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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA9F76 it is the complementary color #256089. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA9F76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA9F76 shade: #DF9F71, #F0B184, #FFC397, #FFD5AA and #FFE7BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA9F76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA9F76 shade: #DA9F76, #C98D63, #B87B50, #A7693D and #96572A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA9F76 shade: #D99F76, #D98476 and #D97676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA9F76 shade: #D99F76, #D9BA76, #D9D476, #C4D976 and #A9D976

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA9F76 shade matches the following richer shades: #D99F76, #E79C68 and #F59A5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA9F76 shade: #D99F76, #CBA184, #BDA492, #AFA6A0 and #A1A9AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA9F76 shade: #D97684, #D98476, #D99E76, #D9B876 and #D9D376

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA9F76 shade: #C77236, #D08856, #D99F76, #E2B697 and #EBCCB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA9F76 shade: #DA9F76, #9ED976 and #7676D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA9F76 shade: #DA9F76, #76D99E and #9E76D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA9F76 shade: #DA9F76, #9ED976, #76B2D9 and #B276D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA9F76 shade: #DA9F76, #80D976, #76B2D9 and #CF76D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 46 / 15

HEX #DA9F76

RGB 218 159 118

HSL 24.6, 0.57%, 0.66%

LAB 70.18, 17.01, 29.99

 

Complementary color

CMYK 73 / 30 / 0 / 46

HEX #256089

RGB 37 96 137

HSL 204.6, 0.57%, 0.34%

LAB 38.84, -4.65, -28.26

 

CMYK 0 / 29 / 49 / 13

HEX #DF9F71

RGB 223 159 113

HSL 25.09, 0.63%, 0.66%

LAB 70.65, 18.54, 33.38

 

CMYK 0 / 26 / 45 / 6

HEX #F0B184

RGB 240 177 132

HSL 25, 0.78%, 0.73%

LAB 77.06, 17.59, 31.99

 

CMYK 0 / 24 / 41 / 0

HEX #FFC397

RGB 255 195 151

HSL 25.38, 1%, 0.8%

LAB 83.19, 15.97, 30.39

 

CMYK 0 / 16 / 33 / 0

HEX #FFD5AA

RGB 255 213 170

HSL 30.35, 1%, 0.83%

LAB 87.85, 8.78, 26.76

 

CMYK 0 / 9 / 26 / 0

HEX #FFE7BD

RGB 255 231 189

HSL 38.18, 1%, 0.87%

LAB 92.61, 1.95, 23.45

 

CMYK 0 / 27 / 46 / 15

HEX #DA9F76

RGB 218 159 118

HSL 24.6, 0.57%, 0.66%

LAB 70.18, 17.01, 29.99

 

CMYK 0 / 30 / 51 / 21

HEX #C98D63

RGB 201 141 99

HSL 24.71, 0.49%, 0.59%

LAB 63.65, 18.01, 31.43

 

CMYK 0 / 33 / 57 / 28

HEX #B87B50

RGB 184 123 80

HSL 24.81, 0.42%, 0.52%

LAB 57.01, 19.16, 32.99

 

CMYK 0 / 37 / 63 / 35

HEX #A7693D

RGB 167 105 61

HSL 24.91, 0.46%, 0.45%

LAB 50.28, 20.51, 34.68

 

CMYK 0 / 42 / 72 / 41

HEX #96572A

RGB 150 87 42

HSL 25, 0.56%, 0.38%

LAB 43.46, 22.09, 36.45

 

CMYK 0 / 27 / 46 / 15

HEX #D99F76

RGB 217 159 118

HSL 24.85, 0.57%, 0.66%

LAB 70.07, 16.61, 29.83

 

CMYK 0 / 39 / 46 / 15

HEX #D98476

RGB 217 132 118

HSL 8.48, 0.57%, 0.66%

LAB 63.8, 31.13, 21.48

 

CMYK 0 / 46 / 46 / 15

HEX #D97676

RGB 217 118 118

HSL 0, 0.57%, 0.66%

LAB 60.8, 38.5, 17.37

 

CMYK 0 / 27 / 46 / 15

HEX #D99F76

RGB 217 159 118

HSL 24.85, 0.57%, 0.66%

LAB 70.07, 16.61, 29.83

 

CMYK 0 / 14 / 46 / 15

HEX #D9BA76

RGB 217 186 118

HSL 41.21, 0.57%, 0.66%

LAB 76.79, 2.18, 38.48

 

CMYK 0 / 2 / 46 / 15

HEX #D9D476

RGB 217 212 118

HSL 56.97, 0.57%, 0.66%

LAB 83.52, -11.23, 46.86

 

CMYK 10 / 0 / 46 / 15

HEX #C4D976

RGB 196 217 118

HSL 72.73, 0.57%, 0.66%

LAB 83.27, -21.98, 46.19

 

CMYK 22 / 0 / 46 / 15

HEX #A9D976

RGB 169 217 118

HSL 89.09, 0.57%, 0.66%

LAB 81.49, -32.14, 43.61

 

CMYK 0 / 27 / 46 / 15

HEX #D99F76

RGB 217 159 118

HSL 24.85, 0.57%, 0.66%

LAB 70.07, 16.61, 29.83

 

CMYK 0 / 32 / 55 / 9

HEX #E79C68

RGB 231 156 104

HSL 24.57, 0.73%, 0.66%

LAB 70.71, 22.6, 38.4

 

CMYK 0 / 37 / 63 / 4

HEX #F59A5A

RGB 245 154 90

HSL 24.77, 0.89%, 0.66%

LAB 71.73, 28.3, 47.21

 

CMYK 0 / 27 / 46 / 15

HEX #D99F76

RGB 217 159 118

HSL 24.85, 0.57%, 0.66%

LAB 70.07, 16.61, 29.83

 

