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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB3A8 it is the complementary color #254C57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB3A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB3A8 shade: #DFB3A3, #F0C5B6, #FFD7C9, #FFE9DC and #FFFBEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB3A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB3A8 shade: #DAB3A8, #C9A195, #B88F82, #A77D6F and #966B5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB3A8 shade: #DAB4A9 and #DAA9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB3A8 shade: #DAB4A9, #DAC1A9, #DACEA9, #D8DAA9 and #CBDAA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB3A8 shade matches the following richer shades: #DAB4A9, #E4AE9F, #EEA995 and #F7A38B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB3A8 shade: #DAB4A9, #D0B9B3, #C6BFBD, #BCC4C7 and #B2CAD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB3A8 shade: #DAA9B8, #DAA9AB, #DAB3A9, #DAC0A9 and #DACEA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB3A8 shade: #C1816F, #CD9A8C, #DAB4A9, #E6CDC6 and #F3E6E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB3A8 shade: #DAB3A8, #C5DAA9 and #A9B2DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB3A8 shade: #DAB3A8, #A9DAB3 and #B3A9DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB3A8 shade: #DAB3A8, #C5DAA9, #A9CFDA and #BDA9DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB3A8 shade: #DAB3A8, #B7DAA9, #A9CFDA and #CCA9DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 23 / 15

HEX #DAB3A8

RGB 218 179 168

HSL 13.2, 0.4%, 0.76%

LAB 76.05, 12.43, 10.91

 

Complementary color

CMYK 57 / 13 / 0 / 66

HEX #254C57

RGB 37 76 87

HSL 193.2, 0.4%, 0.24%

LAB 30.04, -10.24, -10.73

 

CMYK 0 / 20 / 27 / 13

HEX #DFB3A3

RGB 223 179 163

HSL 16, 0.48%, 0.76%

LAB 76.42, 13.6, 14.21

 

CMYK 0 / 18 / 24 / 6

HEX #F0C5B6

RGB 240 197 182

HSL 15.52, 0.66%, 0.83%

LAB 82.83, 13.06, 13.26

 

CMYK 0 / 16 / 21 / 0

HEX #FFD7C9

RGB 255 215 201

HSL 15.56, 1%, 0.89%

LAB 88.96, 11.84, 12.09

 

CMYK 0 / 9 / 14 / 0

HEX #FFE9DC

RGB 255 233 220

HSL 22.29, 1%, 0.93%

LAB 93.76, 5.4, 9.01

 

CMYK 0 / 2 / 6 / 0

HEX #FFFBEF

RGB 255 251 239

HSL 45, 1%, 0.97%

LAB 98.63, -0.7, 6.2

 

CMYK 0 / 18 / 23 / 15

HEX #DAB3A8

RGB 218 179 168

HSL 13.2, 0.4%, 0.76%

LAB 76.05, 12.43, 10.91

 

CMYK 0 / 20 / 26 / 21

HEX #C9A195

RGB 201 161 149

HSL 13.85, 0.33%, 0.69%

LAB 69.52, 12.97, 11.85

 

CMYK 0 / 22 / 29 / 28

HEX #B88F82

RGB 184 143 130

HSL 14.44, 0.28%, 0.62%

LAB 62.88, 13.59, 12.86

 

CMYK 0 / 25 / 34 / 35

HEX #A77D6F

RGB 167 125 111

HSL 15, 0.24%, 0.55%

LAB 56.12, 14.3, 13.97

 

CMYK 0 / 29 / 39 / 41

HEX #966B5C

RGB 150 107 92

HSL 15.52, 0.24%, 0.47%

LAB 49.22, 15.12, 15.21

 

CMYK 0 / 17 / 22 / 15

HEX #DAB4A9

RGB 218 180 169

HSL 13.47, 0.4%, 0.76%

LAB 76.32, 12.04, 10.75

 

