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Color name
HEX #DAAC1B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAAC1B it is the complementary color #2553E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAAC1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAAC1B shade: #DFAC16, #F0BE29, #FFD03C, #FFE24F and #FFF462

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAAC1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAAC1B shade: #DAAC1B, #C99A08, #B88800, #A77600 and #966400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAAC1B shade: #DAAC1B, #DA781B, #DA451B and #DA1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAAC1B shade: #DAAC1B, #D4DA1B, #A1DA1B, #6DDA1B and #3ADA1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAAC1B shade matches the following richer shades: #DAAC1B and #EEB607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAAC1B shade: #DAAC1B, #C6A22F, #B29743, #9E8D56 and #8B836A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAAC1B shade: #DA441B, #DA771B, #DAAA1B, #D7DA1B and #A4DA1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAAC1B shade: #907212, #B58F16, #DAAC1B, #E6BC38 and #EBC95C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAAC1B shade: #DAAC1B, #24DA1B and #5E1BDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAAC1B shade: #DAAC1B, #1BDAAA and #AA1BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAAC1B shade: #DAAC1B, #24DA1B, #1B4BDA and #D01BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAAC1B shade: #DAAC1B, #1BDA4B, #1B4BDA and #DA1BAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 88 / 15

HEX #DAAC1B

RGB 218 172 27

HSL 45.55, 0.78%, 0.48%

LAB 72.55, 4.69, 71.39

 

Complementary color

CMYK 84 / 64 / 0 / 11

HEX #2553E4

RGB 37 83 228

HSL 225.55, 0.78%, 0.52%

LAB 41.5, 38.53, -77.34

 

CMYK 0 / 23 / 90 / 13

HEX #DFAC16

RGB 223 172 22

HSL 44.78, 0.82%, 0.48%

LAB 73.06, 6.78, 73.03

 

CMYK 0 / 21 / 83 / 6

HEX #F0BE29

RGB 240 190 41

HSL 44.92, 0.87%, 0.55%

LAB 79.34, 5.09, 74.36

 

CMYK 0 / 18 / 76 / 0

HEX #FFD03C

RGB 255 208 60

HSL 45.54, 1%, 0.62%

LAB 85.35, 2.78, 74.42

 

CMYK 0 / 11 / 69 / 0

HEX #FFE24F

RGB 255 226 79

HSL 50.11, 1%, 0.65%

LAB 89.96, -5.52, 72.06

 

CMYK 0 / 4 / 62 / 0

HEX #FFF462

RGB 255 244 98

HSL 55.8, 1%, 0.69%

LAB 94.67, -13.37, 69.46

 

CMYK 0 / 21 / 88 / 15

HEX #DAAC1B

RGB 218 172 27

HSL 45.55, 0.78%, 0.48%

LAB 72.55, 4.69, 71.39

 

CMYK 0 / 23 / 96 / 21

HEX #C99A08

RGB 201 154 8

HSL 45.39, 0.92%, 0.41%

LAB 66.17, 6.52, 69.07

 

CMYK 0 / 26 / 100 / 28

HEX #B88800

RGB 184 136 0

HSL 44.35, 1%, 0.36%

LAB 59.71, 8.62, 64.83

 

CMYK 0 / 29 / 100 / 35

HEX #A77600

RGB 167 118 0

HSL 42.4, 1%, 0.33%

LAB 53.14, 10.91, 59.44

 

CMYK 0 / 33 / 100 / 41

HEX #966400

RGB 150 100 0

HSL 40, 1%, 0.29%

LAB 46.44, 13.3, 53.96

 

CMYK 0 / 21 / 88 / 15

HEX #DAAC1B

RGB 218 172 27

HSL 45.55, 0.78%, 0.48%

LAB 72.55, 4.69, 71.39

 

CMYK 0 / 45 / 88 / 15

HEX #DA781B

RGB 218 120 27

HSL 29.21, 0.78%, 0.48%

LAB 60.26, 32.46, 61.66

 

