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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAAA5F it is the complementary color #2555A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAAA5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAAA5F shade: #DFAA5A, #F0BC6D, #FFCE80, #FFE093 and #FFF2A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAAA5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAAA5F shade: #DAAA5F, #C9984C, #B88639, #A77426 and #966213

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAAA5F shade: #D9A95E, #D9885E, #D9675E and #D95E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAAA5F shade: #D9A95E, #D9CA5E, #C7D95E, #A6D95E and #84D95E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAAA5F shade matches the following richer shades: #D9A95E, #E9AD4E and #F9B03E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAAA5F shade: #D9A95E, #C9A66E, #B9A27E, #A99E8E and #999B9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAAA5F shade: #D9665E, #D9875E, #D9A85E, #D9C95E and #C9D95E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAAA5F shade: #B9822B, #D1973C, #D9A95E, #E1BB7F and #E9CDA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAAA5F shade: #DAAA5F, #77D95E and #775ED9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAAA5F shade: #DAAA5F, #5ED9A8 and #A85ED9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAAA5F shade: #DAAA5F, #77D95E, #5E8FD9 and #C15ED9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAAA5F shade: #DAAA5F, #5ED96A, #5E8FD9 and #D95ECD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 56 / 15

HEX #DAAA5F

RGB 218 170 95

HSL 36.59, 0.62%, 0.61%

LAB 72.55, 9.04, 44.93

 

Complementary color

CMYK 77 / 47 / 0 / 37

HEX #2555A0

RGB 37 85 160

HSL 216.59, 0.62%, 0.39%

LAB 36.8, 11.25, -45.36

 

CMYK 0 / 24 / 60 / 13

HEX #DFAA5A

RGB 223 170 90

HSL 36.09, 0.68%, 0.61%

LAB 73.01, 10.76, 48.07

 

CMYK 0 / 22 / 55 / 6

HEX #F0BC6D

RGB 240 188 109

HSL 36.18, 0.81%, 0.68%

LAB 79.38, 9.72, 46.72

 

CMYK 0 / 19 / 50 / 0

HEX #FFCE80

RGB 255 206 128

HSL 36.85, 1%, 0.75%

LAB 85.48, 8.02, 45.11

 

CMYK 0 / 12 / 42 / 0

HEX #FFE093

RGB 255 224 147

HSL 42.78, 1%, 0.79%

LAB 90.17, 0.59, 41.57

 

CMYK 0 / 5 / 35 / 0

HEX #FFF2A6

RGB 255 242 166

HSL 51.24, 1%, 0.83%

LAB 94.96, -6.43, 38.29

 

CMYK 0 / 22 / 56 / 15

HEX #DAAA5F

RGB 218 170 95

HSL 36.59, 0.62%, 0.61%

LAB 72.55, 9.04, 44.93

 

CMYK 0 / 24 / 62 / 21

HEX #C9984C

RGB 201 152 76

HSL 36.48, 0.54%, 0.54%

LAB 66.06, 10.14, 46.28

 

CMYK 0 / 27 / 69 / 28

HEX #B88639

RGB 184 134 57

HSL 36.38, 0.53%, 0.47%

LAB 59.47, 11.44, 47.57

 

CMYK 0 / 31 / 77 / 35

HEX #A77426

RGB 167 116 38

HSL 36.28, 0.63%, 0.4%

LAB 52.78, 12.98, 48.58

 

CMYK 0 / 35 / 87 / 41

HEX #966213

RGB 150 98 19

HSL 36.18, 0.78%, 0.33%

LAB 46, 14.83, 48.83

 

CMYK 0 / 22 / 57 / 15

HEX #D9A95E

RGB 217 169 94

HSL 36.59, 0.62%, 0.61%

LAB 72.19, 9.08, 44.97

 

CMYK 0 / 37 / 57 / 15

HEX #D9885E

RGB 217 136 94

HSL 20.49, 0.62%, 0.61%

LAB 64.3, 26.83, 35.35

 

