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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA80AC it is the complementary color #257F53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA80AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA80AC shade: #DF80A7, #F092BA, #FFA4CD, #FFB6E0 and #FFC8F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA80AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA80AC shade: #DA80AC, #C96E99, #B85C86, #A74A73 and #963860

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA80AC shade: #DA81AC, #DA8194 and #DA8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA80AC shade: #DA81AC, #DA81C5, #D881DA, #C081DA and #A781DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA80AC shade matches the following richer shades: #DA81AC, #E773AC and #F566AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA80AC shade: #DA81AC, #CD8EAD, #C09BAD, #B3A8AD and #A5B5AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA80AC shade: #D781DA, #DA81C5, #DA81AD, #DA8195 and #DA8481

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA80AC shade: #C84183, #D16198, #DA81AC, #E4A0C1 and #EDC0D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA80AC shade: #DA80AC, #DABF81 and #81D1DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA80AC shade: #DA80AC, #ADDA81 and #81ADDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA80AC shade: #DA80AC, #DABF81, #81DAAD and #819BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA80AC shade: #DA80AC, #DADA81, #81DAAD and #8181DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 21 / 15

HEX #DA80AC

RGB 218 128 172

HSL 330.67, 0.55%, 0.68%

LAB 64.42, 40.38, -8.23

 

Complementary color

CMYK 71 / 0 / 35 / 50

HEX #257F53

RGB 37 127 83

HSL 150.67, 0.55%, 0.32%

LAB 47.23, -37.19, 16.48

 

CMYK 0 / 43 / 25 / 13

HEX #DF80A7

RGB 223 128 167

HSL 335.37, 0.6%, 0.69%

LAB 64.9, 41.37, -4.63

 

CMYK 0 / 39 / 23 / 6

HEX #F092BA

RGB 240 146 186

HSL 334.47, 0.76%, 0.76%

LAB 71.3, 40.55, -5.59

 

CMYK 0 / 36 / 20 / 0

HEX #FFA4CD

RGB 255 164 205

HSL 332.97, 1%, 0.82%

LAB 77.41, 39.09, -6.81

 

CMYK 0 / 29 / 12 / 0

HEX #FFB6E0

RGB 255 182 224

HSL 325.48, 1%, 0.86%

LAB 81.89, 32.63, -10.45

 

CMYK 0 / 22 / 5 / 0

HEX #FFC8F3

RGB 255 200 243

HSL 313.09, 1%, 0.89%

LAB 86.52, 26.35, -13.68

 

CMYK 0 / 41 / 21 / 15

HEX #DA80AC

RGB 218 128 172

HSL 330.67, 0.55%, 0.68%

LAB 64.42, 40.38, -8.23

 

CMYK 0 / 45 / 24 / 21

HEX #C96E99

RGB 201 110 153

HSL 331.65, 0.46%, 0.61%

LAB 57.91, 41.2, -7.26

 

CMYK 0 / 50 / 27 / 28

HEX #B85C86

RGB 184 92 134

HSL 332.61, 0.39%, 0.54%

LAB 51.34, 42.02, -6.13

 

CMYK 0 / 56 / 31 / 35

HEX #A74A73

RGB 167 74 115

HSL 333.55, 0.39%, 0.47%

LAB 44.73, 42.78, -4.77

 

CMYK 0 / 63 / 36 / 41

HEX #963860

RGB 150 56 96

HSL 334.47, 0.46%, 0.4%

LAB 38.12, 43.38, -3.05

 

CMYK 0 / 41 / 21 / 15

HEX #DA81AC

RGB 218 129 172

HSL 331.01, 0.55%, 0.68%

LAB 64.63, 39.86, -7.92

 

CMYK 0 / 41 / 32 / 15

HEX #DA8194

RGB 218 129 148

HSL 347.19, 0.55%, 0.68%

LAB 63.95, 36.54, 4.72

 

CMYK 0 / 41 / 41 / 15

HEX #DA8181

RGB 218 129 129

HSL 0, 0.55%, 0.68%

LAB 63.5, 34.27, 14.87

 

CMYK 0 / 41 / 21 / 15

HEX #DA81AC

RGB 218 129 172

HSL 331.01, 0.55%, 0.68%

LAB 64.63, 39.86, -7.92

 

CMYK 0 / 41 / 10 / 15

HEX #DA81C5

RGB 218 129 197

HSL 314.16, 0.55%, 0.68%

LAB 65.47, 43.8, -20.77

 

CMYK 1 / 41 / 0 / 15

HEX #D881DA

RGB 216 129 218

HSL 298.65, 0.55%, 0.68%

LAB 66.03, 46.86, -31.66

 

CMYK 12 / 41 / 0 / 15

HEX #C081DA

RGB 192 129 218

HSL 282.47, 0.55%, 0.68%

LAB 63.32, 39.69, -36.08

 

CMYK 23 / 41 / 0 / 15

HEX #A781DA

RGB 167 129 218

HSL 265.62, 0.55%, 0.68%

LAB 60.76, 32.36, -40.27

 

CMYK 0 / 41 / 21 / 15

HEX #DA81AC

RGB 218 129 172

HSL 331.01, 0.55%, 0.68%

LAB 64.63, 39.86, -7.92

 

CMYK 0 / 50 / 26 / 9

HEX #E773AC

RGB 231 115 172

HSL 330.52, 0.71%, 0.68%

LAB 63.53, 51.26, -9.38

 

CMYK 0 / 58 / 30 / 4

HEX #F566AC

RGB 245 102 172

HSL 330.63, 0.88%, 0.68%

LAB 63.25, 61.62, -9.58

 

CMYK 0 / 41 / 21 / 15

HEX #DA81AC

RGB 218 129 172

HSL 331.01, 0.55%, 0.68%

LAB 64.63, 39.86, -7.92

 

