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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA9F7B it is the complementary color #256084. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA9F7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA9F7B shade: #DF9F76, #F0B189, #FFC39C, #FFD5AF and #FFE7C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA9F7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA9F7B shade: #DA9F7B, #C98D68, #B87B55, #A76942 and #96572F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA9F7B shade: #DA9F7C, #DA867C and #DA7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA9F7B shade: #DA9F7C, #DAB97C, #DAD27C, #C8DA7C and #AFDA7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA9F7B shade matches the following richer shades: #DA9F7C, #E89C6E and #F59960

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA9F7B shade: #DA9F7C, #CCA389, #BFA697, #B1A9A5 and #A4ADB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA9F7B shade: #DA7C8B, #DA857C, #DA9E7C, #DAB77C and #DAD17C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA9F7B shade: #C8713B, #D1885C, #DA9F7C, #E3B79C and #ECCEBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA9F7B shade: #DA9F7B, #A5DA7C and #7C7FDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA9F7B shade: #DA9F7B, #7CDA9E and #9E7CDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA9F7B shade: #DA9F7B, #A5DA7C, #7CB7DA and #B17CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA9F7B shade: #DA9F7B, #88DA7C, #7CB7DA and #CD7CDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 44 / 15

HEX #DA9F7B

RGB 218 159 123

HSL 22.74, 0.56%, 0.67%

LAB 70.27, 17.53, 27.4

 

Complementary color

CMYK 72 / 27 / 0 / 48

HEX #256084

RGB 37 96 132

HSL 202.74, 0.56%, 0.33%

LAB 38.59, -6.49, -25.6

 

CMYK 0 / 29 / 47 / 13

HEX #DF9F76

RGB 223 159 118

HSL 23.43, 0.62%, 0.67%

LAB 70.73, 19.02, 30.81

 

CMYK 0 / 26 / 43 / 6

HEX #F0B189

RGB 240 177 137

HSL 23.3, 0.77%, 0.74%

LAB 77.15, 18.1, 29.45

 

CMYK 0 / 24 / 39 / 0

HEX #FFC39C

RGB 255 195 156

HSL 23.64, 1%, 0.81%

LAB 83.28, 16.52, 27.89

 

CMYK 0 / 16 / 31 / 0

HEX #FFD5AF

RGB 255 213 175

HSL 28.5, 1%, 0.84%

LAB 87.94, 9.39, 24.29

 

CMYK 0 / 9 / 24 / 0

HEX #FFE7C2

RGB 255 231 194

HSL 36.39, 1%, 0.88%

LAB 92.71, 2.63, 21.01

 

CMYK 0 / 27 / 44 / 15

HEX #DA9F7B

RGB 218 159 123

HSL 22.74, 0.56%, 0.67%

LAB 70.27, 17.53, 27.4

 

CMYK 0 / 30 / 48 / 21

HEX #C98D68

RGB 201 141 104

HSL 22.89, 0.47%, 0.6%

LAB 63.73, 18.48, 28.8

 

CMYK 0 / 33 / 54 / 28

HEX #B87B55

RGB 184 123 85

HSL 23.03, 0.41%, 0.53%

LAB 57.09, 19.59, 30.34

 

CMYK 0 / 37 / 60 / 35

HEX #A76942

RGB 167 105 66

HSL 23.17, 0.43%, 0.46%

LAB 50.35, 20.88, 32.02

 

CMYK 0 / 42 / 69 / 41

HEX #96572F

RGB 150 87 47

HSL 23.3, 0.52%, 0.39%

LAB 43.52, 22.39, 33.84

 

CMYK 0 / 27 / 43 / 15

HEX #DA9F7C

RGB 218 159 124

HSL 22.34, 0.56%, 0.67%

LAB 70.29, 17.63, 26.88

 

CMYK 0 / 39 / 43 / 15

HEX #DA867C

RGB 218 134 124

HSL 6.38, 0.56%, 0.67%

LAB 64.49, 31.08, 19.06

 

