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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA9FAA it is the complementary color #256055. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA9FAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA9FAA shade: #DF9FA5, #F0B1B8, #FFC3CB, #FFD5DE and #FFE7F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA9FAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA9FAA shade: #DA9FAA, #C98D97, #B87B84, #A76971 and #96575E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA9FAA shade: #D99FAA and #D99F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA9FAA shade: #D99FAA, #D99FBA, #D99FC9, #D99FD9 and #CA9FD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA9FAA shade matches the following richer shades: #D99FAA, #E494A3, #EF8A9C and #FA7F96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA9FAA shade: #D99FAA, #CFAAB1, #C4B4B7, #B9BFBE and #AECAC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA9FAA shade: #D99FCA, #D99FBA, #D99FAB, #D9A39F and #D9B29F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA9FAA shade: #C26475, #CE8190, #D99FAA, #E5BDC4 and #F0DADF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA9FAA shade: #DA9FAA, #D9D99F and #9FC2D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA9FAA shade: #DA9FAA, #ABD99F and #9FABD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA9FAA shade: #DA9FAA, #D9D99F, #9FD9CE and #9F9FD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA9FAA shade: #DA9FAA, #C8D99F, #9FD9CE and #B19FD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 22 / 15

HEX #DA9FAA

RGB 218 159 170

HSL 348.81, 0.44%, 0.74%

LAB 71.29, 23.5, 2.97

 

Complementary color

CMYK 61 / 0 / 11 / 62

HEX #256055

RGB 37 96 85

HSL 168.81, 0.44%, 0.26%

LAB 36.77, -22.1, 0.56

 

CMYK 0 / 29 / 26 / 13

HEX #DF9FA5

RGB 223 159 165

HSL 354.38, 0.5%, 0.75%

LAB 71.69, 24.63, 6.39

 

CMYK 0 / 26 / 23 / 6

HEX #F0B1B8

RGB 240 177 184

HSL 353.33, 0.68%, 0.82%

LAB 78.13, 23.93, 5.48

 

CMYK 0 / 24 / 20 / 0

HEX #FFC3CB

RGB 255 195 203

HSL 352, 1%, 0.88%

LAB 84.28, 22.58, 4.32

 

CMYK 0 / 16 / 13 / 0

HEX #FFD5DE

RGB 255 213 222

HSL 347.14, 1%, 0.92%

LAB 88.98, 16.05, 1.06

 

CMYK 0 / 9 / 5 / 0

HEX #FFE7F1

RGB 255 231 241

HSL 335, 1%, 0.95%

LAB 93.78, 9.84, -1.88

 

CMYK 0 / 27 / 22 / 15

HEX #DA9FAA

RGB 218 159 170

HSL 348.81, 0.44%, 0.74%

LAB 71.29, 23.5, 2.97

 

CMYK 0 / 30 / 25 / 21

HEX #C98D97

RGB 201 141 151

HSL 350, 0.36%, 0.67%

LAB 64.73, 24.22, 3.87

 

CMYK 0 / 33 / 28 / 28

HEX #B87B84

RGB 184 123 132

HSL 351.15, 0.3%, 0.6%

LAB 58.06, 25.01, 4.86

 

CMYK 0 / 37 / 32 / 35

HEX #A76971

RGB 167 105 113

HSL 352.26, 0.26%, 0.53%

LAB 51.28, 25.89, 5.98

 

CMYK 0 / 42 / 37 / 41

HEX #96575E

RGB 150 87 94

HSL 353.33, 0.27%, 0.46%

LAB 44.39, 26.87, 7.27

 

CMYK 0 / 27 / 22 / 15

HEX #D99FAA

RGB 217 159 170

HSL 348.62, 0.43%, 0.74%

LAB 71.18, 23.14, 2.81

 

CMYK 0 / 27 / 27 / 15

HEX #D99F9F

RGB 217 159 159

HSL 0, 0.43%, 0.74%

LAB 70.91, 21.55, 8.5

 

