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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA8334 it is the complementary color #257CCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA8334. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA8334 shade: #DF832F, #F09542, #FFA755, #FFB968 and #FFCB7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA8334. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA8334 shade: #DA8334, #C97121, #B85F0E, #A74D00 and #963B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA8334 shade: #D98334, #D95634 and #D93434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA8334 shade: #D98334, #D9AF34, #D7D934, #AAD934 and #7ED934

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA8334 shade matches the following richer shades: #D98334 and #ED8221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA8334 shade: #D98334, #C68447, #B3855B, #9F856E and #8C8682

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA8334 shade: #D9343F, #D95534, #D98134, #D9AD34 and #D9D934

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA8334 shade: #9E5A1D, #C16E23, #D98334, #E09857 and #E6AD7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA8334 shade: #DA8334, #6BD934 and #3F34D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA8334 shade: #DA8334, #34D981 and #8134D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA8334 shade: #DA8334, #6BD934, #348CD9 and #A234D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA8334 shade: #DA8334, #39D934, #348CD9 and #D434D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 76 / 15

HEX #DA8334

RGB 218 131 52

HSL 28.55, 0.69%, 0.53%

LAB 62.83, 27.41, 54.58

 

Complementary color

CMYK 82 / 39 / 0 / 20

HEX #257CCB

RGB 37 124 203

HSL 208.55, 0.69%, 0.47%

LAB 50.83, 3.02, -48.02

 

CMYK 0 / 41 / 79 / 13

HEX #DF832F

RGB 223 131 47

HSL 28.64, 0.73%, 0.53%

LAB 63.45, 29.3, 57.5

 

CMYK 0 / 38 / 73 / 6

HEX #F09542

RGB 240 149 66

HSL 28.62, 0.85%, 0.6%

LAB 69.76, 27.58, 56.32

 

CMYK 0 / 35 / 67 / 0

HEX #FFA755

RGB 255 167 85

HSL 28.94, 1%, 0.67%

LAB 75.79, 25.24, 54.58

 

CMYK 0 / 27 / 59 / 0

HEX #FFB968

RGB 255 185 104

HSL 32.19, 1%, 0.7%

LAB 80.16, 17.03, 50.47

 

CMYK 0 / 20 / 52 / 0

HEX #FFCB7B

RGB 255 203 123

HSL 36.36, 1%, 0.74%

LAB 84.69, 9.14, 46.61

 

CMYK 0 / 40 / 76 / 15

HEX #DA8334

RGB 218 131 52

HSL 28.55, 0.69%, 0.53%

LAB 62.83, 27.41, 54.58

 

CMYK 0 / 44 / 84 / 21

HEX #C97121

RGB 201 113 33

HSL 28.57, 0.72%, 0.46%

LAB 56.42, 29.27, 55.51

 

CMYK 0 / 48 / 92 / 28

HEX #B85F0E

RGB 184 95 14

HSL 28.59, 0.86%, 0.39%

LAB 49.99, 31.34, 55.4

 

CMYK 0 / 54 / 100 / 35

HEX #A74D00

RGB 167 77 0

HSL 27.66, 1%, 0.33%

LAB 43.54, 33.59, 53.36

 

CMYK 0 / 61 / 100 / 41

HEX #963B00

RGB 150 59 0

HSL 23.6, 1%, 0.29%

LAB 37.14, 35.91, 48.25

 

CMYK 0 / 40 / 76 / 15

HEX #D98334

RGB 217 131 52

HSL 28.73, 0.68%, 0.53%

LAB 62.7, 27, 54.41

 

CMYK 0 / 60 / 76 / 15

HEX #D95634

RGB 217 86 52

HSL 12.36, 0.68%, 0.53%

LAB 53.66, 49.61, 45.23

 

CMYK 0 / 76 / 76 / 15

HEX #D93434

RGB 217 52 52

HSL 0, 0.68%, 0.53%

LAB 48.83, 62.74, 40.09

 

CMYK 0 / 40 / 76 / 15

HEX #D98334

RGB 217 131 52

HSL 28.73, 0.68%, 0.53%

LAB 62.7, 27, 54.41

 

CMYK 0 / 19 / 76 / 15

HEX #D9AF34

RGB 217 175 52

HSL 44.73, 0.68%, 0.53%

LAB 73.32, 3.42, 64.64

 

CMYK 1 / 0 / 76 / 15

HEX #D7D934

RGB 215 217 52

HSL 60.73, 0.68%, 0.53%

LAB 84.13, -18.88, 74.55

 

CMYK 22 / 0 / 76 / 15

HEX #AAD934

RGB 170 217 52

HSL 77.09, 0.68%, 0.53%

LAB 80.97, -37.11, 70.48

 

CMYK 42 / 0 / 76 / 15

HEX #7ED934

RGB 126 217 52

HSL 93.09, 0.68%, 0.53%

LAB 78.64, -52.87, 67.45

 

CMYK 0 / 40 / 76 / 15

HEX #D98334

RGB 217 131 52

HSL 28.73, 0.68%, 0.53%

LAB 62.7, 27, 54.41

 

CMYK 0 / 45 / 86 / 7

HEX #ED8221

RGB 237 130 33

HSL 28.53, 0.85%, 0.53%

LAB 65.03, 35.13, 64.7

 

CMYK 0 / 40 / 76 / 15

HEX #D98334

RGB 217 131 52

HSL 28.73, 0.68%, 0.53%

LAB 62.7, 27, 54.41

 

