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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA9A00 it is the complementary color #2565FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA9A00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA9A00 shade: #DF9A00, #F0AC0E, #FFBE21, #FFD034 and #FFE247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA9A00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA9A00 shade: #DA9A00, #C98800, #B87600, #A76400 and #965200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA9A00 shade: #DB9B00, #DB6000, #DB2500 and #DB0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA9A00 shade: #DB9B00, #DBD600, #A5DB00, #6ADB00 and #2FDB00

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA9A00 shade matches the following richer shades: #DB9B00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA9A00 shade: #DB9B00, #CA9412, #B88C23, #A68535 and #947E47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA9A00 shade: #DB2500, #DB5F00, #DB9A00, #DBD400 and #A8DB00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA9A00 shade: #896100, #B27E00, #DB9B00, #FFB606 and #FFC22F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA9A00 shade: #DA9A00, #16DB00 and #4200DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA9A00 shade: #DA9A00, #00DB9A and #9A00DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA9A00 shade: #DA9A00, #16DB00, #0042DB and #C500DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA9A00 shade: #DA9A00, #00DB2C, #0042DB and #DB00AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 100 / 15

HEX #DA9A00

RGB 218 154 0

HSL 42.39, 1%, 0.43%

LAB 68.03, 13.94, 72.3

 

Complementary color

CMYK 85 / 60 / 0 / 0

HEX #2565FF

RGB 37 101 255

HSL 222.39, 1%, 0.57%

LAB 48.16, 37.12, -81.58

 

CMYK 0 / 31 / 100 / 13

HEX #DF9A00

RGB 223 154 0

HSL 41.43, 1%, 0.44%

LAB 68.61, 16.12, 72.96

 

CMYK 0 / 28 / 94 / 6

HEX #F0AC0E

RGB 240 172 14

HSL 41.95, 0.89%, 0.5%

LAB 74.86, 14.03, 76.48

 

CMYK 0 / 25 / 87 / 0

HEX #FFBE21

RGB 255 190 33

HSL 42.43, 1%, 0.56%

LAB 80.85, 11.3, 78.23

 

CMYK 0 / 18 / 80 / 0

HEX #FFD034

RGB 255 208 52

HSL 46.11, 1%, 0.6%

LAB 85.31, 2.5, 76.92

 

CMYK 0 / 11 / 72 / 0

HEX #FFE247

RGB 255 226 71

HSL 50.54, 1%, 0.64%

LAB 89.91, -5.89, 74.94

 

CMYK 0 / 29 / 100 / 15

HEX #DA9A00

RGB 218 154 0

HSL 42.39, 1%, 0.43%

LAB 68.03, 13.94, 72.3

 

CMYK 0 / 32 / 100 / 21

HEX #C98800

RGB 201 136 0

HSL 40.6, 1%, 0.39%

LAB 61.68, 16.22, 67.1

 

CMYK 0 / 36 / 100 / 28

HEX #B87600

RGB 184 118 0

HSL 38.48, 1%, 0.36%

LAB 55.22, 18.6, 61.83

 

CMYK 0 / 40 / 100 / 35

HEX #A76400

RGB 167 100 0

HSL 35.93, 1%, 0.33%

LAB 48.67, 21.06, 56.5

 

CMYK 0 / 45 / 100 / 41

HEX #965200

RGB 150 82 0

HSL 32.8, 1%, 0.29%

LAB 42.03, 23.6, 51.12

 

CMYK 0 / 29 / 100 / 14

HEX #DB9B00

RGB 219 155 0

HSL 42.47, 1%, 0.43%

LAB 68.39, 13.84, 72.59

 

CMYK 0 / 56 / 100 / 14

HEX #DB6000

RGB 219 96 0

HSL 26.3, 1%, 0.43%

LAB 55.51, 44.6, 64.53

 

CMYK 0 / 83 / 100 / 14

HEX #DB2500

RGB 219 37 0

HSL 10.14, 1%, 0.43%

LAB 47.47, 66.37, 60.58

 

CMYK 0 / 100 / 100 / 14

HEX #DB0000

RGB 219 0 0

HSL 0, 1%, 0.43%

LAB 45.72, 71.41, 59.92

 

CMYK 0 / 29 / 100 / 14

HEX #DB9B00

RGB 219 155 0

HSL 42.47, 1%, 0.43%

LAB 68.39, 13.84, 72.59

 

CMYK 0 / 2 / 100 / 14

HEX #DBD600

RGB 219 214 0

HSL 58.63, 1%, 0.43%

LAB 83.52, -16.76, 83.25

 

CMYK 25 / 0 / 100 / 14

HEX #A5DB00

RGB 165 219 0

HSL 74.79, 1%, 0.43%

LAB 81.11, -41.23, 79.76

 

CMYK 52 / 0 / 100 / 14

HEX #6ADB00

RGB 106 219 0

HSL 90.96, 1%, 0.43%

LAB 78.3, -61.29, 76.38

 

CMYK 79 / 0 / 100 / 14

HEX #2FDB00

RGB 47 219 0

HSL 107.12, 1%, 0.43%

LAB 76.84, -73.52, 74.6

 

CMYK 0 / 29 / 100 / 14

HEX #DB9B00

RGB 219 155 0

HSL 42.47, 1%, 0.43%

LAB 68.39, 13.84, 72.59

 

CMYK 0 / 29 / 100 / 14

HEX #DB9B00

RGB 219 155 0

HSL 42.47, 1%, 0.43%

LAB 68.39, 13.84, 72.59

 