CMYK 0 / 27 / 22 / 15

HEX #D99FAA

RGB 217 159 170

HSL 348.62, 0.43%, 0.74%

LAB 71.18, 23.14, 2.81

 

CMYK 0 / 27 / 14 / 15

HEX #D99FBA

RGB 217 159 186

HSL 332.07, 0.43%, 0.74%

LAB 71.62, 25.63, -5.41

 

CMYK 0 / 27 / 7 / 15

HEX #D99FC9

RGB 217 159 201

HSL 316.55, 0.43%, 0.74%

LAB 72.07, 28.15, -13.02

 

CMYK 0 / 27 / 0 / 15

HEX #D99FD9

RGB 217 159 217

HSL 300, 0.43%, 0.74%

LAB 72.6, 31.04, -21.02

 

CMYK 7 / 27 / 0 / 15

HEX #CA9FD9

RGB 202 159 217

HSL 284.48, 0.43%, 0.74%

LAB 71.12, 26.16, -23.41

 

CMYK 0 / 27 / 22 / 15

HEX #D99FAA

RGB 217 159 170

HSL 348.62, 0.43%, 0.74%

LAB 71.18, 23.14, 2.81

 

CMYK 0 / 35 / 29 / 11

HEX #E494A3

RGB 228 148 163

HSL 348.75, 0.6%, 0.74%

LAB 69.7, 32.07, 4.7

 

CMYK 0 / 42 / 35 / 6

HEX #EF8A9C

RGB 239 138 156

HSL 349.31, 0.76%, 0.74%

LAB 68.7, 40.38, 7.36

 

CMYK 0 / 49 / 40 / 2

HEX #FA7F96

RGB 250 127 150

HSL 348.78, 0.92%, 0.74%

LAB 67.8, 49.08, 9.65

 

CMYK 0 / 27 / 22 / 15

HEX #D99FAA

RGB 217 159 170

HSL 348.62, 0.43%, 0.74%

LAB 71.18, 23.14, 2.81

 

CMYK 0 / 18 / 14 / 19

HEX #CFAAB1

RGB 207 170 177

HSL 348.65, 0.28%, 0.74%

LAB 73.02, 14.6, 1.49

 

CMYK 0 / 8 / 7 / 23

HEX #C4B4B7

RGB 196 180 183

HSL 348.75, 0.12%, 0.74%

LAB 74.7, 6.22, 0.53

 

CMYK 3 / 0 / 1 / 25

HEX #B9BFBE

RGB 185 191 190

HSL 170, 0.04%, 0.74%

LAB 76.86, -2.26, -0.23

 

CMYK 14 / 0 / 2 / 21

HEX #AECAC5

RGB 174 202 197

HSL 169.29, 0.21%, 0.74%

LAB 79.2, -10.36, -0.68

 

CMYK 0 / 27 / 7 / 15

HEX #D99FCA

RGB 217 159 202

HSL 315.52, 0.43%, 0.74%

LAB 72.1, 28.33, -13.52

 

CMYK 0 / 27 / 14 / 15

HEX #D99FBA

RGB 217 159 186

HSL 332.07, 0.43%, 0.74%

LAB 71.62, 25.63, -5.41

 

CMYK 0 / 27 / 21 / 15

HEX #D99FAB

RGB 217 159 171

HSL 347.59, 0.43%, 0.74%

LAB 71.21, 23.29, 2.29

 

CMYK 0 / 25 / 27 / 15

HEX #D9A39F

RGB 217 163 159

HSL 4.14, 0.43%, 0.74%

LAB 71.86, 19.39, 9.86

 

CMYK 0 / 18 / 27 / 15

HEX #D9B29F

RGB 217 178 159

HSL 19.66, 0.43%, 0.74%

LAB 75.51, 11.31, 15.02

 

