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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA91C0 it is the complementary color #256E3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA91C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA91C0 shade: #DF91BB, #F0A3CE, #FFB5E1, #FFC7F4 and #FFD9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA91C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA91C0 shade: #DA91C0, #C97FAD, #B86D9A, #A75B87 and #964974

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA91C0 shade: #DA90C0, #DA90AC, #DA9098 and #DA9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA91C0 shade: #DA90C0, #DA90D4, #CC90DA, #B990DA and #A590DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA91C0 shade matches the following richer shades: #DA90C0, #E684C3, #F278C7 and #FE6CCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA91C0 shade: #DA90C0, #CE9CBC, #C2A8B9, #B6B4B5 and #AAC0B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA91C0 shade: #CC90DA, #DA90D4, #DA90C0, #DA90AC and #DA9099

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA91C0 shade: #C5529C, #D071AE, #DA90C0, #E4AFD1 and #EFCEE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA91C0 shade: #DA91C0, #DAB990 and #90DAD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA91C0 shade: #DA91C0, #C0DA90 and #90C0DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA91C0 shade: #DA91C0, #DAB990, #90DAAA and #90B1DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA91C0 shade: #DA91C0, #DACF90, #90DAAA and #909BDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 12 / 15

HEX #DA91C0

RGB 218 145 192

HSL 321.37, 0.5%, 0.71%

LAB 68.72, 34.51, -13.04

 

Complementary color

CMYK 66 / 0 / 43 / 57

HEX #256E3F

RGB 37 110 63

HSL 141.37, 0.5%, 0.29%

LAB 41.06, -34.05, 19.75

 

CMYK 0 / 35 / 16 / 13

HEX #DF91BB

RGB 223 145 187

HSL 327.69, 0.55%, 0.72%

LAB 69.13, 35.4, -9.59

 

CMYK 0 / 32 / 14 / 6

HEX #F0A3CE

RGB 240 163 206

HSL 326.49, 0.72%, 0.79%

LAB 75.56, 34.67, -10.29

 

CMYK 0 / 29 / 12 / 0

HEX #FFB5E1

RGB 255 181 225

HSL 324.32, 1%, 0.85%

LAB 81.7, 33.31, -11.27

 

CMYK 0 / 22 / 4 / 0

HEX #FFC7F4

RGB 255 199 244

HSL 311.79, 1%, 0.89%

LAB 86.32, 27.05, -14.5

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 33 / 12 / 15

HEX #DA91C0

RGB 218 145 192

HSL 321.37, 0.5%, 0.71%

LAB 68.72, 34.51, -13.04

 

CMYK 0 / 37 / 14 / 21

HEX #C97FAD

RGB 201 127 173

HSL 322.7, 0.41%, 0.64%

LAB 62.18, 35.26, -12.37

 

CMYK 0 / 41 / 16 / 28

HEX #B86D9A

RGB 184 109 154

HSL 324, 0.35%, 0.57%

LAB 55.54, 36.05, -11.62

 

CMYK 0 / 46 / 19 / 35

HEX #A75B87

RGB 167 91 135

HSL 325.26, 0.3%, 0.51%

LAB 48.82, 36.86, -10.75

 

CMYK 0 / 51 / 23 / 41

HEX #964974

RGB 150 73 116

HSL 326.49, 0.35%, 0.44%

LAB 42.02, 37.66, -9.7

 

CMYK 0 / 34 / 12 / 15

HEX #DA90C0

RGB 218 144 192

HSL 321.08, 0.5%, 0.71%

LAB 68.5, 35.04, -13.37

 

CMYK 0 / 34 / 21 / 15

HEX #DA90AC

RGB 218 144 172

HSL 337.3, 0.5%, 0.71%

LAB 67.9, 31.89, -3.09

 

CMYK 0 / 34 / 30 / 15

HEX #DA9098

RGB 218 144 152

HSL 353.51, 0.5%, 0.71%

LAB 67.37, 29.07, 7.36

 

