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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB3C2 it is the complementary color #254C3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB3C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB3C2 shade: #DFB3BD, #F0C5D0, #FFD7E3, #FFE9F6 and #FFFBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB3C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB3C2 shade: #DAB3C2, #C9A1AF, #B88F9C, #A77D89 and #966B76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB3C2 shade: #DBB3C2, #DBB3B8 and #DBB3B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB3C2 shade: #DBB3C2, #DBB3CD, #DBB3D8, #D3B3DB and #C8B3DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB3C2 shade matches the following richer shades: #DBB3C2, #E4AAC0, #EDA1BE, #F698BC and #FF8FBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB3C2 shade: #DBB3C2, #D1BCC4, #C8C5C7, #BFCEC9 and #B6D8CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB3C2 shade: #DBB3D8, #DBB3CD, #DBB3C3, #DBB3B9 and #DBB9B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB3C2 shade: #C07C96, #CD97AC, #DBB3C2, #E8CFD9 and #F5EBEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB3C2 shade: #DAB3C2, #DBD3B3 and #B3D3DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB3C2 shade: #DAB3C2, #C3DBB3 and #B3C3DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB3C2 shade: #DAB3C2, #DBD3B3, #B3DBCB and #B3BBDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB3C2 shade: #DAB3C2, #D7DBB3, #B3DBCB and #B7B3DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 11 / 15

HEX #DAB3C2

RGB 218 179 194

HSL 336.92, 0.35%, 0.78%

LAB 76.7, 16.49, -2.3

 

Complementary color

CMYK 51 / 0 / 20 / 70

HEX #254C3D

RGB 37 76 61

HSL 156.92, 0.35%, 0.22%

LAB 29.16, -18.02, 4.68

 

CMYK 0 / 20 / 15 / 13

HEX #DFB3BD

RGB 223 179 189

HSL 346.36, 0.41%, 0.79%

LAB 77.04, 17.46, 0.98

 

CMYK 0 / 18 / 13 / 6

HEX #F0C5D0

RGB 240 197 208

HSL 344.65, 0.59%, 0.86%

LAB 83.45, 16.96, 0.27

 

CMYK 0 / 16 / 11 / 0

HEX #FFD7E3

RGB 255 215 227

HSL 342, 1%, 0.92%

LAB 89.58, 15.81, -0.69

 

CMYK 0 / 9 / 4 / 0

HEX #FFE9F6

RGB 255 233 246

HSL 324.55, 1%, 0.96%

LAB 94.39, 9.66, -3.58

 

CMYK 0 / 2 / 0 / 0

HEX #FFFBFF

RGB 255 251 255

HSL 300, 1%, 0.99%

LAB 99.02, 2.03, -1.45

 

CMYK 0 / 18 / 11 / 15

HEX #DAB3C2

RGB 218 179 194

HSL 336.92, 0.35%, 0.78%

LAB 76.7, 16.49, -2.3

 

CMYK 0 / 20 / 13 / 21

HEX #C9A1AF

RGB 201 161 175

HSL 339, 0.27%, 0.71%

LAB 70.18, 17, -1.62

 

CMYK 0 / 22 / 15 / 28

HEX #B88F9C

RGB 184 143 156

HSL 340.98, 0.22%, 0.64%

LAB 63.54, 17.55, -0.91

 

CMYK 0 / 25 / 18 / 35

HEX #A77D89

RGB 167 125 137

HSL 342.86, 0.19%, 0.57%

LAB 56.77, 18.17, -0.13

 

CMYK 0 / 29 / 21 / 41

HEX #966B76

RGB 150 107 118

HSL 344.65, 0.17%, 0.5%

LAB 49.87, 18.87, 0.71

 

CMYK 0 / 18 / 11 / 14

HEX #DBB3C2

RGB 219 179 194

HSL 337.5, 0.36%, 0.78%

LAB 76.8, 16.85, -2.15

 

CMYK 0 / 18 / 16 / 14

HEX #DBB3B8

RGB 219 179 184

HSL 352.5, 0.36%, 0.78%

LAB 76.53, 15.22, 2.91

 

