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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA9390 it is the complementary color #256C6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA9390. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA9390 shade: #DF938B, #F0A59E, #FFB7B1, #FFC9C4 and #FFDBD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA9390. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA9390 shade: #DA9390, #C9817D, #B86F6A, #A75D57 and #964B44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA9390 shade: #DA9390 and #DA9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA9390 shade: #DA9390, #DAA790, #DABB90, #DACF90 and #D1DA90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA9390 shade matches the following richer shades: #DA9390, #E68884, #F27D78 and #FE726C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA9390 shade: #DA9390, #CE9E9C, #C2A9A8, #B6B4B4 and #AABFC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA9390 shade: #DA90B5, #DA90A1, #DA9390, #DAA690 and #DABA90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA9390 shade: #C55752, #D07571, #DA9390, #E4B1AF and #EFCFCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA9390 shade: #DA9390, #C9DA90 and #90ABDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA9390 shade: #DA9390, #90DA93 and #9390DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA9390 shade: #DA9390, #C9DA90, #90D8DA and #A190DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA9390 shade: #DA9390, #B3DA90, #90D8DA and #B890DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 34 / 15

HEX #DA9390

RGB 218 147 144

HSL 2.43, 0.5%, 0.71%

LAB 67.86, 26.43, 12.54

 

Complementary color

CMYK 67 / 3 / 0 / 56

HEX #256C6F

RGB 37 108 111

HSL 182.43, 0.5%, 0.29%

LAB 41.64, -20.58, -8.18

 

CMYK 0 / 34 / 38 / 13

HEX #DF938B

RGB 223 147 139

HSL 5.71, 0.57%, 0.71%

LAB 68.33, 27.72, 16.06

 

CMYK 0 / 31 / 34 / 6

HEX #F0A59E

RGB 240 165 158

HSL 5.12, 0.73%, 0.78%

LAB 74.76, 26.84, 14.86

 

CMYK 0 / 28 / 31 / 0

HEX #FFB7B1

RGB 255 183 177

HSL 4.62, 1%, 0.85%

LAB 80.91, 25.31, 13.44

 

CMYK 0 / 21 / 23 / 0

HEX #FFC9C4

RGB 255 201 196

HSL 5.08, 1%, 0.88%

LAB 85.51, 18.43, 9.82

 

CMYK 0 / 14 / 16 / 0

HEX #FFDBD7

RGB 255 219 215

HSL 6, 1%, 0.92%

LAB 90.24, 11.84, 6.58

 

CMYK 0 / 33 / 34 / 15

HEX #DA9390

RGB 218 147 144

HSL 2.43, 0.5%, 0.71%

LAB 67.86, 26.43, 12.54

 

CMYK 0 / 36 / 38 / 21

HEX #C9817D

RGB 201 129 125

HSL 3.16, 0.41%, 0.64%

LAB 61.31, 27.33, 13.77

 

CMYK 0 / 40 / 42 / 28

HEX #B86F6A

RGB 184 111 106

HSL 3.85, 0.35%, 0.57%

LAB 54.66, 28.34, 15.15

 

CMYK 0 / 44 / 48 / 35

HEX #A75D57

RGB 167 93 87

HSL 4.5, 0.31%, 0.5%

LAB 47.92, 29.47, 16.75

 

CMYK 0 / 50 / 55 / 41

HEX #964B44

RGB 150 75 68

HSL 5.12, 0.38%, 0.43%

LAB 41.11, 30.7, 18.65

 

CMYK 0 / 33 / 34 / 15

HEX #DA9390

RGB 218 147 144

HSL 2.43, 0.5%, 0.71%

LAB 67.86, 26.43, 12.54

 

CMYK 0 / 34 / 34 / 15

HEX #DA9090

RGB 218 144 144

HSL 0, 0.5%, 0.71%

LAB 67.18, 28.04, 11.57

 

CMYK 0 / 33 / 34 / 15

HEX #DA9390

RGB 218 147 144

HSL 2.43, 0.5%, 0.71%

LAB 67.86, 26.43, 12.54

 

CMYK 0 / 23 / 34 / 15

HEX #DAA790

RGB 218 167 144

HSL 18.65, 0.5%, 0.71%

LAB 72.6, 15.63, 19.14

 

CMYK 0 / 14 / 34 / 15

HEX #DABB90

RGB 218 187 144

HSL 34.86, 0.5%, 0.71%

LAB 77.55, 4.94, 25.9

 

CMYK 0 / 5 / 34 / 15

HEX #DACF90

RGB 218 207 144

HSL 51.08, 0.5%, 0.71%

LAB 82.67, -5.49, 32.73

 

CMYK 4 / 0 / 34 / 15

HEX #D1DA90

RGB 209 218 144

HSL 67.3, 0.5%, 0.71%

LAB 84.85, -14.53, 35.46

 

CMYK 0 / 33 / 34 / 15

HEX #DA9390

RGB 218 147 144

HSL 2.43, 0.5%, 0.71%

LAB 67.86, 26.43, 12.54

 

CMYK 0 / 41 / 43 / 10

HEX #E68884

RGB 230 136 132

HSL 2.45, 0.66%, 0.71%

LAB 66.59, 35.42, 17.7

 

CMYK 0 / 48 / 50 / 5

HEX #F27D78

RGB 242 125 120

HSL 2.46, 0.82%, 0.71%

LAB 65.67, 44.31, 23.43

 

CMYK 0 / 55 / 57 / 0

HEX #FE726C

RGB 254 114 108

HSL 2.47, 0.99%, 0.71%

LAB 65.11, 52.92, 29.73

 

CMYK 0 / 33 / 34 / 15

HEX #DA9390

RGB 218 147 144

HSL 2.43, 0.5%, 0.71%

LAB 67.86, 26.43, 12.54

 