CMYK 0 / 22 / 22 / 15

HEX #DAA9A9

RGB 218 169 169

HSL 0, 0.4%, 0.76%

LAB 73.64, 17.95, 6.92

 

CMYK 0 / 17 / 22 / 15

HEX #DAB4A9

RGB 218 180 169

HSL 13.47, 0.4%, 0.76%

LAB 76.32, 12.04, 10.75

 

CMYK 0 / 11 / 22 / 15

HEX #DAC1A9

RGB 218 193 169

HSL 29.39, 0.4%, 0.76%

LAB 79.56, 5.11, 15.32

 

CMYK 0 / 6 / 22 / 15

HEX #DACEA9

RGB 218 206 169

HSL 45.31, 0.4%, 0.76%

LAB 82.87, -1.7, 19.93

 

CMYK 1 / 0 / 22 / 15

HEX #D8DAA9

RGB 216 218 169

HSL 62.45, 0.4%, 0.76%

LAB 85.81, -8.6, 23.96

 

CMYK 7 / 0 / 22 / 15

HEX #CBDAA9

RGB 203 218 169

HSL 78.37, 0.4%, 0.76%

LAB 84.85, -13.37, 22.48

 

CMYK 0 / 17 / 22 / 15

HEX #DAB4A9

RGB 218 180 169

HSL 13.47, 0.4%, 0.76%

LAB 76.32, 12.04, 10.75

 

CMYK 0 / 24 / 30 / 11

HEX #E4AE9F

RGB 228 174 159

HSL 13.04, 0.56%, 0.76%

LAB 75.62, 17.64, 15.33

 

CMYK 0 / 29 / 37 / 7

HEX #EEA995

RGB 238 169 149

HSL 13.48, 0.72%, 0.76%

LAB 75.28, 22.89, 20.44

 

CMYK 0 / 34 / 44 / 3

HEX #F7A38B

RGB 247 163 139

HSL 13.33, 0.87%, 0.76%

LAB 74.72, 28.42, 25.26

 

CMYK 0 / 17 / 22 / 15

HEX #DAB4A9

RGB 218 180 169

HSL 13.47, 0.4%, 0.76%

LAB 76.32, 12.04, 10.75

 

CMYK 0 / 11 / 14 / 18

HEX #D0B9B3

RGB 208 185 179

HSL 12.41, 0.24%, 0.76%

LAB 76.9, 7.2, 6.03

 

CMYK 0 / 4 / 5 / 22

HEX #C6BFBD

RGB 198 191 189

HSL 13.33, 0.07%, 0.76%

LAB 77.84, 2.09, 1.87

 

CMYK 6 / 2 / 0 / 22

HEX #BCC4C7

RGB 188 196 199

HSL 196.36, 0.09%, 0.76%

LAB 78.63, -2.17, -2.46

 

CMYK 14 / 3 / 0 / 18

HEX #B2CAD0

RGB 178 202 208

HSL 192, 0.24%, 0.76%

LAB 79.76, -6.82, -5.72

 

CMYK 0 / 22 / 16 / 15

HEX #DAA9B8

RGB 218 169 184

HSL 341.63, 0.4%, 0.76%

LAB 74.02, 20.25, -0.76

 

CMYK 0 / 22 / 22 / 15

HEX #DAA9AB

RGB 218 169 171

HSL 357.55, 0.4%, 0.76%

LAB 73.69, 18.25, 5.89

 

CMYK 0 / 18 / 22 / 15

HEX #DAB3A9

RGB 218 179 169

HSL 12.24, 0.4%, 0.76%

LAB 76.08, 12.57, 10.4

 

CMYK 0 / 12 / 22 / 15

HEX #DAC0A9

RGB 218 192 169

HSL 28.16, 0.4%, 0.76%

LAB 79.31, 5.64, 14.97

 

CMYK 0 / 6 / 22 / 15

HEX #DACEA9

RGB 218 206 169

HSL 45.31, 0.4%, 0.76%

LAB 82.87, -1.7, 19.93

 

