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Color name
HEX #DA9F95

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA9F95 it is the complementary color #25606A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA9F95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA9F95 shade: #DF9F90, #F0B1A3, #FFC3B6, #FFD5C9 and #FFE7DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA9F95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA9F95 shade: #DA9F95, #C98D82, #B87B6F, #A7695C and #965749

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA9F95 shade: #DA9F95 and #DA9595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA9F95 shade: #DA9F95, #DAB295, #DAC495, #DAD795 and #CBDA95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA9F95 shade matches the following richer shades: #DA9F95, #E5978A, #F18F7E and #FD8773

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA9F95 shade: #DA9F95, #CEA7A1, #C3B0AC, #B7B8B8 and #ACC0C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA9F95 shade: #DA95B1, #DA959E, #DA9E95, #DAB195 and #DAC395

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA9F95 shade: #C46858, #CF8477, #DA9F95, #E5BBB4 and #EFD7D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA9F95 shade: #DA9F95, #C3DA95 and #95A8DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA9F95 shade: #DA9F95, #95DA9E and #9E95DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA9F95 shade: #DA9F95, #C3DA95, #95D1DA and #AC95DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA9F95 shade: #DA9F95, #AEDA95, #95D1DA and #C195DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 32 / 15

HEX #DA9F95

RGB 218 159 149

HSL 8.7, 0.48%, 0.72%

LAB 70.78, 20.59, 13.87

 

Complementary color

CMYK 65 / 9 / 0 / 58

HEX #25606A

RGB 37 96 106

HSL 188.7, 0.48%, 0.28%

LAB 37.48, -15.61, -11.38

 

CMYK 0 / 29 / 35 / 13

HEX #DF9F90

RGB 223 159 144

HSL 11.39, 0.55%, 0.72%

LAB 71.21, 21.88, 17.3

 

CMYK 0 / 26 / 32 / 6

HEX #F0B1A3

RGB 240 177 163

HSL 10.91, 0.72%, 0.79%

LAB 77.65, 21.1, 16.18

 

CMYK 0 / 24 / 29 / 0

HEX #FFC3B6

RGB 255 195 182

HSL 10.68, 1%, 0.86%

LAB 83.79, 19.66, 14.83

 

CMYK 0 / 16 / 21 / 0

HEX #FFD5C9

RGB 255 213 201

HSL 13.33, 1%, 0.89%

LAB 88.48, 12.88, 11.41

 

CMYK 0 / 9 / 14 / 0

HEX #FFE7DC

RGB 255 231 220

HSL 18.86, 1%, 0.93%

LAB 93.27, 6.42, 8.31

 

CMYK 0 / 27 / 32 / 15

HEX #DA9F95

RGB 218 159 149

HSL 8.7, 0.48%, 0.72%

LAB 70.78, 20.59, 13.87

 

CMYK 0 / 30 / 35 / 21

HEX #C98D82

RGB 201 141 130

HSL 9.3, 0.4%, 0.65%

LAB 64.22, 21.38, 15.01

 

CMYK 0 / 33 / 40 / 28

HEX #B87B6F

RGB 184 123 111

HSL 9.86, 0.34%, 0.58%

LAB 57.56, 22.28, 16.27

 

CMYK 0 / 37 / 45 / 35

HEX #A7695C

RGB 167 105 92

HSL 10.4, 0.3%, 0.51%

LAB 50.79, 23.31, 17.69

 

CMYK 0 / 42 / 51 / 41

HEX #965749

RGB 150 87 73

HSL 10.91, 0.35%, 0.44%

LAB 43.92, 24.48, 19.34

 

CMYK 0 / 27 / 32 / 15

HEX #DA9F95

RGB 218 159 149

HSL 8.7, 0.48%, 0.72%

LAB 70.78, 20.59, 13.87

 

CMYK 0 / 32 / 32 / 15

HEX #DA9595

RGB 218 149 149

HSL 0, 0.48%, 0.72%

LAB 68.44, 25.98, 10.56

 

