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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA9D4E it is the complementary color #2562B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA9D4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA9D4E shade: #DF9D49, #F0AF5C, #FFC16F, #FFD382 and #FFE595

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA9D4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA9D4E shade: #DA9D4E, #C98B3B, #B87928, #A76715 and #965502

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA9D4E shade: #DA9D4E, #DA774E, #DA524E and #DA4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA9D4E shade: #DA9D4E, #DAC24E, #CBDA4E, #A6DA4E and #80DA4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA9D4E shade matches the following richer shades: #DA9D4E, #EB9F3D and #FCA12C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA9D4E shade: #DA9D4E, #C89B60, #B79871, #A69682 and #949494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA9D4E shade: #DA514E, #DA764E, #DA9B4E, #DAC04E and #CEDA4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA9D4E shade: #B07425, #D28A2D, #DA9D4E, #E1B070 and #E8C392

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA9D4E shade: #DA9D4E, #71DA4E and #634EDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA9D4E shade: #DA9D4E, #4EDA9B and #9B4EDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA9D4E shade: #DA9D4E, #71DA4E, #4E8DDA and #B74EDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA9D4E shade: #DA9D4E, #4EDA55, #4E8DDA and #DA4ED3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 64 / 15

HEX #DA9D4E

RGB 218 157 78

HSL 33.86, 0.65%, 0.58%

LAB 69.16, 14.8, 49.33

 

Complementary color

CMYK 79 / 45 / 0 / 31

HEX #2562B1

RGB 37 98 177

HSL 213.86, 0.65%, 0.42%

LAB 41.69, 9.37, -47.58

 

CMYK 0 / 30 / 67 / 13

HEX #DF9D49

RGB 223 157 73

HSL 33.6, 0.7%, 0.58%

LAB 69.67, 16.61, 52.42

 

CMYK 0 / 27 / 62 / 6

HEX #F0AF5C

RGB 240 175 92

HSL 33.65, 0.83%, 0.65%

LAB 76.04, 15.31, 51.08

 

CMYK 0 / 24 / 56 / 0

HEX #FFC16F

RGB 255 193 111

HSL 34.17, 1%, 0.72%

LAB 82.13, 13.37, 49.41

 

CMYK 0 / 17 / 49 / 0

HEX #FFD382

RGB 255 211 130

HSL 38.88, 1%, 0.75%

LAB 86.73, 5.62, 45.67

 

CMYK 0 / 10 / 42 / 0

HEX #FFE595

RGB 255 229 149

HSL 45.28, 1%, 0.79%

LAB 91.45, -1.74, 42.21

 

CMYK 0 / 28 / 64 / 15

HEX #DA9D4E

RGB 218 157 78

HSL 33.86, 0.65%, 0.58%

LAB 69.16, 14.8, 49.33

 

CMYK 0 / 31 / 71 / 21

HEX #C98B3B

RGB 201 139 59

HSL 33.8, 0.57%, 0.51%

LAB 62.67, 16.2, 50.63

 

CMYK 0 / 34 / 78 / 28

HEX #B87928

RGB 184 121 40

HSL 33.75, 0.64%, 0.44%

LAB 56.11, 17.83, 51.66

 

CMYK 0 / 38 / 87 / 35

HEX #A76715

RGB 167 103 21

HSL 33.7, 0.78%, 0.37%

LAB 49.46, 19.74, 51.95

 

CMYK 0 / 43 / 99 / 41

HEX #965502

RGB 150 85 2

HSL 33.65, 0.97%, 0.3%

LAB 42.74, 21.94, 51.01

 

CMYK 0 / 28 / 64 / 15

HEX #DA9D4E

RGB 218 157 78

HSL 33.86, 0.65%, 0.58%

LAB 69.16, 14.8, 49.33

 

CMYK 0 / 45 / 64 / 15

HEX #DA774E

RGB 218 119 78

HSL 17.57, 0.65%, 0.58%

LAB 60.47, 35.09, 39.28

 

