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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA97D4 it is the complementary color #25682B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA97D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA97D4 shade: #DF97CF, #F0A9E2, #FFBBF5, #FFCDFF and #FFDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA97D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA97D4 shade: #DA97D4, #C985C1, #B873AE, #A7619B and #964F88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA97D4 shade: #D995D3, #D995C1, #D995AE, #D9959C and #D99595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA97D4 shade: #D995D3, #CD95D9, #BB95D9, #A895D9 and #9695D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA97D4 shade matches the following richer shades: #D995D3, #E589DD, #F07EE6 and #FC72F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA97D4 shade: #D995D3, #CEA0CA, #C2ACC0, #B7B7B7 and #ABC3AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA97D4 shade: #BB95D9, #CD95D9, #D995D4, #D995C1 and #D995AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA97D4 shade: #C458BA, #CF76C7, #D995D3, #E4B3E0 and #EFD2EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA97D4 shade: #DA97D4, #D9A895 and #95D9C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA97D4 shade: #DA97D4, #D4D995 and #95D4D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA97D4 shade: #DA97D4, #D9A895, #95D99B and #95C6D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA97D4 shade: #DA97D4, #D9BD95, #95D99B and #95B1D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 3 / 15

HEX #DA97D4

RGB 218 151 212

HSL 305.37, 0.48%, 0.72%

LAB 70.73, 34.76, -21.11

 

Complementary color

CMYK 64 / 0 / 59 / 59

HEX #25682B

RGB 37 104 43

HSL 125.37, 0.48%, 0.28%

LAB 38.67, -34.92, 27.87

 

CMYK 0 / 32 / 7 / 13

HEX #DF97CF

RGB 223 151 207

HSL 313.33, 0.53%, 0.73%

LAB 71.1, 35.51, -17.74

 

CMYK 0 / 30 / 6 / 6

HEX #F0A9E2

RGB 240 169 226

HSL 311.83, 0.7%, 0.8%

LAB 77.51, 34.82, -18.25

 

CMYK 0 / 27 / 4 / 0

HEX #FFBBF5

RGB 255 187 245

HSL 308.82, 1%, 0.87%

LAB 83.65, 33.52, -19.06

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 0 / 31 / 3 / 15

HEX #DA97D4

RGB 218 151 212

HSL 305.37, 0.48%, 0.72%

LAB 70.73, 34.76, -21.11

 

CMYK 0 / 34 / 4 / 21

HEX #C985C1

RGB 201 133 193

HSL 307.06, 0.39%, 0.65%

LAB 64.2, 35.47, -20.64

 

CMYK 0 / 38 / 5 / 28

HEX #B873AE

RGB 184 115 174

HSL 308.7, 0.33%, 0.59%

LAB 57.57, 36.22, -20.12

 

CMYK 0 / 42 / 7 / 35

HEX #A7619B

RGB 167 97 155

HSL 310.29, 0.28%, 0.52%

LAB 50.84, 37, -19.54

 

CMYK 0 / 47 / 9 / 41

HEX #964F88

RGB 150 79 136

HSL 311.83, 0.31%, 0.45%

LAB 44.02, 37.77, -18.85

 

CMYK 0 / 31 / 3 / 15

HEX #D995D3

RGB 217 149 211

HSL 305.29, 0.47%, 0.72%

LAB 70.14, 35.32, -21.46

 

CMYK 0 / 31 / 11 / 15

HEX #D995C1

RGB 217 149 193

HSL 321.18, 0.47%, 0.72%

LAB 69.54, 32.19, -12.39

 

CMYK 0 / 31 / 20 / 15

HEX #D995AE

RGB 217 149 174

HSL 337.94, 0.47%, 0.72%

LAB 68.97, 29.15, -2.64

 

CMYK 0 / 31 / 28 / 15

HEX #D9959C

RGB 217 149 156

HSL 353.82, 0.47%, 0.72%

LAB 68.49, 26.54, 6.72

 

