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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA9C9B it is the complementary color #256364. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA9C9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA9C9B shade: #DF9C96, #F0AEA9, #FFC0BC, #FFD2CF and #FFE4E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA9C9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA9C9B shade: #DA9C9B, #C98A88, #B87875, #A76662 and #96544F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA9C9B shade: #D99B9A and #D99A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA9C9B shade: #D99B9A, #D9AC9A, #D9BD9A, #D9CE9A and #D3D99A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA9C9B shade matches the following richer shades: #D99B9A, #E4908F, #F08584 and #FB7B79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA9C9B shade: #D99B9A, #CEA6A5, #C3B1B0, #B8BBBB and #ADC6C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA9C9B shade: #D99ABC, #D99AAB, #D99A9A, #D9AB9A and #D9BC9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA9C9B shade: #C35F5E, #CE7D7C, #D99B9A, #E4B9B8 and #F0D7D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA9C9B shade: #DA9C9B, #CDD99A and #9AB3D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA9C9B shade: #DA9C9B, #9AD99A and #9A9AD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA9C9B shade: #DA9C9B, #CDD99A, #9AD9D9 and #A79AD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA9C9B shade: #DA9C9B, #BAD99A, #9AD9D9 and #BA9AD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 29 / 15

HEX #DA9C9B

RGB 218 156 155

HSL 0.95, 0.46%, 0.73%

LAB 70.21, 23, 9.74

 

Complementary color

CMYK 63 / 1 / 0 / 61

HEX #256364

RGB 37 99 100

HSL 180.95, 0.46%, 0.27%

LAB 38.26, -19.2, -6.5

 

CMYK 0 / 30 / 33 / 13

HEX #DF9C96

RGB 223 156 150

HSL 4.93, 0.53%, 0.73%

LAB 70.64, 24.24, 13.2

 

CMYK 0 / 28 / 30 / 6

HEX #F0AEA9

RGB 240 174 169

HSL 4.23, 0.7%, 0.8%

LAB 77.08, 23.47, 12.13

 

CMYK 0 / 25 / 26 / 0

HEX #FFC0BC

RGB 255 192 188

HSL 3.58, 1%, 0.87%

LAB 83.23, 22.04, 10.83

 

CMYK 0 / 18 / 19 / 0

HEX #FFD2CF

RGB 255 210 207

HSL 3.75, 1%, 0.91%

LAB 87.9, 15.32, 7.42

 

CMYK 0 / 11 / 11 / 0

HEX #FFE4E2

RGB 255 228 226

HSL 4.14, 1%, 0.94%

LAB 92.68, 8.91, 4.34

 

CMYK 0 / 28 / 29 / 15

HEX #DA9C9B

RGB 218 156 155

HSL 0.95, 0.46%, 0.73%

LAB 70.21, 23, 9.74

 

CMYK 0 / 31 / 32 / 21

HEX #C98A88

RGB 201 138 136

HSL 1.85, 0.38%, 0.66%

LAB 63.65, 23.79, 10.82

 

CMYK 0 / 35 / 36 / 28

HEX #B87875

RGB 184 120 117

HSL 2.69, 0.32%, 0.59%

LAB 56.99, 24.68, 12.01

 

CMYK 0 / 39 / 41 / 35

HEX #A76662

RGB 167 102 98

HSL 3.48, 0.28%, 0.52%

LAB 50.22, 25.68, 13.37

 

CMYK 0 / 44 / 47 / 41

HEX #96544F

RGB 150 84 79

HSL 4.23, 0.31%, 0.45%

LAB 43.34, 26.8, 14.95

 

CMYK 0 / 29 / 29 / 15

HEX #D99B9A

RGB 217 155 154

HSL 0.95, 0.45%, 0.73%

LAB 69.84, 23.03, 9.76

 

CMYK 0 / 29 / 29 / 15

HEX #D99A9A

RGB 217 154 154

HSL 0, 0.45%, 0.73%

LAB 69.61, 23.57, 9.43

 

