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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB444 it is the complementary color #254BBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB444. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB444 shade: #DFB43F, #F0C652, #FFD865, #FFEA78 and #FFFC8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB444. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB444 shade: #DAB444, #C9A231, #B8901E, #A77E0B and #966C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB444 shade: #D9B343, #D98B43, #D96243 and #D94343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB444 shade: #D9B343, #D7D943, #AED943, #86D943 and #5DD943

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB444 shade matches the following richer shades: #D9B343, #ECBC31 and #FEC51F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB444 shade: #D9B343, #C7AA55, #B5A167, #A3997A and #91908C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB444 shade: #D96143, #D98943, #D9B143, #D9D943 and #B1D943

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB444 shade: #A98721, #CCA228, #D9B343, #E0C166 and #E7CF88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB444 shade: #DAB444, #4DD943 and #7543D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB444 shade: #DAB444, #43D9B1 and #B143D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB444 shade: #DAB444, #4DD943, #436BD9 and #CF43D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB444 shade: #DAB444, #43D966, #436BD9 and #D943B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 69 / 15

HEX #DAB444

RGB 218 180 68

HSL 44.8, 0.67%, 0.56%

LAB 74.8, 1.96, 59.91

 

Complementary color

CMYK 80 / 60 / 0 / 27

HEX #254BBB

RGB 37 75 187

HSL 224.8, 0.67%, 0.44%

LAB 36.01, 28.37, -62.66

 

CMYK 0 / 19 / 72 / 13

HEX #DFB43F

RGB 223 180 63

HSL 43.88, 0.71%, 0.56%

LAB 75.26, 3.85, 62.56

 

CMYK 0 / 18 / 66 / 6

HEX #F0C652

RGB 240 198 82

HSL 44.05, 0.84%, 0.63%

LAB 81.58, 2.65, 61.75

 

CMYK 0 / 15 / 60 / 0

HEX #FFD865

RGB 255 216 101

HSL 44.81, 1%, 0.7%

LAB 87.64, 0.8, 60.47

 

CMYK 0 / 8 / 53 / 0

HEX #FFEA78

RGB 255 234 120

HSL 50.67, 1%, 0.74%

LAB 92.34, -6.88, 57.24

 

CMYK 0 / 1 / 45 / 0

HEX #FFFC8B

RGB 255 252 139

HSL 58.45, 1%, 0.77%

LAB 97.12, -14.12, 54.14

 

CMYK 0 / 17 / 69 / 15

HEX #DAB444

RGB 218 180 68

HSL 44.8, 0.67%, 0.56%

LAB 74.8, 1.96, 59.91

 

CMYK 0 / 19 / 76 / 21

HEX #C9A231

RGB 201 162 49

HSL 44.61, 0.61%, 0.49%

LAB 68.37, 3.25, 60.49

 

CMYK 0 / 22 / 84 / 28

HEX #B8901E

RGB 184 144 30

HSL 44.42, 0.72%, 0.42%

LAB 61.85, 4.77, 60.37

 

CMYK 0 / 25 / 93 / 35

HEX #A77E0B

RGB 167 126 11

HSL 44.23, 0.88%, 0.35%

LAB 55.24, 6.57, 58.93

 

CMYK 0 / 28 / 100 / 41

HEX #966C00

RGB 150 108 0

HSL 43.2, 1%, 0.29%

LAB 48.52, 8.7, 55.36

 

CMYK 0 / 18 / 69 / 15

HEX #D9B343

RGB 217 179 67

HSL 44.8, 0.66%, 0.56%

LAB 74.44, 2.01, 59.92

 

CMYK 0 / 36 / 69 / 15

HEX #D98B43

RGB 217 139 67

HSL 28.8, 0.66%, 0.56%

LAB 64.66, 23.42, 49.59

 

CMYK 0 / 55 / 69 / 15

HEX #D96243

RGB 217 98 67

HSL 12.4, 0.66%, 0.56%

LAB 55.98, 44.66, 39.88

 

CMYK 0 / 69 / 69 / 15

HEX #D94343

RGB 217 67 67

HSL 0, 0.66%, 0.56%

LAB 50.89, 58.2, 33.91

 

CMYK 0 / 18 / 69 / 15

HEX #D9B343

RGB 217 179 67

HSL 44.8, 0.66%, 0.56%

LAB 74.44, 2.01, 59.92

 

CMYK 1 / 0 / 69 / 15

HEX #D7D943

RGB 215 217 67

HSL 60.8, 0.66%, 0.56%

LAB 84.21, -18.22, 69.68

 

CMYK 20 / 0 / 69 / 15

HEX #AED943

RGB 174 217 67

HSL 77.2, 0.66%, 0.56%

LAB 81.31, -34.76, 65.82

 

CMYK 38 / 0 / 69 / 15

HEX #86D943

RGB 134 217 67

HSL 93.2, 0.66%, 0.56%

LAB 79.1, -49.29, 62.86

 

CMYK 57 / 0 / 69 / 15

HEX #5DD943

RGB 93 217 67

HSL 109.6, 0.66%, 0.56%

LAB 77.49, -61.28, 60.69

 

CMYK 0 / 18 / 69 / 15

HEX #D9B343

RGB 217 179 67

HSL 44.8, 0.66%, 0.56%

LAB 74.44, 2.01, 59.92

 

CMYK 0 / 20 / 79 / 7

HEX #ECBC31

RGB 236 188 49

HSL 44.6, 0.83%, 0.56%

LAB 78.47, 4.66, 71.08

 

CMYK 0 / 22 / 88 / 0

HEX #FEC51F

RGB 254 197 31

HSL 44.66, 0.99%, 0.56%

LAB 82.43, 7.21, 79.87

 