CMYK 0 / 31 / 31 / 15

HEX #D99595

RGB 217 149 149

HSL 0, 0.47%, 0.72%

LAB 68.33, 25.61, 10.39

 

CMYK 0 / 31 / 3 / 15

HEX #D995D3

RGB 217 149 211

HSL 305.29, 0.47%, 0.72%

LAB 70.14, 35.32, -21.46

 

CMYK 6 / 31 / 0 / 15

HEX #CD95D9

RGB 205 149 217

HSL 289.41, 0.47%, 0.72%

LAB 69.1, 32.6, -26.47

 

CMYK 14 / 31 / 0 / 15

HEX #BB95D9

RGB 187 149 217

HSL 273.53, 0.47%, 0.72%

LAB 67.33, 26.92, -29.35

 

CMYK 23 / 31 / 0 / 15

HEX #A895D9

RGB 168 149 217

HSL 256.76, 0.47%, 0.72%

LAB 65.62, 21.08, -32.14

 

CMYK 31 / 31 / 0 / 15

HEX #9695D9

RGB 150 149 217

HSL 240.88, 0.47%, 0.72%

LAB 64.15, 15.78, -34.52

 

CMYK 0 / 31 / 3 / 15

HEX #D995D3

RGB 217 149 211

HSL 305.29, 0.47%, 0.72%

LAB 70.14, 35.32, -21.46

 

CMYK 0 / 40 / 3 / 10

HEX #E589DD

RGB 229 137 221

HSL 305.22, 0.64%, 0.72%

LAB 69.31, 47.21, -28.14

 

CMYK 0 / 48 / 4 / 6

HEX #F07EE6

RGB 240 126 230

HSL 305.26, 0.79%, 0.72%

LAB 68.87, 57.51, -33.68

 

CMYK 0 / 55 / 5 / 1

HEX #FC72F0

RGB 252 114 240

HSL 305.22, 0.96%, 0.72%

LAB 68.77, 68, -39.23

 

CMYK 0 / 31 / 3 / 15

HEX #D995D3

RGB 217 149 211

HSL 305.29, 0.47%, 0.72%

LAB 70.14, 35.32, -21.46

 

CMYK 0 / 22 / 2 / 19

HEX #CEA0CA

RGB 206 160 202

HSL 305.22, 0.32%, 0.72%

LAB 71.23, 24.05, -14.94

 

CMYK 0 / 11 / 1 / 24

HEX #C2ACC0

RGB 194 172 192

HSL 305.45, 0.15%, 0.72%

LAB 72.75, 11.49, -7.29

 

CMYK 0 / 0 / 0 / 28

HEX #B7B7B7

RGB 183 183 183

HSL 0, 0%, 0.72%

LAB 74.42, 0, -0.01

 

CMYK 12 / 0 / 11 / 24

HEX #ABC3AD

RGB 171 195 173

HSL 125, 0.17%, 0.72%

LAB 76.5, -12.35, 8.32

 

CMYK 14 / 31 / 0 / 15

HEX #BB95D9

RGB 187 149 217

HSL 273.53, 0.47%, 0.72%

LAB 67.33, 26.92, -29.35

 

CMYK 6 / 31 / 0 / 15

HEX #CD95D9

RGB 205 149 217

HSL 289.41, 0.47%, 0.72%

LAB 69.1, 32.6, -26.47

 

CMYK 0 / 31 / 2 / 15

HEX #D995D4

RGB 217 149 212

HSL 304.41, 0.47%, 0.72%

LAB 70.18, 35.51, -21.95

 

CMYK 0 / 31 / 11 / 15

HEX #D995C1

RGB 217 149 193

HSL 321.18, 0.47%, 0.72%

LAB 69.54, 32.19, -12.39

 

CMYK 0 / 31 / 19 / 15

HEX #D995AF

RGB 217 149 175

HSL 337.06, 0.47%, 0.72%

LAB 69, 29.3, -3.16

 

