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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAADC7 it is the complementary color #255238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAADC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAADC7 shade: #DFADC2, #F0BFD5, #FFD1E8, #FFE3FB and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAADC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAADC7 shade: #DAADC7, #C99BB4, #B889A1, #A7778E and #96657B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAADC7 shade: #DAAEC7, #DAAEBB, #DAAEAF and #DAAEAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAADC7 shade: #DAAEC7, #DAAED3, #D5AEDA, #C9AEDA and #BDAEDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAADC7 shade matches the following richer shades: #DAAEC7, #E4A4C9, #ED9BCA and #F791CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAADC7 shade: #DAAEC7, #D1B7C6, #C7C1C4, #BECAC3 and #B4D4C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAADC7 shade: #D5AEDA, #DAAED3, #DAAEC8, #DAAEBC and #DAAEB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAADC7 shade: #C175A1, #CD91B4, #DAAEC7, #E7CADB and #F4E7EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAADC7 shade: #DAADC7, #DAC9AE and #AED9DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAADC7 shade: #DAADC7, #C8DAAE and #AEC8DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAADC7 shade: #DAADC7, #DAC9AE, #AEDAC0 and #AEBFDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAADC7 shade: #DAADC7, #DAD6AE, #AEDAC0 and #AEB1DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 9 / 15

HEX #DAADC7

RGB 218 173 199

HSL 325.33, 0.38%, 0.77%

LAB 75.4, 20.58, -6.95

 

Complementary color

CMYK 55 / 0 / 32 / 68

HEX #255238

RGB 37 82 56

HSL 145.33, 0.38%, 0.23%

LAB 31.15, -22.41, 10.63

 

CMYK 0 / 22 / 13 / 13

HEX #DFADC2

RGB 223 173 194

HSL 334.8, 0.44%, 0.78%

LAB 75.74, 21.5, -3.65

 

CMYK 0 / 20 / 11 / 6

HEX #F0BFD5

RGB 240 191 213

HSL 333.06, 0.62%, 0.85%

LAB 82.16, 20.95, -4.31

 

CMYK 0 / 18 / 9 / 0

HEX #FFD1E8

RGB 255 209 232

HSL 330, 1%, 0.91%

LAB 88.3, 19.77, -5.21

 

CMYK 0 / 11 / 2 / 0

HEX #FFE3FB

RGB 255 227 251

HSL 308.57, 1%, 0.95%

LAB 93.09, 13.63, -8.11

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 0 / 21 / 9 / 15

HEX #DAADC7

RGB 218 173 199

HSL 325.33, 0.38%, 0.77%

LAB 75.4, 20.58, -6.95

 

CMYK 0 / 23 / 10 / 21

HEX #C99BB4

RGB 201 155 180

HSL 327.39, 0.3%, 0.7%

LAB 68.86, 21.14, -6.34

 

CMYK 0 / 26 / 13 / 28

HEX #B889A1

RGB 184 137 161

HSL 329.36, 0.25%, 0.63%

LAB 62.22, 21.74, -5.69

 

CMYK 0 / 29 / 15 / 35

HEX #A7778E

RGB 167 119 142

HSL 331.25, 0.21%, 0.56%

LAB 55.44, 22.42, -4.99

 

CMYK 0 / 33 / 18 / 41

HEX #96657B

RGB 150 101 123

HSL 333.06, 0.2%, 0.49%

LAB 48.54, 23.16, -4.22

 

CMYK 0 / 20 / 9 / 15

HEX #DAAEC7

RGB 218 174 199

HSL 325.91, 0.37%, 0.77%

LAB 75.64, 20.04, -6.59

 

CMYK 0 / 20 / 14 / 15

HEX #DAAEBB

RGB 218 174 187

HSL 342.27, 0.37%, 0.77%

LAB 75.31, 18.04, -0.53

 

CMYK 0 / 20 / 20 / 15

HEX #DAAEAF

RGB 218 174 175

HSL 358.64, 0.37%, 0.77%

LAB 75, 16.15, 5.58

 

