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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB44D it is the complementary color #254BB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB44D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB44D shade: #DFB448, #F0C65B, #FFD86E, #FFEA81 and #FFFC94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB44D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB44D shade: #DAB44D, #C9A23A, #B89027, #A77E14 and #966C01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB44D shade: #DAB44D, #DA8E4D, #DA684D and #DA4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB44D shade: #DAB44D, #DADA4D, #B4DA4D, #8EDA4D and #68DA4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB44D shade matches the following richer shades: #DAB44D, #EBBC3B and #FDC42A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB44D shade: #DAB44D, #C9AC5E, #B7A46F, #A69C81 and #959492

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB44D shade: #DA674D, #DA8C4D, #DAB24D, #DAD84D and #B7DA4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB44D shade: #B18B24, #D3A52B, #DAB44D, #E1C26F and #E8D191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB44D shade: #DAB44D, #58DA4D and #794DDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB44D shade: #DAB44D, #4DDAB2 and #B24DDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB44D shade: #DAB44D, #58DA4D, #4D75DA and #CE4DDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB44D shade: #DAB44D, #4DDA6B, #4D75DA and #DA4DBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 65 / 15

HEX #DAB44D

RGB 218 180 77

HSL 43.83, 0.66%, 0.58%

LAB 74.88, 2.48, 56.11

 

Complementary color

CMYK 79 / 58 / 0 / 30

HEX #254BB2

RGB 37 75 178

HSL 223.83, 0.66%, 0.42%

LAB 35.28, 24.93, -58.54

 

CMYK 0 / 19 / 68 / 13

HEX #DFB448

RGB 223 180 72

HSL 42.91, 0.7%, 0.58%

LAB 75.33, 4.31, 58.92

 

CMYK 0 / 18 / 62 / 6

HEX #F0C65B

RGB 240 198 91

HSL 43.09, 0.83%, 0.65%

LAB 81.66, 3.2, 57.89

 

CMYK 0 / 15 / 57 / 0

HEX #FFD86E

RGB 255 216 110

HSL 43.86, 1%, 0.72%

LAB 87.73, 1.43, 56.47

 

CMYK 0 / 8 / 49 / 0

HEX #FFEA81

RGB 255 234 129

HSL 50, 1%, 0.75%

LAB 92.44, -6.14, 53.16

 

CMYK 0 / 1 / 42 / 0

HEX #FFFC94

RGB 255 252 148

HSL 58.32, 1%, 0.79%

LAB 97.24, -13.27, 50.01

 

CMYK 0 / 17 / 65 / 15

HEX #DAB44D

RGB 218 180 77

HSL 43.83, 0.66%, 0.58%

LAB 74.88, 2.48, 56.11

 

CMYK 0 / 19 / 71 / 21

HEX #C9A23A

RGB 201 162 58

HSL 43.64, 0.57%, 0.51%

LAB 68.43, 3.66, 57.01

 

CMYK 0 / 22 / 79 / 28

HEX #B89027

RGB 184 144 39

HSL 43.45, 0.65%, 0.44%

LAB 61.9, 5.07, 57.45

 

CMYK 0 / 25 / 88 / 35

HEX #A77E14

RGB 167 126 20

HSL 43.27, 0.79%, 0.37%

LAB 55.27, 6.75, 56.96

 

CMYK 0 / 28 / 99 / 41

HEX #966C01

RGB 150 108 1

HSL 43.09, 0.99%, 0.3%

LAB 48.53, 8.72, 55.14

 

CMYK 0 / 17 / 65 / 15

HEX #DAB44D

RGB 218 180 77

HSL 43.83, 0.66%, 0.58%

LAB 74.88, 2.48, 56.11

 

CMYK 0 / 35 / 65 / 15

HEX #DA8E4D

RGB 218 142 77

HSL 27.66, 0.66%, 0.58%

LAB 65.58, 22.81, 45.76

 

