33

 

CMYK 0 / 33 / 58 / 15

HEX #DA935C

RGB 218 147 92

HSL 26.19, 0.63%, 0.61%

LAB 66.93, 21.17, 39.69

 

CMYK 0 / 17 / 58 / 15

HEX #DAB45C

RGB 218 180 92

HSL 41.9, 0.63%, 0.61%

LAB 75.03, 3.5, 49.32

 

CMYK 0 / 2 / 58 / 15

HEX #DAD65C

RGB 218 214 92

HSL 58.1, 0.63%, 0.61%

LAB 83.85, -13.99, 59.34

 

CMYK 14 / 0 / 58 / 15

HEX #BCDA5C

RGB 188 218 92

HSL 74.29, 0.63%, 0.61%

LAB 82.7, -27.99, 57.44

 

CMYK 0 / 22 / 77 / 27

HEX #BA912A

RGB 186 145 42

HSL 42.92, 0.63%, 0.45%

LAB 62.39, 5.53, 56.89

 

CMYK 0 / 20 / 72 / 18

HEX #D2A73B

RGB 210 167 59

HSL 42.91, 0.63%, 0.53%

LAB 70.63, 4.95, 59.11

 

CMYK 0 / 17 / 58 / 15

HEX #DAB65C

RGB 218 182 92

HSL 42.86, 0.63%, 0.61%

LAB 75.53, 2.44, 49.91

 

CMYK 0 / 12 / 44 / 12

HEX #E1C57E

RGB 225 197 126

HSL 43.03, 0.62%, 0.69%

LAB 80.43, 0.46, 39.17

 

CMYK 0 / 9 / 31 / 9

HEX #E9D4A0

RGB 233 212 160

HSL 42.74, 0.62%, 0.77%

LAB 85.48, -0.32, 28.42

 

CMYK 0 / 17 / 58 / 15

HEX #DAB65C

RGB 218 182 92

HSL 42.86, 0.63%, 0.61%

LAB 75.53, 2.44, 49.91

 

CMYK 52 / 0 / 58 / 15

HEX #69DA5C

RGB 105 218 92

HSL 113.81, 0.63%, 0.61%

LAB 78.41, -56.15, 51.41

 

CMYK 40 / 58 / 0 / 15

HEX #825CDA

RGB 130 92 218

HSL 258.1, 0.63%, 0.61%

LAB 48.84, 43.8, -59.46

 

CMYK 0 / 17 / 58 / 15

HEX #DAB65C

RGB 218 182 92

HSL 42.86, 0.63%, 0.61%

LAB 75.53, 2.44, 49.91

 

CMYK 58 / 0 / 17 / 15

HEX #5CDAB4

RGB 92 218 180

HSL 161.9, 0.63%, 0.61%

LAB 79.45, -43.98, 8.29

 

CMYK 17 / 58 / 0 / 15

HEX #B45CDA

RGB 180 92 218

HSL 281.9, 0.63%, 0.61%

LAB 54.47, 55.67, -50.12

 

CMYK 0 / 17 / 58 / 15

HEX #DAB65C

RGB 218 182 92

HSL 42.86, 0.63%, 0.61%

LAB 75.53, 2.44, 49.91

 

CMYK 52 / 0 / 58 / 15

HEX #69DA5C

RGB 105 218 92

HSL 113.81, 0.63%, 0.61%

LAB 78.41, -56.15, 51.41

 

CMYK 58 / 40 / 0 / 15

HEX #5C82DA

RGB 92 130 218

HSL 221.9, 0.63%, 0.61%

LAB 55.38, 12.89, -49.13

 

CMYK 6 / 58 / 0 / 15

HEX #CD5CDA

RGB 205 92 218

HSL 293.81, 0.63%, 0.61%

LAB 57.75, 61.93, -44.72

 

CMYK 0 / 17 / 58 / 15

HEX #DAB65C

RGB 218 182 92

HSL 42.86, 0.63%, 0.61%

LAB 75.53, 2.44, 49.91

 

CMYK 58 / 0 / 46 / 15

HEX #5CDA75

RGB 92 218 117

HSL 131.9, 0.63%, 0.61%

LAB 78.29, -56.07, 39.33

 

CMYK 58 / 40 / 0 / 15

HEX #5C82DA

RGB 92 130 218

HSL 221.9, 0.63%, 0.61%

LAB 55.38, 12.89, -49.13

 

CMYK 0 / 58 / 11 / 15

HEX #DA5CC1

RGB 218 92 193

HSL 311.9, 0.63%, 0.61%

LAB 58.42, 61.15, -29.32

 

Description

Color code: HEX #DAB65C | qconv.com Color code: HEX #DAB65C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 182 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 182 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 58 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 58% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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