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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA9EB2 it is the complementary color #25614D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA9EB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA9EB2 shade: #DF9EAD, #F0B0C0, #FFC2D3, #FFD4E6 and #FFE6F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA9EB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA9EB2 shade: #DA9EB2, #C98C9F, #B87A8C, #A76879 and #965666

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA9EB2 shade: #DA9EB2, #DA9EA2 and #DA9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA9EB2 shade: #DA9EB2, #DA9EC2, #DA9ED2, #D29EDA and #C19EDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA9EB2 shade matches the following richer shades: #DA9EB2, #E594AF, #EF89AB and #FA7EA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA9EB2 shade: #DA9EB2, #CFA9B6, #C5B4B9, #BABFBD and #AFC9C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA9EB2 shade: #DA9ED2, #DA9EC2, #DA9EB2, #DA9EA2 and #DAAA9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA9EB2 shade: #C36383, #CF809B, #DA9EB2, #E5BCCA and #F1DAE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA9EB2 shade: #DA9EB2, #DAD29E and #9ECADA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA9EB2 shade: #DA9EB2, #B2DA9E and #9EB2DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA9EB2 shade: #DA9EB2, #DAD29E, #9EDAC6 and #9EA6DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA9EB2 shade: #DA9EB2, #D0DA9E, #9EDAC6 and #A89EDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 18 / 15

HEX #DA9EB2

RGB 218 158 178

HSL 340, 0.45%, 0.74%

LAB 71.26, 25.26, -1.49

 

Complementary color

CMYK 62 / 0 / 21 / 62

HEX #25614D

RGB 37 97 77

HSL 160, 0.45%, 0.26%

LAB 36.89, -24.8, 5.66

 

CMYK 0 / 29 / 22 / 13

HEX #DF9EAD

RGB 223 158 173

HSL 346.15, 0.5%, 0.75%

LAB 71.66, 26.31, 1.93

 

CMYK 0 / 27 / 20 / 6

HEX #F0B0C0

RGB 240 176 192

HSL 345, 0.68%, 0.82%

LAB 78.1, 25.63, 1.09

 

CMYK 0 / 24 / 17 / 0

HEX #FFC2D3

RGB 255 194 211

HSL 343.28, 1%, 0.88%

LAB 84.25, 24.29, 0

 

CMYK 0 / 17 / 10 / 0

HEX #FFD4E6

RGB 255 212 230

HSL 334.88, 1%, 0.92%

LAB 88.95, 17.87, -3.2

 

CMYK 0 / 10 / 2 / 0

HEX #FFE6F9

RGB 255 230 249

HSL 314.4, 1%, 0.95%

LAB 93.75, 11.73, -6.09

 

CMYK 0 / 28 / 18 / 15

HEX #DA9EB2

RGB 218 158 178

HSL 340, 0.45%, 0.74%

LAB 71.26, 25.26, -1.49

 

CMYK 0 / 30 / 21 / 21

HEX #C98C9F

RGB 201 140 159

HSL 341.31, 0.36%, 0.67%

LAB 64.71, 25.96, -0.68

 

CMYK 0 / 34 / 24 / 28

HEX #B87A8C

RGB 184 122 140

HSL 342.58, 0.3%, 0.6%

LAB 58.04, 26.73, 0.21

 

CMYK 0 / 38 / 28 / 35

HEX #A76879

RGB 167 104 121

HSL 343.81, 0.26%, 0.53%

LAB 51.26, 27.58, 1.21

 

CMYK 0 / 43 / 32 / 41

HEX #965666

RGB 150 86 102

HSL 345, 0.27%, 0.46%

LAB 44.37, 28.5, 2.37

 

CMYK 0 / 28 / 18 / 15

HEX #DA9EB2

RGB 218 158 178

HSL 340, 0.45%, 0.74%

LAB 71.26, 25.26, -1.49

 

CMYK 0 / 28 / 26 / 15

HEX #DA9EA2

RGB 218 158 162

HSL 356, 0.45%, 0.74%

LAB 70.85, 22.89, 6.77

 

