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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA8BC0 it is the complementary color #25743F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA8BC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA8BC0 shade: #DF8BBB, #F09DCE, #FFAFE1, #FFC1F4 and #FFD3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA8BC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA8BC0 shade: #DA8BC0, #C979AD, #B8679A, #A75587 and #964374

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA8BC0 shade: #DA8AC0, #DA8AAA, #DA8A95 and #DA8A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA8BC0 shade: #DA8AC0, #DA8AD5, #C98ADA, #B48ADA and #9E8ADA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA8BC0 shade matches the following richer shades: #DA8AC0, #E67EC4 and #F371C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA8BC0 shade: #DA8AC0, #CD97BB, #C1A3B7, #B5AFB3 and #A8BCAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA8BC0 shade: #C98ADA, #DA8AD6, #DA8AC1, #DA8AAB and #DA8A96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA8BC0 shade: #C64C9E, #D06BAF, #DA8AC0, #E4AAD1 and #EEC9E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA8BC0 shade: #DA8BC0, #DAB38A and #8ADAD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA8BC0 shade: #DA8BC0, #C1DA8A and #8AC1DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA8BC0 shade: #DA8BC0, #DAB38A, #8ADAA3 and #8AB1DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA8BC0 shade: #DA8BC0, #DACB8A, #8ADAA3 and #8A99DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 12 / 15

HEX #DA8BC0

RGB 218 139 192

HSL 319.75, 0.52%, 0.7%

LAB 67.41, 37.71, -15.02

 

Complementary color

CMYK 68 / 0 / 46 / 55

HEX #25743F

RGB 37 116 63

HSL 139.75, 0.52%, 0.3%

LAB 43.13, -36.6, 22.43

 

CMYK 0 / 38 / 16 / 13

HEX #DF8BBB

RGB 223 139 187

HSL 325.71, 0.57%, 0.71%

LAB 67.83, 38.58, -11.53

 

CMYK 0 / 35 / 14 / 6

HEX #F09DCE

RGB 240 157 206

HSL 324.58, 0.73%, 0.78%

LAB 74.25, 37.83, -12.25

 

CMYK 0 / 31 / 12 / 0

HEX #FFAFE1

RGB 255 175 225

HSL 322.5, 1%, 0.84%

LAB 80.38, 36.45, -13.25

 

CMYK 0 / 24 / 4 / 0

HEX #FFC1F4

RGB 255 193 244

HSL 310.65, 1%, 0.88%

LAB 84.96, 30.2, -16.55

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 0 / 36 / 12 / 15

HEX #DA8BC0

RGB 218 139 192

HSL 319.75, 0.52%, 0.7%

LAB 67.41, 37.71, -15.02

 

CMYK 0 / 40 / 14 / 21

HEX #C979AD

RGB 201 121 173

HSL 321, 0.43%, 0.63%

LAB 60.88, 38.48, -14.33

 

CMYK 0 / 44 / 16 / 28

HEX #B8679A

RGB 184 103 154

HSL 322.22, 0.36%, 0.56%

LAB 54.26, 39.27, -13.55

 

CMYK 0 / 49 / 19 / 35

HEX #A75587

RGB 167 85 135

HSL 323.41, 0.33%, 0.49%

LAB 47.57, 40.05, -12.62

 

CMYK 0 / 55 / 23 / 41

HEX #964374

RGB 150 67 116

HSL 324.58, 0.38%, 0.43%

LAB 40.83, 40.77, -11.49

 

CMYK 0 / 37 / 12 / 15

HEX #DA8AC0

RGB 218 138 192

HSL 319.5, 0.52%, 0.7%

LAB 67.19, 38.24, -15.35

 

CMYK 0 / 37 / 22 / 15

HEX #DA8AAA

RGB 218 138 170

HSL 336, 0.52%, 0.7%

LAB 66.51, 34.8, -4.01

 