CMYK 0 / 18 / 69 / 15

HEX #D9B343

RGB 217 179 67

HSL 44.8, 0.66%, 0.56%

LAB 74.44, 2.01, 59.92

 

CMYK 0 / 15 / 57 / 22

HEX #C7AA55

RGB 199 170 85

HSL 44.74, 0.5%, 0.56%

LAB 70.56, 0.25, 47.04

 

CMYK 0 / 11 / 43 / 29

HEX #B5A167

RGB 181 161 103

HSL 44.62, 0.35%, 0.56%

LAB 66.74, -0.85, 32.83

 

CMYK 0 / 6 / 25 / 36

HEX #A3997A

RGB 163 153 122

HSL 45.37, 0.18%, 0.56%

LAB 63.32, -1.44, 17.65

 

CMYK 0 / 1 / 3 / 43

HEX #91908C

RGB 145 144 140

HSL 48, 0.02%, 0.56%

LAB 59.76, -0.39, 2.24

 

CMYK 0 / 55 / 69 / 15

HEX #D96143

RGB 217 97 67

HSL 12, 0.66%, 0.56%

LAB 55.79, 45.15, 39.67

 

CMYK 0 / 37 / 69 / 15

HEX #D98943

RGB 217 137 67

HSL 28, 0.66%, 0.56%

LAB 64.2, 24.5, 49.09

 

CMYK 0 / 18 / 69 / 15

HEX #D9B143

RGB 217 177 67

HSL 44, 0.66%, 0.56%

LAB 73.93, 3.06, 59.4

 

CMYK 0 / 0 / 69 / 15

HEX #D9D943

RGB 217 217 67

HSL 60, 0.66%, 0.56%

LAB 84.37, -17.4, 69.89

 

CMYK 18 / 0 / 69 / 15

HEX #B1D943

RGB 177 217 67

HSL 76, 0.66%, 0.56%

LAB 81.5, -33.59, 66.08

 

CMYK 0 / 20 / 80 / 34

HEX #A98721

RGB 169 135 33

HSL 45, 0.67%, 0.4%

LAB 57.92, 3.03, 55.35

 

CMYK 0 / 21 / 80 / 20

HEX #CCA228

RGB 204 162 40

HSL 44.63, 0.67%, 0.48%

LAB 68.63, 4.22, 63.97

 

CMYK 0 / 18 / 69 / 15

HEX #D9B343

RGB 217 179 67

HSL 44.8, 0.66%, 0.56%

LAB 74.44, 2.01, 59.92

 

CMYK 0 / 14 / 54 / 12

HEX #E0C166

RGB 224 193 102

HSL 44.75, 0.66%, 0.64%

LAB 79.01, -0.04, 49.32

 

CMYK 0 / 10 / 41 / 9

HEX #E7CF88

RGB 231 207 136

HSL 44.84, 0.66%, 0.72%

LAB 83.65, -1.29, 38.31

 

CMYK 0 / 17 / 69 / 15

HEX #DAB444

RGB 218 180 68

HSL 44.8, 0.67%, 0.56%

LAB 74.8, 1.96, 59.91

 

CMYK 65 / 0 / 69 / 15

HEX #4DD943

RGB 77 217 67

HSL 116, 0.66%, 0.56%

LAB 77.05, -64.89, 60.09

 

CMYK 46 / 69 / 0 / 15

HEX #7543D9

RGB 117 67 217

HSL 260, 0.66%, 0.56%

LAB 42.47, 54.35, -69.27

 

CMYK 0 / 17 / 69 / 15

HEX #DAB444

RGB 218 180 68

HSL 44.8, 0.67%, 0.56%

LAB 74.8, 1.96, 59.91

 

CMYK 69 / 0 / 18 / 15

HEX #43D9B1

RGB 67 217 177

HSL 164, 0.66%, 0.56%

LAB 78.46, -48.55, 8.38

 

CMYK 18 / 69 / 0 / 15

HEX #B143D9

RGB 177 67 217

HSL 284, 0.66%, 0.56%

LAB 49.94, 65.98, -56.81

 

CMYK 0 / 17 / 69 / 15

HEX #DAB444

RGB 218 180 68

HSL 44.8, 0.67%, 0.56%

LAB 74.8, 1.96, 59.91

 

CMYK 65 / 0 / 69 / 15

HEX #4DD943

RGB 77 217 67

HSL 116, 0.66%, 0.56%

LAB 77.05, -64.89, 60.09

 

CMYK 69 / 51 / 0 / 15

HEX #436BD9

RGB 67 107 217

HSL 224, 0.66%, 0.56%

LAB 47.9, 22.43, -60.62

 

CMYK 5 / 69 / 0 / 15

HEX #CF43D9

RGB 207 67 217

HSL 296, 0.66%, 0.56%

LAB 54.33, 72.36, -49.54

 

CMYK 0 / 17 / 69 / 15

HEX #DAB444

RGB 218 180 68

HSL 44.8, 0.67%, 0.56%

LAB 74.8, 1.96, 59.91

 

CMYK 69 / 0 / 53 / 15

HEX #43D966

RGB 67 217 102

HSL 134, 0.66%, 0.56%

LAB 77.15, -62.87, 45.03

 

CMYK 69 / 51 / 0 / 15

HEX #436BD9

RGB 67 107 217

HSL 224, 0.66%, 0.56%

LAB 47.9, 22.43, -60.62

 

CMYK 0 / 69 / 16 / 15

HEX #D943B6

RGB 217 67 182

HSL 314, 0.66%, 0.56%

LAB 54.18, 69.26, -29.58

 

Description

Color code: HEX #DAB444 | qconv.com Color code: HEX #DAB444 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 180 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 180 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 69 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 69% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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