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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAAE5C it is the complementary color #2551A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAAE5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAAE5C shade: #DFAE57, #F0C06A, #FFD27D, #FFE490 and #FFF6A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAAE5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAAE5C shade: #DAAE5C, #C99C49, #B88A36, #A77823 and #966610

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAAE5C shade: #DAAE5C, #DA8C5C, #DA6A5C and #DA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAAE5C shade: #DAAE5C, #DAD05C, #C2DA5C, #A0DA5C and #7EDA5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAAE5C shade matches the following richer shades: #DAAE5C, #EAB34C and #FAB83C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAAE5C shade: #DAAE5C, #CAA96C, #BAA47D, #A99F8D and #999B9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAAE5C shade: #DA6B5C, #DA8C5C, #DAAE5C, #DACF5C and #C3DA5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAAE5C shade: #BA882A, #D29D3B, #DAAE5C, #E1BF7E and #E9CFA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAAE5C shade: #DAAE5C, #6FDA5C and #7C5CDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAAE5C shade: #DAAE5C, #5CDAAE and #AE5CDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAAE5C shade: #DAAE5C, #6FDA5C, #5C88DA and #C75CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAAE5C shade: #DAAE5C, #5CDA6F, #5C88DA and #DA5CC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 58 / 15

HEX #DAAE5C

RGB 218 174 92

HSL 39.05, 0.63%, 0.61%

LAB 73.51, 6.68, 47.55

 

Complementary color

CMYK 77 / 50 / 0 / 36

HEX #2551A3

RGB 37 81 163

HSL 219.05, 0.63%, 0.39%

LAB 35.83, 15.08, -48.71

 

CMYK 0 / 22 / 61 / 13

HEX #DFAE57

RGB 223 174 87

HSL 38.38, 0.68%, 0.61%

LAB 73.96, 8.42, 50.62

 

CMYK 0 / 20 / 56 / 6

HEX #F0C06A

RGB 240 192 106

HSL 38.51, 0.82%, 0.68%

LAB 80.33, 7.39, 49.32

 

CMYK 0 / 18 / 51 / 0

HEX #FFD27D

RGB 255 210 125

HSL 39.23, 1%, 0.75%

LAB 86.42, 5.69, 47.75

 

CMYK 0 / 11 / 44 / 0

HEX #FFE490

RGB 255 228 144

HSL 45.41, 1%, 0.78%

LAB 91.13, -1.74, 44.28

 

CMYK 0 / 4 / 36 / 0

HEX #FFF6A3

RGB 255 246 163

HSL 54.13, 1%, 0.82%

LAB 95.92, -8.75, 41.04

 

CMYK 0 / 20 / 58 / 15

HEX #DAAE5C

RGB 218 174 92

HSL 39.05, 0.63%, 0.61%

LAB 73.51, 6.68, 47.55

 

CMYK 0 / 22 / 64 / 21

HEX #C99C49

RGB 201 156 73

HSL 38.91, 0.54%, 0.54%

LAB 67.03, 7.77, 48.83

 

CMYK 0 / 25 / 71 / 28

HEX #B88A36

RGB 184 138 54

HSL 38.77, 0.55%, 0.47%

LAB 60.46, 9.06, 49.98

 

CMYK 0 / 28 / 79 / 35

HEX #A77823

RGB 167 120 35

HSL 38.64, 0.65%, 0.4%

LAB 53.78, 10.6, 50.75

 

CMYK 0 / 32 / 89 / 41

HEX #966610

RGB 150 102 16

HSL 38.51, 0.81%, 0.33%

LAB 47.01, 12.45, 50.56

 

CMYK 0 / 20 / 58 / 15

HEX #DAAE5C

RGB 218 174 92

HSL 39.05, 0.63%, 0.61%

LAB 73.51, 6.68, 47.55

 

CMYK 0 / 36 / 58 / 15

HEX #DA8C5C

RGB 218 140 92

HSL 22.86, 0.63%, 0.61%

LAB 65.31, 24.93, 37.69

 

