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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA9FA3 it is the complementary color #25605C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA9FA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA9FA3 shade: #DF9F9E, #F0B1B1, #FFC3C4, #FFD5D7 and #FFE7EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA9FA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA9FA3 shade: #DA9FA3, #C98D90, #B87B7D, #A7696A and #965757

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA9FA3 shade: #D99FA3 and #D99F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA9FA3 shade: #D99FA3, #D99FB3, #D99FC2, #D99FD2 and #D19FD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA9FA3 shade matches the following richer shades: #D99FA3, #E4949A, #EF8A90 and #FA7F87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA9FA3 shade: #D99FA3, #CFAAAC, #C4B4B6, #B9BFBF and #AECAC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA9FA3 shade: #D99FC3, #D99FB3, #D99FA4, #D9AA9F and #D9B99F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA9FA3 shade: #C2646A, #CE8187, #D99FA3, #E5BDBF and #F0DADC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA9FA3 shade: #DA9FA3, #D3D99F and #9FBBD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA9FA3 shade: #DA9FA3, #A4D99F and #9FA4D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA9FA3 shade: #DA9FA3, #D3D99F, #9FD9D5 and #A69FD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA9FA3 shade: #DA9FA3, #C1D99F, #9FD9D5 and #B79FD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 25 / 15

HEX #DA9FA3

RGB 218 159 163

HSL 355.93, 0.44%, 0.74%

LAB 71.11, 22.49, 6.59

 

Complementary color

CMYK 61 / 0 / 4 / 62

HEX #25605C

RGB 37 96 92

HSL 175.93, 0.44%, 0.26%

LAB 36.99, -20.04, -3.46

 

CMYK 0 / 29 / 29 / 13

HEX #DF9F9E

RGB 223 159 158

HSL 0.92, 0.5%, 0.75%

LAB 71.52, 23.67, 10.02

 

CMYK 0 / 26 / 26 / 6

HEX #F0B1B1

RGB 240 177 177

HSL 0, 0.68%, 0.82%

LAB 77.96, 22.95, 9.04

 

CMYK 0 / 24 / 23 / 0

HEX #FFC3C4

RGB 255 195 196

HSL 359, 1%, 0.88%

LAB 84.11, 21.57, 7.81

 

CMYK 0 / 16 / 16 / 0

HEX #FFD5D7

RGB 255 213 215

HSL 357.14, 1%, 0.92%

LAB 88.81, 14.96, 4.5

 

CMYK 0 / 9 / 8 / 0

HEX #FFE7EA

RGB 255 231 234

HSL 352.5, 1%, 0.95%

LAB 93.6, 8.66, 1.51

 

CMYK 0 / 27 / 25 / 15

HEX #DA9FA3

RGB 218 159 163

HSL 355.93, 0.44%, 0.74%

LAB 71.11, 22.49, 6.59

 

CMYK 0 / 30 / 28 / 21

HEX #C98D90

RGB 201 141 144

HSL 357, 0.36%, 0.67%

LAB 64.55, 23.23, 7.57

 

CMYK 0 / 33 / 32 / 28

HEX #B87B7D

RGB 184 123 125

HSL 358.03, 0.3%, 0.6%

LAB 57.88, 24.05, 8.65

 

CMYK 0 / 37 / 37 / 35

HEX #A7696A

RGB 167 105 106

HSL 359.03, 0.26%, 0.53%

LAB 51.1, 24.97, 9.88

 

CMYK 0 / 42 / 42 / 41

HEX #965757

RGB 150 87 87

HSL 0, 0.27%, 0.46%

LAB 44.22, 26.01, 11.29

 

CMYK 0 / 27 / 25 / 15

HEX #D99FA3

RGB 217 159 163

HSL 355.86, 0.43%, 0.74%

LAB 71, 22.12, 6.43

 

