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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA9FF8 it is the complementary color #256007. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA9FF8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DA9FF8: #DF9FF3, #F0B1FF, #FFC3FF, #FFD5FF and #FFE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA9FF8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DA9FF8: #DA9FF8, #C98DE5, #B87BD2, #A769BF and #9657AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 36 / 0 / 3

HEX #DA9FF8

RGB 218 159 248

HSL 279.78, 0.86%, 0.8%

LAB 73.86, 37.41, -35.99

 

Complementary color

CMYK 61 / 0 / 93 / 62

HEX #256007

RGB 37 96 7

HSL 99.78, 0.86%, 0.2%

LAB 35.55, -35.03, 39.56

 

CMYK 8 / 35 / 0 / 5

HEX #DF9FF3

RGB 223 159 243

HSL 285.71, 0.78%, 0.79%

LAB 74.16, 37.91, -32.76

 

CMYK 6 / 31 / 0 / 0

HEX #F0B1FF

RGB 240 177 255

HSL 288.46, 1%, 0.85%

LAB 80.29, 35.88, -29.67

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 12 / 36 / 0 / 3

HEX #DA9FF8

RGB 218 159 248

HSL 279.78, 0.86%, 0.8%

LAB 73.86, 37.41, -35.99

 

CMYK 12 / 38 / 0 / 10

HEX #C98DE5

RGB 201 141 229

HSL 280.91, 0.63%, 0.73%

LAB 67.37, 38.14, -35.8

 

CMYK 12 / 41 / 0 / 18

HEX #B87BD2

RGB 184 123 210

HSL 282.07, 0.49%, 0.65%

LAB 60.79, 38.91, -35.61

 

CMYK 13 / 45 / 0 / 25

HEX #A769BF

RGB 167 105 191

HSL 283.26, 0.4%, 0.58%

LAB 54.11, 39.7, -35.4

 

CMYK 13 / 49 / 0 / 33

HEX #9657AC

RGB 150 87 172

HSL 284.47, 0.34%, 0.51%

LAB 47.34, 40.51, -35.15

 

CMYK 12 / 36 / 0 / 3

HEX #DA9FF8

RGB 218 159 248

HSL 279.78, 0.86%, 0.8%

LAB 73.86, 37.41, -35.99

 

CMYK 6 / 35 / 0 / 3

HEX #E7A0F7

RGB 231 160 247

HSL 288.97, 0.84%, 0.8%

LAB 75.36, 40.59, -33.02

 

CMYK 0 / 35 / 0 / 3

HEX #F6A0F7

RGB 246 160 247

HSL 299.31, 0.84%, 0.8%

LAB 76.95, 45.15, -30.43

 

CMYK 0 / 35 / 5 / 3

HEX #F7A0EA

RGB 247 160 234

HSL 308.97, 0.84%, 0.8%

LAB 76.59, 43.17, -23.93

 

CMYK 0 / 35 / 11 / 3

HEX #F7A0DC

RGB 247 160 220

HSL 318.62, 0.84%, 0.8%

LAB 76.12, 40.83, -17.02

 

CMYK 12 / 36 / 0 / 3

HEX #DA9FF8

RGB 218 159 248

HSL 279.78, 0.86%, 0.8%

LAB 73.86, 37.41, -35.99

 

CMYK 11 / 36 / 0 / 83

HEX #271C2C

RGB 39 28 44

HSL 281.25, 0.22%, 0.14%

LAB 12.25, 9.18, -8.68

 

CMYK 12 / 36 / 0 / 63

HEX #543D5F

RGB 84 61 95

HSL 280.59, 0.22%, 0.31%

LAB 29.53, 17.14, -16.32

 

CMYK 12 / 36 / 0 / 43

HEX #805E92

RGB 128 94 146

HSL 279.23, 0.22%, 0.47%

LAB 45.18, 23.92, -23.31

 

CMYK 12 / 36 / 0 / 23

HEX #AD7EC5

RGB 173 126 197

HSL 279.72, 0.38%, 0.63%

LAB 59.74, 31.13, -30

 

CMYK 12 / 36 / 0 / 3

HEX #DA9FF8

RGB 218 159 248

HSL 279.78, 0.86%, 0.8%

LAB 73.86, 37.41, -35.99

 

CMYK 0 / 35 / 30 / 3

HEX #F7A0AD

RGB 247 160 173

HSL 351.03, 0.84%, 0.8%

LAB 74.78, 33.94, 6.77

 

CMYK 35 / 0 / 26 / 3

HEX #A0F7B6

RGB 160 247 182

HSL 135.17, 0.84%, 0.8%

LAB 90.49, -39.35, 23.15

 

CMYK 12 / 36 / 0 / 3

HEX #DA9FF8

RGB 218 159 248

HSL 279.78, 0.86%, 0.8%

LAB 73.86, 37.41, -35.99

 

CMYK 0 / 12 / 35 / 3

HEX #F7D9A0

RGB 247 217 160

HSL 39.31, 0.84%, 0.8%

LAB 87.94, 2.48, 31.93

 

CMYK 35 / 0 / 12 / 3

HEX #A0F7D9

RGB 160 247 217

HSL 159.31, 0.84%, 0.8%

LAB 91.24, -32.64, 6.15

 

CMYK 12 / 36 / 0 / 3

HEX #DA9FF8

RGB 218 159 248

HSL 279.78, 0.86%, 0.8%

LAB 73.86, 37.41, -35.99

 

CMYK 0 / 35 / 30 / 3

HEX #F7A0AD

RGB 247 160 173

HSL 351.03, 0.84%, 0.8%

LAB 74.78, 33.94, 6.77

 

CMYK 23 / 0 / 35 / 3

HEX #BEF7A0

RGB 190 247 160

HSL 99.31, 0.84%, 0.8%

LAB 91.69, -33.26, 36.15

 

CMYK 35 / 0 / 5 / 3

HEX #A0F7EA

RGB 160 247 234

HSL 171.03, 0.84%, 0.8%

LAB 91.66, -28.99, -2.06

 

CMYK 12 / 36 / 0 / 3

HEX #DA9FF8

RGB 218 159 248

HSL 279.78, 0.86%, 0.8%

LAB 73.86, 37.41, -35.99

 

CMYK 0 / 30 / 35 / 3

HEX #F7ADA0

RGB 247 173 160

HSL 8.97, 0.84%, 0.8%

LAB 77.4, 25.49, 17.57

 

CMYK 23 / 0 / 35 / 3

HEX #BEF7A0

RGB 190 247 160

HSL 99.31, 0.84%, 0.8%

LAB 91.69, -33.26, 36.15

 

CMYK 35 / 5 / 0 / 3

HEX #A0EAF7

RGB 160 234 247

HSL 188.97, 0.84%, 0.8%

LAB 88.46, -19.68, -13.58

 

Description

Color code: HEX #DA9FF8 | qconv.com Color code: HEX #DA9FF8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 159 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 159 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 36 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 36% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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