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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB0ED it is the complementary color #254F12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB0ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB0ED shade: #DFB0E8, #F0C2FB, #FFD4FF, #FFE6FF and #FFF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB0ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB0ED shade: #DAB0ED, #C99EDA, #B88CC7, #A77AB4 and #9668A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB0ED shade: #DAB0ED, #EAB0ED, #EDB0DF, #EDB0CE and #EDB0BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB0ED shade: #DAB0ED, #C9B0ED, #B9B0ED and #B0B0ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB0ED shade matches the following richer shades: #DAB0ED, #DDA8F4 and #DFA0FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB0ED shade: #DAB0ED, #D7B7E5, #D4BFDD, #D1C7D5 and #CECFCD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB0ED shade: #B9B0ED, #C9B0ED, #D9B0ED, #EAB0ED and #EDB0DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB0ED shade: #BA6CDD, #CA8EE5, #DAB0ED, #E9D1F4 and #F9F3FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB0ED shade: #DAB0ED, #EDB0B7 and #B0EDC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB0ED shade: #DAB0ED, #EDD9B0 and #B0EDD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB0ED shade: #DAB0ED, #EDB0B7, #C3EDB0 and #B0EDE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB0ED shade: #DAB0ED, #EDBBB0, #C3EDB0 and #B0E1ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 26 / 0 / 7

HEX #DAB0ED

RGB 218 176 237

HSL 281.31, 0.63%, 0.81%

LAB 77.32, 26.01, -24.7

 

Complementary color

CMYK 53 / 0 / 77 / 69

HEX #254F12

RGB 37 79 18

HSL 101.31, 0.63%, 0.19%

LAB 29.49, -27.09, 30.03

 

CMYK 4 / 24 / 0 / 9

HEX #DFB0E8

RGB 223 176 232

HSL 290.36, 0.55%, 0.8%

LAB 77.62, 26.64, -21.51

 

CMYK 4 / 23 / 0 / 2

HEX #F0C2FB

RGB 240 194 251

HSL 288.42, 0.88%, 0.87%

LAB 84, 26.09, -21.86

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 0 / 10 / 0 / 0

HEX #FFE6FF

RGB 255 230 255

HSL 300, 1%, 0.95%

LAB 93.91, 12.79, -8.97

 

CMYK 0 / 3 / 0 / 0

HEX #FFF8FF

RGB 255 248 255

HSL 300, 1%, 0.99%

LAB 98.28, 3.55, -2.53

 

CMYK 8 / 26 / 0 / 7

HEX #DAB0ED

RGB 218 176 237

HSL 281.31, 0.63%, 0.81%

LAB 77.32, 26.01, -24.7

 

CMYK 8 / 28 / 0 / 15

HEX #C99EDA

RGB 201 158 218

HSL 283, 0.45%, 0.74%

LAB 70.82, 26.59, -24.42

 

CMYK 8 / 30 / 0 / 22

HEX #B88CC7

RGB 184 140 199

HSL 284.75, 0.35%, 0.66%

LAB 64.22, 27.22, -24.13

 

CMYK 7 / 32 / 0 / 29

HEX #A77AB4

RGB 167 122 180

HSL 286.55, 0.28%, 0.59%

LAB 57.49, 27.89, -23.85

 

CMYK 7 / 35 / 0 / 37

HEX #9668A1

RGB 150 104 161

HSL 288.42, 0.23%, 0.52%

LAB 50.64, 28.63, -23.55

 

CMYK 8 / 26 / 0 / 7

HEX #DAB0ED

RGB 218 176 237

HSL 281.31, 0.63%, 0.81%

LAB 77.32, 26.01, -24.7

 

CMYK 1 / 26 / 0 / 7

HEX #EAB0ED

RGB 234 176 237

HSL 297.05, 0.63%, 0.81%

LAB 78.84, 31.13, -22.25

 