CMYK 0 / 28 / 28 / 15

HEX #DA9E9E

RGB 218 158 158

HSL 0, 0.45%, 0.74%

LAB 70.75, 22.33, 8.85

 

CMYK 0 / 28 / 18 / 15

HEX #DA9EB2

RGB 218 158 178

HSL 340, 0.45%, 0.74%

LAB 71.26, 25.26, -1.49

 

CMYK 0 / 28 / 11 / 15

HEX #DA9EC2

RGB 218 158 194

HSL 324, 0.45%, 0.74%

LAB 71.73, 27.84, -9.66

 

CMYK 0 / 28 / 4 / 15

HEX #DA9ED2

RGB 218 158 210

HSL 308, 0.45%, 0.74%

LAB 72.24, 30.62, -17.71

 

CMYK 4 / 28 / 0 / 15

HEX #D29EDA

RGB 210 158 218

HSL 292, 0.45%, 0.74%

LAB 71.7, 29.49, -23

 

CMYK 11 / 28 / 0 / 15

HEX #C19EDA

RGB 193 158 218

HSL 275, 0.45%, 0.74%

LAB 70.07, 24.03, -25.63

 

CMYK 0 / 28 / 18 / 15

HEX #DA9EB2

RGB 218 158 178

HSL 340, 0.45%, 0.74%

LAB 71.26, 25.26, -1.49

 

CMYK 0 / 35 / 24 / 10

HEX #E594AF

RGB 229 148 175

HSL 340, 0.61%, 0.74%

LAB 70.13, 34.1, -1.34

 

CMYK 0 / 43 / 28 / 6

HEX #EF89AB

RGB 239 137 171

HSL 340, 0.76%, 0.74%

LAB 68.88, 42.78, -0.79

 

CMYK 0 / 50 / 33 / 2

HEX #FA7EA8

RGB 250 126 168

HSL 339.68, 0.93%, 0.74%

LAB 68.07, 51.61, -0.11

 

CMYK 0 / 28 / 18 / 15

HEX #DA9EB2

RGB 218 158 178

HSL 340, 0.45%, 0.74%

LAB 71.26, 25.26, -1.49

 

CMYK 0 / 18 / 12 / 19

HEX #CFA9B6

RGB 207 169 182

HSL 339.47, 0.28%, 0.74%

LAB 72.9, 15.97, -1.42

 

CMYK 0 / 9 / 6 / 23

HEX #C5B4B9

RGB 197 180 185

HSL 342.35, 0.13%, 0.74%

LAB 74.83, 6.93, -0.35

 

CMYK 3 / 0 / 1 / 25

HEX #BABFBD

RGB 186 191 189

HSL 156, 0.04%, 0.74%

LAB 76.91, -2.1, 0.39

 

CMYK 13 / 0 / 4 / 21

HEX #AFC9C1

RGB 175 201 193

HSL 161.54, 0.19%, 0.74%

LAB 78.89, -10.31, 1.03

 

CMYK 0 / 28 / 4 / 15

HEX #DA9ED2

RGB 218 158 210

HSL 308, 0.45%, 0.74%

LAB 72.24, 30.62, -17.71

 

CMYK 0 / 28 / 11 / 15

HEX #DA9EC2

RGB 218 158 194

HSL 324, 0.45%, 0.74%

LAB 71.73, 27.84, -9.66

 

CMYK 0 / 28 / 18 / 15

HEX #DA9EB2

RGB 218 158 178

HSL 340, 0.45%, 0.74%

LAB 71.26, 25.26, -1.49

 

CMYK 0 / 28 / 26 / 15

HEX #DA9EA2

RGB 218 158 162

HSL 356, 0.45%, 0.74%

LAB 70.85, 22.89, 6.77

 

CMYK 0 / 22 / 28 / 15

HEX #DAAA9E

RGB 218 170 158

HSL 12, 0.45%, 0.74%

LAB 73.63, 15.85, 12.92

 

