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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB1EA it is the complementary color #254E15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB1EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB1EA shade: #DFB1E5, #F0C3F8, #FFD5FF, #FFE7FF and #FFF9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB1EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB1EA shade: #DAB1EA, #C99FD7, #B88DC4, #A77BB1 and #96699E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB1EA shade: #DBB2EB, #EAB2EB, #EBB2DC, #EBB2CD and #EBB2BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB1EA shade: #DBB2EB, #CCB2EB, #BDB2EB and #B2B2EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB1EA shade matches the following richer shades: #DBB2EB, #DEABF2 and #E2A3FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB1EA shade: #DBB2EB, #D7BAE3, #D4C2DB, #D1CAD3 and #CDD2CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB1EA shade: #BDB2EB, #CCB2EB, #DBB2EB, #EAB2EB and #EBB2DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB1EA shade: #BC71D9, #CB92E2, #DBB2EB, #EAD3F3 and #FAF4FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB1EA shade: #DAB1EA, #EBB2B7 and #B2EBC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB1EA shade: #DAB1EA, #EBDBB2 and #B2EBDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB1EA shade: #DAB1EA, #EBB2B7, #C2EBB2 and #B2EBE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB1EA shade: #DAB1EA, #EBBFB2, #C2EBB2 and #B2DEEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 24 / 0 / 8

HEX #DAB1EA

RGB 218 177 234

HSL 283.16, 0.58%, 0.81%

LAB 77.45, 24.87, -22.88

 

Complementary color

CMYK 53 / 0 / 73 / 69

HEX #254E15

RGB 37 78 21

HSL 103.16, 0.58%, 0.19%

LAB 29.15, -26.34, 28.28

 

CMYK 3 / 23 / 0 / 10

HEX #DFB1E5

RGB 223 177 229

HSL 293.08, 0.5%, 0.8%

LAB 77.75, 25.53, -19.69

 

CMYK 3 / 21 / 0 / 3

HEX #F0C3F8

RGB 240 195 248

HSL 290.94, 0.79%, 0.87%

LAB 84.14, 24.99, -20.06

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 0 / 2 / 0 / 0

HEX #FFF9FF

RGB 255 249 255

HSL 300, 1%, 0.99%

LAB 98.52, 3.04, -2.17

 

CMYK 7 / 24 / 0 / 8

HEX #DAB1EA

RGB 218 177 234

HSL 283.16, 0.58%, 0.81%

LAB 77.45, 24.87, -22.88

 

CMYK 7 / 26 / 0 / 16

HEX #C99FD7

RGB 201 159 215

HSL 285, 0.41%, 0.73%

LAB 70.95, 25.44, -22.57

 

CMYK 6 / 28 / 0 / 23

HEX #B88DC4

RGB 184 141 196

HSL 286.91, 0.32%, 0.66%

LAB 64.34, 26.05, -22.26

 

CMYK 6 / 31 / 0 / 31

HEX #A77BB1

RGB 167 123 177

HSL 288.89, 0.26%, 0.59%

LAB 57.61, 26.71, -21.94

 

CMYK 5 / 34 / 0 / 38

HEX #96699E

RGB 150 105 158

HSL 290.94, 0.21%, 0.52%

LAB 50.75, 27.43, -21.61

 

CMYK 7 / 24 / 0 / 8

HEX #DBB2EB

RGB 219 178 235

HSL 283.16, 0.59%, 0.81%

LAB 77.82, 24.85, -22.86

 

CMYK 0 / 24 / 0 / 8

HEX #EAB2EB

RGB 234 178 235

HSL 298.95, 0.59%, 0.81%

LAB 79.23, 29.69, -20.58

 

CMYK 0 / 24 / 6 / 8

HEX #EBB2DC

RGB 235 178 220

HSL 315.79, 0.59%, 0.81%

LAB 78.85, 27.34, -13.04

 