CMYK 0 / 23 / 24 / 19

HEX #CE9E9C

RGB 206 158 156

HSL 2.4, 0.34%, 0.71%

LAB 69.45, 17.52, 7.93

 

CMYK 0 / 13 / 13 / 24

HEX #C2A9A8

RGB 194 169 168

HSL 2.31, 0.18%, 0.71%

LAB 71.33, 8.9, 3.85

 

CMYK 0 / 1 / 1 / 29

HEX #B6B4B4

RGB 182 180 180

HSL 0, 0.01%, 0.71%

LAB 73.47, 0.71, 0.24

 

CMYK 11 / 1 / 0 / 25

HEX #AABFC0

RGB 170 191 192

HSL 182.73, 0.15%, 0.71%

LAB 75.83, -6.93, -2.94

 

CMYK 0 / 34 / 17 / 15

HEX #DA90B5

RGB 218 144 181

HSL 330, 0.5%, 0.71%

LAB 68.16, 33.27, -7.74

 

CMYK 0 / 34 / 26 / 15

HEX #DA90A1

RGB 218 144 161

HSL 346.22, 0.5%, 0.71%

LAB 67.59, 30.3, 2.64

 

CMYK 0 / 33 / 34 / 15

HEX #DA9390

RGB 218 147 144

HSL 2.43, 0.5%, 0.71%

LAB 67.86, 26.43, 12.54

 

CMYK 0 / 24 / 34 / 15

HEX #DAA690

RGB 218 166 144

HSL 17.84, 0.5%, 0.71%

LAB 72.36, 16.17, 18.8

 

CMYK 0 / 15 / 34 / 15

HEX #DABA90

RGB 218 186 144

HSL 34.05, 0.5%, 0.71%

LAB 77.3, 5.47, 25.56

 

CMYK 0 / 56 / 58 / 23

HEX #C55752

RGB 197 87 82

HSL 2.61, 0.5%, 0.55%

LAB 51.03, 43.59, 24.64

 

CMYK 0 / 44 / 46 / 18

HEX #D07571

RGB 208 117 113

HSL 2.53, 0.5%, 0.63%

LAB 59.27, 35.13, 17.95

 

CMYK 0 / 33 / 34 / 15

HEX #DA9390

RGB 218 147 144

HSL 2.43, 0.5%, 0.71%

LAB 67.86, 26.43, 12.54

 

CMYK 0 / 22 / 23 / 11

HEX #E4B1AF

RGB 228 177 175

HSL 2.26, 0.5%, 0.79%

LAB 76.7, 18.24, 8.16

 

CMYK 0 / 13 / 14 / 6

HEX #EFCFCE

RGB 239 207 206

HSL 1.82, 0.51%, 0.87%

LAB 85.72, 11.02, 4.62

 

CMYK 0 / 33 / 34 / 15

HEX #DA9390

RGB 218 147 144

HSL 2.43, 0.5%, 0.71%

LAB 67.86, 26.43, 12.54

 

CMYK 8 / 0 / 34 / 15

HEX #C9DA90

RGB 201 218 144

HSL 73.78, 0.5%, 0.71%

LAB 84.26, -17.56, 34.58

 

CMYK 34 / 22 / 0 / 15

HEX #90ABDA

RGB 144 171 218

HSL 218.11, 0.5%, 0.71%

LAB 69.55, 1.89, -26.76

 

CMYK 0 / 33 / 34 / 15

HEX #DA9390

RGB 218 147 144

HSL 2.43, 0.5%, 0.71%

LAB 67.86, 26.43, 12.54

 

CMYK 34 / 0 / 33 / 15

HEX #90DA93

RGB 144 218 147

HSL 122.43, 0.5%, 0.71%

LAB 80.84, -37.05, 27.87

 

CMYK 33 / 34 / 0 / 15

HEX #9390DA

RGB 147 144 218

HSL 242.43, 0.5%, 0.71%

LAB 62.69, 18.06, -37.38

 

CMYK 0 / 33 / 34 / 15

HEX #DA9390

RGB 218 147 144

HSL 2.43, 0.5%, 0.71%

LAB 67.86, 26.43, 12.54

 

CMYK 8 / 0 / 34 / 15

HEX #C9DA90

RGB 201 218 144

HSL 73.78, 0.5%, 0.71%

LAB 84.26, -17.56, 34.58

 

CMYK 34 / 1 / 0 / 15

HEX #90D8DA

RGB 144 216 218

HSL 181.62, 0.5%, 0.71%

LAB 81.89, -21.83, -8.13

 

CMYK 26 / 34 / 0 / 15

HEX #A190DA

RGB 161 144 218

HSL 253.78, 0.5%, 0.71%

LAB 63.82, 22.08, -35.52

 

CMYK 0 / 33 / 34 / 15

HEX #DA9390

RGB 218 147 144

HSL 2.43, 0.5%, 0.71%

LAB 67.86, 26.43, 12.54

 

CMYK 18 / 0 / 34 / 15

HEX #B3DA90

RGB 179 218 144

HSL 91.62, 0.5%, 0.71%

LAB 82.78, -25.67, 32.34

 

CMYK 34 / 1 / 0 / 15

HEX #90D8DA

RGB 144 216 218

HSL 181.62, 0.5%, 0.71%

LAB 81.89, -21.83, -8.13

 

CMYK 16 / 34 / 0 / 15

HEX #B890DA

RGB 184 144 218

HSL 272.43, 0.5%, 0.71%

LAB 65.9, 29, -32.13

 

Description

Color code: HEX #DA9390 | qconv.com Color code: HEX #DA9390 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 147 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 147 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 34 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 34% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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