CMYK 0 / 53 / 57 / 15

HEX #D9675E

RGB 217 103 94

HSL 4.39, 0.62%, 0.61%

LAB 57.33, 43.96, 26.47

 

CMYK 0 / 57 / 57 / 15

HEX #D95E5E

RGB 217 94 94

HSL 0, 0.62%, 0.61%

LAB 55.65, 48.31, 24.27

 

CMYK 0 / 22 / 57 / 15

HEX #D9A95E

RGB 217 169 94

HSL 36.59, 0.62%, 0.61%

LAB 72.19, 9.08, 44.97

 

CMYK 0 / 7 / 57 / 15

HEX #D9CA5E

RGB 217 202 94

HSL 52.68, 0.62%, 0.61%

LAB 80.63, -8.2, 54.8

 

CMYK 8 / 0 / 57 / 15

HEX #C7D95E

RGB 199 217 94

HSL 68.78, 0.62%, 0.61%

LAB 83.22, -23, 57.35

 

CMYK 24 / 0 / 57 / 15

HEX #A6D95E

RGB 166 217 94

HSL 84.88, 0.62%, 0.61%

LAB 81.04, -35.75, 54.29

 

CMYK 39 / 0 / 57 / 15

HEX #84D95E

RGB 132 217 94

HSL 101.46, 0.62%, 0.61%

LAB 79.24, -47.57, 51.75

 

CMYK 0 / 22 / 57 / 15

HEX #D9A95E

RGB 217 169 94

HSL 36.59, 0.62%, 0.61%

LAB 72.19, 9.08, 44.97

 

CMYK 0 / 26 / 67 / 9

HEX #E9AD4E

RGB 233 173 78

HSL 36.77, 0.78%, 0.61%

LAB 74.67, 12.58, 55.88

 

CMYK 0 / 29 / 75 / 2

HEX #F9B03E

RGB 249 176 62

HSL 36.58, 0.94%, 0.61%

LAB 77, 16.94, 65.59

 

CMYK 0 / 22 / 57 / 15

HEX #D9A95E

RGB 217 169 94

HSL 36.59, 0.62%, 0.61%

LAB 72.19, 9.08, 44.97

 

CMYK 0 / 17 / 45 / 21

HEX #C9A66E

RGB 201 166 110

HSL 36.92, 0.46%, 0.61%

LAB 70.05, 5.48, 33.74

 

CMYK 0 / 12 / 32 / 27

HEX #B9A27E

RGB 185 162 126

HSL 36.61, 0.3%, 0.61%

LAB 67.77, 2.99, 21.84

 

CMYK 0 / 7 / 16 / 34

HEX #A99E8E

RGB 169 158 142

HSL 35.56, 0.14%, 0.61%

LAB 65.63, 1.25, 9.8

 

CMYK 3 / 2 / 0 / 38

HEX #999B9E

RGB 153 155 158

HSL 216, 0.03%, 0.61%

LAB 63.9, -0.13, -1.83

 

CMYK 0 / 53 / 57 / 15

HEX #D9665E

RGB 217 102 94

HSL 3.9, 0.62%, 0.61%

LAB 57.14, 44.46, 26.22

 

CMYK 0 / 38 / 57 / 15

HEX #D9875E

RGB 217 135 94

HSL 20, 0.62%, 0.61%

LAB 64.07, 27.37, 35.07

 

CMYK 0 / 23 / 57 / 15

HEX #D9A85E

RGB 217 168 94

HSL 36.1, 0.62%, 0.61%

LAB 71.94, 9.61, 44.67

 

CMYK 0 / 7 / 57 / 15

HEX #D9C95E

RGB 217 201 94

HSL 52.2, 0.62%, 0.61%

LAB 80.37, -7.69, 54.5

 

CMYK 7 / 0 / 57 / 15

HEX #C9D95E

RGB 201 217 94

HSL 67.8, 0.62%, 0.61%

LAB 83.36, -22.2, 57.56

 

