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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB547 it is the complementary color #254AB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB547. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB547 shade: #DFB542, #F0C755, #FFD968, #FFEB7B and #FFFD8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB547. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB547 shade: #DAB547, #C9A334, #B89121, #A77F0E and #966D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB547 shade: #DAB547, #DA8E47, #DA6647 and #DA4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB547 shade: #DAB547, #D8DA47, #B0DA47, #88DA47 and #61DA47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB547 shade matches the following richer shades: #DAB547, #ECBE36 and #FEC724

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB547 shade: #DAB547, #C9AD59, #B7A46B, #A59B7D and #93928E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB547 shade: #DA6547, #DA8C47, #DAB347, #DADA47 and #B3DA47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB547 shade: #AD8A22, #D0A629, #DAB547, #E1C36A and #E8D18C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB547 shade: #DAB547, #51DA47 and #7847DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB547 shade: #DAB547, #47DAB3 and #B347DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB547 shade: #DAB547, #51DA47, #476FDA and #D147DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB547 shade: #DAB547, #47DA6A, #476FDA and #DA47B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 67 / 15

HEX #DAB547

RGB 218 181 71

HSL 44.9, 0.67%, 0.57%

LAB 75.08, 1.6, 58.93

 

Complementary color

CMYK 80 / 60 / 0 / 28

HEX #254AB8

RGB 37 74 184

HSL 224.9, 0.67%, 0.43%

LAB 35.5, 27.89, -61.72

 

CMYK 0 / 19 / 70 / 13

HEX #DFB542

RGB 223 181 66

HSL 43.95, 0.71%, 0.57%

LAB 75.53, 3.47, 61.63

 

CMYK 0 / 17 / 65 / 6

HEX #F0C755

RGB 240 199 85

HSL 44.13, 0.84%, 0.64%

LAB 81.85, 2.31, 60.76

 

CMYK 0 / 15 / 59 / 0

HEX #FFD968

RGB 255 217 104

HSL 44.9, 1%, 0.7%

LAB 87.91, 0.5, 59.43

 

CMYK 0 / 8 / 52 / 0

HEX #FFEB7B

RGB 255 235 123

HSL 50.91, 1%, 0.74%

LAB 92.62, -7.14, 56.19

 

CMYK 0 / 1 / 44 / 0

HEX #FFFD8E

RGB 255 253 142

HSL 58.94, 1%, 0.78%

LAB 97.42, -14.33, 53.09

 

CMYK 0 / 17 / 67 / 15

HEX #DAB547

RGB 218 181 71

HSL 44.9, 0.67%, 0.57%

LAB 75.08, 1.6, 58.93

 

CMYK 0 / 19 / 74 / 21

HEX #C9A334

RGB 201 163 52

HSL 44.7, 0.59%, 0.5%

LAB 68.65, 2.84, 59.62

 

CMYK 0 / 21 / 82 / 28

HEX #B89121

RGB 184 145 33

HSL 44.5, 0.7%, 0.43%

LAB 62.13, 4.31, 59.68

 

CMYK 0 / 24 / 92 / 35

HEX #A77F0E

RGB 167 127 14

HSL 44.31, 0.85%, 0.35%

LAB 55.51, 6.06, 58.55

 

CMYK 0 / 27 / 100 / 41

HEX #966D00

RGB 150 109 0

HSL 43.6, 1%, 0.29%

LAB 48.79, 8.13, 55.54

 

CMYK 0 / 17 / 67 / 15

HEX #DAB547

RGB 218 181 71

HSL 44.9, 0.67%, 0.57%

LAB 75.08, 1.6, 58.93

 

CMYK 0 / 35 / 67 / 15

HEX #DA8E47

RGB 218 142 71

HSL 28.98, 0.67%, 0.57%

LAB 65.52, 22.45, 48.64

 

CMYK 0 / 53 / 67 / 15

HEX #DA6647

RGB 218 102 71

HSL 12.65, 0.67%, 0.57%

LAB 56.94, 43.3, 38.88

 

CMYK 0 / 67 / 67 / 15

HEX #DA4747

RGB 218 71 71

HSL 0, 0.67%, 0.57%

LAB 51.69, 57.18, 32.61

 

CMYK 0 / 17 / 67 / 15

HEX #DAB547

RGB 218 181 71

HSL 44.9, 0.67%, 0.57%

LAB 75.08, 1.6, 58.93

 

CMYK 1 / 0 / 67 / 15

HEX #D8DA47

RGB 216 218 71

HSL 60.82, 0.67%, 0.57%

LAB 84.58, -18.1, 68.61

 

CMYK 19 / 0 / 67 / 15

HEX #B0DA47

RGB 176 218 71

HSL 77.14, 0.67%, 0.57%

LAB 81.74, -34.19, 64.81

 

CMYK 38 / 0 / 67 / 15

HEX #88DA47

RGB 136 218 71

HSL 93.47, 0.67%, 0.57%

LAB 79.52, -48.74, 61.8

 

CMYK 56 / 0 / 67 / 15

HEX #61DA47

RGB 97 218 71

HSL 109.39, 0.67%, 0.57%

LAB 77.96, -60.3, 59.68

 

CMYK 0 / 17 / 67 / 15

HEX #DAB547

RGB 218 181 71

HSL 44.9, 0.67%, 0.57%

LAB 75.08, 1.6, 58.93

 

CMYK 0 / 19 / 77 / 7

HEX #ECBE36

RGB 236 190 54

HSL 44.84, 0.83%, 0.57%

LAB 79, 3.8, 69.91

 

CMYK 0 / 22 / 86 / 0

HEX #FEC724

RGB 254 199 36

HSL 44.86, 0.99%, 0.57%

LAB 82.94, 6.28, 79.17

 