CMYK 0 / 33 / 42 / 24

HEX #C1816F

RGB 193 129 111

HSL 13.17, 0.4%, 0.6%

LAB 60.06, 22.57, 19.85

 

CMYK 0 / 25 / 32 / 20

HEX #CD9A8C

RGB 205 154 140

HSL 12.92, 0.39%, 0.68%

LAB 68.01, 17.11, 14.76

 

CMYK 0 / 17 / 22 / 15

HEX #DAB4A9

RGB 218 180 169

HSL 13.47, 0.4%, 0.76%

LAB 76.32, 12.04, 10.75

 

CMYK 0 / 11 / 14 / 10

HEX #E6CDC6

RGB 230 205 198

HSL 13.13, 0.39%, 0.84%

LAB 84.26, 7.59, 6.66

 

CMYK 0 / 5 / 7 / 5

HEX #F3E6E3

RGB 243 230 227

HSL 11.25, 0.4%, 0.92%

LAB 92.22, 3.9, 3.03

 

CMYK 0 / 18 / 23 / 15

HEX #DAB3A8

RGB 218 179 168

HSL 13.2, 0.4%, 0.76%

LAB 76.05, 12.43, 10.91

 

CMYK 10 / 0 / 22 / 15

HEX #C5DAA9

RGB 197 218 169

HSL 85.71, 0.4%, 0.76%

LAB 84.42, -15.54, 21.83

 

CMYK 22 / 18 / 0 / 15

HEX #A9B2DA

RGB 169 178 218

HSL 228.98, 0.4%, 0.76%

LAB 73.11, 5.41, -21.17

 

CMYK 0 / 18 / 23 / 15

HEX #DAB3A8

RGB 218 179 168

HSL 13.2, 0.4%, 0.76%

LAB 76.05, 12.43, 10.91

 

CMYK 22 / 0 / 18 / 15

HEX #A9DAB3

RGB 169 218 179

HSL 132.24, 0.4%, 0.76%

LAB 82.82, -23.5, 14.09

 

CMYK 18 / 22 / 0 / 15

HEX #B3A9DA

RGB 179 169 218

HSL 252.24, 0.4%, 0.76%

LAB 71.57, 13.49, -23.45

 

CMYK 0 / 18 / 23 / 15

HEX #DAB3A8

RGB 218 179 168

HSL 13.2, 0.4%, 0.76%

LAB 76.05, 12.43, 10.91

 

CMYK 10 / 0 / 22 / 15

HEX #C5DAA9

RGB 197 218 169

HSL 85.71, 0.4%, 0.76%

LAB 84.42, -15.54, 21.83

 

CMYK 22 / 5 / 0 / 15

HEX #A9CFDA

RGB 169 207 218

HSL 193.47, 0.4%, 0.76%

LAB 80.81, -10.1, -9.6

 

CMYK 13 / 22 / 0 / 15

HEX #BDA9DA

RGB 189 169 218

HSL 264.49, 0.4%, 0.76%

LAB 72.4, 16.67, -22.11

 

CMYK 0 / 18 / 23 / 15

HEX #DAB3A8

RGB 218 179 168

HSL 13.2, 0.4%, 0.76%

LAB 76.05, 12.43, 10.91

 

CMYK 16 / 0 / 22 / 15

HEX #B7DAA9

RGB 183 218 169

HSL 102.86, 0.4%, 0.76%

LAB 83.48, -20.49, 20.39

 

CMYK 22 / 5 / 0 / 15

HEX #A9CFDA

RGB 169 207 218

HSL 193.47, 0.4%, 0.76%

LAB 80.81, -10.1, -9.6

 

CMYK 6 / 22 / 0 / 15

HEX #CCA9DA

RGB 204 169 218

HSL 282.86, 0.4%, 0.76%

LAB 73.72, 21.53, -19.98

 

Description

Color code: HEX #DAB3A8 | qconv.com Color code: HEX #DAB3A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 179 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 179 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 23 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 23% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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