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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA83B9 it is the complementary color #257C46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA83B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA83B9 shade: #DF83B4, #F095C7, #FFA7DA, #FFB9ED and #FFCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA83B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA83B9 shade: #DA83B9, #C971A6, #B85F93, #A74D80 and #963B6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA83B9 shade: #D981B8, #D981A0, #D98189 and #D98181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA83B9 shade: #D981B8, #D981D0, #CB81D9, #B481D9 and #9C81D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA83B9 shade matches the following richer shades: #D981B8, #E774BB and #F467BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA83B9 shade: #D981B8, #CC8FB5, #BF9CB2, #B2A9AE and #A5B6AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA83B9 shade: #CB81D9, #D981D1, #D981B9, #D981A2 and #D9818A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA83B9 shade: #C64294, #D062A6, #D981B8, #E3A1CA and #ECC1DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA83B9 shade: #DA83B9, #D9B381 and #81D9D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA83B9 shade: #DA83B9, #B9D981 and #81B9D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA83B9 shade: #DA83B9, #D9B381, #81D9A2 and #81A8D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA83B9 shade: #DA83B9, #D9CE81, #81D9A2 and #818DD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 15 / 15

HEX #DA83B9

RGB 218 131 185

HSL 322.76, 0.54%, 0.68%

LAB 65.47, 40.8, -14.01

 

Complementary color

CMYK 70 / 0 / 44 / 51

HEX #257C46

RGB 37 124 70

HSL 142.76, 0.54%, 0.32%

LAB 45.98, -38.6, 22.19

 

CMYK 0 / 41 / 19 / 13

HEX #DF83B4

RGB 223 131 180

HSL 328.04, 0.59%, 0.69%

LAB 65.92, 41.7, -10.46

 

CMYK 0 / 38 / 17 / 6

HEX #F095C7

RGB 240 149 199

HSL 327.03, 0.75%, 0.76%

LAB 72.32, 40.92, -11.27

 

CMYK 0 / 35 / 15 / 0

HEX #FFA7DA

RGB 255 167 218

HSL 325.23, 1%, 0.83%

LAB 78.44, 39.5, -12.36

 

CMYK 0 / 27 / 7 / 0

HEX #FFB9ED

RGB 255 185 237

HSL 315.43, 1%, 0.86%

LAB 82.95, 33.2, -15.84

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 40 / 15 / 15

HEX #DA83B9

RGB 218 131 185

HSL 322.76, 0.54%, 0.68%

LAB 65.47, 40.8, -14.01

 

CMYK 0 / 44 / 17 / 21

HEX #C971A6

RGB 201 113 166

HSL 323.86, 0.45%, 0.62%

LAB 58.96, 41.58, -13.21

 

CMYK 0 / 48 / 20 / 28

HEX #B85F93

RGB 184 95 147

HSL 324.94, 0.39%, 0.55%

LAB 52.38, 42.36, -12.28

 

CMYK 0 / 54 / 23 / 35

HEX #A74D80

RGB 167 77 128

HSL 326, 0.37%, 0.48%

LAB 45.75, 43.1, -11.16

 

CMYK 0 / 61 / 27 / 41

HEX #963B6D

RGB 150 59 109

HSL 327.03, 0.44%, 0.41%

LAB 39.1, 43.68, -9.76

 

CMYK 0 / 41 / 15 / 15

HEX #D981B8

RGB 217 129 184

HSL 322.5, 0.54%, 0.68%

LAB 64.89, 41.36, -14.33

 

CMYK 0 / 41 / 26 / 15

HEX #D981A0

RGB 217 129 160

HSL 338.86, 0.54%, 0.68%

LAB 64.15, 37.79, -1.83

 

CMYK 0 / 41 / 37 / 15

HEX #D98189

RGB 217 129 137

HSL 354.55, 0.54%, 0.68%

LAB 63.56, 34.82, 10.39

 

CMYK 0 / 41 / 41 / 15

HEX #D98181

RGB 217 129 129

HSL 0, 0.54%, 0.68%

LAB 63.37, 33.9, 14.67

 

CMYK 0 / 41 / 15 / 15

HEX #D981B8

RGB 217 129 184

HSL 322.5, 0.54%, 0.68%

LAB 64.89, 41.36, -14.33

 

CMYK 0 / 41 / 4 / 15

HEX #D981D0

RGB 217 129 208

HSL 306.14, 0.54%, 0.68%

LAB 65.75, 45.37, -26.5

 

CMYK 6 / 41 / 0 / 15

HEX #CB81D9

RGB 203 129 217

HSL 290.45, 0.54%, 0.68%

LAB 64.49, 42.77, -33.61

 

CMYK 17 / 41 / 0 / 15

HEX #B481D9

RGB 180 129 217

HSL 274.77, 0.54%, 0.68%

LAB 62.01, 35.92, -37.66

 

CMYK 28 / 41 / 0 / 15

HEX #9C81D9

RGB 156 129 217

HSL 258.41, 0.54%, 0.68%

LAB 59.69, 28.99, -41.47

 

CMYK 0 / 41 / 15 / 15

HEX #D981B8

RGB 217 129 184

HSL 322.5, 0.54%, 0.68%

LAB 64.89, 41.36, -14.33

 

CMYK 0 / 50 / 19 / 9

HEX #E774BB

RGB 231 116 187

HSL 322.96, 0.71%, 0.68%

LAB 64.22, 52.88, -16.87

 

CMYK 0 / 58 / 22 / 4

HEX #F467BE

RGB 244 103 190

HSL 322.98, 0.87%, 0.68%

LAB 63.88, 63.2, -18.92

 

CMYK 0 / 41 / 15 / 15

HEX #D981B8

RGB 217 129 184

HSL 322.5, 0.54%, 0.68%

LAB 64.89, 41.36, -14.33

 