CMYK 0 / 37 / 32 / 15

HEX #DA8A95

RGB 218 138 149

HSL 351.75, 0.52%, 0.7%

LAB 65.94, 31.89, 7.01

 

CMYK 0 / 37 / 37 / 15

HEX #DA8A8A

RGB 218 138 138

HSL 0, 0.52%, 0.7%

LAB 65.68, 30.52, 12.84

 

CMYK 0 / 37 / 12 / 15

HEX #DA8AC0

RGB 218 138 192

HSL 319.5, 0.52%, 0.7%

LAB 67.19, 38.24, -15.35

 

CMYK 0 / 37 / 2 / 15

HEX #DA8AD5

RGB 218 138 213

HSL 303.75, 0.52%, 0.7%

LAB 67.94, 41.86, -25.92

 

CMYK 8 / 37 / 0 / 15

HEX #C98ADA

RGB 201 138 218

HSL 287.25, 0.52%, 0.7%

LAB 66.26, 37.53, -31.44

 

CMYK 17 / 37 / 0 / 15

HEX #B48ADA

RGB 180 138 218

HSL 271.5, 0.52%, 0.7%

LAB 64.11, 31.13, -34.94

 

CMYK 28 / 37 / 0 / 15

HEX #9E8ADA

RGB 158 138 218

HSL 255, 0.52%, 0.7%

LAB 62.09, 24.64, -38.25

 

CMYK 0 / 37 / 12 / 15

HEX #DA8AC0

RGB 218 138 192

HSL 319.5, 0.52%, 0.7%

LAB 67.19, 38.24, -15.35

 

CMYK 0 / 45 / 15 / 10

HEX #E67EC4

RGB 230 126 196

HSL 319.62, 0.68%, 0.7%

LAB 66.31, 48.98, -18.78

 

CMYK 0 / 53 / 18 / 5

HEX #F371C8

RGB 243 113 200

HSL 319.85, 0.84%, 0.7%

LAB 65.78, 59.82, -21.69

 

CMYK 0 / 37 / 12 / 15

HEX #DA8AC0

RGB 218 138 192

HSL 319.5, 0.52%, 0.7%

LAB 67.19, 38.24, -15.35

 

CMYK 0 / 26 / 9 / 20

HEX #CD97BB

RGB 205 151 187

HSL 320, 0.35%, 0.7%

LAB 68.53, 25.94, -10.68

 

CMYK 0 / 16 / 5 / 24

HEX #C1A3B7

RGB 193 163 183

HSL 320, 0.19%, 0.7%

LAB 70.14, 14.42, -6.2

 

CMYK 0 / 3 / 1 / 29

HEX #B5AFB3

RGB 181 175 179

HSL 320, 0.04%, 0.7%

LAB 72.05, 2.87, -1.29

 

CMYK 11 / 0 / 7 / 26

HEX #A8BCAF

RGB 168 188 175

HSL 141, 0.13%, 0.7%

LAB 74.44, -9.37, 4.24

 

CMYK 8 / 37 / 0 / 15

HEX #C98ADA

RGB 201 138 218

HSL 287.25, 0.52%, 0.7%

LAB 66.26, 37.53, -31.44

 

CMYK 0 / 37 / 2 / 15

HEX #DA8AD6

RGB 218 138 214

HSL 303, 0.52%, 0.7%

LAB 67.97, 42.04, -26.42

 

CMYK 0 / 37 / 11 / 15

HEX #DA8AC1

RGB 218 138 193

HSL 318.75, 0.52%, 0.7%

LAB 67.23, 38.4, -15.86

 

CMYK 0 / 37 / 22 / 15

HEX #DA8AAB

RGB 218 138 171

HSL 335.25, 0.52%, 0.7%

LAB 66.54, 34.95, -4.53

 

CMYK 0 / 37 / 31 / 15

HEX #DA8A96

RGB 218 138 150

HSL 351, 0.52%, 0.7%

LAB 65.97, 32.02, 6.48

 