CMYK 0 / 62 / 64 / 15

HEX #DA524E

RGB 218 82 78

HSL 1.71, 0.65%, 0.58%

LAB 53.48, 53.01, 30.78

 

CMYK 0 / 64 / 64 / 15

HEX #DA4E4E

RGB 218 78 78

HSL 0, 0.65%, 0.58%

LAB 52.84, 54.72, 29.98

 

CMYK 0 / 28 / 64 / 15

HEX #DA9D4E

RGB 218 157 78

HSL 33.86, 0.65%, 0.58%

LAB 69.16, 14.8, 49.33

 

CMYK 0 / 11 / 64 / 15

HEX #DAC24E

RGB 218 194 78

HSL 49.71, 0.65%, 0.58%

LAB 78.48, -4.77, 59.55

 

CMYK 7 / 0 / 64 / 15

HEX #CBDA4E

RGB 203 218 78

HSL 66.43, 0.65%, 0.58%

LAB 83.65, -23.01, 64.64

 

CMYK 24 / 0 / 64 / 15

HEX #A6DA4E

RGB 166 218 78

HSL 82.29, 0.65%, 0.58%

LAB 81.18, -37.53, 61.28

 

CMYK 41 / 0 / 64 / 15

HEX #80DA4E

RGB 128 218 78

HSL 98.57, 0.65%, 0.58%

LAB 79.2, -50.79, 58.57

 

CMYK 0 / 28 / 64 / 15

HEX #DA9D4E

RGB 218 157 78

HSL 33.86, 0.65%, 0.58%

LAB 69.16, 14.8, 49.33

 

CMYK 0 / 32 / 74 / 8

HEX #EB9F3D

RGB 235 159 61

HSL 33.79, 0.81%, 0.58%

LAB 71.42, 20, 59.97

 

CMYK 0 / 36 / 83 / 1

HEX #FCA12C

RGB 252 161 44

HSL 33.75, 0.97%, 0.58%

LAB 73.78, 25.44, 69.25

 

CMYK 0 / 28 / 64 / 15

HEX #DA9D4E

RGB 218 157 78

HSL 33.86, 0.65%, 0.58%

LAB 69.16, 14.8, 49.33

 

CMYK 0 / 23 / 52 / 22

HEX #C89B60

RGB 200 155 96

HSL 34.04, 0.49%, 0.58%

LAB 66.95, 9.67, 37.17

 

CMYK 0 / 17 / 38 / 28

HEX #B79871

RGB 183 152 113

HSL 33.43, 0.33%, 0.58%

LAB 64.74, 6.02, 24.85

 

CMYK 0 / 10 / 22 / 35

HEX #A69682

RGB 166 150 130

HSL 33.33, 0.17%, 0.58%

LAB 62.95, 2.6, 12.7

 

CMYK 0 / 0 / 0 / 42

HEX #949494

RGB 148 148 148

HSL 0, 0%, 0.58%

LAB 61.32, 0, -0.01

 

CMYK 0 / 63 / 64 / 15

HEX #DA514E

RGB 218 81 78

HSL 1.29, 0.65%, 0.58%

LAB 53.32, 53.45, 30.58

 

CMYK 0 / 46 / 64 / 15

HEX #DA764E

RGB 218 118 78

HSL 17.14, 0.65%, 0.58%

LAB 60.26, 35.61, 39.03

 

CMYK 0 / 29 / 64 / 15

HEX #DA9B4E

RGB 218 155 78

HSL 33, 0.65%, 0.58%

LAB 68.68, 15.88, 48.79

 

CMYK 0 / 12 / 64 / 15

HEX #DAC04E

RGB 218 192 78

HSL 48.86, 0.65%, 0.58%

LAB 77.97, -3.73, 59

 

CMYK 6 / 0 / 64 / 15

HEX #CEDA4E

RGB 206 218 78

HSL 65.14, 0.65%, 0.58%

LAB 83.87, -21.79, 64.94

 