CMYK 0 / 24 / 13 / 8

HEX #EBB2CD

RGB 235 178 205

HSL 331.58, 0.59%, 0.81%

LAB 78.41, 24.82, -5.57

 

CMYK 0 / 24 / 19 / 8

HEX #EBB2BE

RGB 235 178 190

HSL 347.37, 0.59%, 0.81%

LAB 78.01, 22.47, 1.98

 

CMYK 7 / 24 / 0 / 8

HEX #DBB2EB

RGB 219 178 235

HSL 283.16, 0.59%, 0.81%

LAB 77.82, 24.85, -22.86

 

CMYK 13 / 24 / 0 / 8

HEX #CCB2EB

RGB 204 178 235

HSL 267.37, 0.59%, 0.81%

LAB 76.48, 20.08, -25.02

 

CMYK 20 / 24 / 0 / 8

HEX #BDB2EB

RGB 189 178 235

HSL 251.58, 0.59%, 0.81%

LAB 75.24, 15.41, -27.03

 

CMYK 24 / 24 / 0 / 8

HEX #B2B2EB

RGB 178 178 235

HSL 240, 0.59%, 0.81%

LAB 74.38, 12.08, -28.42

 

CMYK 7 / 24 / 0 / 8

HEX #DBB2EB

RGB 219 178 235

HSL 283.16, 0.59%, 0.81%

LAB 77.82, 24.85, -22.86

 

CMYK 8 / 29 / 0 / 5

HEX #DEABF2

RGB 222 171 242

HSL 283.1, 0.73%, 0.81%

LAB 76.72, 30.96, -28.3

 

CMYK 10 / 35 / 0 / 2

HEX #E2A3FA

RGB 226 163 250

HSL 283.45, 0.9%, 0.81%

LAB 75.62, 38.07, -34.28

 

CMYK 7 / 24 / 0 / 8

HEX #DBB2EB

RGB 219 178 235

HSL 283.16, 0.59%, 0.81%

LAB 77.82, 24.85, -22.86

 

CMYK 5 / 18 / 0 / 11

HEX #D7BAE3

RGB 215 186 227

HSL 282.44, 0.42%, 0.81%

LAB 79.11, 17.66, -16.63

 

CMYK 3 / 11 / 0 / 14

HEX #D4C2DB

RGB 212 194 219

HSL 283.2, 0.26%, 0.81%

LAB 80.57, 10.83, -10.16

 

CMYK 1 / 4 / 0 / 17

HEX #D1CAD3

RGB 209 202 211

HSL 286.67, 0.09%, 0.81%

LAB 82.11, 4.05, -3.61

 

CMYK 2 / 0 / 3 / 18

HEX #CDD2CB

RGB 205 210 203

HSL 102.86, 0.07%, 0.81%

LAB 83.64, -2.97, 2.86

 

CMYK 20 / 24 / 0 / 8

HEX #BDB2EB

RGB 189 178 235

HSL 251.58, 0.59%, 0.81%

LAB 75.24, 15.41, -27.03

 

CMYK 13 / 24 / 0 / 8

HEX #CCB2EB

RGB 204 178 235

HSL 267.37, 0.59%, 0.81%

LAB 76.48, 20.08, -25.02

 

CMYK 7 / 24 / 0 / 8

HEX #DBB2EB

RGB 219 178 235

HSL 283.16, 0.59%, 0.81%

LAB 77.82, 24.85, -22.86

 

CMYK 0 / 24 / 0 / 8

HEX #EAB2EB

RGB 234 178 235

HSL 298.95, 0.59%, 0.81%

LAB 79.23, 29.69, -20.58

 

CMYK 0 / 24 / 6 / 8

HEX #EBB2DD

RGB 235 178 221

HSL 314.74, 0.59%, 0.81%

LAB 78.88, 27.51, -13.54

 