CMYK 0 / 62 / 20 / 22

HEX #C64C9E

RGB 198 76 158

HSL 319.67, 0.52%, 0.54%

LAB 51.43, 57.34, -20.02

 

CMYK 0 / 49 / 16 / 18

HEX #D06BAF

RGB 208 107 175

HSL 319.6, 0.52%, 0.62%

LAB 58.99, 48.32, -18.25

 

CMYK 0 / 37 / 12 / 15

HEX #DA8AC0

RGB 218 138 192

HSL 319.5, 0.52%, 0.7%

LAB 67.19, 38.24, -15.35

 

CMYK 0 / 25 / 8 / 11

HEX #E4AAD1

RGB 228 170 209

HSL 319.66, 0.52%, 0.78%

LAB 75.98, 27.36, -11.44

 

CMYK 0 / 16 / 5 / 7

HEX #EEC9E2

RGB 238 201 226

HSL 319.46, 0.52%, 0.86%

LAB 84.71, 17.16, -7.51

 

CMYK 0 / 36 / 12 / 15

HEX #DA8BC0

RGB 218 139 192

HSL 319.75, 0.52%, 0.7%

LAB 67.41, 37.71, -15.02

 

CMYK 0 / 18 / 37 / 15

HEX #DAB38A

RGB 218 179 138

HSL 30.75, 0.52%, 0.7%

LAB 75.44, 8.47, 26.25

 

CMYK 37 / 0 / 3 / 15

HEX #8ADAD3

RGB 138 218 211

HSL 174.75, 0.52%, 0.7%

LAB 81.97, -26.04, -4.32

 

CMYK 0 / 36 / 12 / 15

HEX #DA8BC0

RGB 218 139 192

HSL 319.75, 0.52%, 0.7%

LAB 67.41, 37.71, -15.02

 

CMYK 11 / 0 / 37 / 15

HEX #C1DA8A

RGB 193 218 138

HSL 78.75, 0.52%, 0.7%

LAB 83.61, -21.32, 36.66

 

CMYK 37 / 11 / 0 / 15

HEX #8AC1DA

RGB 138 193 218

HSL 198.75, 0.52%, 0.7%

LAB 75.21, -11.67, -18.18

 

CMYK 0 / 36 / 12 / 15

HEX #DA8BC0

RGB 218 139 192

HSL 319.75, 0.52%, 0.7%

LAB 67.41, 37.71, -15.02

 

CMYK 0 / 18 / 37 / 15

HEX #DAB38A

RGB 218 179 138

HSL 30.75, 0.52%, 0.7%

LAB 75.44, 8.47, 26.25

 

CMYK 37 / 0 / 25 / 15

HEX #8ADAA3

RGB 138 218 163

HSL 138.75, 0.52%, 0.7%

LAB 80.84, -36.1, 19.49

 

CMYK 37 / 19 / 0 / 15

HEX #8AB1DA

RGB 138 177 218

HSL 210.75, 0.52%, 0.7%

LAB 70.81, -3.08, -24.87

 

CMYK 0 / 36 / 12 / 15

HEX #DA8BC0

RGB 218 139 192

HSL 319.75, 0.52%, 0.7%

LAB 67.41, 37.71, -15.02

 

CMYK 0 / 7 / 37 / 15

HEX #DACB8A

RGB 218 203 138

HSL 48.75, 0.52%, 0.7%

LAB 81.54, -4.13, 34.33

 

CMYK 37 / 0 / 25 / 15

HEX #8ADAA3

RGB 138 218 163

HSL 138.75, 0.52%, 0.7%

LAB 80.84, -36.1, 19.49

 

CMYK 37 / 30 / 0 / 15

HEX #8A99DA

RGB 138 153 218

HSL 228.75, 0.52%, 0.7%

LAB 64.36, 10.38, -34.82

 

Description

Color code: HEX #DA8BC0 | qconv.com Color code: HEX #DA8BC0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 139 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 139 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 12 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 12% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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