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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB10C it is the complementary color #254EF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB10C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB10C shade: #DFB107, #F0C31A, #FFD52D, #FFE740 and #FFF953

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB10C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB10C shade: #DAB10C, #C99F00, #B88D00, #A77B00 and #966900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB10C shade: #DAB10B, #DA790B, #DA420B and #DA0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB10C shade: #DAB10B, #CBDA0B, #94DA0B, #5CDA0B and #24DA0B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB10C shade matches the following richer shades: #DAB10B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB10C shade: #DAB10B, #C7A61E, #B59B31, #A28F43 and #908456

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB10C shade: #DA430B, #DA7A0B, #DAB10B, #CCDA0B and #95DA0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB10C shade: #8C7107, #B39109, #DAB10B, #F3C81C and #F5D243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB10C shade: #DAB10C, #0BDA0B and #5E0BDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB10C shade: #DAB10C, #0BDAB1 and #B10BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB10C shade: #DAB10C, #0BDA0B, #0B35DA and #DA0BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB10C shade: #DAB10C, #0BDA49, #0B35DA and #DA0B9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 94 / 15

HEX #DAB10C

RGB 218 177 12

HSL 48.06, 0.9%, 0.45%

LAB 73.79, 1.81, 74.91

 

Complementary color

CMYK 85 / 68 / 0 / 5

HEX #254EF3

RGB 37 78 243

HSL 228.06, 0.9%, 0.55%

LAB 41.71, 46.98, -85.47

 

CMYK 0 / 21 / 97 / 13

HEX #DFB107

RGB 223 177 7

HSL 47.22, 0.94%, 0.45%

LAB 74.28, 3.95, 76.05

 

CMYK 0 / 19 / 89 / 6

HEX #F0C31A

RGB 240 195 26

HSL 47.38, 0.88%, 0.52%

LAB 80.53, 2.17, 78.77

 

CMYK 0 / 16 / 82 / 0

HEX #FFD52D

RGB 255 213 45

HSL 48, 1%, 0.59%

LAB 86.52, -0.25, 79.94

 

CMYK 0 / 9 / 75 / 0

HEX #FFE740

RGB 255 231 64

HSL 52.46, 1%, 0.63%

LAB 91.14, -8.67, 78.46

 

CMYK 0 / 2 / 67 / 0

HEX #FFF953

RGB 255 249 83

HSL 57.91, 1%, 0.66%

LAB 95.85, -16.64, 76.48

 

CMYK 0 / 19 / 94 / 15

HEX #DAB10C

RGB 218 177 12

HSL 48.06, 0.9%, 0.45%

LAB 73.79, 1.81, 74.91

 

CMYK 0 / 21 / 100 / 21

HEX #C99F00

RGB 201 159 0

HSL 47.46, 1%, 0.39%

LAB 67.44, 3.74, 71.02

 

CMYK 0 / 23 / 100 / 28

HEX #B88D00

RGB 184 141 0

HSL 45.98, 1%, 0.36%

LAB 60.99, 5.87, 65.71

 

CMYK 0 / 26 / 100 / 35

HEX #A77B00

RGB 167 123 0

HSL 44.19, 1%, 0.33%

LAB 54.43, 8.09, 60.31

 

CMYK 0 / 30 / 100 / 41

HEX #966900

RGB 150 105 0

HSL 42, 1%, 0.29%

LAB 47.74, 10.42, 54.82

 

CMYK 0 / 19 / 95 / 15

HEX #DAB10B

RGB 218 177 11

HSL 48.12, 0.9%, 0.45%

LAB 73.79, 1.8, 75.02

 

CMYK 0 / 44 / 95 / 15

HEX #DA790B

RGB 218 121 11

HSL 31.88, 0.9%, 0.45%

LAB 60.43, 31.69, 65.57

 

CMYK 0 / 70 / 95 / 15

HEX #DA420B

RGB 218 66 11

HSL 15.94, 0.9%, 0.45%

LAB 50.48, 57.32, 59.17

 

CMYK 0 / 95 / 95 / 15

HEX #DA0B0B

RGB 218 11 11

HSL 0, 0.9%, 0.45%

LAB 45.86, 70.31, 56.57

 

CMYK 0 / 19 / 95 / 15

HEX #DAB10B

RGB 218 177 11

HSL 48.12, 0.9%, 0.45%

LAB 73.79, 1.8, 75.02

 

CMYK 7 / 0 / 95 / 15

HEX #CBDA0B

RGB 203 218 11

HSL 64.35, 0.9%, 0.45%

LAB 83.37, -25.34, 81.61

 

CMYK 32 / 0 / 95 / 15

HEX #94DA0B

RGB 148 218 11

HSL 80.29, 0.9%, 0.45%

LAB 79.88, -47.05, 77.39

 

CMYK 58 / 0 / 95 / 15

HEX #5CDA0B

RGB 92 218 11

HSL 96.52, 0.9%, 0.45%

LAB 77.54, -64.51, 74.55

 

CMYK 83 / 0 / 95 / 15

HEX #24DA0B

RGB 36 218 11

HSL 112.75, 0.9%, 0.45%

LAB 76.4, -74.29, 73.14

 

CMYK 0 / 19 / 95 / 15

HEX #DAB10B

RGB 218 177 11

HSL 48.12, 0.9%, 0.45%

LAB 73.79, 1.8, 75.02

 

CMYK 0 / 19 / 95 / 15

HEX #DAB10B

RGB 218 177 11

HSL 48.12, 0.9%, 0.45%

LAB 73.79, 1.8, 75.02

 

