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Color name
HEX #DA9532

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA9532 it is the complementary color #256ACD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA9532. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA9532 shade: #DF952D, #F0A740, #FFB953, #FFCB66 and #FFDD79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA9532. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA9532 shade: #DA9532, #C9831F, #B8710C, #A75F00 and #964D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA9532 shade: #DA9634, #DA6934, #DA3D34 and #DA3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA9532 shade: #DA9634, #DAC334, #C5DA34, #98DA34 and #6BDA34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA9532 shade matches the following richer shades: #DA9634 and #ED9921

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA9532 shade: #DA9634, #C69248, #B38F5B, #A08C6F and #8C8882

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA9532 shade: #DA3D34, #DA6934, #DA9534, #DAC134 and #C7DA34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA9532 shade: #9F691D, #C28124, #DA9634, #E0A857 and #E7BA7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA9532 shade: #DA9532, #58DA34 and #5334DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA9532 shade: #DA9532, #34DA95 and #9534DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA9532 shade: #DA9532, #58DA34, #3479DA and #B634DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA9532 shade: #DA9532, #34DA42, #3479DA and #DA34CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 77 / 15

HEX #DA9532

RGB 218 149 50

HSL 35.36, 0.69%, 0.53%

LAB 67, 17.68, 59.45

 

Complementary color

CMYK 82 / 48 / 0 / 20

HEX #256ACD

RGB 37 106 205

HSL 215.36, 0.69%, 0.47%

LAB 45.78, 15.05, -57.25

 

CMYK 0 / 33 / 80 / 13

HEX #DF952D

RGB 223 149 45

HSL 35.06, 0.74%, 0.53%

LAB 67.56, 19.63, 62.07

 

CMYK 0 / 30 / 73 / 6

HEX #F0A740

RGB 240 167 64

HSL 35.11, 0.85%, 0.6%

LAB 73.89, 17.99, 61.38

 

CMYK 0 / 27 / 67 / 0

HEX #FFB953

RGB 255 185 83

HSL 35.58, 1%, 0.66%

LAB 79.94, 15.72, 60.02

 

CMYK 0 / 20 / 60 / 0

HEX #FFCB66

RGB 255 203 102

HSL 39.61, 1%, 0.7%

LAB 84.45, 7.54, 56.4

 

CMYK 0 / 13 / 53 / 0

HEX #FFDD79

RGB 255 221 121

HSL 44.78, 1%, 0.74%

LAB 89.09, -0.26, 52.92

 

CMYK 0 / 32 / 77 / 15

HEX #DA9532

RGB 218 149 50

HSL 35.36, 0.69%, 0.53%

LAB 67, 17.68, 59.45

 

CMYK 0 / 35 / 85 / 21

HEX #C9831F

RGB 201 131 31

HSL 35.29, 0.73%, 0.45%

LAB 60.56, 19.46, 59.74

 

CMYK 0 / 39 / 93 / 28

HEX #B8710C

RGB 184 113 12

HSL 35.23, 0.88%, 0.38%

LAB 54.06, 21.52, 58.79

 

CMYK 0 / 43 / 100 / 35

HEX #A75F00

RGB 167 95 0

HSL 34.13, 1%, 0.33%

LAB 47.49, 23.85, 55.75

 

CMYK 0 / 49 / 100 / 41

HEX #964D00

RGB 150 77 0

HSL 30.8, 1%, 0.29%

LAB 40.88, 26.4, 50.42

 

CMYK 0 / 31 / 76 / 15

HEX #DA9634

RGB 218 150 52

HSL 35.42, 0.69%, 0.53%

LAB 67.25, 17.22, 58.9

 

CMYK 0 / 52 / 76 / 15

HEX #DA6934

RGB 218 105 52

HSL 19.16, 0.69%, 0.53%

LAB 57.32, 40.91, 49.06

 

CMYK 0 / 72 / 76 / 15

HEX #DA3D34

RGB 218 61 52

HSL 3.25, 0.69%, 0.53%

LAB 50.09, 60.07, 41.5

 

CMYK 0 / 76 / 76 / 15

HEX #DA3434

RGB 218 52 52

HSL 0, 0.69%, 0.53%

LAB 49.02, 63.03, 40.36

 

CMYK 0 / 31 / 76 / 15

HEX #DA9634

RGB 218 150 52

HSL 35.42, 0.69%, 0.53%

LAB 67.25, 17.22, 58.9

 

CMYK 0 / 11 / 76 / 15

HEX #DAC334

RGB 218 195 52

HSL 51.69, 0.69%, 0.53%

LAB 78.57, -6.57, 69.56

 

CMYK 10 / 0 / 76 / 15

HEX #C5DA34

RGB 197 218 52

HSL 67.59, 0.69%, 0.53%

LAB 83.05, -26.8, 73.06

 

CMYK 30 / 0 / 76 / 15

HEX #98DA34

RGB 152 218 52

HSL 83.86, 0.69%, 0.53%

LAB 80.22, -44.33, 69.4

 

CMYK 51 / 0 / 76 / 15

HEX #6BDA34

RGB 107 218 52

HSL 100.12, 0.69%, 0.53%

LAB 78.18, -59, 66.74

 

CMYK 0 / 31 / 76 / 15

HEX #DA9634

RGB 218 150 52

HSL 35.42, 0.69%, 0.53%

LAB 67.25, 17.22, 58.9

 

CMYK 0 / 35 / 86 / 7

HEX #ED9921

RGB 237 153 33

HSL 35.29, 0.85%, 0.53%

LAB 70.1, 23.1, 68.81

 

CMYK 0 / 31 / 76 / 15

HEX #DA9634

RGB 218 150 52

HSL 35.42, 0.69%, 0.53%

LAB 67.25, 17.22, 58.9

 