CMYK 0 / 55 / 5 / 23

HEX #C458BA

RGB 196 88 186

HSL 305.56, 0.48%, 0.56%

LAB 54.3, 55.76, -31.95

 

CMYK 0 / 43 / 4 / 19

HEX #CF76C7

RGB 207 118 199

HSL 305.39, 0.48%, 0.64%

LAB 61.95, 46.4, -27.4

 

CMYK 0 / 31 / 3 / 15

HEX #D995D3

RGB 217 149 211

HSL 305.29, 0.47%, 0.72%

LAB 70.14, 35.32, -21.46

 

CMYK 0 / 21 / 2 / 11

HEX #E4B3E0

RGB 228 179 224

HSL 304.9, 0.48%, 0.8%

LAB 78.53, 25.17, -15.76

 

CMYK 0 / 12 / 1 / 6

HEX #EFD2EC

RGB 239 210 236

HSL 306.21, 0.48%, 0.88%

LAB 87.24, 14.52, -9.05

 

CMYK 0 / 31 / 3 / 15

HEX #DA97D4

RGB 218 151 212

HSL 305.37, 0.48%, 0.72%

LAB 70.73, 34.76, -21.11

 

CMYK 0 / 23 / 31 / 15

HEX #D9A895

RGB 217 168 149

HSL 16.76, 0.47%, 0.72%

LAB 72.84, 15.34, 16.73

 

CMYK 31 / 0 / 10 / 15

HEX #95D9C4

RGB 149 217 196

HSL 161.47, 0.47%, 0.72%

LAB 81.84, -25.85, 3.53

 

CMYK 0 / 31 / 3 / 15

HEX #DA97D4

RGB 218 151 212

HSL 305.37, 0.48%, 0.72%

LAB 70.73, 34.76, -21.11

 

CMYK 2 / 0 / 31 / 15

HEX #D4D995

RGB 212 217 149

HSL 64.41, 0.47%, 0.72%

LAB 84.89, -12.27, 33

 

CMYK 31 / 2 / 0 / 15

HEX #95D4D9

RGB 149 212 217

HSL 184.41, 0.47%, 0.72%

LAB 81.01, -18.69, -8.89

 

CMYK 0 / 31 / 3 / 15

HEX #DA97D4

RGB 218 151 212

HSL 305.37, 0.48%, 0.72%

LAB 70.73, 34.76, -21.11

 

CMYK 0 / 23 / 31 / 15

HEX #D9A895

RGB 217 168 149

HSL 16.76, 0.47%, 0.72%

LAB 72.84, 15.34, 16.73

 

CMYK 31 / 0 / 29 / 15

HEX #95D99B

RGB 149 217 155

HSL 125.29, 0.47%, 0.72%

LAB 80.95, -33.69, 23.91

 

CMYK 31 / 9 / 0 / 15

HEX #95C6D9

RGB 149 198 217

HSL 196.76, 0.47%, 0.72%

LAB 77.15, -11.5, -14.65

 

CMYK 0 / 31 / 3 / 15

HEX #DA97D4

RGB 218 151 212

HSL 305.37, 0.48%, 0.72%

LAB 70.73, 34.76, -21.11

 

CMYK 0 / 13 / 31 / 15

HEX #D9BD95

RGB 217 189 149

HSL 35.29, 0.47%, 0.72%

LAB 78.06, 4.12, 23.92

 

CMYK 31 / 0 / 29 / 15

HEX #95D99B

RGB 149 217 155

HSL 125.29, 0.47%, 0.72%

LAB 80.95, -33.69, 23.91

 

CMYK 31 / 18 / 0 / 15

HEX #95B1D9

RGB 149 177 217

HSL 215.29, 0.47%, 0.72%

LAB 71.45, -0.25, -23.29

 

Description

Color code: HEX #DA97D4 | qconv.com Color code: HEX #DA97D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 151 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 151 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 3 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 3% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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