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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA8F97 it is the complementary color #257068. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA8F97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DA8F97: #DF8F92, #F0A1A5, #FFB3B8, #FFC5CB and #FFD7DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA8F97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DA8F97: #DA8F97, #C97D84, #B86B71, #A7595E and #96474B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 31 / 15

HEX #DA8F97

RGB 218 143 151

HSL 353.6, 0.5%, 0.71%

LAB 67.12, 29.48, 7.56

 

Complementary color

CMYK 67 / 0 / 7 / 56

HEX #257068

RGB 37 112 104

HSL 173.6, 0.5%, 0.29%

LAB 42.73, -24.8, -2.31

 

CMYK 0 / 36 / 35 / 13

HEX #DF8F92

RGB 223 143 146

HSL 357.75, 0.56%, 0.72%

LAB 67.58, 30.7, 11.11

 

CMYK 0 / 33 / 31 / 6

HEX #F0A1A5

RGB 240 161 165

HSL 356.96, 0.72%, 0.79%

LAB 74.02, 29.84, 9.97

 

CMYK 0 / 30 / 28 / 0

HEX #FFB3B8

RGB 255 179 184

HSL 356.05, 1%, 0.85%

LAB 80.16, 28.32, 8.6

 

CMYK 0 / 23 / 20 / 0

HEX #FFC5CB

RGB 255 197 203

HSL 353.79, 1%, 0.89%

LAB 84.74, 21.53, 4.99

 

CMYK 0 / 16 / 13 / 0

HEX #FFD7DE

RGB 255 215 222

HSL 349.5, 1%, 0.92%

LAB 89.46, 15.01, 1.76

 

CMYK 0 / 34 / 31 / 15

HEX #DA8F97

RGB 218 143 151

HSL 353.6, 0.5%, 0.71%

LAB 67.12, 29.48, 7.56

 

CMYK 0 / 38 / 34 / 21

HEX #C97D84

RGB 201 125 132

HSL 354.47, 0.41%, 0.64%

LAB 60.56, 30.37, 8.72

 

CMYK 0 / 42 / 39 / 28

HEX #B86B71

RGB 184 107 113

HSL 355.32, 0.35%, 0.57%

LAB 53.92, 31.34, 10.03

 

CMYK 0 / 47 / 44 / 35

HEX #A7595E

RGB 167 89 94

HSL 356.15, 0.31%, 0.5%

LAB 47.19, 32.4, 11.56

 

CMYK 0 / 53 / 50 / 41

HEX #96474B

RGB 150 71 75

HSL 356.96, 0.36%, 0.43%

LAB 40.41, 33.52, 13.39

 

CMYK 0 / 34 / 31 / 15

HEX #DA8F97

RGB 218 143 151

HSL 353.6, 0.5%, 0.71%

LAB 67.12, 29.48, 7.56

 

CMYK 0 / 33 / 34 / 15

HEX #DA9390

RGB 218 147 144

HSL 2.43, 0.5%, 0.71%

LAB 67.86, 26.43, 12.54

 

CMYK 0 / 27 / 34 / 15

HEX #DAA090

RGB 218 160 144

HSL 12.97, 0.5%, 0.71%

LAB 70.91, 19.41, 16.81

 

CMYK 0 / 21 / 34 / 15

HEX #DAAC90

RGB 218 172 144

HSL 22.7, 0.5%, 0.71%

LAB 73.82, 12.94, 20.82

 

CMYK 0 / 16 / 34 / 15

HEX #DAB890

RGB 218 184 144

HSL 32.43, 0.5%, 0.71%

LAB 76.8, 6.53, 24.88

 

CMYK 0 / 34 / 31 / 15

HEX #DA8F97

RGB 218 143 151

HSL 353.6, 0.5%, 0.71%

LAB 67.12, 29.48, 7.56

 

CMYK 0 / 36 / 29 / 95

HEX #0E090A

RGB 14 9 10

HSL 348, 0.22%, 0.05%

LAB 2.81, 1.57, 0.12

 

CMYK 0 / 34 / 31 / 75

HEX #412B2D

RGB 65 43 45

HSL 354.55, 0.2%, 0.21%

LAB 20.21, 10.56, 2.81

 

CMYK 0 / 34 / 31 / 55

HEX #744C50

RGB 116 76 80

HSL 354, 0.21%, 0.38%

LAB 36.86, 17.55, 4.59

 

CMYK 0 / 34 / 31 / 35

HEX #A76E74

RGB 167 110 116

HSL 353.68, 0.24%, 0.54%

LAB 52.54, 23.49, 6.01

 

CMYK 0 / 34 / 31 / 15

HEX #DA8F97

RGB 218 143 151

HSL 353.6, 0.5%, 0.71%

LAB 67.12, 29.48, 7.56

 

CMYK 3 / 0 / 34 / 15

HEX #D3DA90

RGB 211 218 144

HSL 65.68, 0.5%, 0.71%

LAB 85, -13.77, 35.68

 

CMYK 34 / 17 / 0 / 15

HEX #90B6DA

RGB 144 182 218

HSL 209.19, 0.5%, 0.71%

LAB 72.53, -4.14, -22.22

 

CMYK 0 / 34 / 31 / 15

HEX #DA8F97

RGB 218 143 151

HSL 353.6, 0.5%, 0.71%

LAB 67.12, 29.48, 7.56

 

CMYK 30 / 0 / 34 / 15

HEX #98DA90

RGB 152 218 144

HSL 113.51, 0.5%, 0.71%

LAB 81.2, -34.96, 29.97

 

CMYK 34 / 30 / 0 / 15

HEX #9098DA

RGB 144 152 218

HSL 233.51, 0.5%, 0.71%

LAB 64.52, 12.61, -34.54

 

CMYK 0 / 34 / 31 / 15

HEX #DA8F97

RGB 218 143 151

HSL 353.6, 0.5%, 0.71%

LAB 67.12, 29.48, 7.56

 

CMYK 3 / 0 / 34 / 15

HEX #D3DA90

RGB 211 218 144

HSL 65.68, 0.5%, 0.71%

LAB 85, -13.77, 35.68

 

CMYK 34 / 0 / 4 / 15

HEX #90DAD1

RGB 144 218 209

HSL 172.7, 0.5%, 0.71%

LAB 82.2, -24.9, -2.88

 

CMYK 31 / 34 / 0 / 15

HEX #9690DA

RGB 150 144 218

HSL 244.86, 0.5%, 0.71%

LAB 62.92, 18.91, -37

 

CMYK 0 / 34 / 31 / 15

HEX #DA8F97

RGB 218 143 151

HSL 353.6, 0.5%, 0.71%

LAB 67.12, 29.48, 7.56

 

CMYK 13 / 0 / 34 / 15

HEX #BDDA90

RGB 189 218 144

HSL 83.51, 0.5%, 0.71%

LAB 83.43, -22.03, 33.33

 

CMYK 34 / 0 / 4 / 15

HEX #90DAD1

RGB 144 218 209

HSL 172.7, 0.5%, 0.71%

LAB 82.2, -24.9, -2.88

 

CMYK 21 / 34 / 0 / 15

HEX #AC90DA

RGB 172 144 218

HSL 262.7, 0.5%, 0.71%

LAB 64.79, 25.35, -33.95

 

Description

Color code: HEX #DA8F97 | qconv.com Color code: HEX #DA8F97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 143 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 143 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 31 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 31% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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