CMYK 0 / 18 / 18 / 14

HEX #DBB3B3

RGB 219 179 179

HSL 0, 0.36%, 0.78%

LAB 76.41, 14.44, 5.45

 

CMYK 0 / 18 / 11 / 14

HEX #DBB3C2

RGB 219 179 194

HSL 337.5, 0.36%, 0.78%

LAB 76.8, 16.85, -2.15

 

CMYK 0 / 18 / 6 / 14

HEX #DBB3CD

RGB 219 179 205

HSL 321, 0.36%, 0.78%

LAB 77.11, 18.73, -7.67

 

CMYK 0 / 18 / 1 / 14

HEX #DBB3D8

RGB 219 179 216

HSL 304.5, 0.36%, 0.78%

LAB 77.43, 20.7, -13.16

 

CMYK 4 / 18 / 0 / 14

HEX #D3B3DB

RGB 211 179 219

HSL 288, 0.36%, 0.78%

LAB 76.8, 18.58, -15.81

 

CMYK 9 / 18 / 0 / 14

HEX #C8B3DB

RGB 200 179 219

HSL 271.5, 0.36%, 0.78%

LAB 75.84, 14.95, -17.35

 

CMYK 0 / 18 / 11 / 14

HEX #DBB3C2

RGB 219 179 194

HSL 337.5, 0.36%, 0.78%

LAB 76.8, 16.85, -2.15

 

CMYK 0 / 25 / 16 / 11

HEX #E4AAC0

RGB 228 170 192

HSL 337.24, 0.52%, 0.78%

LAB 75.48, 24.56, -2.89

 

CMYK 0 / 32 / 20 / 7

HEX #EDA1BE

RGB 237 161 190

HSL 337.11, 0.68%, 0.78%

LAB 74.33, 32.23, -3.38

 

CMYK 0 / 38 / 24 / 4

HEX #F698BC

RGB 246 152 188

HSL 337.02, 0.84%, 0.78%

LAB 73.34, 39.78, -3.61

 

CMYK 0 / 44 / 27 / 0

HEX #FF8FBA

RGB 255 143 186

HSL 336.96, 1%, 0.78%

LAB 72.53, 47.15, -3.57

 

CMYK 0 / 18 / 11 / 14

HEX #DBB3C2

RGB 219 179 194

HSL 337.5, 0.36%, 0.78%

LAB 76.8, 16.85, -2.15

 

CMYK 0 / 10 / 6 / 18

HEX #D1BCC4

RGB 209 188 196

HSL 337.14, 0.19%, 0.78%

LAB 78.17, 8.81, -1.32

 

CMYK 0 / 1 / 0 / 22

HEX #C8C5C7

RGB 200 197 199

HSL 320, 0.03%, 0.78%

LAB 79.8, 1.41, -0.64

 

CMYK 7 / 0 / 2 / 19

HEX #BFCEC9

RGB 191 206 201

HSL 160, 0.13%, 0.78%

LAB 81.53, -6.02, 0.73

 

CMYK 16 / 0 / 6 / 15

HEX #B6D8CB

RGB 182 216 203

HSL 157.06, 0.3%, 0.78%

LAB 83.64, -13.75, 2.65

 

CMYK 0 / 18 / 1 / 14

HEX #DBB3D8

RGB 219 179 216

HSL 304.5, 0.36%, 0.78%

LAB 77.43, 20.7, -13.16

 

CMYK 0 / 18 / 6 / 14

HEX #DBB3CD

RGB 219 179 205

HSL 321, 0.36%, 0.78%

LAB 77.11, 18.73, -7.67

 

CMYK 0 / 18 / 11 / 14

HEX #DBB3C3

RGB 219 179 195

HSL 336, 0.36%, 0.78%

LAB 76.82, 17.01, -2.65

 

CMYK 0 / 18 / 16 / 14

HEX #DBB3B9

RGB 219 179 185

HSL 351, 0.36%, 0.78%

LAB 76.56, 15.38, 2.4

 