CMYK 0 / 17 / 85 / 22

HEX #C7A61E

RGB 199 166 30

HSL 48.28, 0.74%, 0.45%

LAB 69.12, -0.42, 67.09

 

CMYK 0 / 14 / 73 / 29

HEX #B59B31

RGB 181 155 49

HSL 48.18, 0.57%, 0.45%

LAB 64.55, -1.82, 56.11

 

CMYK 0 / 12 / 59 / 36

HEX #A28F43

RGB 162 143 67

HSL 48, 0.41%, 0.45%

LAB 59.65, -2.59, 42.32

 

CMYK 0 / 8 / 40 / 44

HEX #908456

RGB 144 132 86

HSL 47.59, 0.25%, 0.45%

LAB 55.18, -2.47, 26.48

 

CMYK 0 / 69 / 95 / 15

HEX #DA430B

RGB 218 67 11

HSL 16.23, 0.9%, 0.45%

LAB 50.62, 56.94, 59.26

 

CMYK 0 / 44 / 95 / 15

HEX #DA7A0B

RGB 218 122 11

HSL 32.17, 0.9%, 0.45%

LAB 60.65, 31.16, 65.72

 

CMYK 0 / 19 / 95 / 15

HEX #DAB10B

RGB 218 177 11

HSL 48.12, 0.9%, 0.45%

LAB 73.79, 1.8, 75.02

 

CMYK 6 / 0 / 95 / 15

HEX #CCDA0B

RGB 204 218 11

HSL 64.06, 0.9%, 0.45%

LAB 83.44, -24.92, 81.7

 

CMYK 32 / 0 / 95 / 15

HEX #95DA0B

RGB 149 218 11

HSL 80, 0.9%, 0.45%

LAB 79.93, -46.68, 77.46

 

CMYK 0 / 19 / 95 / 45

HEX #8C7107

RGB 140 113 7

HSL 47.82, 0.9%, 0.29%

LAB 48.76, 1.23, 53.51

 

CMYK 0 / 19 / 95 / 30

HEX #B39109

RGB 179 145 9

HSL 48, 0.9%, 0.37%

LAB 61.53, 1.52, 64.5

 

CMYK 0 / 19 / 95 / 15

HEX #DAB10B

RGB 218 177 11

HSL 48.12, 0.9%, 0.45%

LAB 73.79, 1.8, 75.02

 

CMYK 0 / 18 / 88 / 5

HEX #F3C81C

RGB 243 200 28

HSL 48, 0.9%, 0.53%

LAB 82.08, 0.91, 79.72

 

CMYK 0 / 14 / 73 / 4

HEX #F5D243

RGB 245 210 67

HSL 48.2, 0.9%, 0.61%

LAB 84.95, -2.17, 71.27

 

CMYK 0 / 19 / 94 / 15

HEX #DAB10C

RGB 218 177 12

HSL 48.06, 0.9%, 0.45%

LAB 73.79, 1.81, 74.91

 

CMYK 95 / 0 / 95 / 15

HEX #0BDA0B

RGB 11 218 11

HSL 120, 0.9%, 0.45%

LAB 76.22, -75.97, 72.91

 

CMYK 57 / 95 / 0 / 15

HEX #5E0BDA

RGB 94 11 218

HSL 264.06, 0.9%, 0.45%

LAB 33.31, 71.31, -85.01

 

CMYK 0 / 19 / 94 / 15

HEX #DAB10C

RGB 218 177 12

HSL 48.06, 0.9%, 0.45%

LAB 73.79, 1.81, 74.91

 

CMYK 95 / 0 / 19 / 15

HEX #0BDAB1

RGB 11 218 177

HSL 168.12, 0.9%, 0.45%

LAB 78.1, -53.68, 7.79

 

CMYK 19 / 95 / 0 / 15

HEX #B10BDA

RGB 177 11 218

HSL 288.12, 0.9%, 0.45%

LAB 45.15, 80.25, -65.13

 

CMYK 0 / 19 / 94 / 15

HEX #DAB10C

RGB 218 177 12

HSL 48.06, 0.9%, 0.45%

LAB 73.79, 1.81, 74.91

 

CMYK 95 / 0 / 95 / 15

HEX #0BDA0B

RGB 11 218 11

HSL 120, 0.9%, 0.45%

LAB 76.22, -75.97, 72.91

 

CMYK 95 / 76 / 0 / 15

HEX #0B35DA

RGB 11 53 218

HSL 227.83, 0.9%, 0.45%

LAB 33.31, 51.95, -85.16

 

CMYK 0 / 95 / 0 / 15

HEX #DA0BDA

RGB 218 11 218

HSL 300, 0.9%, 0.45%

LAB 52.07, 86.49, -53.62

 

CMYK 0 / 19 / 94 / 15

HEX #DAB10C

RGB 218 177 12

HSL 48.06, 0.9%, 0.45%

LAB 73.79, 1.81, 74.91

 

CMYK 95 / 0 / 67 / 15

HEX #0BDA49

RGB 11 218 73

HSL 137.97, 0.9%, 0.45%

LAB 76.49, -72.4, 56.88

 

CMYK 95 / 76 / 0 / 15

HEX #0B35DA

RGB 11 53 218

HSL 227.83, 0.9%, 0.45%

LAB 33.31, 51.95, -85.16

 

CMYK 0 / 95 / 28 / 15

HEX #DA0B9C

RGB 218 11 156

HSL 317.97, 0.9%, 0.45%

LAB 48.94, 78.59, -22.37

 

Description

Color code: HEX #DAB10C | qconv.com Color code: HEX #DAB10C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 177 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 177 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 94 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 94% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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