CMYK 0 / 43 / 43 / 15

HEX #DA7C7C

RGB 218 124 124

HSL 0, 0.56%, 0.67%

LAB 62.32, 36.36, 16.07

 

CMYK 0 / 27 / 43 / 15

HEX #DA9F7C

RGB 218 159 124

HSL 22.34, 0.56%, 0.67%

LAB 70.29, 17.63, 26.88

 

CMYK 0 / 15 / 43 / 15

HEX #DAB97C

RGB 218 185 124

HSL 38.94, 0.56%, 0.67%

LAB 76.71, 3.73, 35.31

 

CMYK 0 / 4 / 43 / 15

HEX #DAD27C

RGB 218 210 124

HSL 54.89, 0.56%, 0.67%

LAB 83.15, -9.23, 43.48

 

CMYK 8 / 0 / 43 / 15

HEX #C8DA7C

RGB 200 218 124

HSL 71.49, 0.56%, 0.67%

LAB 83.9, -20.29, 44.12

 

CMYK 20 / 0 / 43 / 15

HEX #AFDA7C

RGB 175 218 124

HSL 87.45, 0.56%, 0.67%

LAB 82.22, -29.71, 41.65

 

CMYK 0 / 27 / 43 / 15

HEX #DA9F7C

RGB 218 159 124

HSL 22.34, 0.56%, 0.67%

LAB 70.29, 17.63, 26.88

 

CMYK 0 / 33 / 53 / 9

HEX #E89C6E

RGB 232 156 110

HSL 22.62, 0.73%, 0.67%

LAB 70.91, 23.5, 35.51

 

CMYK 0 / 38 / 61 / 4

HEX #F59960

RGB 245 153 96

HSL 22.95, 0.88%, 0.67%

LAB 71.58, 29.21, 43.99

 

CMYK 0 / 27 / 43 / 15

HEX #DA9F7C

RGB 218 159 124

HSL 22.34, 0.56%, 0.67%

LAB 70.29, 17.63, 26.88

 

CMYK 0 / 20 / 33 / 20

HEX #CCA389

RGB 204 163 137

HSL 23.28, 0.4%, 0.67%

LAB 70.06, 11.43, 19.25

 

CMYK 0 / 13 / 21 / 25

HEX #BFA697

RGB 191 166 151

HSL 22.5, 0.24%, 0.67%

LAB 69.88, 6.71, 11.11

 

CMYK 0 / 5 / 7 / 31

HEX #B1A9A5

RGB 177 169 165

HSL 20, 0.07%, 0.67%

LAB 69.78, 2.15, 3.08

 

CMYK 8 / 3 / 0 / 30

HEX #A4ADB2

RGB 164 173 178

HSL 201.43, 0.08%, 0.67%

LAB 70.17, -2.16, -3.66

 

CMYK 0 / 43 / 36 / 15

HEX #DA7C8B

RGB 218 124 139

HSL 350.43, 0.56%, 0.67%

LAB 62.66, 38.05, 8

 

CMYK 0 / 39 / 43 / 15

HEX #DA857C

RGB 218 133 124

HSL 5.74, 0.56%, 0.67%

LAB 64.27, 31.61, 18.76

 

CMYK 0 / 28 / 43 / 15

HEX #DA9E7C

RGB 218 158 124

HSL 21.7, 0.56%, 0.67%

LAB 70.05, 18.17, 26.57

 

CMYK 0 / 16 / 43 / 15

HEX #DAB77C

RGB 218 183 124

HSL 37.66, 0.56%, 0.67%

LAB 76.21, 4.79, 34.65

 

CMYK 0 / 4 / 43 / 15

HEX #DAD17C

RGB 218 209 124

HSL 54.26, 0.56%, 0.67%

LAB 82.89, -8.72, 43.15

 