CMYK 0 / 30 / 11 / 20

HEX #CC8FB5

RGB 204 143 181

HSL 322.62, 0.37%, 0.68%

LAB 66.38, 28.94, -10.56

 

CMYK 0 / 18 / 7 / 25

HEX #BF9CB2

RGB 191 156 178

HSL 322.29, 0.21%, 0.68%

LAB 68.07, 16.67, -6.51

 

CMYK 0 / 5 / 2 / 30

HEX #B2A9AE

RGB 178 169 174

HSL 326.67, 0.06%, 0.68%

LAB 70.1, 4.14, -1.42

 

CMYK 9 / 0 / 6 / 29

HEX #A5B6AB

RGB 165 182 171

HSL 141.18, 0.1%, 0.68%

LAB 72.49, -8, 3.59

 

CMYK 6 / 41 / 0 / 15

HEX #CB81D9

RGB 203 129 217

HSL 290.45, 0.54%, 0.68%

LAB 64.49, 42.77, -33.61

 

CMYK 0 / 41 / 4 / 15

HEX #D981D1

RGB 217 129 209

HSL 305.45, 0.54%, 0.68%

LAB 65.79, 45.55, -27

 

CMYK 0 / 41 / 15 / 15

HEX #D981B9

RGB 217 129 185

HSL 321.82, 0.54%, 0.68%

LAB 64.93, 41.52, -14.84

 

CMYK 0 / 41 / 25 / 15

HEX #D981A2

RGB 217 129 162

HSL 337.5, 0.54%, 0.68%

LAB 64.21, 38.07, -2.89

 

CMYK 0 / 41 / 36 / 15

HEX #D9818A

RGB 217 129 138

HSL 353.86, 0.54%, 0.68%

LAB 63.58, 34.94, 9.85

 

CMYK 0 / 67 / 25 / 22

HEX #C64294

RGB 198 66 148

HSL 322.73, 0.54%, 0.52%

LAB 49.54, 60.1, -16.97

 

CMYK 0 / 53 / 20 / 18

HEX #D062A6

RGB 208 98 166

HSL 322.91, 0.54%, 0.6%

LAB 56.98, 51.39, -16.12

 

CMYK 0 / 41 / 15 / 15

HEX #D981B8

RGB 217 129 184

HSL 322.5, 0.54%, 0.68%

LAB 64.89, 41.36, -14.33

 

CMYK 0 / 29 / 11 / 11

HEX #E3A1CA

RGB 227 161 202

HSL 322.73, 0.54%, 0.76%

LAB 73.6, 30.66, -11.17

 

CMYK 0 / 18 / 7 / 7

HEX #ECC1DC

RGB 236 193 220

HSL 322.33, 0.53%, 0.84%

LAB 82.45, 19.69, -7.66

 

CMYK 0 / 40 / 15 / 15

HEX #DA83B9

RGB 218 131 185

HSL 322.76, 0.54%, 0.68%

LAB 65.47, 40.8, -14.01

 

CMYK 0 / 18 / 41 / 15

HEX #D9B381

RGB 217 179 129

HSL 34.09, 0.54%, 0.68%

LAB 75.19, 7.04, 30.68

 

CMYK 41 / 0 / 1 / 15

HEX #81D9D7

RGB 129 217 215

HSL 178.64, 0.54%, 0.68%

LAB 81.4, -26.89, -7.34

 

CMYK 0 / 40 / 15 / 15

HEX #DA83B9

RGB 218 131 185

HSL 322.76, 0.54%, 0.68%

LAB 65.47, 40.8, -14.01

 

CMYK 15 / 0 / 41 / 15

HEX #B9D981

RGB 185 217 129

HSL 81.82, 0.54%, 0.68%

LAB 82.66, -24.93, 39.86

 

CMYK 41 / 15 / 0 / 15

HEX #81B9D9

RGB 129 185 217

HSL 201.82, 0.54%, 0.68%

LAB 72.48, -10.06, -21.82

 

CMYK 0 / 40 / 15 / 15

HEX #DA83B9

RGB 218 131 185

HSL 322.76, 0.54%, 0.68%

LAB 65.47, 40.8, -14.01

 

CMYK 0 / 18 / 41 / 15

HEX #D9B381

RGB 217 179 129

HSL 34.09, 0.54%, 0.68%

LAB 75.19, 7.04, 30.68

 

CMYK 41 / 0 / 25 / 15

HEX #81D9A2

RGB 129 217 162

HSL 142.5, 0.54%, 0.68%

LAB 80.12, -38.43, 18.95

 

CMYK 41 / 23 / 0 / 15

HEX #81A8D9

RGB 129 168 217

HSL 213.41, 0.54%, 0.68%

LAB 67.79, -0.79, -29.01

 

CMYK 0 / 40 / 15 / 15

HEX #DA83B9

RGB 218 131 185

HSL 322.76, 0.54%, 0.68%

LAB 65.47, 40.8, -14.01

 

CMYK 0 / 5 / 41 / 15

HEX #D9CE81

RGB 217 206 129

HSL 52.5, 0.54%, 0.68%

LAB 82.1, -7.07, 39.63

 

CMYK 41 / 0 / 25 / 15

HEX #81D9A2

RGB 129 217 162

HSL 142.5, 0.54%, 0.68%

LAB 80.12, -38.43, 18.95

 

CMYK 41 / 35 / 0 / 15

HEX #818DD9

RGB 129 141 217

HSL 231.82, 0.54%, 0.68%

LAB 60.54, 14.64, -40.28

 

Description

Color code: HEX #DA83B9 | qconv.com Color code: HEX #DA83B9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 131 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 131 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 15 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 15% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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