CMYK 0 / 16 / 18 / 14

HEX #DBB9B3

RGB 219 185 179

HSL 9, 0.36%, 0.78%

LAB 77.88, 11.23, 7.57

 

CMYK 0 / 35 / 22 / 25

HEX #C07C96

RGB 192 124 150

HSL 337.06, 0.35%, 0.62%

LAB 59.73, 30.08, -2.97

 

CMYK 0 / 26 / 16 / 20

HEX #CD97AC

RGB 205 151 172

HSL 336.67, 0.35%, 0.7%

LAB 68.09, 23.43, -2.97

 

CMYK 0 / 18 / 11 / 14

HEX #DBB3C2

RGB 219 179 194

HSL 337.5, 0.36%, 0.78%

LAB 76.8, 16.85, -2.15

 

CMYK 0 / 11 / 6 / 9

HEX #E8CFD9

RGB 232 207 217

HSL 336, 0.35%, 0.86%

LAB 85.4, 10.38, -1.76

 

CMYK 0 / 4 / 2 / 4

HEX #F5EBEF

RGB 245 235 239

HSL 336, 0.33%, 0.94%

LAB 93.91, 4.06, -0.74

 

CMYK 0 / 18 / 11 / 15

HEX #DAB3C2

RGB 218 179 194

HSL 336.92, 0.35%, 0.78%

LAB 76.7, 16.49, -2.3

 

CMYK 0 / 4 / 18 / 14

HEX #DBD3B3

RGB 219 211 179

HSL 48, 0.36%, 0.78%

LAB 84.43, -2.46, 16.85

 

CMYK 18 / 4 / 0 / 14

HEX #B3D3DB

RGB 179 211 219

HSL 192, 0.36%, 0.78%

LAB 82.53, -8.89, -7.5

 

CMYK 0 / 18 / 11 / 15

HEX #DAB3C2

RGB 218 179 194

HSL 336.92, 0.35%, 0.78%

LAB 76.7, 16.49, -2.3

 

CMYK 11 / 0 / 18 / 14

HEX #C3DBB3

RGB 195 219 179

HSL 96, 0.36%, 0.78%

LAB 84.75, -15.17, 17.03

 

CMYK 18 / 11 / 0 / 14

HEX #B3C3DB

RGB 179 195 219

HSL 216, 0.36%, 0.78%

LAB 78.3, -0.47, -13.81

 

CMYK 0 / 18 / 11 / 15

HEX #DAB3C2

RGB 218 179 194

HSL 336.92, 0.35%, 0.78%

LAB 76.7, 16.49, -2.3

 

CMYK 0 / 4 / 18 / 14

HEX #DBD3B3

RGB 219 211 179

HSL 48, 0.36%, 0.78%

LAB 84.43, -2.46, 16.85

 

CMYK 18 / 0 / 7 / 14

HEX #B3DBCB

RGB 179 219 203

HSL 156, 0.36%, 0.78%

LAB 84.26, -16.24, 3.53

 

CMYK 18 / 15 / 0 / 14

HEX #B3BBDB

RGB 179 187 219

HSL 228, 0.36%, 0.78%

LAB 76.22, 3.84, -16.95

 

CMYK 0 / 18 / 11 / 15

HEX #DAB3C2

RGB 218 179 194

HSL 336.92, 0.35%, 0.78%

LAB 76.7, 16.49, -2.3

 

CMYK 2 / 0 / 18 / 14

HEX #D7DBB3

RGB 215 219 179

HSL 66, 0.36%, 0.78%

LAB 86.19, -8.02, 19.25

 

CMYK 18 / 0 / 7 / 14

HEX #B3DBCB

RGB 179 219 203

HSL 156, 0.36%, 0.78%

LAB 84.26, -16.24, 3.53

 

CMYK 16 / 18 / 0 / 14

HEX #B7B3DB

RGB 183 179 219

HSL 246, 0.36%, 0.78%

LAB 74.46, 9.46, -19.57

 

Description

Color code: HEX #DAB3C2 | qconv.com Color code: HEX #DAB3C2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 179 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 179 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 11 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 11% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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