CMYK 0 / 29 / 29 / 15

HEX #D99B9A

RGB 217 155 154

HSL 0.95, 0.45%, 0.73%

LAB 69.84, 23.03, 9.76

 

CMYK 0 / 21 / 29 / 15

HEX #D9AC9A

RGB 217 172 154

HSL 17.14, 0.45%, 0.73%

LAB 73.93, 13.85, 15.52

 

CMYK 0 / 13 / 29 / 15

HEX #D9BD9A

RGB 217 189 154

HSL 33.33, 0.45%, 0.73%

LAB 78.16, 4.77, 21.38

 

CMYK 0 / 5 / 29 / 15

HEX #D9CE9A

RGB 217 206 154

HSL 49.52, 0.45%, 0.73%

LAB 82.5, -4.11, 27.3

 

CMYK 3 / 0 / 29 / 15

HEX #D3D99A

RGB 211 217 154

HSL 65.71, 0.45%, 0.73%

LAB 84.9, -12.01, 30.43

 

CMYK 0 / 29 / 29 / 15

HEX #D99B9A

RGB 217 155 154

HSL 0.95, 0.45%, 0.73%

LAB 69.84, 23.03, 9.76

 

CMYK 0 / 37 / 37 / 11

HEX #E4908F

RGB 228 144 143

HSL 0.71, 0.61%, 0.73%

LAB 68.33, 31.68, 13.93

 

CMYK 0 / 45 / 45 / 6

HEX #F08584

RGB 240 133 132

HSL 0.56, 0.78%, 0.73%

LAB 67.25, 40.67, 18.81

 

CMYK 0 / 51 / 52 / 2

HEX #FB7B79

RGB 251 123 121

HSL 0.92, 0.94%, 0.73%

LAB 66.56, 48.61, 24.29

 

CMYK 0 / 29 / 29 / 15

HEX #D99B9A

RGB 217 155 154

HSL 0.95, 0.45%, 0.73%

LAB 69.84, 23.03, 9.76

 

CMYK 0 / 19 / 20 / 19

HEX #CEA6A5

RGB 206 166 165

HSL 1.46, 0.29%, 0.73%

LAB 71.63, 14.51, 6.08

 

CMYK 0 / 9 / 10 / 24

HEX #C3B1B0

RGB 195 177 176

HSL 3.16, 0.14%, 0.73%

LAB 73.66, 6.27, 2.84

 

CMYK 2 / 0 / 0 / 27

HEX #B8BBBB

RGB 184 187 187

HSL 180, 0.02%, 0.73%

LAB 75.65, -1.04, -0.37

 

CMYK 13 / 1 / 0 / 22

HEX #ADC6C7

RGB 173 198 199

HSL 182.31, 0.19%, 0.73%

LAB 78.11, -8.2, -3.36

 

CMYK 0 / 29 / 13 / 15

HEX #D99ABC

RGB 217 154 188

HSL 327.62, 0.45%, 0.73%

LAB 70.52, 28.66, -8.14

 

CMYK 0 / 29 / 21 / 15

HEX #D99AAB

RGB 217 154 171

HSL 343.81, 0.45%, 0.73%

LAB 70.04, 25.99, 0.59

 

CMYK 0 / 29 / 29 / 15

HEX #D99A9A

RGB 217 154 154

HSL 0, 0.45%, 0.73%

LAB 69.61, 23.57, 9.43

 

CMYK 0 / 21 / 29 / 15

HEX #D9AB9A

RGB 217 171 154

HSL 16.19, 0.45%, 0.73%

LAB 73.68, 14.39, 15.17

 

CMYK 0 / 13 / 29 / 15

HEX #D9BC9A

RGB 217 188 154

HSL 32.38, 0.45%, 0.73%

LAB 77.91, 5.3, 21.03

 