CMYK 0 / 68 / 88 / 15

HEX #DA451B

RGB 218 69 27

HSL 13.19, 0.78%, 0.48%

LAB 50.97, 56.4, 54.36

 

CMYK 0 / 88 / 88 / 15

HEX #DA1B1B

RGB 218 27 27

HSL 0, 0.78%, 0.48%

LAB 46.67, 68.42, 51.01

 

CMYK 0 / 21 / 88 / 15

HEX #DAAC1B

RGB 218 172 27

HSL 45.55, 0.78%, 0.48%

LAB 72.55, 4.69, 71.39

 

CMYK 3 / 0 / 88 / 15

HEX #D4DA1B

RGB 212 218 27

HSL 61.88, 0.78%, 0.48%

LAB 84.08, -21.34, 80.35

 

CMYK 26 / 0 / 88 / 15

HEX #A1DA1B

RGB 161 218 27

HSL 77.91, 0.78%, 0.48%

LAB 80.63, -41.9, 76.1

 

CMYK 50 / 0 / 88 / 15

HEX #6DDA1B

RGB 109 218 27

HSL 94.24, 0.78%, 0.48%

LAB 78.15, -59.54, 73.03

 

CMYK 73 / 0 / 88 / 15

HEX #3ADA1B

RGB 58 218 27

HSL 110.26, 0.78%, 0.48%

LAB 76.75, -71.05, 71.27

 

CMYK 0 / 21 / 88 / 15

HEX #DAAC1B

RGB 218 172 27

HSL 45.55, 0.78%, 0.48%

LAB 72.55, 4.69, 71.39

 

CMYK 0 / 24 / 97 / 7

HEX #EEB607

RGB 238 182 7

HSL 45.45, 0.94%, 0.48%

LAB 77.07, 7.84, 78.74

 

CMYK 0 / 21 / 88 / 15

HEX #DAAC1B

RGB 218 172 27

HSL 45.55, 0.78%, 0.48%

LAB 72.55, 4.69, 71.39

 

CMYK 0 / 18 / 76 / 22

HEX #C6A22F

RGB 198 162 47

HSL 45.7, 0.62%, 0.48%

LAB 68.06, 1.84, 60.82

 

CMYK 0 / 15 / 62 / 30

HEX #B29743

RGB 178 151 67

HSL 45.41, 0.45%, 0.48%

LAB 63.35, 0.08, 46.92

 

CMYK 0 / 11 / 46 / 38

HEX #9E8D56

RGB 158 141 86

HSL 45.83, 0.3%, 0.48%

LAB 58.97, -1.47, 31.58

 

CMYK 0 / 6 / 24 / 45

HEX #8B836A

RGB 139 131 106

HSL 45.45, 0.13%, 0.48%

LAB 54.83, -1.27, 14.63

 

CMYK 0 / 69 / 88 / 15

HEX #DA441B

RGB 218 68 27

HSL 12.88, 0.78%, 0.48%

LAB 50.83, 56.79, 54.25

 

CMYK 0 / 45 / 88 / 15

HEX #DA771B

RGB 218 119 27

HSL 28.9, 0.78%, 0.48%

LAB 60.05, 32.98, 61.49

 

CMYK 0 / 22 / 88 / 15

HEX #DAAA1B

RGB 218 170 27

HSL 44.92, 0.78%, 0.48%

LAB 72.05, 5.75, 70.99

 

CMYK 1 / 0 / 88 / 15

HEX #D7DA1B

RGB 215 218 27

HSL 60.94, 0.78%, 0.48%

LAB 84.31, -20.08, 80.63

 

CMYK 25 / 0 / 88 / 15

HEX #A4DA1B

RGB 164 218 27

HSL 76.96, 0.78%, 0.48%

LAB 80.8, -40.76, 76.32

 