CMYK 0 / 26 / 6 / 7

HEX #EDB0DF

RGB 237 176 223

HSL 313.77, 0.63%, 0.81%

LAB 78.68, 29.6, -14.9

 

CMYK 0 / 26 / 13 / 7

HEX #EDB0CE

RGB 237 176 206

HSL 330.49, 0.63%, 0.81%

LAB 78.18, 26.75, -6.44

 

CMYK 0 / 26 / 20 / 7

HEX #EDB0BE

RGB 237 176 190

HSL 346.23, 0.63%, 0.81%

LAB 77.74, 24.25, 1.62

 

CMYK 8 / 26 / 0 / 7

HEX #DAB0ED

RGB 218 176 237

HSL 281.31, 0.63%, 0.81%

LAB 77.32, 26.01, -24.7

 

CMYK 15 / 26 / 0 / 7

HEX #C9B0ED

RGB 201 176 237

HSL 264.59, 0.63%, 0.81%

LAB 75.81, 20.66, -27.15

 

CMYK 22 / 26 / 0 / 7

HEX #B9B0ED

RGB 185 176 237

HSL 248.85, 0.63%, 0.81%

LAB 74.5, 15.75, -29.28

 

CMYK 26 / 26 / 0 / 7

HEX #B0B0ED

RGB 176 176 237

HSL 240, 0.63%, 0.81%

LAB 73.8, 13.07, -30.41

 

CMYK 8 / 26 / 0 / 7

HEX #DAB0ED

RGB 218 176 237

HSL 281.31, 0.63%, 0.81%

LAB 77.32, 26.01, -24.7

 

CMYK 9 / 31 / 0 / 4

HEX #DDA8F4

RGB 221 168 244

HSL 281.84, 0.78%, 0.81%

LAB 76.01, 32.67, -30.47

 

CMYK 12 / 37 / 0 / 1

HEX #DFA0FC

RGB 223 160 252

HSL 281.09, 0.94%, 0.81%

LAB 74.74, 39.18, -36.75

 

CMYK 8 / 26 / 0 / 7

HEX #DAB0ED

RGB 218 176 237

HSL 281.31, 0.63%, 0.81%

LAB 77.32, 26.01, -24.7

 

CMYK 6 / 20 / 0 / 10

HEX #D7B7E5

RGB 215 183 229

HSL 281.74, 0.47%, 0.81%

LAB 78.44, 19.67, -18.7

 

CMYK 4 / 14 / 0 / 13

HEX #D4BFDD

RGB 212 191 221

HSL 282, 0.31%, 0.81%

LAB 79.89, 12.82, -12.25

 

CMYK 2 / 7 / 0 / 16

HEX #D1C7D5

RGB 209 199 213

HSL 282.86, 0.14%, 0.81%

LAB 81.4, 6.02, -5.72

 

CMYK 0 / 0 / 1 / 19

HEX #CECFCD

RGB 206 207 205

HSL 90, 0.02%, 0.81%

LAB 83, -0.7, 0.86

 

CMYK 22 / 26 / 0 / 7

HEX #B9B0ED

RGB 185 176 237

HSL 248.85, 0.63%, 0.81%

LAB 74.5, 15.75, -29.28

 

CMYK 15 / 26 / 0 / 7

HEX #C9B0ED

RGB 201 176 237

HSL 264.59, 0.63%, 0.81%

LAB 75.81, 20.66, -27.15

 

CMYK 8 / 26 / 0 / 7

HEX #D9B0ED

RGB 217 176 237

HSL 280.33, 0.63%, 0.81%

LAB 77.23, 25.69, -24.85

 

CMYK 1 / 26 / 0 / 7

HEX #EAB0ED

RGB 234 176 237

HSL 297.05, 0.63%, 0.81%

LAB 78.84, 31.13, -22.25

 

CMYK 0 / 26 / 6 / 7

HEX #EDB0DF

RGB 237 176 223

HSL 313.77, 0.63%, 0.81%

LAB 78.68, 29.6, -14.9

 