CMYK 0 / 17 / 67 / 15

HEX #DAB547

RGB 218 181 71

HSL 44.9, 0.67%, 0.57%

LAB 75.08, 1.6, 58.93

 

CMYK 0 / 14 / 56 / 21

HEX #C9AD59

RGB 201 173 89

HSL 45, 0.51%, 0.57%

LAB 71.57, -0.19, 46.33

 

CMYK 0 / 10 / 42 / 28

HEX #B7A46B

RGB 183 164 107

HSL 45, 0.35%, 0.57%

LAB 67.78, -1.2, 32.08

 

CMYK 0 / 6 / 24 / 35

HEX #A59B7D

RGB 165 155 125

HSL 45, 0.18%, 0.57%

LAB 64.1, -1.3, 17.08

 

CMYK 0 / 1 / 3 / 42

HEX #93928E

RGB 147 146 142

HSL 48, 0.02%, 0.57%

LAB 60.53, -0.39, 2.24

 

CMYK 0 / 54 / 67 / 15

HEX #DA6547

RGB 218 101 71

HSL 12.24, 0.67%, 0.57%

LAB 56.75, 43.79, 38.66

 

CMYK 0 / 36 / 67 / 15

HEX #DA8C47

RGB 218 140 71

HSL 28.16, 0.67%, 0.57%

LAB 65.05, 23.53, 48.13

 

CMYK 0 / 18 / 67 / 15

HEX #DAB347

RGB 218 179 71

HSL 44.08, 0.67%, 0.57%

LAB 74.57, 2.65, 58.4

 

CMYK 0 / 0 / 67 / 15

HEX #DADA47

RGB 218 218 71

HSL 60, 0.67%, 0.57%

LAB 84.74, -17.27, 68.82

 

CMYK 18 / 0 / 67 / 15

HEX #B3DA47

RGB 179 218 71

HSL 75.92, 0.67%, 0.57%

LAB 81.94, -33.02, 65.07

 

CMYK 0 / 20 / 80 / 32

HEX #AD8A22

RGB 173 138 34

HSL 44.89, 0.67%, 0.41%

LAB 59.14, 3.23, 56.26

 

CMYK 0 / 20 / 80 / 18

HEX #D0A629

RGB 208 166 41

HSL 44.91, 0.67%, 0.49%

LAB 70.07, 3.88, 65.08

 

CMYK 0 / 17 / 67 / 15

HEX #DAB547

RGB 218 181 71

HSL 44.9, 0.67%, 0.57%

LAB 75.08, 1.6, 58.93

 

CMYK 0 / 13 / 53 / 12

HEX #E1C36A

RGB 225 195 106

HSL 44.87, 0.66%, 0.65%

LAB 79.66, -0.34, 48.18

 

CMYK 0 / 10 / 40 / 9

HEX #E8D18C

RGB 232 209 140

HSL 45, 0.67%, 0.73%

LAB 84.3, -1.5, 37.14

 

CMYK 0 / 17 / 67 / 15

HEX #DAB547

RGB 218 181 71

HSL 44.9, 0.67%, 0.57%

LAB 75.08, 1.6, 58.93

 

CMYK 63 / 0 / 67 / 15

HEX #51DA47

RGB 81 218 71

HSL 115.92, 0.67%, 0.57%

LAB 77.49, -64.04, 59.04

 

CMYK 45 / 67 / 0 / 15

HEX #7847DA

RGB 120 71 218

HSL 260, 0.67%, 0.57%

LAB 43.6, 53.12, -67.99

 

CMYK 0 / 17 / 67 / 15

HEX #DAB547

RGB 218 181 71

HSL 44.9, 0.67%, 0.57%

LAB 75.08, 1.6, 58.93

 

CMYK 67 / 0 / 18 / 15

HEX #47DAB3

RGB 71 218 179

HSL 164.08, 0.67%, 0.57%

LAB 78.89, -47.89, 7.95

 

CMYK 18 / 67 / 0 / 15

HEX #B347DA

RGB 179 71 218

HSL 284.08, 0.67%, 0.57%

LAB 50.86, 64.97, -55.89

 

CMYK 0 / 17 / 67 / 15

HEX #DAB547

RGB 218 181 71

HSL 44.9, 0.67%, 0.57%

LAB 75.08, 1.6, 58.93

 

CMYK 63 / 0 / 67 / 15

HEX #51DA47

RGB 81 218 71

HSL 115.92, 0.67%, 0.57%

LAB 77.49, -64.04, 59.04

 

CMYK 67 / 49 / 0 / 15

HEX #476FDA

RGB 71 111 218

HSL 223.67, 0.67%, 0.57%

LAB 49.22, 20.87, -59.06

 

CMYK 4 / 67 / 0 / 15

HEX #D147DA

RGB 209 71 218

HSL 296.33, 0.67%, 0.57%

LAB 55.2, 71.52, -48.72

 

CMYK 0 / 17 / 67 / 15

HEX #DAB547

RGB 218 181 71

HSL 44.9, 0.67%, 0.57%

LAB 75.08, 1.6, 58.93

 

CMYK 67 / 0 / 51 / 15

HEX #47DA6A

RGB 71 218 106

HSL 134.29, 0.67%, 0.57%

LAB 77.59, -61.96, 43.69

 

CMYK 67 / 49 / 0 / 15

HEX #476FDA

RGB 71 111 218

HSL 223.67, 0.67%, 0.57%

LAB 49.22, 20.87, -59.06

 

CMYK 0 / 67 / 16 / 15

HEX #DA47B8

RGB 218 71 184

HSL 313.88, 0.67%, 0.57%

LAB 54.94, 68.35, -29.55

 

Description

Color code: HEX #DAB547 | qconv.com Color code: HEX #DAB547 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 181 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 181 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 67 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 67% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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