CMYK 0 / 20 / 20 / 15

HEX #DAAEAE

RGB 218 174 174

HSL 0, 0.37%, 0.77%

LAB 74.97, 16, 6.1

 

CMYK 0 / 20 / 9 / 15

HEX #DAAEC7

RGB 218 174 199

HSL 325.91, 0.37%, 0.77%

LAB 75.64, 20.04, -6.59

 

CMYK 0 / 20 / 3 / 15

HEX #DAAED3

RGB 218 174 211

HSL 309.55, 0.37%, 0.77%

LAB 76, 22.15, -12.6

 

CMYK 2 / 20 / 0 / 15

HEX #D5AEDA

RGB 213 174 218

HSL 293.18, 0.37%, 0.77%

LAB 75.75, 21.77, -16.83

 

CMYK 8 / 20 / 0 / 15

HEX #C9AEDA

RGB 201 174 218

HSL 276.82, 0.37%, 0.77%

LAB 74.67, 17.81, -18.57

 

CMYK 13 / 20 / 0 / 15

HEX #BDAEDA

RGB 189 174 218

HSL 260.45, 0.37%, 0.77%

LAB 73.64, 13.91, -20.22

 

CMYK 0 / 20 / 9 / 15

HEX #DAAEC7

RGB 218 174 199

HSL 325.91, 0.37%, 0.77%

LAB 75.64, 20.04, -6.59

 

CMYK 0 / 28 / 12 / 11

HEX #E4A4C9

RGB 228 164 201

HSL 325.31, 0.54%, 0.77%

LAB 74.36, 29.23, -9.48

 

CMYK 0 / 35 / 15 / 7

HEX #ED9BCA

RGB 237 155 202

HSL 325.61, 0.69%, 0.77%

LAB 73.36, 37.24, -11.42

 

CMYK 0 / 41 / 17 / 3

HEX #F791CC

RGB 247 145 204

HSL 325.29, 0.86%, 0.77%

LAB 72.48, 46.04, -13.71

 

CMYK 0 / 20 / 9 / 15

HEX #DAAEC7

RGB 218 174 199

HSL 325.91, 0.37%, 0.77%

LAB 75.64, 20.04, -6.59

 

CMYK 0 / 12 / 5 / 18

HEX #D1B7C6

RGB 209 183 198

HSL 325.38, 0.22%, 0.77%

LAB 76.98, 11.85, -4.16

 

CMYK 0 / 3 / 2 / 22

HEX #C7C1C4

RGB 199 193 196

HSL 330, 0.05%, 0.77%

LAB 78.62, 2.64, -0.77

 

CMYK 6 / 0 / 3 / 21

HEX #BECAC3

RGB 190 202 195

HSL 145, 0.1%, 0.77%

LAB 80.25, -5.4, 2.07

 

CMYK 15 / 0 / 9 / 17

HEX #B4D4C1

RGB 180 212 193

HSL 144.38, 0.27%, 0.77%

LAB 82.19, -14.3, 5.85

 

CMYK 2 / 20 / 0 / 15

HEX #D5AEDA

RGB 213 174 218

HSL 293.18, 0.37%, 0.77%

LAB 75.75, 21.77, -16.83

 

CMYK 0 / 20 / 3 / 15

HEX #DAAED3

RGB 218 174 211

HSL 309.55, 0.37%, 0.77%

LAB 76, 22.15, -12.6

 

CMYK 0 / 20 / 8 / 15

HEX #DAAEC8

RGB 218 174 200

HSL 324.55, 0.37%, 0.77%

LAB 75.67, 20.21, -7.1

 

CMYK 0 / 20 / 14 / 15

HEX #DAAEBC

RGB 218 174 188

HSL 340.91, 0.37%, 0.77%

LAB 75.33, 18.2, -1.03

 

CMYK 0 / 20 / 19 / 15

HEX #DAAEB0

RGB 218 174 176

HSL 357.27, 0.37%, 0.77%

LAB 75.02, 16.31, 5.07

 

