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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA830F it is the complementary color #257CF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA830F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA830F shade: #DF830A, #F0951D, #FFA730, #FFB943 and #FFCB56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA830F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA830F shade: #DA830F, #C97100, #B85F00, #A74D00 and #963B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA830F shade: #DB840F, #DB4D0F, #DB160F and #DB0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA830F shade: #DB840F, #DBBB0F, #C5DB0F, #8EDB0F and #57DB0F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA830F shade matches the following richer shades: #DB840F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA830F shade: #DB840F, #C88122, #B57E35, #A27C48 and #8F795B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA830F shade: #DB160F, #DB4C0F, #DB830F, #DBB90F and #C7DB0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA830F shade: #8E560A, #B56D0D, #DB840F, #F09824 and #F2AB4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA830F shade: #DA830F, #3FDB0F and #310FDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA830F shade: #DA830F, #0FDB83 and #830FDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA830F shade: #DA830F, #3FDB0F, #0F68DB and #AC0FDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA830F shade: #DA830F, #0FDB1D, #0F68DB and #DB0FCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 93 / 15

HEX #DA830F

RGB 218 131 15

HSL 34.29, 0.87%, 0.46%

LAB 62.65, 26.44, 66.4

 

Complementary color

CMYK 85 / 48 / 0 / 6

HEX #257CF0

RGB 37 124 240

HSL 214.29, 0.87%, 0.54%

LAB 53.06, 17.04, -65.28

 

CMYK 0 / 41 / 96 / 13

HEX #DF830A

RGB 223 131 10

HSL 34.08, 0.91%, 0.46%

LAB 63.3, 28.49, 67.99

 

CMYK 0 / 38 / 88 / 6

HEX #F0951D

RGB 240 149 29

HSL 34.12, 0.88%, 0.53%

LAB 69.55, 26.38, 69.6

 

CMYK 0 / 35 / 81 / 0

HEX #FFA730

RGB 255 167 48

HSL 34.49, 1%, 0.59%

LAB 75.52, 23.66, 69.57

 

CMYK 0 / 27 / 74 / 0

HEX #FFB943

RGB 255 185 67

HSL 37.66, 1%, 0.63%

LAB 79.82, 14.95, 66.6

 

CMYK 0 / 20 / 66 / 0

HEX #FFCB56

RGB 255 203 86

HSL 41.54, 1%, 0.67%

LAB 84.3, 6.55, 63.38

 

CMYK 0 / 40 / 93 / 15

HEX #DA830F

RGB 218 131 15

HSL 34.29, 0.87%, 0.46%

LAB 62.65, 26.44, 66.4

 

CMYK 0 / 44 / 100 / 21

HEX #C97100

RGB 201 113 0

HSL 33.73, 1%, 0.39%

LAB 56.32, 28.7, 63.64

 

CMYK 0 / 48 / 100 / 28

HEX #B85F00

RGB 184 95 0

HSL 30.98, 1%, 0.36%

LAB 49.95, 31.15, 58.5

 

CMYK 0 / 54 / 100 / 35

HEX #A74D00

RGB 167 77 0

HSL 27.66, 1%, 0.33%

LAB 43.54, 33.59, 53.36

 

CMYK 0 / 61 / 100 / 41

HEX #963B00

RGB 150 59 0

HSL 23.6, 1%, 0.29%

LAB 37.14, 35.91, 48.25

 

CMYK 0 / 40 / 93 / 14

HEX #DB840F

RGB 219 132 15

HSL 34.41, 0.87%, 0.46%

LAB 63.01, 26.33, 66.71

 

CMYK 0 / 65 / 93 / 14

HEX #DB4D0F

RGB 219 77 15

HSL 18.24, 0.87%, 0.46%

LAB 52.29, 53.32, 59.38

 

CMYK 0 / 90 / 93 / 14

HEX #DB160F

RGB 219 22 15

HSL 2.06, 0.87%, 0.46%

LAB 46.54, 69.31, 55.79

 

CMYK 0 / 93 / 93 / 14

HEX #DB0F0F

RGB 219 15 15

HSL 0, 0.87%, 0.46%

LAB 46.23, 70.2, 55.61

 

CMYK 0 / 40 / 93 / 14

HEX #DB840F

RGB 219 132 15

HSL 34.41, 0.87%, 0.46%

LAB 63.01, 26.33, 66.71

 

CMYK 0 / 15 / 93 / 14

HEX #DBBB0F

RGB 219 187 15

HSL 50.59, 0.87%, 0.46%

LAB 76.46, -2.94, 76.54

 

CMYK 10 / 0 / 93 / 14

HEX #C5DB0F

RGB 197 219 15

HSL 66.47, 0.87%, 0.46%

LAB 83.21, -28.25, 80.9

 

CMYK 35 / 0 / 93 / 14

HEX #8EDB0F

RGB 142 219 15

HSL 82.65, 0.87%, 0.46%

LAB 79.87, -49.55, 76.83

 

CMYK 60 / 0 / 93 / 14

HEX #57DB0F

RGB 87 219 15

HSL 98.82, 0.87%, 0.46%

LAB 77.71, -65.98, 74.19

 

CMYK 0 / 40 / 93 / 14

HEX #DB840F

RGB 219 132 15

HSL 34.41, 0.87%, 0.46%

LAB 63.01, 26.33, 66.71

 

CMYK 0 / 40 / 93 / 14

HEX #DB840F

RGB 219 132 15

HSL 34.41, 0.87%, 0.46%

LAB 63.01, 26.33, 66.71

 

