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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB593 it is the complementary color #254A6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB593. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB593 shade: #DFB58E, #F0C7A1, #FFD9B4, #FFEBC7 and #FFFDDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB593. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB593 shade: #DAB593, #C9A380, #B8916D, #A77F5A and #966D47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB593 shade: #DBB695, #DBA395 and #DB9595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB593 shade: #DBB695, #DBC995, #D9DB95, #C6DB95 and #B4DB95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB593 shade matches the following richer shades: #DBB695, #E6B689, #F2B57E and #FDB572

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB593 shade: #DBB695, #CFB7A0, #C3B7AC, #B8B8B7 and #ACB8C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB593 shade: #DB9599, #DBA395, #DBB595, #DBC895 and #DBDB95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB593 shade: #C68C57, #D0A176, #DBB695, #E5CBB3 and #F0E0D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB593 shade: #DAB593, #ACDB95 and #9995DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB593 shade: #DAB593, #95DBB5 and #B595DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB593 shade: #DAB593, #ACDB95, #95BADB and #C395DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB593 shade: #DAB593, #97DB95, #95BADB and #D895DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 33 / 15

HEX #DAB593

RGB 218 181 147

HSL 28.73, 0.49%, 0.72%

LAB 76.11, 8.5, 22.33

 

Complementary color

CMYK 66 / 31 / 0 / 58

HEX #254A6C

RGB 37 74 108

HSL 208.73, 0.49%, 0.28%

LAB 30.34, -1.54, -23.65

 

CMYK 0 / 19 / 36 / 13

HEX #DFB58E

RGB 223 181 142

HSL 28.89, 0.56%, 0.72%

LAB 76.49, 9.85, 25.61

 

CMYK 0 / 17 / 33 / 6

HEX #F0C7A1

RGB 240 199 161

HSL 28.86, 0.72%, 0.79%

LAB 82.88, 9.24, 24.48

 

CMYK 0 / 15 / 29 / 0

HEX #FFD9B4

RGB 255 217 180

HSL 29.6, 1%, 0.85%

LAB 89.01, 7.96, 23.15

 

CMYK 0 / 8 / 22 / 0

HEX #FFEBC7

RGB 255 235 199

HSL 38.57, 1%, 0.89%

LAB 93.8, 1.28, 19.94

 

CMYK 0 / 1 / 15 / 0

HEX #FFFDDA

RGB 255 253 218

HSL 56.76, 1%, 0.93%

LAB 98.66, -5.02, 17.01

 

CMYK 0 / 17 / 33 / 15

HEX #DAB593

RGB 218 181 147

HSL 28.73, 0.49%, 0.72%

LAB 76.11, 8.5, 22.33

 

CMYK 0 / 19 / 36 / 21

HEX #C9A380

RGB 201 163 128

HSL 28.77, 0.4%, 0.65%

LAB 69.59, 9.11, 23.47

 

CMYK 0 / 21 / 41 / 28

HEX #B8916D

RGB 184 145 109

HSL 28.8, 0.35%, 0.57%

LAB 62.97, 9.82, 24.71

 

CMYK 0 / 24 / 46 / 35

HEX #A77F5A

RGB 167 127 90

HSL 28.83, 0.3%, 0.5%

LAB 56.22, 10.64, 26.05

 

CMYK 0 / 27 / 53 / 41

HEX #966D47

RGB 150 109 71

HSL 28.86, 0.36%, 0.43%

LAB 49.35, 11.63, 27.52

 

CMYK 0 / 17 / 32 / 14

HEX #DBB695

RGB 219 182 149

HSL 28.29, 0.49%, 0.72%

LAB 76.49, 8.61, 21.8

 

CMYK 0 / 26 / 32 / 14

HEX #DBA395

RGB 219 163 149

HSL 12, 0.49%, 0.72%

LAB 71.84, 18.81, 15.37

 