CMYK 0 / 49 / 33 / 24

HEX #C36383

RGB 195 99 131

HSL 340, 0.44%, 0.58%

LAB 54.2, 41.82, 0.03

 

CMYK 0 / 38 / 25 / 19

HEX #CF809B

RGB 207 128 155

HSL 339.49, 0.45%, 0.66%

LAB 62.57, 34.06, -1.46

 

CMYK 0 / 28 / 18 / 15

HEX #DA9EB2

RGB 218 158 178

HSL 340, 0.45%, 0.74%

LAB 71.26, 25.26, -1.49

 

CMYK 0 / 18 / 12 / 10

HEX #E5BCCA

RGB 229 188 202

HSL 339.51, 0.44%, 0.82%

LAB 80.12, 16.89, -1.5

 

CMYK 0 / 10 / 6 / 5

HEX #F1DAE2

RGB 241 218 226

HSL 339.13, 0.45%, 0.9%

LAB 89.08, 9.26, -1.04

 

CMYK 0 / 28 / 18 / 15

HEX #DA9EB2

RGB 218 158 178

HSL 340, 0.45%, 0.74%

LAB 71.26, 25.26, -1.49

 

CMYK 0 / 4 / 28 / 15

HEX #DAD29E

RGB 218 210 158

HSL 52, 0.45%, 0.74%

LAB 83.69, -5.27, 26.83

 

CMYK 28 / 7 / 0 / 15

HEX #9ECADA

RGB 158 202 218

HSL 196, 0.45%, 0.74%

LAB 78.79, -10.77, -12.67

 

CMYK 0 / 28 / 18 / 15

HEX #DA9EB2

RGB 218 158 178

HSL 340, 0.45%, 0.74%

LAB 71.26, 25.26, -1.49

 

CMYK 18 / 0 / 28 / 15

HEX #B2DA9E

RGB 178 218 158

HSL 100, 0.45%, 0.74%

LAB 82.95, -23.97, 25.35

 

CMYK 28 / 18 / 0 / 15

HEX #9EB2DA

RGB 158 178 218

HSL 220, 0.45%, 0.74%

LAB 72.34, 2.08, -22.41

 

CMYK 0 / 28 / 18 / 15

HEX #DA9EB2

RGB 218 158 178

HSL 340, 0.45%, 0.74%

LAB 71.26, 25.26, -1.49

 

CMYK 0 / 4 / 28 / 15

HEX #DAD29E

RGB 218 210 158

HSL 52, 0.45%, 0.74%

LAB 83.69, -5.27, 26.83

 

CMYK 28 / 0 / 9 / 15

HEX #9EDAC6

RGB 158 218 198

HSL 160, 0.45%, 0.74%

LAB 82.64, -23.27, 3.68

 

CMYK 28 / 24 / 0 / 15

HEX #9EA6DA

RGB 158 166 218

HSL 232, 0.45%, 0.74%

LAB 69.19, 8.73, -27.24

 

CMYK 0 / 28 / 18 / 15

HEX #DA9EB2

RGB 218 158 178

HSL 340, 0.45%, 0.74%

LAB 71.26, 25.26, -1.49

 

CMYK 5 / 0 / 28 / 15

HEX #D0DA9E

RGB 208 218 158

HSL 70, 0.45%, 0.74%

LAB 85.01, -13.1, 28.48

 

CMYK 28 / 0 / 9 / 15

HEX #9EDAC6

RGB 158 218 198

HSL 160, 0.45%, 0.74%

LAB 82.64, -23.27, 3.68

 

CMYK 23 / 28 / 0 / 15

HEX #A89EDA

RGB 168 158 218

HSL 250, 0.45%, 0.74%

LAB 67.9, 16.23, -29.15

 

Description

Color code: HEX #DA9EB2 | qconv.com Color code: HEX #DA9EB2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 158 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 158 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 18 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 18% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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