CMYK 0 / 51 / 58 / 15

HEX #DA6A5C

RGB 218 106 92

HSL 6.67, 0.63%, 0.61%

LAB 58.02, 42.69, 28.53

 

CMYK 0 / 58 / 58 / 15

HEX #DA5C5C

RGB 218 92 92

HSL 0, 0.63%, 0.61%

LAB 55.41, 49.45, 25.15

 

CMYK 0 / 20 / 58 / 15

HEX #DAAE5C

RGB 218 174 92

HSL 39.05, 0.63%, 0.61%

LAB 73.51, 6.68, 47.55

 

CMYK 0 / 5 / 58 / 15

HEX #DAD05C

RGB 218 208 92

HSL 55.24, 0.63%, 0.61%

LAB 82.27, -10.98, 57.57

 

CMYK 11 / 0 / 58 / 15

HEX #C2DA5C

RGB 194 218 92

HSL 71.43, 0.63%, 0.61%

LAB 83.12, -25.63, 58.02

 

CMYK 27 / 0 / 58 / 15

HEX #A0DA5C

RGB 160 218 92

HSL 87.62, 0.63%, 0.61%

LAB 80.95, -38.59, 54.99

 

CMYK 42 / 0 / 58 / 15

HEX #7EDA5C

RGB 126 218 92

HSL 103.81, 0.63%, 0.61%

LAB 79.24, -50.09, 52.58

 

CMYK 0 / 20 / 58 / 15

HEX #DAAE5C

RGB 218 174 92

HSL 39.05, 0.63%, 0.61%

LAB 73.51, 6.68, 47.55

 

CMYK 0 / 24 / 68 / 8

HEX #EAB34C

RGB 234 179 76

HSL 39.11, 0.79%, 0.61%

LAB 76.23, 9.72, 58.47

 

CMYK 0 / 26 / 76 / 2

HEX #FAB83C

RGB 250 184 60

HSL 39.16, 0.95%, 0.61%

LAB 79, 13.09, 68.3

 

CMYK 0 / 20 / 58 / 15

HEX #DAAE5C

RGB 218 174 92

HSL 39.05, 0.63%, 0.61%

LAB 73.51, 6.68, 47.55

 

CMYK 0 / 16 / 47 / 21

HEX #CAA96C

RGB 202 169 108

HSL 38.94, 0.47%, 0.61%

LAB 70.88, 4.07, 35.87

 

CMYK 0 / 12 / 33 / 27

HEX #BAA47D

RGB 186 164 125

HSL 38.36, 0.31%, 0.61%

LAB 68.37, 2.18, 23.21

 

CMYK 0 / 6 / 17 / 34

HEX #A99F8D

RGB 169 159 141

HSL 38.57, 0.14%, 0.61%

LAB 65.87, 0.54, 10.7

 

CMYK 3 / 1 / 0 / 38

HEX #999B9D

RGB 153 155 157

HSL 210, 0.02%, 0.61%

LAB 63.88, -0.33, -1.3

 

CMYK 0 / 51 / 58 / 15

HEX #DA6B5C

RGB 218 107 92

HSL 7.14, 0.63%, 0.61%

LAB 58.22, 42.19, 28.79

 

CMYK 0 / 36 / 58 / 15

HEX #DA8C5C

RGB 218 140 92

HSL 22.86, 0.63%, 0.61%

LAB 65.31, 24.93, 37.69

 

CMYK 0 / 20 / 58 / 15

HEX #DAAE5C

RGB 218 174 92

HSL 39.05, 0.63%, 0.61%

LAB 73.51, 6.68, 47.55

 

CMYK 0 / 5 / 58 / 15

HEX #DACF5C

RGB 218 207 92

HSL 54.76, 0.63%, 0.61%

LAB 82, -10.47, 57.28

 

CMYK 11 / 0 / 58 / 15

HEX #C3DA5C

RGB 195 218 92

HSL 70.95, 0.63%, 0.61%

LAB 83.19, -25.23, 58.12

 