CMYK 0 / 27 / 32 / 15

HEX #DA9F95

RGB 218 159 149

HSL 8.7, 0.48%, 0.72%

LAB 70.78, 20.59, 13.87

 

CMYK 0 / 18 / 32 / 15

HEX #DAB295

RGB 218 178 149

HSL 25.22, 0.48%, 0.72%

LAB 75.4, 10.36, 20.29

 

CMYK 0 / 10 / 32 / 15

HEX #DAC495

RGB 218 196 149

HSL 40.87, 0.48%, 0.72%

LAB 79.93, 0.83, 26.46

 

CMYK 0 / 1 / 32 / 15

HEX #DAD795

RGB 218 215 149

HSL 57.39, 0.48%, 0.72%

LAB 84.83, -8.97, 33.01

 

CMYK 7 / 0 / 32 / 15

HEX #CBDA95

RGB 203 218 149

HSL 73.04, 0.48%, 0.72%

LAB 84.49, -16.17, 32.35

 

CMYK 0 / 27 / 32 / 15

HEX #DA9F95

RGB 218 159 149

HSL 8.7, 0.48%, 0.72%

LAB 70.78, 20.59, 13.87

 

CMYK 0 / 34 / 40 / 10

HEX #E5978A

RGB 229 151 138

HSL 8.57, 0.64%, 0.72%

LAB 69.91, 27.77, 18.92

 

CMYK 0 / 41 / 48 / 5

HEX #F18F7E

RGB 241 143 126

HSL 8.87, 0.8%, 0.72%

LAB 69.36, 35.31, 25.03

 

CMYK 0 / 47 / 55 / 1

HEX #FD8773

RGB 253 135 115

HSL 8.7, 0.97%, 0.72%

LAB 69.07, 42.93, 30.98

 

CMYK 0 / 27 / 32 / 15

HEX #DA9F95

RGB 218 159 149

HSL 8.7, 0.48%, 0.72%

LAB 70.78, 20.59, 13.87

 

CMYK 0 / 19 / 22 / 19

HEX #CEA7A1

RGB 206 167 161

HSL 8, 0.31%, 0.72%

LAB 71.78, 13.36, 8.5

 

CMYK 0 / 10 / 12 / 24

HEX #C3B0AC

RGB 195 176 172

HSL 10.43, 0.16%, 0.72%

LAB 73.31, 6.13, 4.52

 

CMYK 1 / 0 / 0 / 28

HEX #B7B8B8

RGB 183 184 184

HSL 180, 0.01%, 0.72%

LAB 74.7, -0.35, -0.13

 

CMYK 12 / 2 / 0 / 23

HEX #ACC0C4

RGB 172 192 196

HSL 190, 0.17%, 0.72%

LAB 76.35, -5.98, -4.34

 

CMYK 0 / 32 / 19 / 15

HEX #DA95B1

RGB 218 149 177

HSL 335.65, 0.48%, 0.72%

LAB 69.17, 29.96, -4.02

 

CMYK 0 / 32 / 28 / 15

HEX #DA959E

RGB 218 149 158

HSL 352.17, 0.48%, 0.72%

LAB 68.66, 27.19, 5.85

 

CMYK 0 / 28 / 32 / 15

HEX #DA9E95

RGB 218 158 149

HSL 7.83, 0.48%, 0.72%

LAB 70.55, 21.13, 13.54

 

CMYK 0 / 19 / 32 / 15

HEX #DAB195

RGB 218 177 149

HSL 24.35, 0.48%, 0.72%

LAB 75.15, 10.9, 19.94

 

CMYK 0 / 11 / 32 / 15

HEX #DAC395

RGB 218 195 149

HSL 40, 0.48%, 0.72%

LAB 79.67, 1.35, 26.12

 