CMYK 0 / 34 / 79 / 31

HEX #B07425

RGB 176 116 37

HSL 34.1, 0.65%, 0.42%

LAB 53.87, 16.97, 50.42

 

CMYK 0 / 34 / 79 / 18

HEX #D28A2D

RGB 210 138 45

HSL 33.82, 0.65%, 0.5%

LAB 63.4, 20, 57.67

 

CMYK 0 / 28 / 64 / 15

HEX #DA9D4E

RGB 218 157 78

HSL 33.86, 0.65%, 0.58%

LAB 69.16, 14.8, 49.33

 

CMYK 0 / 22 / 50 / 12

HEX #E1B070

RGB 225 176 112

HSL 33.98, 0.65%, 0.66%

LAB 74.97, 10.18, 39.43

 

CMYK 0 / 16 / 37 / 9

HEX #E8C392

RGB 232 195 146

HSL 34.19, 0.65%, 0.74%

LAB 80.88, 6.45, 29.54

 

CMYK 0 / 28 / 64 / 15

HEX #DA9D4E

RGB 218 157 78

HSL 33.86, 0.65%, 0.58%

LAB 69.16, 14.8, 49.33

 

CMYK 48 / 0 / 64 / 15

HEX #71DA4E

RGB 113 218 78

HSL 105, 0.65%, 0.58%

LAB 78.58, -55.34, 57.71

 

CMYK 55 / 64 / 0 / 15

HEX #634EDA

RGB 99 78 218

HSL 249, 0.65%, 0.58%

LAB 43.01, 45.63, -69.04

 

CMYK 0 / 28 / 64 / 15

HEX #DA9D4E

RGB 218 157 78

HSL 33.86, 0.65%, 0.58%

LAB 69.16, 14.8, 49.33

 

CMYK 64 / 0 / 29 / 15

HEX #4EDA9B

RGB 78 218 155

HSL 153, 0.65%, 0.58%

LAB 78.54, -52.1, 20.16

 

CMYK 29 / 64 / 0 / 15

HEX #9B4EDA

RGB 155 78 218

HSL 273, 0.65%, 0.58%

LAB 48.86, 56.65, -59.28

 

CMYK 0 / 28 / 64 / 15

HEX #DA9D4E

RGB 218 157 78

HSL 33.86, 0.65%, 0.58%

LAB 69.16, 14.8, 49.33

 

CMYK 48 / 0 / 64 / 15

HEX #71DA4E

RGB 113 218 78

HSL 105, 0.65%, 0.58%

LAB 78.58, -55.34, 57.71

 

CMYK 64 / 35 / 0 / 15

HEX #4E8DDA

RGB 78 141 218

HSL 213, 0.65%, 0.58%

LAB 57.78, 3.7, -45.37

 

CMYK 16 / 64 / 0 / 15

HEX #B74EDA

RGB 183 78 218

HSL 285, 0.65%, 0.58%

LAB 52.48, 62.88, -53.26

 

CMYK 0 / 28 / 64 / 15

HEX #DA9D4E

RGB 218 157 78

HSL 33.86, 0.65%, 0.58%

LAB 69.16, 14.8, 49.33

 

CMYK 64 / 0 / 61 / 15

HEX #4EDA55

RGB 78 218 85

HSL 123, 0.65%, 0.58%

LAB 77.53, -63.27, 53.27

 

CMYK 64 / 35 / 0 / 15

HEX #4E8DDA

RGB 78 141 218

HSL 213, 0.65%, 0.58%

LAB 57.78, 3.7, -45.37

 

CMYK 0 / 64 / 3 / 15

HEX #DA4ED3

RGB 218 78 211

HSL 303, 0.65%, 0.58%

LAB 57.13, 69.79, -41.6

 

Description

Color code: HEX #DA9D4E | qconv.com Color code: HEX #DA9D4E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 157 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 157 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 64 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 64% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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