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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB23E it is the complementary color #254DC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB23E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB23E shade: #DFB239, #F0C44C, #FFD65F, #FFE872 and #FFFA85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB23E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB23E shade: #DAB23E, #C9A02B, #B88E18, #A77C05 and #966A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB23E shade: #DAB23E, #DA883E, #DA5E3E and #DA3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB23E shade: #DAB23E, #D8DA3E, #AEDA3E, #84DA3E and #59DA3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB23E shade matches the following richer shades: #DAB23E and #ECBB2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB23E shade: #DAB23E, #C7A950, #B5A063, #A29775 and #908E88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB23E shade: #DA5D3E, #DA873E, #DAB03E, #DADA3E and #B0DA3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB23E shade: #A6831F, #C89F26, #DAB23E, #E0C060 and #E7CD83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB23E shade: #DAB23E, #48DA3E and #723EDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB23E shade: #DAB23E, #3EDAB0 and #B03EDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB23E shade: #DAB23E, #48DA3E, #3E67DA and #CF3EDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB23E shade: #DAB23E, #3EDA62, #3E67DA and #DA3EB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 72 / 15

HEX #DAB23E

RGB 218 178 62

HSL 44.62, 0.68%, 0.55%

LAB 74.25, 2.71, 61.79

 

Complementary color

CMYK 81 / 60 / 0 / 24

HEX #254DC1

RGB 37 77 193

HSL 224.62, 0.68%, 0.45%

LAB 37.02, 29.34, -64.52

 

CMYK 0 / 20 / 74 / 13

HEX #DFB239

RGB 223 178 57

HSL 43.73, 0.72%, 0.55%

LAB 74.71, 4.63, 64.34

 

CMYK 0 / 18 / 68 / 6

HEX #F0C44C

RGB 240 196 76

HSL 43.9, 0.85%, 0.62%

LAB 81.03, 3.36, 63.7

 

CMYK 0 / 16 / 63 / 0

HEX #FFD65F

RGB 255 214 95

HSL 44.63, 1%, 0.69%

LAB 87.08, 1.44, 62.51

 

CMYK 0 / 9 / 55 / 0

HEX #FFE872

RGB 255 232 114

HSL 50.21, 1%, 0.72%

LAB 91.77, -6.35, 59.32

 

CMYK 0 / 2 / 48 / 0

HEX #FFFA85

RGB 255 250 133

HSL 57.54, 1%, 0.76%

LAB 96.54, -13.69, 56.23

 

CMYK 0 / 18 / 72 / 15

HEX #DAB23E

RGB 218 178 62

HSL 44.62, 0.68%, 0.55%

LAB 74.25, 2.71, 61.79

 

CMYK 0 / 20 / 79 / 21

HEX #C9A02B

RGB 201 160 43

HSL 44.43, 0.65%, 0.48%

LAB 67.82, 4.08, 62.13

 

CMYK 0 / 23 / 87 / 28

HEX #B88E18

RGB 184 142 24

HSL 44.25, 0.77%, 0.41%

LAB 61.31, 5.7, 61.59

 

CMYK 0 / 26 / 97 / 35

HEX #A77C05

RGB 167 124 5

HSL 44.07, 0.94%, 0.34%

LAB 54.7, 7.6, 59.59

 

CMYK 0 / 29 / 100 / 41

HEX #966A00

RGB 150 106 0

HSL 42.4, 1%, 0.29%

LAB 48, 9.85, 55

 

CMYK 0 / 18 / 72 / 15

HEX #DAB23E

RGB 218 178 62

HSL 44.62, 0.68%, 0.55%

LAB 74.25, 2.71, 61.79

 

CMYK 0 / 38 / 72 / 15

HEX #DA883E

RGB 218 136 62

HSL 28.46, 0.68%, 0.55%

LAB 64.05, 25.19, 51.33

 

CMYK 0 / 57 / 72 / 15

HEX #DA5E3E

RGB 218 94 62

HSL 12.31, 0.68%, 0.55%

LAB 55.34, 46.7, 41.87

 

CMYK 0 / 72 / 72 / 15

HEX #DA3E3E

RGB 218 62 62

HSL 0, 0.68%, 0.55%

LAB 50.33, 60.12, 36.18

 

CMYK 0 / 18 / 72 / 15

HEX #DAB23E

RGB 218 178 62

HSL 44.62, 0.68%, 0.55%

LAB 74.25, 2.71, 61.79

 

CMYK 1 / 0 / 72 / 15

HEX #D8DA3E

RGB 216 218 62

HSL 60.77, 0.68%, 0.55%

LAB 84.53, -18.54, 71.76

 

CMYK 20 / 0 / 72 / 15

HEX #AEDA3E

RGB 174 218 62

HSL 76.92, 0.68%, 0.55%

LAB 81.56, -35.5, 67.86

 

CMYK 39 / 0 / 72 / 15

HEX #84DA3E

RGB 132 218 62

HSL 93.08, 0.68%, 0.55%

LAB 79.27, -50.71, 64.82

 

CMYK 59 / 0 / 72 / 15

HEX #59DA3E

RGB 89 218 62

HSL 109.62, 0.68%, 0.55%

LAB 77.65, -62.99, 62.65

 

CMYK 0 / 18 / 72 / 15

HEX #DAB23E

RGB 218 178 62

HSL 44.62, 0.68%, 0.55%

LAB 74.25, 2.71, 61.79

 

CMYK 0 / 21 / 82 / 7

HEX #ECBB2B

RGB 236 187 43

HSL 44.77, 0.84%, 0.55%

LAB 78.2, 5, 72.66

 

CMYK 0 / 18 / 72 / 15

HEX #DAB23E

RGB 218 178 62

HSL 44.62, 0.68%, 0.55%

LAB 74.25, 2.71, 61.79

 