CMYK 0 / 21 / 35 / 20

HEX #CBA184

RGB 203 161 132

HSL 24.51, 0.41%, 0.66%

LAB 69.36, 11.49, 21.01

 

CMYK 0 / 13 / 23 / 26

HEX #BDA492

RGB 189 164 146

HSL 25.12, 0.25%, 0.66%

LAB 69.07, 6.28, 12.7

 

CMYK 0 / 5 / 9 / 31

HEX #AFA6A0

RGB 175 166 160

HSL 24, 0.09%, 0.66%

LAB 68.7, 2.17, 4.25

 

CMYK 7 / 3 / 0 / 32

HEX #A1A9AE

RGB 161 169 174

HSL 203.08, 0.07%, 0.66%

LAB 68.76, -1.82, -3.55

 

CMYK 0 / 46 / 39 / 15

HEX #D97684

RGB 217 118 132

HSL 351.52, 0.57%, 0.66%

LAB 61.11, 39.99, 9.78

 

CMYK 0 / 39 / 46 / 15

HEX #D98476

RGB 217 132 118

HSL 8.48, 0.57%, 0.66%

LAB 63.8, 31.13, 21.48

 

CMYK 0 / 27 / 46 / 15

HEX #D99E76

RGB 217 158 118

HSL 24.24, 0.57%, 0.66%

LAB 69.83, 17.15, 29.51

 

CMYK 0 / 15 / 46 / 15

HEX #D9B876

RGB 217 184 118

HSL 40, 0.57%, 0.66%

LAB 76.28, 3.24, 37.83

 

CMYK 0 / 3 / 46 / 15

HEX #D9D376

RGB 217 211 118

HSL 56.36, 0.57%, 0.66%

LAB 83.26, -10.72, 46.54

 

CMYK 0 / 43 / 73 / 22

HEX #C77236

RGB 199 114 54

HSL 24.83, 0.57%, 0.5%

LAB 56.53, 28.7, 46.43

 

CMYK 0 / 35 / 59 / 18

HEX #D08856

RGB 208 136 86

HSL 24.59, 0.56%, 0.58%

LAB 63.09, 22.53, 37.88

 

CMYK 0 / 27 / 46 / 15

HEX #D99F76

RGB 217 159 118

HSL 24.85, 0.57%, 0.66%

LAB 70.07, 16.61, 29.83

 

CMYK 0 / 19 / 33 / 11

HEX #E2B697

RGB 226 182 151

HSL 24.8, 0.56%, 0.74%

LAB 77.2, 11.58, 21.8

 

CMYK 0 / 13 / 22 / 8

HEX #EBCCB7

RGB 235 204 183

HSL 24.23, 0.57%, 0.82%

LAB 84.1, 7.67, 14.47

 

CMYK 0 / 27 / 46 / 15

HEX #DA9F76

RGB 218 159 118

HSL 24.6, 0.57%, 0.66%

LAB 70.18, 17.01, 29.99

 

CMYK 27 / 0 / 46 / 15

HEX #9ED976

RGB 158 217 118

HSL 95.76, 0.57%, 0.66%

LAB 80.85, -36.07, 42.67

 

CMYK 46 / 46 / 0 / 15

HEX #7676D9

RGB 118 118 217

HSL 240, 0.57%, 0.66%

LAB 53.83, 25.53, -50.94

 

CMYK 0 / 27 / 46 / 15

HEX #DA9F76

RGB 218 159 118

HSL 24.6, 0.57%, 0.66%

LAB 70.18, 17.01, 29.99

 

CMYK 46 / 0 / 27 / 15

HEX #76D99E

RGB 118 217 158

HSL 144.24, 0.57%, 0.66%

LAB 79.58, -42.19, 20.23

 

CMYK 27 / 46 / 0 / 15

HEX #9E76D9

RGB 158 118 217

HSL 264.24, 0.57%, 0.66%

LAB 57.3, 35.82, -45.21

 

CMYK 0 / 27 / 46 / 15

HEX #DA9F76

RGB 218 159 118

HSL 24.6, 0.57%, 0.66%

LAB 70.18, 17.01, 29.99

 

CMYK 27 / 0 / 46 / 15

HEX #9ED976

RGB 158 217 118

HSL 95.76, 0.57%, 0.66%

LAB 80.85, -36.07, 42.67

 

CMYK 46 / 18 / 0 / 15

HEX #76B2D9

RGB 118 178 217

HSL 203.64, 0.57%, 0.66%

LAB 69.97, -9.06, -25.71

 

CMYK 18 / 46 / 0 / 15

HEX #B276D9

RGB 178 118 217

HSL 276.36, 0.57%, 0.66%

LAB 59.37, 41.39, -41.81

 

CMYK 0 / 27 / 46 / 15

HEX #DA9F76

RGB 218 159 118

HSL 24.6, 0.57%, 0.66%

LAB 70.18, 17.01, 29.99

 

CMYK 41 / 0 / 46 / 15

HEX #80D976

RGB 128 217 118

HSL 113.94, 0.57%, 0.66%

LAB 79.34, -45.92, 40.45

 

CMYK 46 / 18 / 0 / 15

HEX #76B2D9

RGB 118 178 217

HSL 203.64, 0.57%, 0.66%

LAB 69.97, -9.06, -25.71

 

CMYK 5 / 46 / 0 / 15

HEX #CF76D9

RGB 207 118 217

HSL 293.94, 0.57%, 0.66%

LAB 62.7, 49.69, -36.36

 

Description

Color code: HEX #DA9F76 | qconv.com Color code: HEX #DA9F76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 159 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 159 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 46 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 46% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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