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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA8AD7 it is the complementary color #257528. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA8AD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA8AD7 shade: #DF8AD2, #F09CE5, #FFAEF8, #FFC0FF and #FFD2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA8AD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA8AD7 shade: #DA8AD7, #C978C4, #B866B1, #A7549E and #96428B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA8AD7 shade: #DA8AD7, #DA8AC1, #DA8AAC, #DA8A96 and #DA8A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA8AD7 shade: #DA8AD7, #C78ADA, #B28ADA, #9C8ADA and #8A8ADA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA8AD7 shade matches the following richer shades: #DA8AD7, #E67EE2 and #F371EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA8AD7 shade: #DA8AD7, #CD97CB, #C1A3C0, #B5AFB4 and #A8BCA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA8AD7 shade: #B28ADA, #C78ADA, #DA8AD7, #DA8AC2 and #DA8AAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA8AD7 shade: #C64CC1, #D06BCC, #DA8AD7, #E4AAE2 and #EEC9EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA8AD7 shade: #DA8AD7, #DA9D8A and #8ADABD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA8AD7 shade: #DA8AD7, #D7DA8A and #8AD7DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA8AD7 shade: #DA8AD7, #DA9D8A, #8ADA8D and #8AC7DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA8AD7 shade: #DA8AD7, #DAB58A, #8ADA8D and #8AAFDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 1 / 15

HEX #DA8AD7

RGB 218 138 215

HSL 302.25, 0.52%, 0.7%

LAB 68.01, 42.22, -26.92

 

Complementary color

CMYK 68 / 0 / 66 / 54

HEX #257528

RGB 37 117 40

HSL 122.25, 0.52%, 0.3%

LAB 43.17, -40.5, 34.58

 

CMYK 0 / 38 / 6 / 13

HEX #DF8AD2

RGB 223 138 210

HSL 309.18, 0.57%, 0.71%

LAB 68.4, 42.91, -23.5

 

CMYK 0 / 35 / 5 / 6

HEX #F09CE5

RGB 240 156 229

HSL 307.86, 0.74%, 0.78%

LAB 74.8, 42.18, -24.01

 

CMYK 0 / 32 / 3 / 0

HEX #FFAEF8

RGB 255 174 248

HSL 305.19, 1%, 0.84%

LAB 80.91, 40.84, -24.82

 

CMYK 0 / 25 / 0 / 0

HEX #FFC0FF

RGB 255 192 255

HSL 300, 1%, 0.88%

LAB 85.09, 32.67, -22.21

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 0 / 37 / 1 / 15

HEX #DA8AD7

RGB 218 138 215

HSL 302.25, 0.52%, 0.7%

LAB 68.01, 42.22, -26.92

 

CMYK 0 / 40 / 2 / 21

HEX #C978C4

RGB 201 120 196

HSL 303.7, 0.43%, 0.63%

LAB 61.51, 42.97, -26.44

 

CMYK 0 / 45 / 4 / 28

HEX #B866B1

RGB 184 102 177

HSL 305.12, 0.37%, 0.56%

LAB 54.94, 43.72, -25.89

 

CMYK 0 / 50 / 5 / 35

HEX #A7549E

RGB 167 84 158

HSL 306.51, 0.33%, 0.49%

LAB 48.29, 44.43, -25.24

 

CMYK 0 / 56 / 7 / 41

HEX #96428B

RGB 150 66 139

HSL 307.86, 0.39%, 0.42%

LAB 41.6, 45.02, -24.41

 

CMYK 0 / 37 / 1 / 15

HEX #DA8AD7

RGB 218 138 215

HSL 302.25, 0.52%, 0.7%

LAB 68.01, 42.22, -26.92

 

CMYK 0 / 37 / 11 / 15

HEX #DA8AC1

RGB 218 138 193

HSL 318.75, 0.52%, 0.7%

LAB 67.23, 38.4, -15.86

 

CMYK 0 / 37 / 21 / 15

HEX #DA8AAC

RGB 218 138 172

HSL 334.5, 0.52%, 0.7%

LAB 66.57, 35.1, -5.05

 