CMYK 13 / 48 / 0 / 15

HEX #BC71D9

RGB 188 113 217

HSL 283.27, 0.58%, 0.65%

LAB 59.44, 46.89, -41.62

 

CMYK 10 / 35 / 0 / 11

HEX #CB92E2

RGB 203 146 226

HSL 282.75, 0.58%, 0.73%

LAB 68.57, 35.41, -32.28

 

CMYK 7 / 24 / 0 / 8

HEX #DBB2EB

RGB 219 178 235

HSL 283.16, 0.59%, 0.81%

LAB 77.82, 24.85, -22.86

 

CMYK 4 / 13 / 0 / 5

HEX #EAD3F3

RGB 234 211 243

HSL 283.13, 0.57%, 0.89%

LAB 87.27, 13.62, -12.76

 

CMYK 1 / 3 / 0 / 1

HEX #FAF4FC

RGB 250 244 252

HSL 285, 0.57%, 0.97%

LAB 96.84, 3.41, -3.14

 

CMYK 7 / 24 / 0 / 8

HEX #DAB1EA

RGB 218 177 234

HSL 283.16, 0.58%, 0.81%

LAB 77.45, 24.87, -22.88

 

CMYK 0 / 24 / 22 / 8

HEX #EBB2B7

RGB 235 178 183

HSL 354.74, 0.59%, 0.81%

LAB 77.83, 21.43, 5.52

 

CMYK 24 / 0 / 17 / 8

HEX #B2EBC4

RGB 178 235 196

HSL 138.95, 0.59%, 0.81%

LAB 88.38, -25.76, 13.11

 

CMYK 7 / 24 / 0 / 8

HEX #DAB1EA

RGB 218 177 234

HSL 283.16, 0.58%, 0.81%

LAB 77.45, 24.87, -22.88

 

CMYK 0 / 7 / 24 / 8

HEX #EBDBB2

RGB 235 219 178

HSL 43.16, 0.59%, 0.81%

LAB 87.75, -0.81, 22.18

 

CMYK 24 / 0 / 7 / 8

HEX #B2EBDB

RGB 178 235 219

HSL 163.16, 0.59%, 0.81%

LAB 88.92, -21.3, 1.87

 

CMYK 7 / 24 / 0 / 8

HEX #DAB1EA

RGB 218 177 234

HSL 283.16, 0.58%, 0.81%

LAB 77.45, 24.87, -22.88

 

CMYK 0 / 24 / 22 / 8

HEX #EBB2B7

RGB 235 178 183

HSL 354.74, 0.59%, 0.81%

LAB 77.83, 21.43, 5.52

 

CMYK 17 / 0 / 24 / 8

HEX #C2EBB2

RGB 194 235 178

HSL 103.16, 0.59%, 0.81%

LAB 88.97, -23.56, 23.4

 

CMYK 24 / 0 / 2 / 8

HEX #B2EBE6

RGB 178 235 230

HSL 174.74, 0.59%, 0.81%

LAB 89.2, -19.01, -3.47

 

CMYK 7 / 24 / 0 / 8

HEX #DAB1EA

RGB 218 177 234

HSL 283.16, 0.58%, 0.81%

LAB 77.45, 24.87, -22.88

 

CMYK 0 / 19 / 24 / 8

HEX #EBBFB2

RGB 235 191 178

HSL 13.68, 0.59%, 0.81%

LAB 80.82, 13.81, 12.49

 

CMYK 17 / 0 / 24 / 8

HEX #C2EBB2

RGB 194 235 178

HSL 103.16, 0.59%, 0.81%

LAB 88.97, -23.56, 23.4

 

CMYK 24 / 6 / 0 / 8

HEX #B2DEEB

RGB 178 222 235

HSL 193.68, 0.59%, 0.81%

LAB 85.86, -11.38, -11.05

 

Description

Color code: HEX #DAB1EA | qconv.com Color code: HEX #DAB1EA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 177 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 177 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 24 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 24% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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