CMYK 16 / 51 / 0 / 13

HEX #BA6CDD

RGB 186 108 221

HSL 281.42, 0.62%, 0.65%

LAB 58.4, 49.78, -45.53

 

CMYK 12 / 38 / 0 / 10

HEX #CA8EE5

RGB 202 142 229

HSL 281.38, 0.63%, 0.73%

LAB 67.69, 37.9, -35.29

 

CMYK 8 / 26 / 0 / 7

HEX #DAB0ED

RGB 218 176 237

HSL 281.31, 0.63%, 0.81%

LAB 77.32, 26.01, -24.7

 

CMYK 5 / 14 / 0 / 4

HEX #E9D1F4

RGB 233 209 244

HSL 281.14, 0.61%, 0.89%

LAB 86.73, 14.54, -14.1

 

CMYK 1 / 4 / 0 / 1

HEX #F9F3FC

RGB 249 243 252

HSL 280, 0.6%, 0.97%

LAB 96.52, 3.59, -3.62

 

CMYK 8 / 26 / 0 / 7

HEX #DAB0ED

RGB 218 176 237

HSL 281.31, 0.63%, 0.81%

LAB 77.32, 26.01, -24.7

 

CMYK 0 / 26 / 23 / 7

HEX #EDB0B7

RGB 237 176 183

HSL 353.11, 0.63%, 0.81%

LAB 77.56, 23.23, 5.17

 

CMYK 26 / 0 / 19 / 7

HEX #B0EDC1

RGB 176 237 193

HSL 136.72, 0.63%, 0.81%

LAB 88.76, -27.89, 15.18

 

CMYK 8 / 26 / 0 / 7

HEX #DAB0ED

RGB 218 176 237

HSL 281.31, 0.63%, 0.81%

LAB 77.32, 26.01, -24.7

 

CMYK 0 / 8 / 26 / 7

HEX #EDD9B0

RGB 237 217 176

HSL 40.33, 0.63%, 0.81%

LAB 87.37, 0.69, 22.73

 

CMYK 26 / 0 / 8 / 7

HEX #B0EDD9

RGB 176 237 217

HSL 160.33, 0.63%, 0.81%

LAB 89.3, -23.28, 3.46

 

CMYK 8 / 26 / 0 / 7

HEX #DAB0ED

RGB 218 176 237

HSL 281.31, 0.63%, 0.81%

LAB 77.32, 26.01, -24.7

 

CMYK 0 / 26 / 23 / 7

HEX #EDB0B7

RGB 237 176 183

HSL 353.11, 0.63%, 0.81%

LAB 77.56, 23.23, 5.17

 

CMYK 18 / 0 / 26 / 7

HEX #C3EDB0

RGB 195 237 176

HSL 101.31, 0.63%, 0.81%

LAB 89.54, -24.49, 25.21

 

CMYK 26 / 0 / 3 / 7

HEX #B0EDE5

RGB 176 237 229

HSL 172.13, 0.63%, 0.81%

LAB 89.61, -20.79, -2.37

 

CMYK 8 / 26 / 0 / 7

HEX #DAB0ED

RGB 218 176 237

HSL 281.31, 0.63%, 0.81%

LAB 77.32, 26.01, -24.7

 

CMYK 0 / 21 / 26 / 7

HEX #EDBBB0

RGB 237 187 176

HSL 10.82, 0.63%, 0.81%

LAB 80, 16.39, 12.43

 

CMYK 18 / 0 / 26 / 7

HEX #C3EDB0

RGB 195 237 176

HSL 101.31, 0.63%, 0.81%

LAB 89.54, -24.49, 25.21

 

CMYK 26 / 5 / 0 / 7

HEX #B0E1ED

RGB 176 225 237

HSL 191.8, 0.63%, 0.81%

LAB 86.6, -13.05, -11.01

 

Description

Color code: HEX #DAB0ED | qconv.com Color code: HEX #DAB0ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 176 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 176 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 26 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 26% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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