CMYK 0 / 39 / 17 / 24

HEX #C175A1

RGB 193 117 161

HSL 325.26, 0.38%, 0.61%

LAB 58.63, 35.96, -10.92

 

CMYK 0 / 29 / 12 / 20

HEX #CD91B4

RGB 205 145 180

HSL 325, 0.38%, 0.69%

LAB 66.92, 28.03, -9.18

 

CMYK 0 / 20 / 9 / 15

HEX #DAAEC7

RGB 218 174 199

HSL 325.91, 0.37%, 0.77%

LAB 75.64, 20.04, -6.59

 

CMYK 0 / 13 / 5 / 9

HEX #E7CADB

RGB 231 202 219

HSL 324.83, 0.38%, 0.85%

LAB 84.14, 13.02, -4.68

 

CMYK 0 / 5 / 2 / 4

HEX #F4E7EE

RGB 244 231 238

HSL 327.69, 0.37%, 0.93%

LAB 92.82, 5.61, -1.82

 

CMYK 0 / 21 / 9 / 15

HEX #DAADC7

RGB 218 173 199

HSL 325.33, 0.38%, 0.77%

LAB 75.4, 20.58, -6.95

 

CMYK 0 / 8 / 20 / 15

HEX #DAC9AE

RGB 218 201 174

HSL 36.82, 0.37%, 0.77%

LAB 81.69, 1.64, 15.65

 

CMYK 20 / 0 / 0 / 15

HEX #AED9DA

RGB 174 217 218

HSL 181.36, 0.37%, 0.77%

LAB 83.8, -13.72, -5.13

 

CMYK 0 / 21 / 9 / 15

HEX #DAADC7

RGB 218 173 199

HSL 325.33, 0.38%, 0.77%

LAB 75.4, 20.58, -6.95

 

CMYK 8 / 0 / 20 / 15

HEX #C8DAAE

RGB 200 218 174

HSL 84.55, 0.37%, 0.77%

LAB 84.73, -13.69, 19.68

 

CMYK 20 / 8 / 0 / 15

HEX #AEC8DA

RGB 174 200 218

HSL 204.55, 0.37%, 0.77%

LAB 79.25, -4.9, -11.88

 

CMYK 0 / 21 / 9 / 15

HEX #DAADC7

RGB 218 173 199

HSL 325.33, 0.38%, 0.77%

LAB 75.4, 20.58, -6.95

 

CMYK 0 / 8 / 20 / 15

HEX #DAC9AE

RGB 218 201 174

HSL 36.82, 0.37%, 0.77%

LAB 81.69, 1.64, 15.65

 

CMYK 20 / 0 / 12 / 15

HEX #AEDAC0

RGB 174 218 192

HSL 144.55, 0.37%, 0.77%

LAB 83.41, -19.46, 8.1

 

CMYK 20 / 12 / 0 / 15

HEX #AEBFDA

RGB 174 191 218

HSL 216.82, 0.37%, 0.77%

LAB 76.87, -0.11, -15.45

 

CMYK 0 / 21 / 9 / 15

HEX #DAADC7

RGB 218 173 199

HSL 325.33, 0.38%, 0.77%

LAB 75.4, 20.58, -6.95

 

CMYK 0 / 2 / 20 / 15

HEX #DAD6AE

RGB 218 214 174

HSL 54.55, 0.37%, 0.77%

LAB 85.02, -5.11, 20.29

 

CMYK 20 / 0 / 12 / 15

HEX #AEDAC0

RGB 174 218 192

HSL 144.55, 0.37%, 0.77%

LAB 83.41, -19.46, 8.1

 

CMYK 20 / 19 / 0 / 15

HEX #AEB1DA

RGB 174 177 218

HSL 235.91, 0.37%, 0.77%

LAB 73.22, 7.5, -20.97

 

Description

Color code: HEX #DAADC7 | qconv.com Color code: HEX #DAADC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 173 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 173 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 9 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 9% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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