CMYK 0 / 32 / 32 / 14

HEX #DB9595

RGB 219 149 149

HSL 0, 0.49%, 0.72%

LAB 68.55, 26.36, 10.74

 

CMYK 0 / 17 / 32 / 14

HEX #DBB695

RGB 219 182 149

HSL 28.29, 0.49%, 0.72%

LAB 76.49, 8.61, 21.8

 

CMYK 0 / 8 / 32 / 14

HEX #DBC995

RGB 219 201 149

HSL 44.57, 0.49%, 0.72%

LAB 81.29, -1.39, 28.31

 

CMYK 1 / 0 / 32 / 14

HEX #D9DB95

RGB 217 219 149

HSL 61.71, 0.49%, 0.72%

LAB 85.8, -11.37, 34.27

 

CMYK 10 / 0 / 32 / 14

HEX #C6DB95

RGB 198 219 149

HSL 78, 0.49%, 0.72%

LAB 84.4, -18.53, 32.17

 

CMYK 18 / 0 / 32 / 14

HEX #B4DB95

RGB 180 219 149

HSL 93.43, 0.49%, 0.72%

LAB 83.2, -25.09, 30.35

 

CMYK 0 / 17 / 32 / 14

HEX #DBB695

RGB 219 182 149

HSL 28.29, 0.49%, 0.72%

LAB 76.49, 8.61, 21.8

 

CMYK 0 / 21 / 40 / 10

HEX #E6B689

RGB 230 182 137

HSL 29.03, 0.65%, 0.72%

LAB 77.33, 11.51, 29.51

 

CMYK 0 / 25 / 48 / 5

HEX #F2B57E

RGB 242 181 126

HSL 28.45, 0.82%, 0.72%

LAB 78.13, 15.69, 36.56

 

CMYK 0 / 28 / 55 / 1

HEX #FDB572

RGB 253 181 114

HSL 28.92, 0.97%, 0.72%

LAB 79.12, 19.06, 44.21

 

CMYK 0 / 17 / 32 / 14

HEX #DBB695

RGB 219 182 149

HSL 28.29, 0.49%, 0.72%

LAB 76.49, 8.61, 21.8

 

CMYK 0 / 12 / 23 / 19

HEX #CFB7A0

RGB 207 183 160

HSL 29.36, 0.33%, 0.72%

LAB 75.87, 4.97, 14.84

 

CMYK 0 / 6 / 12 / 24

HEX #C3B7AC

RGB 195 183 172

HSL 28.7, 0.16%, 0.72%

LAB 75.11, 2.37, 7.11

 

CMYK 0 / 0 / 1 / 28

HEX #B8B8B7

RGB 184 184 183

HSL 60, 0.01%, 0.72%

LAB 74.76, -0.18, 0.5

 

CMYK 12 / 6 / 0 / 24

HEX #ACB8C3

RGB 172 184 195

HSL 208.7, 0.16%, 0.72%

LAB 74.18, -1.92, -6.99

 

CMYK 0 / 32 / 30 / 14

HEX #DB9599

RGB 219 149 153

HSL 356.57, 0.49%, 0.72%

LAB 68.65, 26.89, 8.64

 

CMYK 0 / 26 / 32 / 14

HEX #DBA395

RGB 219 163 149

HSL 12, 0.49%, 0.72%

LAB 71.84, 18.81, 15.37

 

CMYK 0 / 17 / 32 / 14

HEX #DBB595

RGB 219 181 149

HSL 27.43, 0.49%, 0.72%

LAB 76.24, 9.15, 21.46

 

CMYK 0 / 9 / 32 / 14

HEX #DBC895

RGB 219 200 149

HSL 43.71, 0.49%, 0.72%

LAB 81.04, -0.87, 27.97

 

CMYK 0 / 0 / 32 / 14

HEX #DBDB95

RGB 219 219 149

HSL 60, 0.49%, 0.72%

LAB 85.95, -10.61, 34.5

 