CMYK 0 / 47 / 55 / 23

HEX #C46858

RGB 196 104 88

HSL 8.89, 0.48%, 0.56%

LAB 54.39, 35.05, 25.49

 

CMYK 0 / 36 / 43 / 19

HEX #CF8477

RGB 207 132 119

HSL 8.86, 0.48%, 0.64%

LAB 62.59, 27.35, 19.06

 

CMYK 0 / 27 / 32 / 15

HEX #DA9F95

RGB 218 159 149

HSL 8.7, 0.48%, 0.72%

LAB 70.78, 20.59, 13.87

 

CMYK 0 / 18 / 21 / 10

HEX #E5BBB4

RGB 229 187 180

HSL 8.57, 0.49%, 0.8%

LAB 79.32, 14, 9.22

 

CMYK 0 / 10 / 12 / 6

HEX #EFD7D2

RGB 239 215 210

HSL 10.34, 0.48%, 0.88%

LAB 87.78, 7.48, 5.48

 

CMYK 0 / 27 / 32 / 15

HEX #DA9F95

RGB 218 159 149

HSL 8.7, 0.48%, 0.72%

LAB 70.78, 20.59, 13.87

 

CMYK 11 / 0 / 32 / 15

HEX #C3DA95

RGB 195 218 149

HSL 80, 0.48%, 0.72%

LAB 83.92, -19.15, 31.5

 

CMYK 32 / 23 / 0 / 15

HEX #95A8DA

RGB 149 168 218

HSL 223.48, 0.48%, 0.72%

LAB 69.08, 4.98, -27.46

 

CMYK 0 / 27 / 32 / 15

HEX #DA9F95

RGB 218 159 149

HSL 8.7, 0.48%, 0.72%

LAB 70.78, 20.59, 13.87

 

CMYK 32 / 0 / 28 / 15

HEX #95DA9E

RGB 149 218 158

HSL 127.83, 0.48%, 0.72%

LAB 81.29, -33.64, 22.81

 

CMYK 28 / 32 / 0 / 15

HEX #9E95DA

RGB 158 149 218

HSL 247.83, 0.48%, 0.72%

LAB 64.82, 18.35, -33.98

 

CMYK 0 / 27 / 32 / 15

HEX #DA9F95

RGB 218 159 149

HSL 8.7, 0.48%, 0.72%

LAB 70.78, 20.59, 13.87

 

CMYK 11 / 0 / 32 / 15

HEX #C3DA95

RGB 195 218 149

HSL 80, 0.48%, 0.72%

LAB 83.92, -19.15, 31.5

 

CMYK 32 / 4 / 0 / 15

HEX #95D1DA

RGB 149 209 218

HSL 187.83, 0.48%, 0.72%

LAB 80.21, -16.94, -10.61

 

CMYK 21 / 32 / 0 / 15

HEX #AC95DA

RGB 172 149 218

HSL 260, 0.48%, 0.72%

LAB 66, 22.53, -32.06

 

CMYK 0 / 27 / 32 / 15

HEX #DA9F95

RGB 218 159 149

HSL 8.7, 0.48%, 0.72%

LAB 70.78, 20.59, 13.87

 

CMYK 20 / 0 / 32 / 15

HEX #AEDA95

RGB 174 218 149

HSL 98.26, 0.48%, 0.72%

LAB 82.55, -26.73, 29.42

 

CMYK 32 / 4 / 0 / 15

HEX #95D1DA

RGB 149 209 218

HSL 187.83, 0.48%, 0.72%

LAB 80.21, -16.94, -10.61

 

CMYK 11 / 32 / 0 / 15

HEX #C195DA

RGB 193 149 218

HSL 278.26, 0.48%, 0.72%

LAB 67.94, 29.01, -28.91

 

Description

Color code: HEX #DA9F95 | qconv.com Color code: HEX #DA9F95 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 159 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 159 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 32 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 32% 15% C M Y K

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Provide designers and agencies with accurate color values.

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