CMYK 0 / 21 / 88 / 44

HEX #907212

RGB 144 114 18

HSL 45.71, 0.78%, 0.32%

LAB 49.51, 2.79, 51.75

 

CMYK 0 / 21 / 88 / 29

HEX #B58F16

RGB 181 143 22

HSL 45.66, 0.78%, 0.4%

LAB 61.24, 3.75, 61.9

 

CMYK 0 / 21 / 88 / 15

HEX #DAAC1B

RGB 218 172 27

HSL 45.55, 0.78%, 0.48%

LAB 72.55, 4.69, 71.39

 

CMYK 0 / 18 / 76 / 10

HEX #E6BC38

RGB 230 188 56

HSL 45.52, 0.78%, 0.56%

LAB 77.92, 2.35, 68

 

CMYK 0 / 14 / 61 / 8

HEX #EBC95C

RGB 235 201 92

HSL 45.73, 0.78%, 0.64%

LAB 81.95, -0.36, 57.64

 

CMYK 0 / 21 / 88 / 15

HEX #DAAC1B

RGB 218 172 27

HSL 45.55, 0.78%, 0.48%

LAB 72.55, 4.69, 71.39

 

CMYK 83 / 0 / 88 / 15

HEX #24DA1B

RGB 36 218 27

HSL 117.17, 0.78%, 0.48%

LAB 76.43, -73.86, 70.87

 

CMYK 57 / 88 / 0 / 15

HEX #5E1BDA

RGB 94 27 218

HSL 261.05, 0.78%, 0.48%

LAB 34.45, 67.88, -83.12

 

CMYK 0 / 21 / 88 / 15

HEX #DAAC1B

RGB 218 172 27

HSL 45.55, 0.78%, 0.48%

LAB 72.55, 4.69, 71.39

 

CMYK 88 / 0 / 22 / 15

HEX #1BDAAA

RGB 27 218 170

HSL 164.92, 0.78%, 0.48%

LAB 78.04, -54.7, 11.43

 

CMYK 22 / 88 / 0 / 15

HEX #AA1BDA

RGB 170 27 218

HSL 284.92, 0.78%, 0.48%

LAB 44.79, 76.98, -65.76

 

CMYK 0 / 21 / 88 / 15

HEX #DAAC1B

RGB 218 172 27

HSL 45.55, 0.78%, 0.48%

LAB 72.55, 4.69, 71.39

 

CMYK 83 / 0 / 88 / 15

HEX #24DA1B

RGB 36 218 27

HSL 117.17, 0.78%, 0.48%

LAB 76.43, -73.86, 70.87

 

CMYK 88 / 66 / 0 / 15

HEX #1B4BDA

RGB 27 75 218

HSL 224.92, 0.78%, 0.48%

LAB 38.42, 39.31, -76.7

 

CMYK 5 / 88 / 0 / 15

HEX #D01BDA

RGB 208 27 218

HSL 296.86, 0.78%, 0.48%

LAB 50.99, 83, -55.45

 

CMYK 0 / 21 / 88 / 15

HEX #DAAC1B

RGB 218 172 27

HSL 45.55, 0.78%, 0.48%

LAB 72.55, 4.69, 71.39

 

CMYK 88 / 0 / 66 / 15

HEX #1BDA4B

RGB 27 218 75

HSL 135.08, 0.78%, 0.48%

LAB 76.61, -71.33, 56.22

 

CMYK 88 / 66 / 0 / 15

HEX #1B4BDA

RGB 27 75 218

HSL 224.92, 0.78%, 0.48%

LAB 38.42, 39.31, -76.7

 

CMYK 0 / 88 / 22 / 15

HEX #DA1BAA

RGB 218 27 170

HSL 315.08, 0.78%, 0.48%

LAB 50.21, 78.26, -28.72

 

Description

Color code: HEX #DAAC1B | qconv.com Color code: HEX #DAAC1B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 172 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 172 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 88 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 88% 15% C M Y K

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