CMYK 0 / 34 / 34 / 15

HEX #DA9090

RGB 218 144 144

HSL 0, 0.5%, 0.71%

LAB 67.18, 28.04, 11.57

 

CMYK 0 / 34 / 12 / 15

HEX #DA90C0

RGB 218 144 192

HSL 321.08, 0.5%, 0.71%

LAB 68.5, 35.04, -13.37

 

CMYK 0 / 34 / 3 / 15

HEX #DA90D4

RGB 218 144 212

HSL 304.86, 0.5%, 0.71%

LAB 69.19, 38.5, -23.45

 

CMYK 6 / 34 / 0 / 15

HEX #CC90DA

RGB 204 144 218

HSL 288.65, 0.5%, 0.71%

LAB 67.91, 35.2, -28.87

 

CMYK 15 / 34 / 0 / 15

HEX #B990DA

RGB 185 144 218

HSL 273.24, 0.5%, 0.71%

LAB 66, 29.31, -31.97

 

CMYK 24 / 34 / 0 / 15

HEX #A590DA

RGB 165 144 218

HSL 257.03, 0.5%, 0.71%

LAB 64.17, 23.26, -34.96

 

CMYK 0 / 34 / 12 / 15

HEX #DA90C0

RGB 218 144 192

HSL 321.08, 0.5%, 0.71%

LAB 68.5, 35.04, -13.37

 

CMYK 0 / 43 / 15 / 10

HEX #E684C3

RGB 230 132 195

HSL 321.43, 0.66%, 0.71%

LAB 67.48, 45.78, -16.46

 

CMYK 0 / 50 / 18 / 5

HEX #F278C7

RGB 242 120 199

HSL 321.15, 0.82%, 0.71%

LAB 66.85, 56.09, -19.5

 

CMYK 0 / 57 / 20 / 0

HEX #FE6CCA

RGB 254 108 202

HSL 321.37, 0.99%, 0.71%

LAB 66.57, 65.5, -21.47

 

CMYK 0 / 34 / 12 / 15

HEX #DA90C0

RGB 218 144 192

HSL 321.08, 0.5%, 0.71%

LAB 68.5, 35.04, -13.37

 

CMYK 0 / 24 / 9 / 19

HEX #CE9CBC

RGB 206 156 188

HSL 321.6, 0.34%, 0.71%

LAB 69.85, 23.73, -9.27

 

CMYK 0 / 13 / 5 / 24

HEX #C2A8B9

RGB 194 168 185

HSL 320.77, 0.18%, 0.71%

LAB 71.54, 12.39, -5.22

 

CMYK 0 / 1 / 1 / 29

HEX #B6B4B5

RGB 182 180 181

HSL 330, 0.01%, 0.71%

LAB 73.5, 0.89, -0.27

 

CMYK 11 / 0 / 7 / 25

HEX #AAC0B2

RGB 170 192 178

HSL 141.82, 0.15%, 0.71%

LAB 75.74, -10.21, 4.51

 

CMYK 6 / 34 / 0 / 15

HEX #CC90DA

RGB 204 144 218

HSL 288.65, 0.5%, 0.71%

LAB 67.91, 35.2, -28.87

 

CMYK 0 / 34 / 3 / 15

HEX #DA90D4

RGB 218 144 212

HSL 304.86, 0.5%, 0.71%

LAB 69.19, 38.5, -23.45

 

CMYK 0 / 34 / 12 / 15

HEX #DA90C0

RGB 218 144 192

HSL 321.08, 0.5%, 0.71%

LAB 68.5, 35.04, -13.37

 

CMYK 0 / 34 / 21 / 15

HEX #DA90AC

RGB 218 144 172

HSL 337.3, 0.5%, 0.71%

LAB 67.9, 31.89, -3.09

 

CMYK 0 / 34 / 30 / 15

HEX #DA9099

RGB 218 144 153

HSL 352.7, 0.5%, 0.71%

LAB 67.39, 29.2, 6.83

 