CMYK 0 / 52 / 65 / 15

HEX #DA684D

RGB 218 104 77

HSL 11.49, 0.66%, 0.58%

LAB 57.41, 42.67, 36.16

 

CMYK 0 / 65 / 65 / 15

HEX #DA4D4D

RGB 218 77 77

HSL 0, 0.66%, 0.58%

LAB 52.67, 55.08, 30.35

 

CMYK 0 / 17 / 65 / 15

HEX #DAB44D

RGB 218 180 77

HSL 43.83, 0.66%, 0.58%

LAB 74.88, 2.48, 56.11

 

CMYK 0 / 0 / 65 / 15

HEX #DADA4D

RGB 218 218 77

HSL 60, 0.66%, 0.58%

LAB 84.78, -16.94, 66.57

 

CMYK 17 / 0 / 65 / 15

HEX #B4DA4D

RGB 180 218 77

HSL 76.17, 0.66%, 0.58%

LAB 82.05, -32.24, 62.87

 

CMYK 35 / 0 / 65 / 15

HEX #8EDA4D

RGB 142 218 77

HSL 92.34, 0.66%, 0.58%

LAB 79.86, -46.24, 59.88

 

CMYK 52 / 0 / 65 / 15

HEX #68DA4D

RGB 104 218 77

HSL 108.51, 0.66%, 0.58%

LAB 78.24, -57.94, 57.66

 

CMYK 0 / 17 / 65 / 15

HEX #DAB44D

RGB 218 180 77

HSL 43.83, 0.66%, 0.58%

LAB 74.88, 2.48, 56.11

 

CMYK 0 / 20 / 75 / 8

HEX #EBBC3B

RGB 235 188 59

HSL 43.98, 0.81%, 0.58%

LAB 78.43, 4.61, 67.58

 

CMYK 0 / 23 / 83 / 1

HEX #FDC42A

RGB 253 196 42

HSL 43.79, 0.98%, 0.58%

LAB 82.13, 7.55, 76.96

 

CMYK 0 / 17 / 65 / 15

HEX #DAB44D

RGB 218 180 77

HSL 43.83, 0.66%, 0.58%

LAB 74.88, 2.48, 56.11

 

CMYK 0 / 14 / 53 / 21

HEX #C9AC5E

RGB 201 172 94

HSL 43.74, 0.5%, 0.58%

LAB 71.37, 0.76, 43.62

 

CMYK 0 / 10 / 39 / 28

HEX #B7A46F

RGB 183 164 111

HSL 44.17, 0.33%, 0.58%

LAB 67.85, -0.75, 30.03

 

CMYK 0 / 6 / 22 / 35

HEX #A69C81

RGB 166 156 129

HSL 43.78, 0.17%, 0.58%

LAB 64.54, -0.85, 15.48

HEX #A69C81

CMYK 0 / 1 / 2 / 42

HEX #959492

RGB 149 148 146

HSL 40, 0.01%, 0.58%

LAB 61.35, -0.01, 1.18

HEX #959492

CMYK 0 / 53 / 65 / 15

HEX #DA674D

RGB 218 103 77

HSL 11.06, 0.66%, 0.58%

LAB 57.21, 43.16, 35.92

 

CMYK 0 / 36 / 65 / 15

HEX #DA8C4D

RGB 218 140 77

HSL 26.81, 0.66%, 0.58%

LAB 65.12, 23.89, 45.23

 

CMYK 0 / 18 / 65 / 15

HEX #DAB24D

RGB 218 178 77

HSL 42.98, 0.66%, 0.58%

LAB 74.37, 3.53, 55.56

 

CMYK 0 / 1 / 65 / 15

HEX #DAD84D

RGB 218 216 77

HSL 59.15, 0.66%, 0.58%

LAB 84.25, -15.95, 66.02

 

CMYK 16 / 0 / 65 / 15

HEX #B7DA4D

RGB 183 218 77

HSL 74.89, 0.66%, 0.58%

LAB 82.24, -31.07, 63.13

 