CMYK 0 / 31 / 16 / 20

HEX #CD8EAD

RGB 205 142 173

HSL 330.48, 0.39%, 0.68%

LAB 66.01, 28.51, -6.6

 

CMYK 0 / 19 / 10 / 25

HEX #C09BAD

RGB 192 155 173

HSL 330.81, 0.23%, 0.68%

LAB 67.77, 16.7, -4.14

 

CMYK 0 / 6 / 3 / 30

HEX #B3A8AD

RGB 179 168 173

HSL 332.73, 0.07%, 0.68%

LAB 69.9, 4.86, -1.16

 

CMYK 9 / 0 / 4 / 29

HEX #A5B5AE

RGB 165 181 174

HSL 153.75, 0.1%, 0.68%

LAB 72.3, -6.9, 1.66

 

CMYK 1 / 41 / 0 / 15

HEX #D781DA

RGB 215 129 218

HSL 297.98, 0.55%, 0.68%

LAB 65.91, 46.56, -31.85

 

CMYK 0 / 41 / 10 / 15

HEX #DA81C5

RGB 218 129 197

HSL 314.16, 0.55%, 0.68%

LAB 65.47, 43.8, -20.77

 

CMYK 0 / 41 / 21 / 15

HEX #DA81AD

RGB 218 129 173

HSL 330.34, 0.55%, 0.68%

LAB 64.66, 40, -8.44

 

CMYK 0 / 41 / 32 / 15

HEX #DA8195

RGB 218 129 149

HSL 346.52, 0.55%, 0.68%

LAB 63.98, 36.67, 4.18

 

CMYK 0 / 39 / 41 / 15

HEX #DA8481

RGB 218 132 129

HSL 2.02, 0.55%, 0.68%

LAB 64.16, 32.68, 15.78

 

CMYK 0 / 68 / 35 / 22

HEX #C84183

RGB 200 65 131

HSL 330.67, 0.55%, 0.52%

LAB 49.13, 58.97, -7.37

 

CMYK 0 / 54 / 27 / 18

HEX #D16198

RGB 209 97 152

HSL 330.54, 0.55%, 0.6%

LAB 56.46, 50.24, -8.73

 

CMYK 0 / 41 / 21 / 15

HEX #DA81AC

RGB 218 129 172

HSL 331.01, 0.55%, 0.68%

LAB 64.63, 39.86, -7.92

 

CMYK 0 / 30 / 15 / 11

HEX #E4A0C1

RGB 228 160 193

HSL 330.88, 0.56%, 0.76%

LAB 73.21, 30.08, -6.79

 

CMYK 0 / 19 / 10 / 7

HEX #EDC0D6

RGB 237 192 214

HSL 330.67, 0.56%, 0.84%

LAB 82.14, 19.55, -4.9

 

CMYK 0 / 41 / 21 / 15

HEX #DA80AC

RGB 218 128 172

HSL 330.67, 0.55%, 0.68%

LAB 64.42, 40.38, -8.23

 

CMYK 0 / 12 / 41 / 15

HEX #DABF81

RGB 218 191 129

HSL 41.8, 0.55%, 0.68%

LAB 78.32, 1.1, 34.79

 

CMYK 41 / 4 / 0 / 15

HEX #81D1DA

RGB 129 209 218

HSL 186.07, 0.55%, 0.68%

LAB 79.23, -22.2, -12.17

 

CMYK 0 / 41 / 21 / 15

HEX #DA80AC

RGB 218 128 172

HSL 330.67, 0.55%, 0.68%

LAB 64.42, 40.38, -8.23

 

CMYK 21 / 0 / 41 / 15

HEX #ADDA81

RGB 173 218 129

HSL 90.34, 0.55%, 0.68%

LAB 82.17, -29.82, 39.07

 

CMYK 41 / 21 / 0 / 15

HEX #81ADDA

RGB 129 173 218

HSL 210.34, 0.55%, 0.68%

LAB 69.2, -3.29, -27.39

 

CMYK 0 / 41 / 21 / 15

HEX #DA80AC

RGB 218 128 172

HSL 330.67, 0.55%, 0.68%

LAB 64.42, 40.38, -8.23

 

CMYK 0 / 12 / 41 / 15

HEX #DABF81

RGB 218 191 129

HSL 41.8, 0.55%, 0.68%

LAB 78.32, 1.1, 34.79

 

CMYK 41 / 0 / 21 / 15

HEX #81DAAD

RGB 129 218 173

HSL 149.66, 0.55%, 0.68%

LAB 80.64, -36.73, 13.88

 

CMYK 41 / 29 / 0 / 15

HEX #819BDA

RGB 129 155 218

HSL 222.47, 0.55%, 0.68%

LAB 64.3, 6.82, -34.96

 

CMYK 0 / 41 / 21 / 15

HEX #DA80AC

RGB 218 128 172

HSL 330.67, 0.55%, 0.68%

LAB 64.42, 40.38, -8.23

 

CMYK 0 / 0 / 41 / 15

HEX #DADA81

RGB 218 218 129

HSL 60, 0.55%, 0.68%

LAB 85.32, -12.75, 43.72

 

CMYK 41 / 0 / 21 / 15

HEX #81DAAD

RGB 129 218 173

HSL 149.66, 0.55%, 0.68%

LAB 80.64, -36.73, 13.88

 

CMYK 41 / 41 / 0 / 15

HEX #8181DA

RGB 129 129 218

HSL 240, 0.55%, 0.68%

LAB 57.49, 21.98, -45.64

 

Description

Color code: HEX #DA80AC | qconv.com Color code: HEX #DA80AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 128 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 128 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 21 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 21% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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