CMYK 0 / 36 / 83 / 22

HEX #C88122

RGB 200 129 34

HSL 34.34, 0.71%, 0.46%

LAB 59.97, 20.21, 58.19

 

CMYK 0 / 30 / 71 / 29

HEX #B57E35

RGB 181 126 53

HSL 34.22, 0.55%, 0.46%

LAB 57.08, 14.34, 46.79

 

CMYK 0 / 23 / 56 / 36

HEX #A27C48

RGB 162 124 72

HSL 34.67, 0.38%, 0.46%

LAB 54.62, 8.43, 33.81

 

CMYK 0 / 15 / 36 / 44

HEX #8F795B

RGB 143 121 91

HSL 34.62, 0.22%, 0.46%

LAB 52.14, 3.95, 19.63

 

CMYK 0 / 90 / 93 / 14

HEX #DB160F

RGB 219 22 15

HSL 2.06, 0.87%, 0.46%

LAB 46.54, 69.31, 55.79

 

CMYK 0 / 65 / 93 / 14

HEX #DB4C0F

RGB 219 76 15

HSL 17.94, 0.87%, 0.46%

LAB 52.13, 53.73, 59.28

 

CMYK 0 / 40 / 93 / 14

HEX #DB830F

RGB 219 131 15

HSL 34.12, 0.87%, 0.46%

LAB 62.78, 26.86, 66.55

 

CMYK 0 / 16 / 93 / 14

HEX #DBB90F

RGB 219 185 15

HSL 50, 0.87%, 0.46%

LAB 75.94, -1.9, 76.16

 

CMYK 9 / 0 / 93 / 14

HEX #C7DB0F

RGB 199 219 15

HSL 65.88, 0.87%, 0.46%

LAB 83.36, -27.43, 81.07

 

CMYK 0 / 39 / 93 / 44

HEX #8E560A

RGB 142 86 10

HSL 34.55, 0.87%, 0.3%

LAB 41.89, 17.88, 47.75

 

CMYK 0 / 40 / 93 / 29

HEX #B56D0D

RGB 181 109 13

HSL 34.29, 0.87%, 0.38%

LAB 52.72, 22.43, 57.43

 

CMYK 0 / 40 / 93 / 14

HEX #DB840F

RGB 219 132 15

HSL 34.41, 0.87%, 0.46%

LAB 63.01, 26.33, 66.71

 

CMYK 0 / 37 / 85 / 6

HEX #F09824

RGB 240 152 36

HSL 34.12, 0.87%, 0.54%

LAB 70.25, 24.96, 68.21

 

CMYK 0 / 29 / 69 / 5

HEX #F2AB4B

RGB 242 171 75

HSL 34.49, 0.87%, 0.62%

LAB 75.15, 17.25, 58.02

 

CMYK 0 / 40 / 93 / 15

HEX #DA830F

RGB 218 131 15

HSL 34.29, 0.87%, 0.46%

LAB 62.65, 26.44, 66.4

 

CMYK 71 / 0 / 93 / 14

HEX #3FDB0F

RGB 63 219 15

HSL 105.88, 0.87%, 0.46%

LAB 77.13, -70.87, 73.47

 

CMYK 78 / 93 / 0 / 14

HEX #310FDB

RGB 49 15 219

HSL 250, 0.87%, 0.46%

LAB 29.69, 68.53, -91.72

 

CMYK 0 / 40 / 93 / 15

HEX #DA830F

RGB 218 131 15

HSL 34.29, 0.87%, 0.46%

LAB 62.65, 26.44, 66.4

 

CMYK 93 / 0 / 40 / 14

HEX #0FDB83

RGB 15 219 131

HSL 154.12, 0.87%, 0.46%

LAB 77.52, -64.1, 31.06

 

CMYK 40 / 93 / 0 / 14

HEX #830FDB

RGB 131 15 219

HSL 274.12, 0.87%, 0.46%

LAB 38.34, 74.23, -77.11

 

CMYK 0 / 40 / 93 / 15

HEX #DA830F

RGB 218 131 15

HSL 34.29, 0.87%, 0.46%

LAB 62.65, 26.44, 66.4

 

CMYK 71 / 0 / 93 / 14

HEX #3FDB0F

RGB 63 219 15

HSL 105.88, 0.87%, 0.46%

LAB 77.13, -70.87, 73.47

 

CMYK 93 / 53 / 0 / 14

HEX #0F68DB

RGB 15 104 219

HSL 213.82, 0.87%, 0.46%

LAB 45.79, 20.43, -65.24

 

CMYK 21 / 93 / 0 / 14

HEX #AC0FDB

RGB 172 15 219

HSL 286.18, 0.87%, 0.46%

LAB 44.56, 79.3, -66.7

 

CMYK 0 / 40 / 93 / 15

HEX #DA830F

RGB 218 131 15

HSL 34.29, 0.87%, 0.46%

LAB 62.65, 26.44, 66.4

 

CMYK 93 / 0 / 87 / 14

HEX #0FDB1D

RGB 15 219 29

HSL 124.12, 0.87%, 0.46%

LAB 76.59, -75.56, 70.56

 

CMYK 93 / 53 / 0 / 14

HEX #0F68DB

RGB 15 104 219

HSL 213.82, 0.87%, 0.46%

LAB 45.79, 20.43, -65.24

 

CMYK 0 / 93 / 6 / 14

HEX #DB0FCE

RGB 219 15 206

HSL 303.82, 0.87%, 0.46%

LAB 51.68, 84.62, -47.37

 

Description

Color code: HEX #DA830F | qconv.com Color code: HEX #DA830F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 131 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 131 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 93 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 93% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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