CMYK 0 / 37 / 31 / 15

HEX #DA8A96

RGB 218 138 150

HSL 351, 0.52%, 0.7%

LAB 65.97, 32.02, 6.48

 

CMYK 0 / 37 / 37 / 15

HEX #DA8A8A

RGB 218 138 138

HSL 0, 0.52%, 0.7%

LAB 65.68, 30.52, 12.84

 

CMYK 0 / 37 / 1 / 15

HEX #DA8AD7

RGB 218 138 215

HSL 302.25, 0.52%, 0.7%

LAB 68.01, 42.22, -26.92

 

CMYK 9 / 37 / 0 / 15

HEX #C78ADA

RGB 199 138 218

HSL 285.75, 0.52%, 0.7%

LAB 66.04, 36.91, -31.79

 

CMYK 18 / 37 / 0 / 15

HEX #B28ADA

RGB 178 138 218

HSL 270, 0.52%, 0.7%

LAB 63.92, 30.53, -35.25

 

CMYK 28 / 37 / 0 / 15

HEX #9C8ADA

RGB 156 138 218

HSL 253.5, 0.52%, 0.7%

LAB 61.92, 24.07, -38.53

 

CMYK 37 / 37 / 0 / 15

HEX #8A8ADA

RGB 138 138 218

HSL 240, 0.52%, 0.7%

LAB 60.46, 19.06, -40.91

 

CMYK 0 / 37 / 1 / 15

HEX #DA8AD7

RGB 218 138 215

HSL 302.25, 0.52%, 0.7%

LAB 68.01, 42.22, -26.92

 

CMYK 0 / 45 / 2 / 10

HEX #E67EE2

RGB 230 126 226

HSL 302.31, 0.68%, 0.7%

LAB 67.45, 53.95, -33.76

 

CMYK 0 / 53 / 2 / 5

HEX #F371EE

RGB 243 113 238

HSL 302.31, 0.84%, 0.7%

LAB 67.31, 65.75, -40.5

 

CMYK 0 / 37 / 1 / 15

HEX #DA8AD7

RGB 218 138 215

HSL 302.25, 0.52%, 0.7%

LAB 68.01, 42.22, -26.92

 

CMYK 0 / 26 / 1 / 20

HEX #CD97CB

RGB 205 151 203

HSL 302.22, 0.35%, 0.7%

LAB 69.06, 28.83, -18.79

 

CMYK 0 / 16 / 1 / 24

HEX #C1A3C0

RGB 193 163 192

HSL 302, 0.19%, 0.7%

LAB 70.41, 16.09, -10.77

 

CMYK 0 / 3 / 1 / 29

HEX #B5AFB4

RGB 181 175 180

HSL 310, 0.04%, 0.7%

LAB 72.08, 3.06, -1.8

 

CMYK 11 / 0 / 10 / 26

HEX #A8BCA9

RGB 168 188 169

HSL 123, 0.13%, 0.7%

LAB 74.29, -10.49, 7.29

 

CMYK 18 / 37 / 0 / 15

HEX #B28ADA

RGB 178 138 218

HSL 270, 0.52%, 0.7%

LAB 63.92, 30.53, -35.25

 

CMYK 9 / 37 / 0 / 15

HEX #C78ADA

RGB 199 138 218

HSL 285.75, 0.52%, 0.7%

LAB 66.04, 36.91, -31.79

 

CMYK 0 / 37 / 1 / 15

HEX #DA8AD7

RGB 218 138 215

HSL 302.25, 0.52%, 0.7%

LAB 68.01, 42.22, -26.92

 

CMYK 0 / 37 / 11 / 15

HEX #DA8AC2

RGB 218 138 194

HSL 318, 0.52%, 0.7%

LAB 67.26, 38.57, -16.36

 

CMYK 0 / 37 / 21 / 15

HEX #DA8AAD

RGB 218 138 173

HSL 333.75, 0.52%, 0.7%

LAB 66.6, 35.25, -5.57

 