CMYK 0 / 27 / 27 / 15

HEX #D99F9F

RGB 217 159 159

HSL 0, 0.43%, 0.74%

LAB 70.91, 21.55, 8.5

 

CMYK 0 / 27 / 25 / 15

HEX #D99FA3

RGB 217 159 163

HSL 355.86, 0.43%, 0.74%

LAB 71, 22.12, 6.43

 

CMYK 0 / 27 / 18 / 15

HEX #D99FB3

RGB 217 159 179

HSL 339.31, 0.43%, 0.74%

LAB 71.42, 24.51, -1.83

 

CMYK 0 / 27 / 11 / 15

HEX #D99FC2

RGB 217 159 194

HSL 323.79, 0.43%, 0.74%

LAB 71.85, 26.95, -9.48

 

CMYK 0 / 27 / 3 / 15

HEX #D99FD2

RGB 217 159 210

HSL 307.24, 0.43%, 0.74%

LAB 72.36, 29.75, -17.53

 

CMYK 4 / 27 / 0 / 15

HEX #D19FD9

RGB 209 159 217

HSL 291.72, 0.43%, 0.74%

LAB 71.8, 28.43, -22.31

 

CMYK 0 / 27 / 25 / 15

HEX #D99FA3

RGB 217 159 163

HSL 355.86, 0.43%, 0.74%

LAB 71, 22.12, 6.43

 

CMYK 0 / 35 / 32 / 11

HEX #E4949A

RGB 228 148 154

HSL 355.5, 0.6%, 0.74%

LAB 69.47, 30.9, 9.4

 

CMYK 0 / 42 / 40 / 6

HEX #EF8A90

RGB 239 138 144

HSL 356.44, 0.76%, 0.74%

LAB 68.42, 39, 13.69

 

CMYK 0 / 49 / 46 / 2

HEX #FA7F87

RGB 250 127 135

HSL 356.1, 0.92%, 0.74%

LAB 67.47, 47.56, 17.63

 

CMYK 0 / 27 / 25 / 15

HEX #D99FA3

RGB 217 159 163

HSL 355.86, 0.43%, 0.74%

LAB 71, 22.12, 6.43

 

CMYK 0 / 18 / 17 / 19

HEX #CFAAAC

RGB 207 170 172

HSL 356.76, 0.28%, 0.74%

LAB 72.89, 13.8, 4.05

 

CMYK 0 / 8 / 7 / 23

HEX #C4B4B6

RGB 196 180 182

HSL 352.5, 0.12%, 0.74%

LAB 74.67, 6.05, 1.04

 

CMYK 3 / 0 / 0 / 25

HEX #B9BFBF

RGB 185 191 191

HSL 180, 0.04%, 0.74%

LAB 76.88, -2.07, -0.73

 

CMYK 14 / 0 / 1 / 21

HEX #AECAC8

RGB 174 202 200

HSL 175.71, 0.21%, 0.74%

LAB 79.28, -9.75, -2.17

 

CMYK 0 / 27 / 10 / 15

HEX #D99FC3

RGB 217 159 195

HSL 322.76, 0.43%, 0.74%

LAB 71.89, 27.12, -9.99

 

CMYK 0 / 27 / 18 / 15

HEX #D99FB3

RGB 217 159 179

HSL 339.31, 0.43%, 0.74%

LAB 71.42, 24.51, -1.83

 

CMYK 0 / 27 / 24 / 15

HEX #D99FA4

RGB 217 159 164

HSL 354.83, 0.43%, 0.74%

LAB 71.03, 22.26, 5.91

 

CMYK 0 / 22 / 27 / 15

HEX #D9AA9F

RGB 217 170 159

HSL 11.38, 0.43%, 0.74%

LAB 73.55, 15.61, 12.25

 

CMYK 0 / 15 / 27 / 15

HEX #D9B99F

RGB 217 185 159

HSL 26.9, 0.43%, 0.74%

LAB 77.25, 7.57, 17.45

 