CMYK 0 / 26 / 64 / 22

HEX #C69248

RGB 198 146 72

HSL 35.24, 0.53%, 0.53%

LAB 64.19, 11.85, 46.03

 

CMYK 0 / 20 / 49 / 30

HEX #B38F5B

RGB 179 143 91

HSL 35.45, 0.37%, 0.53%

LAB 61.64, 6.91, 32.71

 

CMYK 0 / 13 / 31 / 37

HEX #A08C6F

RGB 160 140 111

HSL 35.51, 0.21%, 0.53%

LAB 59.32, 2.98, 18.27

 

CMYK 0 / 3 / 7 / 45

HEX #8C8882

RGB 140 136 130

HSL 36, 0.04%, 0.53%

LAB 56.88, 0.36, 3.74

 

CMYK 0 / 72 / 76 / 15

HEX #DA3D34

RGB 218 61 52

HSL 3.25, 0.69%, 0.53%

LAB 50.09, 60.07, 41.5

 

CMYK 0 / 52 / 76 / 15

HEX #DA6934

RGB 218 105 52

HSL 19.16, 0.69%, 0.53%

LAB 57.32, 40.91, 49.06

 

CMYK 0 / 32 / 76 / 15

HEX #DA9534

RGB 218 149 52

HSL 35.06, 0.69%, 0.53%

LAB 67.01, 17.76, 58.67

 

CMYK 0 / 11 / 76 / 15

HEX #DAC134

RGB 218 193 52

HSL 50.96, 0.69%, 0.53%

LAB 78.05, -5.55, 69.08

 

CMYK 9 / 0 / 76 / 15

HEX #C7DA34

RGB 199 218 52

HSL 66.87, 0.69%, 0.53%

LAB 83.2, -25.99, 73.25

 

CMYK 0 / 34 / 82 / 38

HEX #9F691D

RGB 159 105 29

HSL 35.08, 0.69%, 0.37%

LAB 48.96, 15.25, 48.29

 

CMYK 0 / 34 / 81 / 24

HEX #C28124

RGB 194 129 36

HSL 35.32, 0.69%, 0.45%

LAB 59.25, 17.66, 56.55

 

CMYK 0 / 31 / 76 / 15

HEX #DA9634

RGB 218 150 52

HSL 35.42, 0.69%, 0.53%

LAB 67.25, 17.22, 58.9

 

CMYK 0 / 25 / 61 / 12

HEX #E0A857

RGB 224 168 87

HSL 35.47, 0.69%, 0.61%

LAB 72.59, 12.03, 49.07

 

CMYK 0 / 19 / 47 / 9

HEX #E7BA7A

RGB 231 186 122

HSL 35.23, 0.69%, 0.69%

LAB 78.18, 8.25, 38.46

 

CMYK 0 / 32 / 77 / 15

HEX #DA9532

RGB 218 149 50

HSL 35.36, 0.69%, 0.53%

LAB 67, 17.68, 59.45

 

CMYK 60 / 0 / 76 / 15

HEX #58DA34

RGB 88 218 52

HSL 106.99, 0.69%, 0.53%

LAB 77.56, -63.91, 65.93

 

CMYK 62 / 76 / 0 / 15

HEX #5334DA

RGB 83 52 218

HSL 251.2, 0.69%, 0.53%

LAB 36.66, 57.18, -79.5

 

CMYK 0 / 32 / 77 / 15

HEX #DA9532

RGB 218 149 50

HSL 35.36, 0.69%, 0.53%

LAB 67, 17.68, 59.45

 

CMYK 76 / 0 / 32 / 15

HEX #34DA95

RGB 52 218 149

HSL 155.06, 0.69%, 0.53%

LAB 77.9, -57.22, 22.34

 

CMYK 32 / 76 / 0 / 15

HEX #9534DA

RGB 149 52 218

HSL 275.06, 0.69%, 0.53%

LAB 44.1, 66.67, -67.02

 

CMYK 0 / 32 / 77 / 15

HEX #DA9532

RGB 218 149 50

HSL 35.36, 0.69%, 0.53%

LAB 67, 17.68, 59.45

 

CMYK 60 / 0 / 76 / 15

HEX #58DA34

RGB 88 218 52

HSL 106.99, 0.69%, 0.53%

LAB 77.56, -63.91, 65.93

 

CMYK 76 / 44 / 0 / 15

HEX #3479DA

RGB 52 121 218

HSL 215.06, 0.69%, 0.53%

LAB 51.23, 12.05, -55.86

 

CMYK 17 / 76 / 0 / 15

HEX #B634DA

RGB 182 52 218

HSL 286.99, 0.69%, 0.53%

LAB 48.84, 72.56, -59.12

 

CMYK 0 / 32 / 77 / 15

HEX #DA9532

RGB 218 149 50

HSL 35.36, 0.69%, 0.53%

LAB 67, 17.68, 59.45

 

CMYK 76 / 0 / 70 / 15

HEX #34DA42

RGB 52 218 66

HSL 125.06, 0.69%, 0.53%

LAB 76.84, -69.59, 60.09

 

CMYK 76 / 44 / 0 / 15

HEX #3479DA

RGB 52 121 218

HSL 215.06, 0.69%, 0.53%

LAB 51.23, 12.05, -55.86

 

CMYK 0 / 76 / 6 / 15

HEX #DA34CC

RGB 218 52 204

HSL 305.06, 0.69%, 0.53%

LAB 53.73, 77.36, -42.97

 

Description

Color code: HEX #DA9532 | qconv.com Color code: HEX #DA9532 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 149 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 149 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 77 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 77% 15% C M Y K

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Provide designers and agencies with accurate color values.

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