CMYK 0 / 27 / 77 / 27

HEX #BA882A

RGB 186 136 42

HSL 39.17, 0.63%, 0.45%

LAB 60.08, 10.48, 54.72

 

CMYK 0 / 25 / 72 / 18

HEX #D29D3B

RGB 210 157 59

HSL 38.94, 0.63%, 0.53%

LAB 68.12, 10.31, 56.57

 

CMYK 0 / 20 / 58 / 15

HEX #DAAE5C

RGB 218 174 92

HSL 39.05, 0.63%, 0.61%

LAB 73.51, 6.68, 47.55

 

CMYK 0 / 15 / 44 / 12

HEX #E1BF7E

RGB 225 191 126

HSL 39.39, 0.62%, 0.69%

LAB 78.91, 3.6, 37.23

 

CMYK 0 / 11 / 31 / 9

HEX #E9CFA0

RGB 233 207 160

HSL 38.63, 0.62%, 0.77%

LAB 84.22, 2.26, 26.72

 

CMYK 0 / 20 / 58 / 15

HEX #DAAE5C

RGB 218 174 92

HSL 39.05, 0.63%, 0.61%

LAB 73.51, 6.68, 47.55

 

CMYK 49 / 0 / 58 / 15

HEX #6FDA5C

RGB 111 218 92

HSL 110.95, 0.63%, 0.61%

LAB 78.63, -54.51, 51.72

 

CMYK 43 / 58 / 0 / 15

HEX #7C5CDA

RGB 124 92 218

HSL 255.24, 0.63%, 0.61%

LAB 48.26, 42.49, -60.41

 

CMYK 0 / 20 / 58 / 15

HEX #DAAE5C

RGB 218 174 92

HSL 39.05, 0.63%, 0.61%

LAB 73.51, 6.68, 47.55

 

CMYK 58 / 0 / 20 / 15

HEX #5CDAAE

RGB 92 218 174

HSL 159.05, 0.63%, 0.61%

LAB 79.31, -45.34, 11.28

 

CMYK 20 / 58 / 0 / 15

HEX #AE5CDA

RGB 174 92 218

HSL 279.05, 0.63%, 0.61%

LAB 53.72, 54.19, -51.35

 

CMYK 0 / 20 / 58 / 15

HEX #DAAE5C

RGB 218 174 92

HSL 39.05, 0.63%, 0.61%

LAB 73.51, 6.68, 47.55

 

CMYK 49 / 0 / 58 / 15

HEX #6FDA5C

RGB 111 218 92

HSL 110.95, 0.63%, 0.61%

LAB 78.63, -54.51, 51.72

 

CMYK 58 / 38 / 0 / 15

HEX #5C88DA

RGB 92 136 218

HSL 219.05, 0.63%, 0.61%

LAB 57.02, 9.29, -46.53

HEX #5C88DA

CMYK 9 / 58 / 0 / 15

HEX #C75CDA

RGB 199 92 218

HSL 290.95, 0.63%, 0.61%

LAB 56.94, 60.42, -46.05

HEX #C75CDA

CMYK 0 / 20 / 58 / 15

HEX #DAAE5C

RGB 218 174 92

HSL 39.05, 0.63%, 0.61%

LAB 73.51, 6.68, 47.55

 

CMYK 58 / 0 / 49 / 15

HEX #5CDA6F

RGB 92 218 111

HSL 129.05, 0.63%, 0.61%

LAB 78.21, -56.95, 42.17

 

CMYK 58 / 38 / 0 / 15

HEX #5C88DA

RGB 92 136 218

HSL 219.05, 0.63%, 0.61%

LAB 57.02, 9.29, -46.53

HEX #5C88DA

CMYK 0 / 58 / 9 / 15

HEX #DA5CC7

RGB 218 92 199

HSL 309.05, 0.63%, 0.61%

LAB 58.68, 62.09, -32.35

HEX #DA5CC7

Description

Color code: HEX #DAAE5C | qconv.com Color code: HEX #DAAE5C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 174 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 174 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 58 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 58% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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