CMYK 0 / 48 / 40 / 24

HEX #C26475

RGB 194 100 117

HSL 349.15, 0.44%, 0.58%

LAB 53.89, 39.26, 7.82

 

CMYK 0 / 37 / 30 / 19

HEX #CE8190

RGB 206 129 144

HSL 348.31, 0.44%, 0.66%

LAB 62.37, 31.63, 4.52

 

CMYK 0 / 27 / 22 / 15

HEX #D99FAA

RGB 217 159 170

HSL 348.62, 0.43%, 0.74%

LAB 71.18, 23.14, 2.81

 

CMYK 0 / 17 / 14 / 10

HEX #E5BDC4

RGB 229 189 196

HSL 349.5, 0.43%, 0.82%

LAB 80.2, 15.38, 1.85

 

CMYK 0 / 9 / 7 / 6

HEX #F0DADF

RGB 240 218 223

HSL 346.36, 0.42%, 0.9%

LAB 88.92, 8.41, 0.29

 

CMYK 0 / 27 / 22 / 15

HEX #DA9FAA

RGB 218 159 170

HSL 348.81, 0.44%, 0.74%

LAB 71.29, 23.5, 2.97

 

CMYK 0 / 0 / 27 / 15

HEX #D9D99F

RGB 217 217 159

HSL 60, 0.43%, 0.74%

LAB 85.44, -9.09, 28.67

 

CMYK 27 / 11 / 0 / 15

HEX #9FC2D9

RGB 159 194 217

HSL 203.79, 0.43%, 0.74%

LAB 76.66, -6.5, -15.33

 

CMYK 0 / 27 / 22 / 15

HEX #DA9FAA

RGB 218 159 170

HSL 348.81, 0.44%, 0.74%

LAB 71.29, 23.5, 2.97

 

CMYK 21 / 0 / 27 / 15

HEX #ABD99F

RGB 171 217 159

HSL 107.59, 0.43%, 0.74%

LAB 82.26, -25.75, 23.82

 

CMYK 27 / 21 / 0 / 15

HEX #9FABD9

RGB 159 171 217

HSL 227.59, 0.43%, 0.74%

LAB 70.53, 6, -24.63

 

CMYK 0 / 27 / 22 / 15

HEX #DA9FAA

RGB 218 159 170

HSL 348.81, 0.44%, 0.74%

LAB 71.29, 23.5, 2.97

 

CMYK 0 / 0 / 27 / 15

HEX #D9D99F

RGB 217 217 159

HSL 60, 0.43%, 0.74%

LAB 85.44, -9.09, 28.67

 

CMYK 27 / 0 / 5 / 15

HEX #9FD9CE

RGB 159 217 206

HSL 168.62, 0.43%, 0.74%

LAB 82.62, -20.79, -0.59

 

CMYK 27 / 27 / 0 / 15

HEX #9F9FD9

RGB 159 159 217

HSL 240, 0.43%, 0.74%

LAB 67.41, 12.72, -29.42

 

CMYK 0 / 27 / 22 / 15

HEX #DA9FAA

RGB 218 159 170

HSL 348.81, 0.44%, 0.74%

LAB 71.29, 23.5, 2.97

 

CMYK 8 / 0 / 27 / 15

HEX #C8D99F

RGB 200 217 159

HSL 77.59, 0.43%, 0.74%

LAB 84.18, -15.42, 26.74

 

CMYK 27 / 0 / 5 / 15

HEX #9FD9CE

RGB 159 217 206

HSL 168.62, 0.43%, 0.74%

LAB 82.62, -20.79, -0.59

 

CMYK 18 / 27 / 0 / 15

HEX #B19FD9

RGB 177 159 217

HSL 258.62, 0.43%, 0.74%

LAB 68.86, 18.21, -27.06

 

Description

Color code: HEX #DA9FAA | qconv.com Color code: HEX #DA9FAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 159 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 159 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 22 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 22% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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