CMYK 0 / 15 / 60 / 22

HEX #C7A950

RGB 199 169 80

HSL 44.87, 0.52%, 0.55%

LAB 70.24, 0.4, 49.07

 

CMYK 0 / 12 / 45 / 29

HEX #B5A063

RGB 181 160 99

HSL 44.63, 0.36%, 0.55%

LAB 66.42, -0.73, 34.53

 

CMYK 0 / 7 / 28 / 36

HEX #A29775

RGB 162 151 117

HSL 45.33, 0.19%, 0.55%

LAB 62.59, -1.46, 19.41

 

CMYK 0 / 1 / 6 / 44

HEX #908E88

RGB 144 142 136

HSL 45, 0.03%, 0.55%

LAB 59.02, -0.4, 3.45

 

CMYK 0 / 57 / 72 / 15

HEX #DA5D3E

RGB 218 93 62

HSL 11.92, 0.68%, 0.55%

LAB 55.16, 47.17, 41.67

 

CMYK 0 / 38 / 72 / 15

HEX #DA873E

RGB 218 135 62

HSL 28.08, 0.68%, 0.55%

LAB 63.82, 25.73, 51.09

 

CMYK 0 / 19 / 72 / 15

HEX #DAB03E

RGB 218 176 62

HSL 43.85, 0.68%, 0.55%

LAB 73.74, 3.77, 61.28

 

CMYK 0 / 0 / 72 / 15

HEX #DADA3E

RGB 218 218 62

HSL 60, 0.68%, 0.55%

LAB 84.69, -17.71, 71.96

 

CMYK 19 / 0 / 72 / 15

HEX #B0DA3E

RGB 176 218 62

HSL 76.15, 0.68%, 0.55%

LAB 81.69, -34.72, 68.03

 

CMYK 0 / 21 / 81 / 35

HEX #A6831F

RGB 166 131 31

HSL 44.44, 0.69%, 0.39%

LAB 56.52, 3.82, 54.67

 

CMYK 0 / 21 / 81 / 22

HEX #C89F26

RGB 200 159 38

HSL 44.81, 0.68%, 0.47%

LAB 67.44, 4.01, 63.4

 

CMYK 0 / 18 / 72 / 15

HEX #DAB23E

RGB 218 178 62

HSL 44.62, 0.68%, 0.55%

LAB 74.25, 2.71, 61.79

 

CMYK 0 / 14 / 57 / 12

HEX #E0C060

RGB 224 192 96

HSL 45, 0.67%, 0.63%

LAB 78.69, 0.01, 51.81

 

CMYK 0 / 11 / 43 / 9

HEX #E7CD83

RGB 231 205 131

HSL 44.4, 0.68%, 0.71%

LAB 83.07, -0.78, 40.1

 

CMYK 0 / 18 / 72 / 15

HEX #DAB23E

RGB 218 178 62

HSL 44.62, 0.68%, 0.55%

LAB 74.25, 2.71, 61.79

 

CMYK 67 / 0 / 72 / 15

HEX #48DA3E

RGB 72 218 62

HSL 116.15, 0.68%, 0.55%

LAB 77.2, -66.63, 62.06

 

CMYK 48 / 72 / 0 / 15

HEX #723EDA

RGB 114 62 218

HSL 260, 0.68%, 0.55%

LAB 41.35, 56.58, -71.69

 

CMYK 0 / 18 / 72 / 15

HEX #DAB23E

RGB 218 178 62

HSL 44.62, 0.68%, 0.55%

LAB 74.25, 2.71, 61.79

 

CMYK 72 / 0 / 19 / 15

HEX #3EDAB0

RGB 62 218 176

HSL 163.85, 0.68%, 0.55%

LAB 78.64, -49.9, 9.16

 

CMYK 19 / 72 / 0 / 15

HEX #B03EDA

RGB 176 62 218

HSL 283.85, 0.68%, 0.55%

LAB 49.18, 67.92, -58.63

 

CMYK 0 / 18 / 72 / 15

HEX #DAB23E

RGB 218 178 62

HSL 44.62, 0.68%, 0.55%

LAB 74.25, 2.71, 61.79

 

CMYK 67 / 0 / 72 / 15

HEX #48DA3E

RGB 72 218 62

HSL 116.15, 0.68%, 0.55%

LAB 77.2, -66.63, 62.06

 

CMYK 72 / 53 / 0 / 15

HEX #3E67DA

RGB 62 103 218

HSL 224.23, 0.68%, 0.55%

LAB 46.69, 24.62, -63.15

 

CMYK 5 / 72 / 0 / 15

HEX #CF3EDA

RGB 207 62 218

HSL 295.77, 0.68%, 0.55%

LAB 53.78, 74.24, -50.99

 

CMYK 0 / 18 / 72 / 15

HEX #DAB23E

RGB 218 178 62

HSL 44.62, 0.68%, 0.55%

LAB 74.25, 2.71, 61.79

 

CMYK 72 / 0 / 55 / 15

HEX #3EDA62

RGB 62 218 98

HSL 133.85, 0.68%, 0.55%

LAB 77.31, -64.58, 47.08

 

CMYK 72 / 53 / 0 / 15

HEX #3E67DA

RGB 62 103 218

HSL 224.23, 0.68%, 0.55%

LAB 46.69, 24.62, -63.15

 

CMYK 0 / 72 / 17 / 15

HEX #DA3EB5

RGB 218 62 181

HSL 314.23, 0.68%, 0.55%

LAB 53.69, 71.07, -29.74

 

Description

Color code: HEX #DAB23E | qconv.com Color code: HEX #DAB23E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 178 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 178 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 72 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 72% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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