CMYK 0 / 44 / 71 / 22

HEX #C8713B

RGB 200 113 59

HSL 22.98, 0.56%, 0.51%

LAB 56.49, 29.9, 43.96

 

CMYK 0 / 35 / 56 / 18

HEX #D1885C

RGB 209 136 92

HSL 22.56, 0.56%, 0.59%

LAB 63.29, 23.41, 34.96

 

CMYK 0 / 27 / 43 / 15

HEX #DA9F7C

RGB 218 159 124

HSL 22.34, 0.56%, 0.67%

LAB 70.29, 17.63, 26.88

 

CMYK 0 / 19 / 31 / 11

HEX #E3B79C

RGB 227 183 156

HSL 22.82, 0.56%, 0.75%

LAB 77.64, 12.07, 19.74

 

CMYK 0 / 13 / 20 / 7

HEX #ECCEBC

RGB 236 206 188

HSL 22.5, 0.56%, 0.83%

LAB 84.8, 7.72, 12.81

 

CMYK 0 / 27 / 44 / 15

HEX #DA9F7B

RGB 218 159 123

HSL 22.74, 0.56%, 0.67%

LAB 70.27, 17.53, 27.4

 

CMYK 24 / 0 / 43 / 15

HEX #A5DA7C

RGB 165 218 124

HSL 93.83, 0.56%, 0.67%

LAB 81.62, -33.32, 40.76

 

CMYK 43 / 42 / 0 / 15

HEX #7C7FDA

RGB 124 127 218

HSL 238.09, 0.56%, 0.67%

LAB 56.61, 21.91, -47.06

 

CMYK 0 / 27 / 44 / 15

HEX #DA9F7B

RGB 218 159 123

HSL 22.74, 0.56%, 0.67%

LAB 70.27, 17.53, 27.4

 

CMYK 43 / 0 / 28 / 15

HEX #7CDA9E

RGB 124 218 158

HSL 141.7, 0.56%, 0.67%

LAB 80.12, -41.02, 21.02

 

CMYK 28 / 43 / 0 / 15

HEX #9E7CDA

RGB 158 124 218

HSL 261.7, 0.56%, 0.67%

LAB 58.74, 32.66, -43.51

 

CMYK 0 / 27 / 44 / 15

HEX #DA9F7B

RGB 218 159 123

HSL 22.74, 0.56%, 0.67%

LAB 70.27, 17.53, 27.4

 

CMYK 24 / 0 / 43 / 15

HEX #A5DA7C

RGB 165 218 124

HSL 93.83, 0.56%, 0.67%

LAB 81.62, -33.32, 40.76

 

CMYK 43 / 16 / 0 / 15

HEX #7CB7DA

RGB 124 183 218

HSL 202.34, 0.56%, 0.67%

LAB 71.7, -10, -23.58

 

CMYK 19 / 43 / 0 / 15

HEX #B17CDA

RGB 177 124 218

HSL 273.83, 0.56%, 0.67%

LAB 60.63, 38.04, -40.41

 

CMYK 0 / 27 / 44 / 15

HEX #DA9F7B

RGB 218 159 123

HSL 22.74, 0.56%, 0.67%

LAB 70.27, 17.53, 27.4

 

CMYK 38 / 0 / 43 / 15

HEX #88DA7C

RGB 136 218 124

HSL 112.34, 0.56%, 0.67%

LAB 80.09, -43.05, 38.5

 

CMYK 43 / 16 / 0 / 15

HEX #7CB7DA

RGB 124 183 218

HSL 202.34, 0.56%, 0.67%

LAB 71.7, -10, -23.58

 

CMYK 6 / 43 / 0 / 15

HEX #CD7CDA

RGB 205 124 218

HSL 291.7, 0.56%, 0.67%

LAB 63.72, 46.2, -35.35

 

Description

Color code: HEX #DA9F7B | qconv.com Color code: HEX #DA9F7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 159 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 159 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 44 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 44% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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