CMYK 0 / 33 / 64 / 22

HEX #C68447

RGB 198 132 71

HSL 28.82, 0.53%, 0.53%

LAB 60.75, 19.46, 42.61

 

CMYK 0 / 26 / 49 / 30

HEX #B3855B

RGB 179 133 91

HSL 28.64, 0.37%, 0.53%

LAB 59.08, 12.47, 29.45

 

CMYK 0 / 16 / 31 / 38

HEX #9F856E

RGB 159 133 110

HSL 28.16, 0.2%, 0.53%

LAB 57.34, 6.36, 16.1

 

CMYK 0 / 4 / 7 / 45

HEX #8C8682

RGB 140 134 130

HSL 24, 0.04%, 0.53%

LAB 56.32, 1.49, 2.94

 

CMYK 0 / 76 / 71 / 15

HEX #D9343F

RGB 217 52 63

HSL 356, 0.68%, 0.53%

LAB 48.97, 63.18, 33.95

 

CMYK 0 / 61 / 76 / 15

HEX #D95534

RGB 217 85 52

HSL 12, 0.68%, 0.53%

LAB 53.49, 50.06, 45.05

 

CMYK 0 / 41 / 76 / 15

HEX #D98134

RGB 217 129 52

HSL 28, 0.68%, 0.53%

LAB 62.25, 28.06, 53.97

 

CMYK 0 / 20 / 76 / 15

HEX #D9AD34

RGB 217 173 52

HSL 44, 0.68%, 0.53%

LAB 72.82, 4.48, 64.17

 

CMYK 0 / 0 / 76 / 15

HEX #D9D934

RGB 217 217 52

HSL 60, 0.68%, 0.53%

LAB 84.29, -18.05, 74.75

 

CMYK 0 / 43 / 82 / 38

HEX #9E5A1D

RGB 158 90 29

HSL 28.37, 0.69%, 0.37%

LAB 45.18, 23.31, 44.76

 

CMYK 0 / 43 / 82 / 24

HEX #C16E23

RGB 193 110 35

HSL 28.48, 0.69%, 0.45%

LAB 54.67, 27.58, 52.77

 

CMYK 0 / 40 / 76 / 15

HEX #D98334

RGB 217 131 52

HSL 28.73, 0.68%, 0.53%

LAB 62.7, 27, 54.41

 

CMYK 0 / 32 / 61 / 12

HEX #E09857

RGB 224 152 87

HSL 28.47, 0.69%, 0.61%

LAB 68.75, 20.59, 44.59

 

CMYK 0 / 25 / 47 / 10

HEX #E6AD7A

RGB 230 173 122

HSL 28.33, 0.68%, 0.69%

LAB 74.9, 14.74, 34.24

 

CMYK 0 / 40 / 76 / 15

HEX #DA8334

RGB 218 131 52

HSL 28.55, 0.69%, 0.53%

LAB 62.83, 27.41, 54.58

 

CMYK 51 / 0 / 76 / 15

HEX #6BD934

RGB 107 217 52

HSL 100, 0.68%, 0.53%

LAB 77.87, -58.63, 66.45

 

CMYK 71 / 76 / 0 / 15

HEX #3F34D9

RGB 63 52 217

HSL 244, 0.68%, 0.53%

LAB 35.05, 54.9, -81.64

 

CMYK 0 / 40 / 76 / 15

HEX #DA8334

RGB 218 131 52

HSL 28.55, 0.69%, 0.53%

LAB 62.83, 27.41, 54.58

 

CMYK 76 / 0 / 41 / 15

HEX #34D981

RGB 52 217 129

HSL 148, 0.68%, 0.53%

LAB 77.25, -60.76, 31.79

 

CMYK 41 / 76 / 0 / 15

HEX #8134D9

RGB 129 52 217

HSL 268, 0.68%, 0.53%

LAB 41.43, 63.17, -70.92

 

CMYK 0 / 40 / 76 / 15

HEX #DA8334

RGB 218 131 52

HSL 28.55, 0.69%, 0.53%

LAB 62.83, 27.41, 54.58

 

CMYK 51 / 0 / 76 / 15

HEX #6BD934

RGB 107 217 52

HSL 100, 0.68%, 0.53%

LAB 77.87, -58.63, 66.45

 

CMYK 76 / 35 / 0 / 15

HEX #348CD9

RGB 52 140 217

HSL 208, 0.68%, 0.53%

LAB 56.58, 0.16, -46.77

 

CMYK 25 / 76 / 0 / 15

HEX #A234D9

RGB 162 52 217

HSL 280, 0.68%, 0.53%

LAB 45.84, 68.73, -63.55

 

CMYK 0 / 40 / 76 / 15

HEX #DA8334

RGB 218 131 52

HSL 28.55, 0.69%, 0.53%

LAB 62.83, 27.41, 54.58

 

CMYK 74 / 0 / 76 / 15

HEX #39D934

RGB 57 217 52

HSL 118.18, 0.68%, 0.53%

LAB 76.52, -69.64, 64.67

 

CMYK 76 / 35 / 0 / 15

HEX #348CD9

RGB 52 140 217

HSL 208, 0.68%, 0.53%

LAB 56.58, 0.16, -46.77

 

CMYK 2 / 76 / 0 / 15

HEX #D434D9

RGB 212 52 217

HSL 298.18, 0.68%, 0.53%

LAB 53.45, 78.13, -50.9

 

Description

Color code: HEX #DA8334 | qconv.com Color code: HEX #DA8334 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 131 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 131 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 76 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 76% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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