CMYK 0 / 62 / 3 / 22

HEX #C64CC1

RGB 198 76 193

HSL 302.46, 0.52%, 0.54%

LAB 52.98, 62.76, -38.04

 

CMYK 0 / 49 / 2 / 18

HEX #D06BCC

RGB 208 107 204

HSL 302.38, 0.52%, 0.62%

LAB 60.15, 53.14, -33.01

 

CMYK 0 / 37 / 1 / 15

HEX #DA8AD7

RGB 218 138 215

HSL 302.25, 0.52%, 0.7%

LAB 68.01, 42.22, -26.92

 

CMYK 0 / 25 / 1 / 11

HEX #E4AAE2

RGB 228 170 226

HSL 302.07, 0.52%, 0.78%

LAB 76.52, 30.37, -19.88

 

CMYK 0 / 16 / 1 / 7

HEX #EEC9EC

RGB 238 201 236

HSL 303.24, 0.52%, 0.86%

LAB 85, 18.94, -12.4

 

CMYK 0 / 37 / 1 / 15

HEX #DA8AD7

RGB 218 138 215

HSL 302.25, 0.52%, 0.7%

LAB 68.01, 42.22, -26.92

 

CMYK 0 / 28 / 37 / 15

HEX #DA9D8A

RGB 218 157 138

HSL 14.25, 0.52%, 0.7%

LAB 70.07, 20.29, 18.95

 

CMYK 37 / 0 / 13 / 15

HEX #8ADABD

RGB 138 218 189

HSL 158.25, 0.52%, 0.7%

LAB 81.41, -30.94, 6.56

 

CMYK 0 / 37 / 1 / 15

HEX #DA8AD7

RGB 218 138 215

HSL 302.25, 0.52%, 0.7%

LAB 68.01, 42.22, -26.92

 

CMYK 1 / 0 / 37 / 15

HEX #D7DA8A

RGB 215 218 138

HSL 62.25, 0.52%, 0.7%

LAB 85.21, -12.94, 39.05

 

CMYK 37 / 1 / 0 / 15

HEX #8AD7DA

RGB 138 215 218

HSL 182.25, 0.52%, 0.7%

LAB 81.33, -22.91, -9

 

CMYK 0 / 37 / 1 / 15

HEX #DA8AD7

RGB 218 138 215

HSL 302.25, 0.52%, 0.7%

LAB 68.01, 42.22, -26.92

 

CMYK 0 / 28 / 37 / 15

HEX #DA9D8A

RGB 218 157 138

HSL 14.25, 0.52%, 0.7%

LAB 70.07, 20.29, 18.95

 

CMYK 37 / 0 / 35 / 15

HEX #8ADA8D

RGB 138 218 141

HSL 122.25, 0.52%, 0.7%

LAB 80.44, -39.89, 30.38

 

CMYK 37 / 9 / 0 / 15

HEX #8AC7DA

RGB 138 199 218

HSL 194.25, 0.52%, 0.7%

LAB 76.87, -14.8, -15.68

 

CMYK 0 / 37 / 1 / 15

HEX #DA8AD7

RGB 218 138 215

HSL 302.25, 0.52%, 0.7%

LAB 68.01, 42.22, -26.92

 

CMYK 0 / 17 / 37 / 15

HEX #DAB58A

RGB 218 181 138

HSL 32.25, 0.52%, 0.7%

LAB 75.94, 7.4, 26.92

 

CMYK 37 / 0 / 35 / 15

HEX #8ADA8D

RGB 138 218 141

HSL 122.25, 0.52%, 0.7%

LAB 80.44, -39.89, 30.38

 

CMYK 37 / 20 / 0 / 15

HEX #8AAFDA

RGB 138 175 218

HSL 212.25, 0.52%, 0.7%

LAB 70.26, -1.98, -25.71

 

Description

Color code: HEX #DA8AD7 | qconv.com Color code: HEX #DA8AD7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 138 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 138 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 1 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 1% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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