CMYK 0 / 21 / 80 / 31

HEX #B18B24

RGB 177 139 36

HSL 43.83, 0.66%, 0.42%

LAB 59.83, 4.56, 56.36

 

CMYK 0 / 22 / 80 / 17

HEX #D3A52B

RGB 211 165 43

HSL 43.57, 0.66%, 0.5%

LAB 70.13, 5.79, 64.6

 

CMYK 0 / 17 / 65 / 15

HEX #DAB44D

RGB 218 180 77

HSL 43.83, 0.66%, 0.58%

LAB 74.88, 2.48, 56.11

 

CMYK 0 / 14 / 51 / 12

HEX #E1C26F

RGB 225 194 111

HSL 43.68, 0.66%, 0.66%

LAB 79.46, 0.61, 45.5

 

CMYK 0 / 10 / 38 / 9

HEX #E8D191

RGB 232 209 145

HSL 44.14, 0.65%, 0.74%

LAB 84.38, -0.94, 34.68

 

CMYK 0 / 17 / 65 / 15

HEX #DAB44D

RGB 218 180 77

HSL 43.83, 0.66%, 0.58%

LAB 74.88, 2.48, 56.11

 

CMYK 60 / 0 / 65 / 15

HEX #58DA4D

RGB 88 218 77

HSL 115.32, 0.66%, 0.58%

LAB 77.73, -61.93, 56.95

 

CMYK 44 / 65 / 0 / 15

HEX #794DDA

RGB 121 77 218

HSL 258.72, 0.66%, 0.58%

LAB 44.85, 50.17, -65.95

 

CMYK 0 / 17 / 65 / 15

HEX #DAB44D

RGB 218 180 77

HSL 43.83, 0.66%, 0.58%

LAB 74.88, 2.48, 56.11

 

CMYK 65 / 0 / 18 / 15

HEX #4DDAB2

RGB 77 218 178

HSL 162.98, 0.66%, 0.58%

LAB 79, -47.17, 8.66

 

CMYK 18 / 65 / 0 / 15

HEX #B24DDA

RGB 178 77 218

HSL 282.98, 0.66%, 0.58%

LAB 51.65, 62.19, -54.64

 

CMYK 0 / 17 / 65 / 15

HEX #DAB44D

RGB 218 180 77

HSL 43.83, 0.66%, 0.58%

LAB 74.88, 2.48, 56.11

 

CMYK 60 / 0 / 65 / 15

HEX #58DA4D

RGB 88 218 77

HSL 115.32, 0.66%, 0.58%

LAB 77.73, -61.93, 56.95

 

CMYK 65 / 46 / 0 / 15

HEX #4D75DA

RGB 77 117 218

HSL 222.98, 0.66%, 0.58%

LAB 51.11, 18.09, -56

 

CMYK 6 / 65 / 0 / 15

HEX #CE4DDA

RGB 206 77 218

HSL 294.89, 0.66%, 0.58%

LAB 55.58, 68.55, -48.15

 

CMYK 0 / 17 / 65 / 15

HEX #DAB44D

RGB 218 180 77

HSL 43.83, 0.66%, 0.58%

LAB 74.88, 2.48, 56.11

 

CMYK 65 / 0 / 51 / 15

HEX #4DDA6B

RGB 77 218 107

HSL 132.77, 0.66%, 0.58%

LAB 77.75, -60.7, 43.43

 

CMYK 65 / 46 / 0 / 15

HEX #4D75DA

RGB 77 117 218

HSL 222.98, 0.66%, 0.58%

LAB 51.11, 18.09, -56

 

CMYK 0 / 65 / 14 / 15

HEX #DA4DBB

RGB 218 77 187

HSL 313.19, 0.66%, 0.58%

LAB 55.89, 66.5, -29.81

 

Description

Color code: HEX #DAB44D | qconv.com Color code: HEX #DAB44D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 180 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 180 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 65 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 65% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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