CMYK 0 / 58 / 21 / 23

HEX #C5529C

RGB 197 82 156

HSL 321.39, 0.5%, 0.55%

LAB 52.18, 54.11, -17.71

 

CMYK 0 / 46 / 16 / 18

HEX #D071AE

RGB 208 113 174

HSL 321.47, 0.5%, 0.63%

LAB 60.14, 45.13, -15.94

 

CMYK 0 / 34 / 12 / 15

HEX #DA90C0

RGB 218 144 192

HSL 321.08, 0.5%, 0.71%

LAB 68.5, 35.04, -13.37

 

CMYK 0 / 23 / 8 / 11

HEX #E4AFD1

RGB 228 175 209

HSL 321.51, 0.5%, 0.79%

LAB 77.14, 24.67, -9.71

 

CMYK 0 / 14 / 5 / 6

HEX #EFCEE3

RGB 239 206 227

HSL 321.82, 0.51%, 0.87%

LAB 86.03, 15.04, -6.08

 

CMYK 0 / 33 / 12 / 15

HEX #DA91C0

RGB 218 145 192

HSL 321.37, 0.5%, 0.71%

LAB 68.72, 34.51, -13.04

 

CMYK 0 / 15 / 34 / 15

HEX #DAB990

RGB 218 185 144

HSL 33.24, 0.5%, 0.71%

LAB 77.05, 6, 25.22

 

CMYK 34 / 0 / 2 / 15

HEX #90DAD6

RGB 144 218 214

HSL 176.76, 0.5%, 0.71%

LAB 82.34, -23.75, -5.34

 

CMYK 0 / 33 / 12 / 15

HEX #DA91C0

RGB 218 145 192

HSL 321.37, 0.5%, 0.71%

LAB 68.72, 34.51, -13.04

 

CMYK 12 / 0 / 34 / 15

HEX #C0DA90

RGB 192 218 144

HSL 81.08, 0.5%, 0.71%

LAB 83.63, -20.92, 33.63

 

CMYK 34 / 12 / 0 / 15

HEX #90C0DA

RGB 144 192 218

HSL 201.08, 0.5%, 0.71%

LAB 75.26, -9.5, -18.07

 

CMYK 0 / 33 / 12 / 15

HEX #DA91C0

RGB 218 145 192

HSL 321.37, 0.5%, 0.71%

LAB 68.72, 34.51, -13.04

 

CMYK 0 / 15 / 34 / 15

HEX #DAB990

RGB 218 185 144

HSL 33.24, 0.5%, 0.71%

LAB 77.05, 6, 25.22

 

CMYK 34 / 0 / 22 / 15

HEX #90DAAA

RGB 144 218 170

HSL 141.08, 0.5%, 0.71%

LAB 81.28, -33.01, 16.46

 

CMYK 34 / 19 / 0 / 15

HEX #90B1DA

RGB 144 177 218

HSL 213.24, 0.5%, 0.71%

LAB 71.17, -1.42, -24.29

 

CMYK 0 / 33 / 12 / 15

HEX #DA91C0

RGB 218 145 192

HSL 321.37, 0.5%, 0.71%

LAB 68.72, 34.51, -13.04

 

CMYK 0 / 5 / 34 / 15

HEX #DACF90

RGB 218 207 144

HSL 51.08, 0.5%, 0.71%

LAB 82.67, -5.49, 32.73

 

CMYK 34 / 0 / 22 / 15

HEX #90DAAA

RGB 144 218 170

HSL 141.08, 0.5%, 0.71%

LAB 81.28, -33.01, 16.46

 

CMYK 34 / 29 / 0 / 15

HEX #909BDA

RGB 144 155 218

HSL 231.08, 0.5%, 0.71%

LAB 65.31, 10.9, -33.32

 

Description

Color code: HEX #DA91C0 | qconv.com Color code: HEX #DA91C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 145 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 145 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 12 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 12% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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