CMYK 0 / 51 / 52 / 24

HEX #C35F5E

RGB 195 95 94

HSL 0.59, 0.46%, 0.57%

LAB 52.5, 39.85, 19.48

 

CMYK 0 / 39 / 40 / 19

HEX #CE7D7C

RGB 206 125 124

HSL 0.73, 0.46%, 0.65%

LAB 61, 31.3, 14

 

CMYK 0 / 29 / 29 / 15

HEX #D99B9A

RGB 217 155 154

HSL 0.95, 0.45%, 0.73%

LAB 69.84, 23.03, 9.76

 

CMYK 0 / 19 / 19 / 11

HEX #E4B9B8

RGB 228 185 184

HSL 1.36, 0.45%, 0.81%

LAB 78.84, 15.29, 6.35

 

CMYK 0 / 10 / 11 / 6

HEX #F0D7D6

RGB 240 215 214

HSL 2.31, 0.46%, 0.89%

LAB 87.96, 8.48, 3.64

 

CMYK 0 / 28 / 29 / 15

HEX #DA9C9B

RGB 218 156 155

HSL 0.95, 0.46%, 0.73%

LAB 70.21, 23, 9.74

 

CMYK 6 / 0 / 29 / 15

HEX #CDD99A

RGB 205 217 154

HSL 71.43, 0.45%, 0.73%

LAB 84.45, -14.26, 29.76

 

CMYK 29 / 18 / 0 / 15

HEX #9AB3D9

RGB 154 179 217

HSL 216.19, 0.45%, 0.73%

LAB 72.31, 0.11, -21.95

 

CMYK 0 / 28 / 29 / 15

HEX #DA9C9B

RGB 218 156 155

HSL 0.95, 0.46%, 0.73%

LAB 70.21, 23, 9.74

 

CMYK 29 / 0 / 29 / 15

HEX #9AD99A

RGB 154 217 154

HSL 120, 0.45%, 0.73%

LAB 81.2, -32.25, 24.81

 

CMYK 29 / 29 / 0 / 15

HEX #9A9AD9

RGB 154 154 217

HSL 240, 0.45%, 0.73%

LAB 65.74, 14.08, -32.03

 

CMYK 0 / 28 / 29 / 15

HEX #DA9C9B

RGB 218 156 155

HSL 0.95, 0.46%, 0.73%

LAB 70.21, 23, 9.74

 

CMYK 6 / 0 / 29 / 15

HEX #CDD99A

RGB 205 217 154

HSL 71.43, 0.45%, 0.73%

LAB 84.45, -14.26, 29.76

 

CMYK 29 / 0 / 0 / 15

HEX #9AD9D9

RGB 154 217 217

HSL 180, 0.45%, 0.73%

LAB 82.65, -19.81, -6.42

 

CMYK 23 / 29 / 0 / 15

HEX #A79AD9

RGB 167 154 217

HSL 252.38, 0.45%, 0.73%

LAB 66.78, 17.95, -30.35

 

CMYK 0 / 28 / 29 / 15

HEX #DA9C9B

RGB 218 156 155

HSL 0.95, 0.46%, 0.73%

LAB 70.21, 23, 9.74

 

CMYK 14 / 0 / 29 / 15

HEX #BAD99A

RGB 186 217 154

HSL 89.52, 0.45%, 0.73%

LAB 83.12, -21.24, 27.74

 

CMYK 29 / 0 / 0 / 15

HEX #9AD9D9

RGB 154 217 217

HSL 180, 0.45%, 0.73%

LAB 82.65, -19.81, -6.42

 

CMYK 14 / 29 / 0 / 15

HEX #BA9AD9

RGB 186 154 217

HSL 270.48, 0.45%, 0.73%

LAB 68.43, 23.82, -27.66

 

Description

Color code: HEX #DA9C9B | qconv.com Color code: HEX #DA9C9B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 156 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 156 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 29 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 29% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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