CMYK 0 / 48 / 45 / 24

HEX #C2646A

RGB 194 100 106

HSL 356.17, 0.44%, 0.58%

LAB 53.63, 38.06, 13.94

 

CMYK 0 / 37 / 34 / 19

HEX #CE8187

RGB 206 129 135

HSL 355.32, 0.44%, 0.66%

LAB 62.14, 30.47, 9.33

 

CMYK 0 / 27 / 25 / 15

HEX #D99FA3

RGB 217 159 163

HSL 355.86, 0.43%, 0.74%

LAB 71, 22.12, 6.43

 

CMYK 0 / 17 / 17 / 10

HEX #E5BDBF

RGB 229 189 191

HSL 357, 0.43%, 0.82%

LAB 80.08, 14.6, 4.37

 

CMYK 0 / 9 / 8 / 6

HEX #F0DADC

RGB 240 218 220

HSL 354.55, 0.42%, 0.9%

LAB 88.84, 7.9, 1.76

 

CMYK 0 / 27 / 25 / 15

HEX #DA9FA3

RGB 218 159 163

HSL 355.93, 0.44%, 0.74%

LAB 71.11, 22.49, 6.59

 

CMYK 3 / 0 / 27 / 15

HEX #D3D99F

RGB 211 217 159

HSL 66.21, 0.43%, 0.74%

LAB 84.99, -11.34, 27.97

 

CMYK 27 / 14 / 0 / 15

HEX #9FBBD9

RGB 159 187 217

HSL 211.03, 0.43%, 0.74%

LAB 74.78, -2.75, -18.17

 

CMYK 0 / 27 / 25 / 15

HEX #DA9FA3

RGB 218 159 163

HSL 355.93, 0.44%, 0.74%

LAB 71.11, 22.49, 6.59

 

CMYK 24 / 0 / 27 / 15

HEX #A4D99F

RGB 164 217 159

HSL 114.83, 0.43%, 0.74%

LAB 81.85, -28.12, 23.19

 

CMYK 27 / 24 / 0 / 15

HEX #9FA4D9

RGB 159 164 217

HSL 234.83, 0.43%, 0.74%

LAB 68.7, 9.91, -27.43

 

CMYK 0 / 27 / 25 / 15

HEX #DA9FA3

RGB 218 159 163

HSL 355.93, 0.44%, 0.74%

LAB 71.11, 22.49, 6.59

 

CMYK 3 / 0 / 27 / 15

HEX #D3D99F

RGB 211 217 159

HSL 66.21, 0.43%, 0.74%

LAB 84.99, -11.34, 27.97

 

CMYK 27 / 0 / 2 / 15

HEX #9FD9D5

RGB 159 217 213

HSL 175.86, 0.43%, 0.74%

LAB 82.81, -19.27, -4.03

 

CMYK 24 / 27 / 0 / 15

HEX #A69FD9

RGB 166 159 217

HSL 247.24, 0.43%, 0.74%

LAB 67.96, 14.83, -28.53

 

CMYK 0 / 27 / 25 / 15

HEX #DA9FA3

RGB 218 159 163

HSL 355.93, 0.44%, 0.74%

LAB 71.11, 22.49, 6.59

 

CMYK 11 / 0 / 27 / 15

HEX #C1D99F

RGB 193 217 159

HSL 84.83, 0.43%, 0.74%

LAB 83.69, -17.98, 25.99

 

CMYK 27 / 0 / 2 / 15

HEX #9FD9D5

RGB 159 217 213

HSL 175.86, 0.43%, 0.74%

LAB 82.81, -19.27, -4.03

 

CMYK 16 / 27 / 0 / 15

HEX #B79FD9

RGB 183 159 217

HSL 264.83, 0.43%, 0.74%

LAB 69.38, 20.09, -26.23

 

Description

Color code: HEX #DA9FA3 | qconv.com Color code: HEX #DA9FA3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 159 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 159 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 25 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 25% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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