CMYK 0 / 30 / 77 / 27

HEX #B9822B

RGB 185 130 43

HSL 36.76, 0.62%, 0.45%

LAB 58.47, 13.4, 52.73

 

CMYK 0 / 28 / 71 / 18

HEX #D1973C

RGB 209 151 60

HSL 36.64, 0.62%, 0.53%

LAB 66.53, 13.17, 54.49

 

CMYK 0 / 22 / 57 / 15

HEX #D9A95E

RGB 217 169 94

HSL 36.59, 0.62%, 0.61%

LAB 72.19, 9.08, 44.97

 

CMYK 0 / 17 / 44 / 12

HEX #E1BB7F

RGB 225 187 127

HSL 36.73, 0.62%, 0.69%

LAB 77.92, 5.8, 35.44

 

CMYK 0 / 12 / 31 / 9

HEX #E9CDA1

RGB 233 205 161

HSL 36.67, 0.62%, 0.77%

LAB 83.74, 3.43, 25.54

 

CMYK 0 / 22 / 56 / 15

HEX #DAAA5F

RGB 218 170 95

HSL 36.59, 0.62%, 0.61%

LAB 72.55, 9.04, 44.93

 

CMYK 45 / 0 / 57 / 15

HEX #77D95E

RGB 119 217 94

HSL 107.8, 0.62%, 0.61%

LAB 78.67, -51.59, 50.94

 

CMYK 45 / 57 / 0 / 15

HEX #775ED9

RGB 119 94 217

HSL 252.2, 0.62%, 0.61%

LAB 48.18, 39.98, -60

 

CMYK 0 / 22 / 56 / 15

HEX #DAAA5F

RGB 218 170 95

HSL 36.59, 0.62%, 0.61%

LAB 72.55, 9.04, 44.93

 

CMYK 57 / 0 / 23 / 15

HEX #5ED9A8

RGB 94 217 168

HSL 156.1, 0.62%, 0.61%

LAB 78.94, -45.82, 13.95

 

CMYK 23 / 57 / 0 / 15

HEX #A85ED9

RGB 168 94 217

HSL 276.1, 0.62%, 0.61%

LAB 53.32, 51.47, -51.47

 

CMYK 0 / 22 / 56 / 15

HEX #DAAA5F

RGB 218 170 95

HSL 36.59, 0.62%, 0.61%

LAB 72.55, 9.04, 44.93

 

CMYK 45 / 0 / 57 / 15

HEX #77D95E

RGB 119 217 94

HSL 107.8, 0.62%, 0.61%

LAB 78.67, -51.59, 50.94

 

CMYK 57 / 34 / 0 / 15

HEX #5E8FD9

RGB 94 143 217

HSL 216.1, 0.62%, 0.61%

LAB 59.01, 5.23, -42.83

 

CMYK 11 / 57 / 0 / 15

HEX #C15ED9

RGB 193 94 217

HSL 288.29, 0.62%, 0.61%

LAB 56.44, 57.78, -46.32

 

CMYK 0 / 22 / 56 / 15

HEX #DAAA5F

RGB 218 170 95

HSL 36.59, 0.62%, 0.61%

LAB 72.55, 9.04, 44.93

 

CMYK 57 / 0 / 51 / 15

HEX #5ED96A

RGB 94 217 106

HSL 125.85, 0.62%, 0.61%

LAB 77.9, -56.8, 44.21

 

CMYK 57 / 34 / 0 / 15

HEX #5E8FD9

RGB 94 143 217

HSL 216.1, 0.62%, 0.61%

LAB 59.01, 5.23, -42.83

 

CMYK 0 / 57 / 6 / 15

HEX #D95ECD

RGB 217 94 205

HSL 305.85, 0.62%, 0.61%

LAB 59.13, 61.9, -35.08

 

Description

Color code: HEX #DAAA5F | qconv.com Color code: HEX #DAAA5F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 170 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 170 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 56 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 56% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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