CMYK 0 / 27 / 91 / 21

HEX #CA9412

RGB 202 148 18

HSL 42.39, 0.84%, 0.43%

LAB 64.79, 10.35, 66.52

 

CMYK 0 / 24 / 81 / 28

HEX #B88C23

RGB 184 140 35

HSL 42.28, 0.68%, 0.43%

LAB 60.84, 7.12, 57.89

 

CMYK 0 / 20 / 68 / 35

HEX #A68535

RGB 166 133 53

HSL 42.48, 0.52%, 0.43%

LAB 57.21, 3.75, 46.43

 

CMYK 0 / 15 / 52 / 42

HEX #947E47

RGB 148 126 71

HSL 42.86, 0.35%, 0.43%

LAB 53.68, 1.03, 32.86

 

CMYK 0 / 83 / 100 / 14

HEX #DB2500

RGB 219 37 0

HSL 10.14, 1%, 0.43%

LAB 47.47, 66.37, 60.58

 

CMYK 0 / 57 / 100 / 14

HEX #DB5F00

RGB 219 95 0

HSL 26.03, 1%, 0.43%

LAB 55.32, 45.08, 64.43

 

CMYK 0 / 30 / 100 / 14

HEX #DB9A00

RGB 219 154 0

HSL 42.19, 1%, 0.43%

LAB 68.15, 14.38, 72.43

 

CMYK 0 / 3 / 100 / 14

HEX #DBD400

RGB 219 212 0

HSL 58.08, 1%, 0.43%

LAB 82.99, -15.77, 82.87

 

CMYK 23 / 0 / 100 / 14

HEX #A8DB00

RGB 168 219 0

HSL 73.97, 1%, 0.43%

LAB 81.28, -40.07, 79.97

 

CMYK 0 / 29 / 100 / 46

HEX #896100

RGB 137 97 0

HSL 42.48, 1%, 0.27%

LAB 44.04, 8.92, 51.58

 

CMYK 0 / 29 / 100 / 30

HEX #B27E00

RGB 178 126 0

HSL 42.47, 1%, 0.35%

LAB 56.47, 11.45, 62.31

 

CMYK 0 / 29 / 100 / 14

HEX #DB9B00

RGB 219 155 0

HSL 42.47, 1%, 0.43%

LAB 68.39, 13.84, 72.59

 

CMYK 0 / 29 / 98 / 0

HEX #FFB606

RGB 255 182 6

HSL 42.41, 1%, 0.51%

LAB 78.88, 15.11, 80.96

 

CMYK 0 / 24 / 82 / 0

HEX #FFC22F

RGB 255 194 47

HSL 42.4, 1%, 0.59%

LAB 81.86, 9.56, 75.41

 

CMYK 0 / 29 / 100 / 15

HEX #DA9A00

RGB 218 154 0

HSL 42.39, 1%, 0.43%

LAB 68.03, 13.94, 72.3

 

CMYK 90 / 0 / 100 / 14

HEX #16DB00

RGB 22 219 0

HSL 113.97, 1%, 0.43%

LAB 76.58, -75.88, 74.28

 

CMYK 70 / 100 / 0 / 14

HEX #4200DB

RGB 66 0 219

HSL 258.08, 1%, 0.43%

LAB 30.09, 71.73, -91.01

 

CMYK 0 / 29 / 100 / 15

HEX #DA9A00

RGB 218 154 0

HSL 42.39, 1%, 0.43%

LAB 68.03, 13.94, 72.3

 

CMYK 100 / 0 / 30 / 14

HEX #00DB9A

RGB 0 219 154

HSL 162.19, 1%, 0.43%

LAB 77.87, -59.84, 19.62

 

CMYK 30 / 100 / 0 / 14

HEX #9A00DB

RGB 154 0 219

HSL 282.19, 1%, 0.43%

LAB 41.19, 78.53, -72.31

 

CMYK 0 / 29 / 100 / 15

HEX #DA9A00

RGB 218 154 0

HSL 42.39, 1%, 0.43%

LAB 68.03, 13.94, 72.3

 

CMYK 90 / 0 / 100 / 14

HEX #16DB00

RGB 22 219 0

HSL 113.97, 1%, 0.43%

LAB 76.58, -75.88, 74.28

 

CMYK 100 / 70 / 0 / 14

HEX #0042DB

RGB 0 66 219

HSL 221.92, 1%, 0.43%

LAB 36.01, 44.44, -81.27

 

CMYK 10 / 100 / 0 / 14

HEX #C500DB

RGB 197 0 219

HSL 293.97, 1%, 0.43%

LAB 48.24, 84.23, -60.54

 

CMYK 0 / 29 / 100 / 15

HEX #DA9A00

RGB 218 154 0

HSL 42.39, 1%, 0.43%

LAB 68.03, 13.94, 72.3

 

CMYK 100 / 0 / 80 / 14

HEX #00DB2C

RGB 0 219 44

HSL 132.05, 1%, 0.43%

LAB 76.58, -75.39, 66.94

 

CMYK 100 / 70 / 0 / 14

HEX #0042DB

RGB 0 66 219

HSL 221.92, 1%, 0.43%

LAB 36.01, 44.44, -81.27

 

CMYK 0 / 100 / 20 / 14

HEX #DB00AF

RGB 219 0 175

HSL 312.05, 1%, 0.43%

LAB 49.68, 81.8, -32.47

 

Description

Color code: HEX #DA9A00 | qconv.com Color code: HEX #DA9A00 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 154 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 154 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 100 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 100% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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