CMYK 0 / 29 / 56 / 22

HEX #C68C57

RGB 198 140 87

HSL 28.65, 0.49%, 0.56%

LAB 62.89, 16.25, 36.84

 

CMYK 0 / 23 / 43 / 18

HEX #D0A176

RGB 208 161 118

HSL 28.67, 0.49%, 0.64%

LAB 69.62, 11.88, 29.05

 

CMYK 0 / 17 / 32 / 14

HEX #DBB695

RGB 219 182 149

HSL 28.29, 0.49%, 0.72%

LAB 76.49, 8.61, 21.8

 

CMYK 0 / 11 / 22 / 10

HEX #E5CBB3

RGB 229 203 179

HSL 28.8, 0.49%, 0.8%

LAB 83.24, 5.4, 15.31

 

CMYK 0 / 7 / 13 / 6

HEX #F0E0D2

RGB 240 224 210

HSL 28, 0.5%, 0.88%

LAB 90.09, 3.17, 8.81

 

CMYK 0 / 17 / 33 / 15

HEX #DAB593

RGB 218 181 147

HSL 28.73, 0.49%, 0.72%

LAB 76.11, 8.5, 22.33

 

CMYK 21 / 0 / 32 / 14

HEX #ACDB95

RGB 172 219 149

HSL 100.29, 0.49%, 0.72%

LAB 82.7, -27.91, 29.6

 

CMYK 30 / 32 / 0 / 14

HEX #9995DB

RGB 153 149 219

HSL 243.43, 0.49%, 0.72%

LAB 64.47, 17.15, -35.12

 

CMYK 0 / 17 / 33 / 15

HEX #DAB593

RGB 218 181 147

HSL 28.73, 0.49%, 0.72%

LAB 76.11, 8.5, 22.33

 

CMYK 32 / 0 / 17 / 14

HEX #95DBB5

RGB 149 219 181

HSL 147.43, 0.49%, 0.72%

LAB 82.05, -29.87, 11.78

 

CMYK 17 / 32 / 0 / 14

HEX #B595DB

RGB 181 149 219

HSL 267.43, 0.49%, 0.72%

LAB 66.85, 25.5, -31.24

 

CMYK 0 / 17 / 33 / 15

HEX #DAB593

RGB 218 181 147

HSL 28.73, 0.49%, 0.72%

LAB 76.11, 8.5, 22.33

 

CMYK 21 / 0 / 32 / 14

HEX #ACDB95

RGB 172 219 149

HSL 100.29, 0.49%, 0.72%

LAB 82.7, -27.91, 29.6

 

CMYK 32 / 15 / 0 / 14

HEX #95BADB

RGB 149 186 219

HSL 208.29, 0.49%, 0.72%

LAB 73.95, -4.64, -20.57

 

CMYK 11 / 32 / 0 / 14

HEX #C395DB

RGB 195 149 219

HSL 279.43, 0.49%, 0.72%

LAB 68.18, 29.85, -29.08

 

CMYK 0 / 17 / 33 / 15

HEX #DAB593

RGB 218 181 147

HSL 28.73, 0.49%, 0.72%

LAB 76.11, 8.5, 22.33

 

CMYK 31 / 0 / 32 / 14

HEX #97DB95

RGB 151 219 149

HSL 118.29, 0.49%, 0.72%

LAB 81.52, -34.96, 27.81

 

CMYK 32 / 15 / 0 / 14

HEX #95BADB

RGB 149 186 219

HSL 208.29, 0.49%, 0.72%

LAB 73.95, -4.64, -20.57

 

CMYK 1 / 32 / 0 / 14

HEX #D895DB

RGB 216 149 219

HSL 297.43, 0.49%, 0.72%

LAB 70.32, 36.48, -25.6

 

Description

Color code: HEX #DAB593 | qconv.com Color code: HEX #DAB593 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 181 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 181 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 33 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 33% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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